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Manuel Teran Sold at Auction Prices

b. 1974 -

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      • TERÁN (Chile, 1974). "Tribute to Fontana". Flag of Japan, 2024. Oil on canvas. Signed on the right side. Signed, dated and titled on the back.
        Nov. 13, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana". Flag of Japan, 2024. Oil on canvas. Signed on the right side. Signed, dated and titled on the back.

        Est: €1,400 - €1,600

        TERÁN (Chile, 1974). "Tribute to Fontana". Flag of Japan, 2024. Oil on canvas. Signed on the right side. Signed, dated and titled on the back. Measurements: 61 x 38 cm (x3); 68 x 125 cm (frame). In the catalog of the exhibition "Tribute to the Geniuses", it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Fontana". European Flag, 2024. Oil and acrylic on canvas. Signed on the right side. Signed, dated and titled on the back.
        Nov. 13, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana". European Flag, 2024. Oil and acrylic on canvas. Signed on the right side. Signed, dated and titled on the back.

        Est: €1,400 - €1,600

        TERÁN (Chile, 1974). "Tribute to Fontana". European Flag, 2024. Oil and acrylic on canvas. Signed on the right side. Signed, dated and titled on the back. Measurements: 61 x 38 cm (x3); 68 x 125 cm (frame). In the catalog of the exhibition "Tribute to the Geniuses", it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Metropolis". Making Of Series, 2023. Oil and acrylic on canvas.
        Oct. 08, 2024

        TERÁN (Chile, 1974). "Metropolis". Making Of Series, 2023. Oil and acrylic on canvas.

        Est: €1,800 - €2,000

        TERÁN (Chile, 1974). "Metropolis". Making Of Series, 2023. Oil and acrylic on canvas. Measurements: 80 x 100 cm. In this work Terán explores the possibilities offered by one of his most popular series "Making Off". For this he resorts to the metropolis film, although he flees from the usual image and focuses his attention on the idea of a futuristic city. A city that begins to emerge from the shadows, but seems to shine towards the end, thus creating a visual metaphor of the hopeful unknown. It is worth mentioning that among the logos found in the city can be seen that of Etherum. A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.
        Sep. 10, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.

        Est: €1,600 - €1,800

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back. Measurements: 162 x 130 cm. This work belongs to a series of seven paintings in which Terán reinterprets the iconic technique immortalized by Lucio Fontana. Only with the painting Terán recreates as a trompe l'oeil one of the most groundbreaking actions of contemporary art. Through different shades of white and variations he creates a pictorial series that works both as a whole and individually. In the catalog of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.
        Sep. 10, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.

        Est: €600 - €800

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back. Measurements: 60 x 60 cm. This work belongs to a series of seven paintings in which Terán reinterprets the iconic technique immortalized by Lucio Fontana. Only with the painting Terán recreates as a trompe l'oeil one of the most groundbreaking actions of contemporary art. Through different shades of white and variations he creates a pictorial series that works both as a whole and individually. In the catalog of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.
        Sep. 10, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.

        Est: €600 - €800

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back. Measurements: 60 x 60 cm. This work belongs to a series of seven paintings in which Terán reinterprets the iconic technique immortalized by Lucio Fontana. Only with the painting Terán recreates as a trompe l'oeil one of the most groundbreaking actions of contemporary art. Through different shades of white and variations he creates a pictorial series that works both as a whole and individually. In the catalog of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.
        Sep. 10, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.

        Est: €600 - €800

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back. Measurements: 60 x 60 cm. This work belongs to a series of seven paintings in which Terán reinterprets the iconic technique immortalized by Lucio Fontana. Only with the painting Terán recreates as a trompe l'oeil one of the most groundbreaking actions of contemporary art. Through different shades of white and variations he creates a pictorial series that works both as a whole and individually. In the catalog of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.
        Sep. 10, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.

        Est: €600 - €800

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back. Measurements: 60 x 60 cm. This work belongs to a series of seven paintings in which Terán reinterprets the iconic technique immortalized by Lucio Fontana. Only with the painting Terán recreates as a trompe l'oeil one of the most groundbreaking actions of contemporary art. Through different shades of white and variations he creates a pictorial series that works both as a whole and individually. In the catalog of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.
        Sep. 10, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.

        Est: €600 - €800

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back. Measurements: 60 x 60 cm. This work belongs to a series of seven paintings in which Terán reinterprets the iconic technique immortalized by Lucio Fontana. Only with the painting Terán recreates as a trompe l'oeil one of the most groundbreaking actions of contemporary art. Through different shades of white and variations he creates a pictorial series that works both as a whole and individually. In the catalog of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.
        Sep. 10, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back.

        Est: €600 - €800

        TERÁN (Chile, 1974). "Tribute to Fontana". Oil on canvas. Signed on the lower right side of the edge. Signed and titled on the back. Measurements: 60 x 60 cm. This work belongs to a series of seven paintings in which Terán reinterprets the iconic technique immortalized by Lucio Fontana. Only with the painting Terán recreates as a trompe l'oeil one of the most groundbreaking actions of contemporary art. Through different shades of white and variations he creates a pictorial series that works both as a whole and individually. In the catalog of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to the geniuses Kusama and Velázquez", 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.
        Jul. 10, 2024

        TERÁN (Chile, 1974). "Tribute to the geniuses Kusama and Velázquez", 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.

        Est: €400 - €500

        TERÁN (Chile, 1974). "Tribute to the geniuses Kusama and Velázquez", 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 30 x 30 cm; 35.5 x 35.5 cm (frame). In the catalog of the exhibition "Tribute to the Geniuses", it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to the geniuses: Kusama and Velázquez", 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.
        Jul. 10, 2024

        TERÁN (Chile, 1974). "Tribute to the geniuses: Kusama and Velázquez", 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.

        Est: €400 - €500

        TERÁN (Chile, 1974). "Tribute to the geniuses: Kusama and Velázquez", 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 30 x 30 cm; 35.5 x 35.5 cm (frame). In the catalog of the exhibition "Tribute to the Geniuses", it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Pollock", Tribute to genius series, 2022. Oil on canvas. Signed in the lower right corner.
        Jul. 10, 2024

        TERÁN (Chile, 1974). "Tribute to Pollock", Tribute to genius series, 2022. Oil on canvas. Signed in the lower right corner.

        Est: €800 - €1,000

        TERÁN (Chile, 1974). "Tribute to Pollock", Tribute to genius series, 2022. Oil on canvas. Signed in the lower right corner. Measurements: 60 x 60 cm. In the catalog of the exhibition "Tribute to the Geniuses", it is noted that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Warhol", Tribute to Genius Series, 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.
        Jul. 10, 2024

        TERÁN (Chile, 1974). "Tribute to Warhol", Tribute to Genius Series, 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.

        Est: €800 - €1,000

        TERÁN (Chile, 1974). "Tribute to Warhol", Tribute to Genius Series, 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 60 x 60 cm. In the catalog of the exhibition "Tribute to the Geniuses", it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Banksy", Tribute to Genius Series, 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.
        Jul. 10, 2024

        TERÁN (Chile, 1974). "Tribute to Banksy", Tribute to Genius Series, 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.

        Est: €800 - €1,000

        TERÁN (Chile, 1974). "Tribute to Banksy", Tribute to Genius Series, 2022. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 60 x 60 cm. In the catalog of the exhibition "Tribute to the Geniuses", it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as that of the Royal Academy of Fine Arts of Chile.

        Setdart Auction House
      • TERÁN (Chile, 1974). "Picasso walking Jeff Koons' dog", series Fantasies of Picasso, 2022. Oil on canvas. Signed in the lower left corner. Signed, dated and titled on the back.
        Jul. 10, 2024

        TERÁN (Chile, 1974). "Picasso walking Jeff Koons' dog", series Fantasies of Picasso, 2022. Oil on canvas. Signed in the lower left corner. Signed, dated and titled on the back.

        Est: €1,200 - €1,400

        TERÁN (Chile, 1974). "Picasso walking Jeff Koons' dog", series Fantasies of Picasso, 2022. Oil on canvas. Signed in the lower left corner. Signed, dated and titled on the back. Measurements: 80 x 60 cm. In this work Terán presents us with Picasso, dressed in his iconic striped shirt. In one of his hands he holds a leash that holds a dog-shaped balloon in reference to the artist Jeff Koons. The use of characters from comics or urban culture as protagonists brings us closer to pop. However, Terán offers a new perspective as he brings a radically new vision by playing with elements of high and low culture. A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

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      • MANUEL TERÁN Chile 1974 Mocking Picasso. 2023...
        Jul. 02, 2024

        MANUEL TERÁN Chile 1974 Mocking Picasso. 2023...

        Est: -

        MANUEL TERÁN Chile 1974 Mocking Picasso. 2023 Acrylic on canvas Signed Back signed, titled and dated 2023 Measurements 162 x 130 cm

        Subastas Segre
      • TERÁN (Chile, 1974). "Van Gogh at the gates of eternity". Making off series. Oil and acrylic on canvas. It has methacrylate framing. Signed in the lower right corner. Signed and titled on the back.
        Jun. 13, 2024

        TERÁN (Chile, 1974). "Van Gogh at the gates of eternity". Making off series. Oil and acrylic on canvas. It has methacrylate framing. Signed in the lower right corner. Signed and titled on the back.

        Est: €400 - €500

        TERÁN (Chile, 1974). "Van Gogh at the gates of eternity". Making off series. Oil and acrylic on canvas. It has methacrylate framing. Signed in the lower right corner. Signed and titled on the back. Measurements: 63 x 63 cm; 69 x 69 cm (frame). Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Fontana". Tribute to genius series, 2022. Oil on canvas. Signed on the right side. Signed, dated and titled on the back.
        Jun. 13, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana". Tribute to genius series, 2022. Oil on canvas. Signed on the right side. Signed, dated and titled on the back.

        Est: €600 - €800

        TERÁN (Chile, 1974). "Tribute to Fontana". Tribute to genius series, 2022. Oil on canvas. Signed on the right side. Signed, dated and titled on the back. Measurements: 60 x 60 cm. In the catalog of the exhibition "Tribute to the Geniuses", it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • TERÁN (Chile, 1974). "Tribute to Fontana. Tribute to genius series. Oil on canvas. Signed on the right side. Signed and titled on the back.
        Jun. 13, 2024

        TERÁN (Chile, 1974). "Tribute to Fontana. Tribute to genius series. Oil on canvas. Signed on the right side. Signed and titled on the back.

        Est: €600 - €800

        TERÁN (Chile, 1974). "Tribute to Fontana. Tribute to genius series. Oil on canvas. Signed on the right side. Signed and titled on the back. Measurements: 60 x 60 cm. In the catalog of the exhibition "Tribute to the Geniuses", it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN - Tributo a Haring
        May. 21, 2024

        MANUEL TERÁN - Tributo a Haring

        Est: -

        MANUEL TERÁN Chile 1974 Tributo a Haring. 2023 Óleo y acrílico sobre tela Firmado Dorso firmado, titulado y fechado 2023 Medidas 100 x 100 cm

        Subastas Segre
      • MANUEL TERÁN - Tributo a Fontana. Serie Tributo a los genios
        May. 21, 2024

        MANUEL TERÁN - Tributo a Fontana. Serie Tributo a los genios

        Est: -

        MANUEL TERÁN Chile 1974 Tributo a Fontana. Serie Tributo a los genios. 2023 Óleo y acrílico sobre tela Firmado Dorso firmado, titulado y fechado 2023 Medidas 60 x 60 cm

        Subastas Segre
      • MANUEL TERÁN (Chile, 1974). "Attack on Warhol VI", 2024. Oil and acrylic on canvas. Signed and titled on the back.
        May. 13, 2024

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol VI", 2024. Oil and acrylic on canvas. Signed and titled on the back.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol VI", 2024. Oil and acrylic on canvas. Signed and titled on the back. Measurements: 60 x 60 cm. In this piece the artist starts from the famous work created by Warhol and starring the famous Campbell's soup can. But he throws paint on it, creating a new work in which the identity of the original is blurred, as well as creating a metaphor about capitalism and communism and pop icons. This work follows in the wake of Terán's series called Tribute to the Geniuses. In it "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Attack on Warhol VII", 2024. Oil and acrylic on canvas. Signed and titled on the back.
        May. 13, 2024

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol VII", 2024. Oil and acrylic on canvas. Signed and titled on the back.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol VII", 2024. Oil and acrylic on canvas. Signed and titled on the back. Measurements: 60 x 60 cm. In this piece the artist starts from the famous work created by Warhol and starring Mao Zedong. But on it he throws paint that erases the face, thus creating a painting that erases Mao's identity, as well as creating a metaphor about capitalism and communism and pop icons. This work follows in the wake of Terán's series called Tribute to the Geniuses. In it "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Attack on Warhol IV", 2024. Oil and acrylic on canvas. Signed and titled on the back.
        May. 13, 2024

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol IV", 2024. Oil and acrylic on canvas. Signed and titled on the back.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol IV", 2024. Oil and acrylic on canvas. Signed and titled on the back. Measurements: 60 x 60 cm. In this piece the artist starts from the famous work created by Warhol and starring the famous can of Marilyn soup. But he throws paint on it, creating a new work in which the identity of the original is blurred, as well as creating a metaphor about capitalism and communism and pop icons. This work follows in the wake of Terán's series called Tribute to the Geniuses. In it "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Attack on Warhol III", 2024. Oil and acrylic on canvas. Signed and titled on the back. Measures: 60 x 60 cm.
        May. 13, 2024

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol III", 2024. Oil and acrylic on canvas. Signed and titled on the back. Measures: 60 x 60 cm.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol III", 2024. Oil and acrylic on canvas. Signed and titled on the back. Measures: 60 x 60 cm. In this piece the artist starts from the famous work created by Warhol and starring Mao Zedong. But on it he throws paint that erases the face, thus creating a painting that erases Mao's identity, as well as creating a metaphor about capitalism and communism and about pop icons. This work follows in the wake of Terán's series Tribute to the Geniuses. In it "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Eclectic, tribute to the geniuses/ Banksy", 2021. Oil on canvas. Signed on the left side. Signed, dated and titled on the back.
        Apr. 11, 2024

        MANUEL TERÁN (Chile, 1974). "Eclectic, tribute to the geniuses/ Banksy", 2021. Oil on canvas. Signed on the left side. Signed, dated and titled on the back.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "Eclectic, tribute to the geniuses/ Banksy", 2021. Oil on canvas. Signed on the left side. Signed, dated and titled on the back. Measurements: 60 x 60 cm; 67 x 67 cm (frame). In the catalog of the exhibition "Tribute to the Geniuses" it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Eclectic, tribute to the geniuses/ Jasper Johns", 2021. Oil on canvas. Signed on the left side. Signed, dated and titled on the back.
        Apr. 11, 2024

        MANUEL TERÁN (Chile, 1974). "Eclectic, tribute to the geniuses/ Jasper Johns", 2021. Oil on canvas. Signed on the left side. Signed, dated and titled on the back.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "Eclectic, tribute to the geniuses/ Jasper Johns", 2021. Oil on canvas. Signed on the left side. Signed, dated and titled on the back. Measurements: 60 x 60 cm; 67 x 67 cm (frame). In the catalog of the exhibition "Tribute to the Geniuses" it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Tribute to the geniuses/ Tribute to Fontana", 2023. Oil on canvas. Signed on the left side. Signed, dated and titled on the back.
        Apr. 11, 2024

        MANUEL TERÁN (Chile, 1974). "Tribute to the geniuses/ Tribute to Fontana", 2023. Oil on canvas. Signed on the left side. Signed, dated and titled on the back.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "Tribute to the geniuses/ Tribute to Fontana", 2023. Oil on canvas. Signed on the left side. Signed, dated and titled on the back. Measurements: 60 x 60 cm; 65 x 65 cm (frame). In the catalog of the exhibition "Tribute to the Geniuses" it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Tribute to the geniuses/ Tribute to Fontana", 2023. Oil on canvas. Signed on the left side. Signed, dated and titled on the back.
        Apr. 11, 2024

        MANUEL TERÁN (Chile, 1974). "Tribute to the geniuses/ Tribute to Fontana", 2023. Oil on canvas. Signed on the left side. Signed, dated and titled on the back.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "Tribute to the geniuses/ Tribute to Fontana", 2023. Oil on canvas. Signed on the left side. Signed, dated and titled on the back. Measurements: 60 x 60 cm; 65 x 65 cm (frame). In the catalog of the exhibition "Tribute to the Geniuses" it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Attack on Velázquez", 2021-2024. Oil and acrylic on canvas. Signed in the lower right corner. Signed, dated and titled on the back.
        Apr. 11, 2024

        MANUEL TERÁN (Chile, 1974). "Attack on Velázquez", 2021-2024. Oil and acrylic on canvas. Signed in the lower right corner. Signed, dated and titled on the back.

        Est: €700 - €900

        MANUEL TERÁN (Chile, 1974). "Attack on Velázquez", 2021-2024. Oil and acrylic on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 92 x 60 cm; 97 x 65 cm (frame). In this work Terán rescues one of the most enigmatic and studied portraits of Velázquez, which appears in his most iconic work "Las Meninas". Philip IV and Mariana of Austria are in this case vandalized by Terán, who rescues their image and reinterprets it in a contemporary key. A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Pablo Pikachu", Fantasías de Picasso series. 2023-2024. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.
        Apr. 11, 2024

        MANUEL TERÁN (Chile, 1974). "Pablo Pikachu", Fantasías de Picasso series. 2023-2024. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.

        Est: €4,000 - €5,000

        MANUEL TERÁN (Chile, 1974). "Pablo Pikachu", Fantasías de Picasso series. 2023-2024. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 200 x 250 cm. In this work Terán plays visually with the name of Picasso, introducing the mythical Pokemon Pikachu as part of a background in which also inhabits the figure of the Malaga painter himself, dressed in his iconic striped shirt, his brushes and a bull mask made of wicker. One of the most relevant aspects of the work is the shadow cast by Picasso himself, which does not correspond to his body, but rather to the anatomy of a bull, one of the most repeated figures in his pictorial imagery. The use of characters from comics or urban culture as protagonists brings us closer to pop. However, Terán offers a new perspective as he brings a radically new vision by playing with elements of high and low culture. A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERAN - Madrid. Cybele Palace
        Mar. 19, 2024

        MANUEL TERAN - Madrid. Cybele Palace

        Est: -

        MANUEL TERÁN Chile 1974 Madrid. Cybele Palace. 2021 Oil on canvas Back signed, titled and dated 2021 Measurements 97 x 130 cm

        Subastas Segre
      • MANUEL TERÁN (Chile, 1974). "To Warhol". , Tribute to Genius Series, 2023. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.
        Mar. 05, 2024

        MANUEL TERÁN (Chile, 1974). "To Warhol". , Tribute to Genius Series, 2023. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "To Warhol". , Tribute to Genius Series, 2023. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 60 x 60 cm. Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Attack on Warhol II". Oil and acrylic on canvas. Signed and titled on the back.
        Mar. 05, 2024

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol II". Oil and acrylic on canvas. Signed and titled on the back.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol II". Oil and acrylic on canvas. Signed and titled on the back. Measurements: 60 x 60 cm. In this piece the artist starts from the famous work created by Warhol and starring Mao Zedong. But on it he throws white paint that erases the face, thus creating a painting that erases Mao's identity, as well as creating a metaphor about capitalism and communism and pop icons. This work follows in the wake of Terán's series called Tribute to the Geniuses. In it "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Attack on Warhol I". Oil and acrylic on canvas. Signed and titled on the back.
        Mar. 05, 2024

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol I". Oil and acrylic on canvas. Signed and titled on the back.

        Est: €600 - €800

        MANUEL TERÁN (Chile, 1974). "Attack on Warhol I". Oil and acrylic on canvas. Signed and titled on the back. Measurements: 60 x 60 cm. In this piece the artist starts from the famous work created by Warhol and starring Mao Zedong. But on it he throws white paint that erases the face, thus creating a painting that erases Mao's identity, as well as creating a metaphor about capitalism and communism and pop icons. This work follows in the wake of Terán's series called Tribute to the Geniuses. In it "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERAN (Chile, 1974). “Banksy”. Tribute series to geniuses, 2019-2020. Oil on canvas. Signed in the lower left corner. Signed, dated and titled on the back.
        Mar. 05, 2024

        MANUEL TERAN (Chile, 1974). “Banksy”. Tribute series to geniuses, 2019-2020. Oil on canvas. Signed in the lower left corner. Signed, dated and titled on the back.

        Est: €4,000 - €6,000

        MANUEL TERÁN (Chile, 1974). "Banksy". Tribute to genius series, 2019-2020. Oil on canvas. Signed in the lower left corner. Signed, dated and titled on the back. Measures: 190 x 190 cm. In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies." Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "The great wave of Kanagawa by Picasso", 2022- 2023. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.
        Mar. 05, 2024

        MANUEL TERÁN (Chile, 1974). "The great wave of Kanagawa by Picasso", 2022- 2023. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.

        Est: €4,000 - €6,000

        MANUEL TERÁN (Chile, 1974). "The great wave of Kanagawa by Picasso", 2022- 2023. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 130 x 162 cm. Imbued by the aesthetics of pop neorealism in this work the author presents us with Picasso portrayed in black and white with his back to the viewer, creating one of his famous bathers who are being invaded by "The great wave" of Kanagawa. Terán thus creates an image of great visual impact where he unites two aesthetic icons of art history, West and East come together in this image that reveals the value of art as creation. In the catalog of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Metropolis". Making Of Series, 2023. Oil and acrylic on canvas.
        Mar. 05, 2024

        MANUEL TERÁN (Chile, 1974). "Metropolis". Making Of Series, 2023. Oil and acrylic on canvas.

        Est: €1,800 - €2,000

        MANUEL TERÁN (Chile, 1974). "Metropolis". Making Of Series, 2023. Oil and acrylic on canvas. Measurements: 80 x 100 cm. In this work Terán explores the possibilities offered by one of his most popular series "Making Off". For this he resorts to the metropolis film, although he flees from the usual image and focuses his attention on the idea of a futuristic city. A city that begins to emerge from the shadows, but seems to shine towards the end, thus creating a visual metaphor of the hopeful unknown. It is worth mentioning that among the logos found in the city can be seen that of Etherum. A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERAN (Chile, 1974). "Marcel Duchamp visited", 2023. Acrylic on canvas. Signed in the lower right corner. Signed, dated and titled on the back.
        Mar. 05, 2024

        MANUEL TERAN (Chile, 1974). "Marcel Duchamp visited", 2023. Acrylic on canvas. Signed in the lower right corner. Signed, dated and titled on the back.

        Est: €4,000 - €6,000

        MANUEL TERÁN (Chile, 1974). "Marcel Duchamp visited", 2023. Acrylic on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Size: 190 x 190 cm. In this work Terán quotes two of the most relevant artists of the beginning of the century, Picasso and Marcel Duchamp. Both known for revolutionising the art world, this painting stands as a tribute in which two of Duchamp's most iconic works can be seen, "Nude descending the stairs" and "The fountain", both in a museum space inhabited by Picasso. The gesture of the painter from Malaga is ambiguous, as he turns his back to the canvas and approaches the urinal on the pedestal with a posture that arouses the viewer's perspicacity. The catalogue of the exhibition "Tribute to the Geniuses" states that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).

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      • MANUEL TERÁN (Chile, 1974). "The camera man", Making Of Series, 2023. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.
        Mar. 05, 2024

        MANUEL TERÁN (Chile, 1974). "The camera man", Making Of Series, 2023. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back.

        Est: €4,000 - €6,000

        MANUEL TERÁN (Chile, 1974). "The camera man", Making Of Series, 2023. Oil on canvas. Signed in the lower right corner. Signed, dated and titled on the back. Measurements: 190 x 190 cm. Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERAN (Chile, 1974). "Mocking Picasso", 2023. Acrylic and oil on canvas. Signed in the lower left corner. Signed, dated and titled on the back.
        Mar. 05, 2024

        MANUEL TERAN (Chile, 1974). "Mocking Picasso", 2023. Acrylic and oil on canvas. Signed in the lower left corner. Signed, dated and titled on the back.

        Est: €3,000 - €4,000

        MANUEL TERÁN (Chile, 1974). "Picasso Burlón", 2023. Acrylic and oil on canvas. Signed in the lower left corner. Signed, dated and titled on the back. Measurements: 162 x 130 cm. In this work Terán pays homage to the work of Francis Bacon, using it as a concrete resource where Pope Innocent X becomes Picasso. In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERAN (Chile, 1974). "Picasso cleaning Bacon's brushes", 2022. Acrylic and oil on canvas. Signed, dated and titled on the back.
        Mar. 05, 2024

        MANUEL TERAN (Chile, 1974). "Picasso cleaning Bacon's brushes", 2022. Acrylic and oil on canvas. Signed, dated and titled on the back.

        Est: €4,000 - €6,000

        MANUEL TERÁN (Chile, 1974). "Picasso cleaning Bacon's brushes", 2022. Acrylic and oil on canvas. Signed, dated and titled on the back. Size: 190 x 190 cm. The portraits of two great painters coexist in this work, in the foreground Picasso cleans his brushes as if he had just finished the great painting which alludes to Francis Bacon and which is placed behind the back of the artist from Malaga. The catalogue of the exhibition "Tribute to the Geniuses" states that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Metropolis", Making Of 2022 Series. Oil on panel. Signed in the lower right corner. Signed, dated and titled.
        Mar. 05, 2024

        MANUEL TERÁN (Chile, 1974). "Metropolis", Making Of 2022 Series. Oil on panel. Signed in the lower right corner. Signed, dated and titled.

        Est: €2,000 - €3,000

        MANUEL TERÁN (Chile, 1974). "Metropolis", Making Of 2022 Series. Oil on panel. Signed in the lower right corner. Signed, dated and titled. Measurements: 100 x 80 cm; 110 x 90 cm (frame). Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Metropolis", Making Of 2022 Series. Oil on panel. Signed in the lower right corner. Signed, dated and titled.
        Mar. 05, 2024

        MANUEL TERÁN (Chile, 1974). "Metropolis", Making Of 2022 Series. Oil on panel. Signed in the lower right corner. Signed, dated and titled.

        Est: €2,000 - €3,000

        MANUEL TERÁN (Chile, 1974). "Metropolis", Making Of 2022 Series. Oil on panel. Signed in the lower right corner. Signed, dated and titled. Measurements: 80 x 100 cm; 90 x 110 cm (frame). Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Eyes wide shut", Seríe Making Of 2022. Oil on panel. Signed in the lower right corner. Signed, dated and titled.
        Mar. 05, 2024

        MANUEL TERÁN (Chile, 1974). "Eyes wide shut", Seríe Making Of 2022. Oil on panel. Signed in the lower right corner. Signed, dated and titled.

        Est: €1,800 - €2,000

        MANUEL TERÁN (Chile, 1974). "Eyes wide shut", Seríe Making Of 2022. Oil on panel. Signed in the lower right corner. Signed, dated and titled. Measurements: 80 x 100 cm; 90 x 110 cm (frame). Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Homage to Velázquez". Oil on canvas. Signed in the lower right corner.
        Jan. 30, 2024

        MANUEL TERÁN (Chile, 1974). "Homage to Velázquez". Oil on canvas. Signed in the lower right corner.

        Est: €700 - €900

        MANUEL TERÁN (Chile, 1974). "Homage to Velázquez". Oil on canvas. Signed in the lower right corner. Measurements: 92 x 60 cm; 97 x 65 cm (frame). For this work, Terán, has been inspired by the famous painting of the meninas. Specifically, it is one of the most enigmatic aspects of Velázquez's painting, the mirror that reflects the figure of the monarchs and with which he manages to turn the kings not only into protóginas of the painting but also spectators of it, thus creating a pictorial paradox. In the catalog of the exhibition "Tribute to the Geniuses", it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

        Setdart Auction House
      • MANUEL TERÁN (Chile, 1974). "Tribute to Haring". 2023. Acrylic on canvas. Signed on the side. Signed, dated and titled on the back.
        Jan. 10, 2024

        MANUEL TERÁN (Chile, 1974). "Tribute to Haring". 2023. Acrylic on canvas. Signed on the side. Signed, dated and titled on the back.

        Est: €800 - €1,000

        MANUEL TERÁN (Chile, 1974). "Tribute to Haring". 2023. Acrylic on canvas. Signed on the side. Signed, dated and titled on the back. Measurements: 100 x 100 cm. In the catalog of the exhibition "Tribute to the Geniuses", it is pointed out that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

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