Joe Talirunili Sold at Auction Prices

(b. Neahungnuk, Nunavik 1906; d. Puvirnituq, Qué 13 September 1976) Inuit sculptor, printmaker. Joe Talirunili was born between the years 1893-1906. Talirunili believed 1906 was his date of birth, but written records state otherwise. Born in the Neahungnuk camp near the Great Whale River (north of Puvirnituq, Nunavic in Arctic Quebec), Talirunili’s work is inspired by his Inuit culture and his life experiences. As one of the founding members of the Puvirnituq print shop, he is known for his printmaking and even more so for his sculpture. Using materials that are available to him, he does not plan or sketch his sculptures beforehand. This makes his work more abstract and rough than typical Puvirnituq sculpture. His most well known works come from his Migration series. As a young child he was in an actual migration from an island in Hudson Bay to the mainland in a small umiak boat made of wood, sealskin and rope. The ice melted around their boat, causing many people to be lost at sea. This traumatic event inspired his emotionally charged, bold pieces. Talirunili focused more on sculpture in the 1950’s and later shifted more to graphics in the 1960’s. Talirunili died on September 13, 1976. He produced the majority of his work during the last fifteen years of his life. * (*Credit: Heffel, Vancouver, Fall 2008 Live Auction, November 19, 2008, Lot 69.)

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          • Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), THEIR BOAT IS OF SEALSKIN, 1976
            Jul. 11, 2024

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), THEIR BOAT IS OF SEALSKIN, 1976

            Est: $400 - $600

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), Puvirnituq (Povungnituk) THEIR BOAT IS OF SEALSKIN, 1976 titled, dated and numbered 50/50; artist's and printer's name in Roman and syllabics Estimate: $400—600 CAD

            Waddington's
          • Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), (HUNTING ON LAND AND BY WATER), 1963
            Jul. 11, 2024

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), (HUNTING ON LAND AND BY WATER), 1963

            Est: $500 - $700

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), Puvirnituq (Povungnituk) (HUNTING ON LAND AND BY WATER), 1963 titled, dated and numbered 27/30; artist's name in syllabics Estimate: $500—700 CAD

            Waddington's
          • Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), THEY ARRIVED AT THEIR SUMMER CAMP, 1975
            Jul. 11, 2024

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), THEY ARRIVED AT THEIR SUMMER CAMP, 1975

            Est: $400 - $600

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), Puvirnituq (Povungnituk) THEY ARRIVED AT THEIR SUMMER CAMP, 1975 titled, dated and numbered 50/50; artist's and printer's name in Roman and syllabics Estimate: $400—600 CAD

            Waddington's
          • Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), BEAR HUNTERS
            Jul. 11, 2024

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), BEAR HUNTERS

            Est: $700 - $900

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), Puvirnituq (Povungnituk) BEAR HUNTERS signed in Roman and syllabics; disc number inscribed Estimate: $700—900 CAD

            Waddington's
          • Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), TWO PERCHED OWLS
            Jun. 13, 2024

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), TWO PERCHED OWLS

            Est: $600 - $900

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), Puvirnituq (Povungnituk) TWO PERCHED OWLS signed in Roman and syllabics; framed Estimate: $600—900 CAD

            Waddington's
          • Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), WALRUS, CA. 1970
            May. 29, 2024

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), WALRUS, CA. 1970

            Est: $700 - $900

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), Puvirnituq (Povungnituk) WALRUS, CA. 1970 stone, signed in Roman Estimate: $700—900

            Waddington's
          • Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), WOMAN WITH CATCH, CA. 1965
            May. 29, 2024

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), WOMAN WITH CATCH, CA. 1965

            Est: $4,000 - $6,000

            Joe Talirunili ᔪᐅ ᑕᓚᕈᓂᓕ (1893-1976), Puvirnituq (Povungnituk) WOMAN WITH CATCH, CA. 1965 stone, signed in Roman Estimate: $4,000—6,000

            Waddington's
          • Inuit Stone Carvings Reindeer + Otter by Joe Talirunili
            Jan. 25, 2024

            Inuit Stone Carvings Reindeer + Otter by Joe Talirunili

            Est: $800 - $1,200

            Joe Talirunili (Inuit, 1893-1976). Reindeer and Otter with Fish. Soapstone sculpture, ca. 1960s to 1970s. Otter is signed in English beneath right foot and Reindeer is signed in English on underside of body. A charming pair of soapstone sculptures by renowned Inuit printmaker and sculptor Joe Talirunili, depicting an otter propped up on his hindlegs as he boasts a newly-caught fish in his mouth and a reindeer leaning forward with an elongated snout and thick flank. Talirunili, was a resident of Povungnituk and became known for his rough yet evocative carvings- if a piece broke off, he would often simply use glue and continue with the piece. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size of largest (otter): 3" L x 2.7" W x 7.4" H (7.6 cm x 6.9 cm x 18.8 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179525

            Artemis Gallery
          • Inuit Stone Sculpture of an Owl - Joe Talirunili
            Jan. 11, 2024

            Inuit Stone Sculpture of an Owl - Joe Talirunili

            Est: $1,000 - $1,500

            Joe Talirunili (Inuit, 1893-1976). Owl. Soapstone sculpture, ca. 1960s to 1970s. Signed in English under right foot. A fabulous soapstone sculpture of a horned owl by renowned Inuit printmaker and sculptor Joe Talirunili. The delightful creature stands on short legs with delineated talons on each foot, his plumed wings tucked as his long neck slopes slightly back. His evocative visage is comprised of huge eyes and an open, curved beak beneath a narrowed brow and tall, pointed horns. Joe Talirunili, resident of Povungnituk, was known for his rough yet evocative descriptions of boats full of figures, as well as for owls, like this example. This owl is characteristically simplistic in execution though still exhibits a vivacious, animated presence. Size: 2.5" L x 1.8" W x 6.1" H (6.4 cm x 4.6 cm x 15.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179315

            Artemis Gallery
          • 1960s Inuit Soapstone Otter Eating Fish -Joe Talirunili
            Nov. 27, 2023

            1960s Inuit Soapstone Otter Eating Fish -Joe Talirunili

            Est: $700 - $1,050

            **Originally Listed At $2000** Joe Talirunili ( Inuit, 1893-1976). Otter with Fish. Soapstone sculpture, ca. 1960/70s. Signed in English on posterior. A soapstone sculpture of a otter (or similar long tailed mammal) devouring a fish by renowned Inuit printmaker and sculptor Joe Talirunili. The base of the squatting animal is signed simply "JOE" with a number: "1-20947." Talirunili, was a resident of Povungnituk and became known for his rough yet evocative carvings- if a piece broke off, he would often simply use glue and continue with the piece. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178781

            Artemis Gallery
          • Signed Inuit Stone Hunter in Kayak by Joe Talirunili
            Nov. 09, 2023

            Signed Inuit Stone Hunter in Kayak by Joe Talirunili

            Est: $3,200 - $4,800

            Joe Talirunili (Inuit, 1893-1976). "Hunter in Kayak." Soapstone sculpture, ca. 1960/70s. Signed "Joe" on the base with numbers. A soapstone sculpture of a hunter in his kayak, carved from a single piece of stone. Attached is a wooden paddle and spear with cotton threads and black leather cords. Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on an arctic landscape, often roughly executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. Size: 11.5" L x 3" W x 5.25" H (29.2 cm x 7.6 cm x 13.3 cm) Joe Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178792

            Artemis Gallery
          • 1960s Inuit Soapstone Otter Eating Fish -Joe Talirunili
            Oct. 26, 2023

            1960s Inuit Soapstone Otter Eating Fish -Joe Talirunili

            Est: $800 - $1,200

            Joe Talirunili ( Inuit, 1893-1976). Otter with Fish. Soapstone sculpture, ca. 1960/70s. Signed in English on posterior. A soapstone sculpture of a otter (or similar long tailed mammal) devouring a fish by renowned Inuit printmaker and sculptor Joe Talirunili. The base of the squatting animal is signed simply "JOE" with a number: "1-20947." Talirunili, was a resident of Povungnituk and became known for his rough yet evocative carvings- if a piece broke off, he would often simply use glue and continue with the piece. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178781

            Artemis Gallery
          • Joe Talirunili, Povungnituk, 16 x 24 1/2 in. (40.6 x 62.2 cm.) (unframed)
            Oct. 25, 2023

            Joe Talirunili, Povungnituk, 16 x 24 1/2 in. (40.6 x 62.2 cm.) (unframed)

            Est: $300 - $500

            Joe Talirunili, Povungnituk, Untitled- Hunting Scene, stonecut, #24/30, signed in syllabics, and dated 1963.

            Maynards Fine Art & Antiques
          • Inuit Stone Carvings Reindeer + Otter - Joe Talirunili
            Oct. 05, 2023

            Inuit Stone Carvings Reindeer + Otter - Joe Talirunili

            Est: $800 - $1,200

            Joe Talirunili (Inuit, 1893-1976). Reindeer and Otter with Fish. Soapstone sculpture, ca. 1960s to 1970s. Otter is signed in English beneath right foot and Reindeer is signed in English on underside of body. A charming pair of soapstone sculptures by renowned Inuit printmaker and sculptor Joe Talirunili, depicting an otter propped up on his hindlegs as he boasts a newly-caught fish in his mouth and a reindeer leaning forward with an elongated snout and thick flank. Talirunili, was a resident of Povungnituk and became known for his rough yet evocative carvings- if a piece broke off, he would often simply use glue and continue with the piece. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size of largest (otter): 3" L x 2.7" W x 7.4" H (7.6 cm x 6.9 cm x 18.8 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179525

            Artemis Gallery
          • Inuit Stone Sculpture of an Owl - Joe Talirunili
            Oct. 05, 2023

            Inuit Stone Sculpture of an Owl - Joe Talirunili

            Est: $1,000 - $1,500

            Joe Talirunili (Inuit, 1893-1976). Owl. Soapstone sculpture, ca. 1960s to 1970s. Signed in English under right foot. A fabulous soapstone sculpture of a horned owl by renowned Inuit printmaker and sculptor Joe Talirunili. The delightful creature stands on short legs with delineated talons on each foot, his plumed wings tucked as his long neck slopes slightly back. His evocative visage is comprised of huge eyes and an open, curved beak beneath a narrowed brow and tall, pointed horns. Joe Talirunili, resident of Povungnituk, was known for his rough yet evocative descriptions of boats full of figures, as well as for owls, like this example. This owl is characteristically simplistic in execution though still exhibits a vivacious, animated presence. Size: 2.5" L x 1.8" W x 6.1" H (6.4 cm x 4.6 cm x 15.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179315

            Artemis Gallery
          • 1960s Inuit Soapstone Otter w/ Fish by Joe Talirunili
            Sep. 14, 2023

            1960s Inuit Soapstone Otter w/ Fish by Joe Talirunili

            Est: $3,200 - $4,800

            Joe Talirunili ( Inuit, 1893-1976). Otter with Fish. Soapstone sculpture, ca. 1960/70s. Signed in English on posterior. A soapstone sculpture of a otter (or similar long tailed mammal) devouring a fish by renowned Inuit printmaker and sculptor Joe Talirunili. The base of the squatting animal is signed simply "JOE" with a number: "1-20947." Talirunili, was a resident of Povungnituk and became known for his rough yet evocative carvings- if a piece broke off, he would often simply use glue and continue with the piece. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178781

            Artemis Gallery
          • 20th C. Inuit Soapstone Sculpture Owl, Joe Talirunili
            Sep. 08, 2023

            20th C. Inuit Soapstone Sculpture Owl, Joe Talirunili

            Est: $1,200 - $1,800

            Joe Talirunili (Inuit, 1893-1976). Owl. Soapstone sculpture, ca. 1960s to 1970s. Signed in English under left foot and in syllabics under right. A delightful soapstone sculpture of a horned owl by renowned Inuit printmaker and sculptor Joe Talirunili. The charming creature stands upright on thick legs with delineated talons on each foot. His heavily plumed wings form sharp angles from his elongated body, as though about to spread outward and take flight, as his head presents huge eyes and a petite beak beneath a pair of pointed horns. Joe Talirunili, resident of Povungnituk, was known for his rough yet evocative descriptions of boats full of figures, as well as for owls, like this example. This owl is characteristically quite primitive in execution, yet full of spirit, exhibiting a dignified silhouette and a powerful presence. Size: 2.9" W x 5.3" H (7.4 cm x 13.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179314

            Artemis Gallery
          • 1960s Inuit Soapstone Sculpture 'Hunter in Kayak' - Joe Talirunili
            Sep. 08, 2023

            1960s Inuit Soapstone Sculpture 'Hunter in Kayak' - Joe Talirunili

            Est: $3,200 - $4,800

            Joe Talirunili (Inuit, 1893-1976). "Hunter in Kayak." Soapstone sculpture, ca. 1960/70s. Signed "Joe" on the base with numbers. A soapstone sculpture of a hunter in his kayak, carved from a single piece of stone. Attached is a wooden paddle and spear with cotton threads and black leather cords. Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on an arctic landscape, often roughly executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. Size: 11.5" L x 3" W x 5.25" H (29.2 cm x 7.6 cm x 13.3 cm) Joe Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178792

            Artemis Gallery
          • 20th C. Inuit Stone Sculpture of Owl by Joe Talirunili
            Aug. 04, 2023

            20th C. Inuit Stone Sculpture of Owl by Joe Talirunili

            Est: $1,800 - $2,700

            Please note this item falls under the Safeguard Tribal Objects of Patrimony Act and is not eligible for international shipping. Native American, Alaska Native, & Native Hawaiian objects are only eligible to ship within the United States. If you live outside of the USA and you bid/win, your bid will be cancelled. Please bid accordingly. Joe Talirunili (Inuit, 1893-1976). Owl. Soapstone sculpture, ca. 1960s to 1970s. Signed in English under right foot. A fabulous soapstone sculpture of a horned owl by renowned Inuit printmaker and sculptor Joe Talirunili. The delightful creature stands on short legs with delineated talons on each foot, his plumed wings tucked as his long neck slopes slightly back. His evocative visage is comprised of huge eyes and an open, curved beak beneath a narrowed brow and tall, pointed horns. Joe Talirunili, resident of Povungnituk, was known for his rough yet evocative descriptions of boats full of figures, as well as for owls, like this example. This owl is characteristically simplistic in execution though still exhibits a vivacious, animated presence. Size: 2.5" L x 1.8" W x 6.1" H (6.4 cm x 4.6 cm x 15.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179315

            Artemis Gallery
          • 20th C. Inuit Soapstone Sculpture Owl, Joe Talirunili
            Aug. 04, 2023

            20th C. Inuit Soapstone Sculpture Owl, Joe Talirunili

            Est: $1,400 - $2,100

            Joe Talirunili (Inuit, 1893-1976). Owl. Soapstone sculpture, ca. 1960s to 1970s. Signed in English under left foot and in syllabics under right. A delightful soapstone sculpture of a horned owl by renowned Inuit printmaker and sculptor Joe Talirunili. The charming creature stands upright on thick legs with delineated talons on each foot. His heavily plumed wings form sharp angles from his elongated body, as though about to spread outward and take flight, as his head presents huge eyes and a petite beak beneath a pair of pointed horns. Joe Talirunili, resident of Povungnituk, was known for his rough yet evocative descriptions of boats full of figures, as well as for owls, like this example. This owl is characteristically quite primitive in execution, yet full of spirit, exhibiting a dignified silhouette and a powerful presence. Size: 2.9" W x 5.3" H (7.4 cm x 13.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179314

            Artemis Gallery
          • Inuit Soapstone Figure Hunter w/ Spear, Joe Talirunili
            Aug. 04, 2023

            Inuit Soapstone Figure Hunter w/ Spear, Joe Talirunili

            Est: $3,600 - $5,400

            Please note this item falls under the Safeguard Tribal Objects of Patrimony Act and is not eligible for international shipping. Native American, Alaska Native, & Native Hawaiian objects are only eligible to ship within the United States. If you live outside of the USA and you bid/win, your bid will be cancelled. Please bid accordingly. Joe Talirunili (Inuit, 1893-1976). Hunter with Harpoon and Spear. Soapstone sculpture with wood and walrus ivory, ca. 1960s to 1970s. Signed in English on underside of right foot. An enticing soapstone sculpture by renowned Inuit printmaker and sculptor Joe Talirunili depicting a hunter carrying weapons of wood and walrus ivory. A characteristically veristic portrayal of everyday life in the arctic, Talirunili's hunter stands atop slightly bent legs and tall boots, draped in a knee-length hooded coat with a thick collar as he holds a wood and thread toggling harpoon upright in one hand and a wood fishing gaff with an ivory hook in the other. His minimalist visage is comprised of huge, wide eyes - reminiscent of Talirunili's famed owl sculptures - as well as a broad nose, and straight mouth, all crowned by a hemispherical coiffure. Though relatively simplistic in form, short dashes add texture to his hair, while a fringe lines the lower hem of his coat. Size: 3.8" W x 11.6" H (9.7 cm x 29.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces, and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." This is an ESA antique exempt piece of ivory and cannot be sold internationally or to anyone residing in the states of California, Hawaii, Illinois, Nevada, New Hampshire, New Jersey, New York, Oregon, and Washington. Parts from certain animal species may require an additional license upon import into another country due to legislation relating to endangered species and environmental conservation. If you are not sure whether CITES rules apply to your item, please see the CITES Appendices. Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178818

            Artemis Gallery
          • Signed Inuit Stone Hunter in Kayak by Joe Talirunili
            Aug. 04, 2023

            Signed Inuit Stone Hunter in Kayak by Joe Talirunili

            Est: $3,600 - $5,400

            Please note this item falls under the Safeguard Tribal Objects of Patrimony Act and is not eligible for international shipping. Native American, Alaska Native, & Native Hawaiian objects are only eligible to ship within the United States. If you live outside of the USA and you bid/win, your bid will be cancelled. Please bid accordingly. Joe Talirunili (Inuit, 1893-1976). "Hunter in Kayak." Soapstone sculpture, ca. 1960/70s. Signed "Joe" on the base with numbers. A soapstone sculpture of a hunter in his kayak, carved from a single piece of stone. Attached is a wooden paddle and spear with cotton threads and black leather cords. Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on an arctic landscape, often roughly executed, as though emphasizing the artist’s urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. Size: 11.5" L x 3" W x 5.25" H (29.2 cm x 7.6 cm x 13.3 cm) Joe Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178792

            Artemis Gallery
          • 1960s Inuit Soapstone Otter w/ Fish by Joe Talirunili
            Aug. 04, 2023

            1960s Inuit Soapstone Otter w/ Fish by Joe Talirunili

            Est: $3,600 - $5,400

            Please note this item falls under the Safeguard Tribal Objects of Patrimony Act and is not eligible for international shipping. Native American, Alaska Native, & Native Hawaiian objects are only eligible to ship within the United States. If you live outside of the USA and you bid/win, your bid will be cancelled. Please bid accordingly. Joe Talirunili ( Inuit, 1893-1976). Otter with Fish. Soapstone sculpture, ca. 1960/70s. Signed in English on posterior. A soapstone sculpture of a otter (or similar long tailed mammal) devouring a fish by renowned Inuit printmaker and sculptor Joe Talirunili. The base of the squatting animal is signed simply "JOE" with a number: "1-20947." Talirunili, was a resident of Povungnituk and became known for his rough yet evocative carvings- if a piece broke off, he would often simply use glue and continue with the piece. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178781

            Artemis Gallery
          • Joe Talirunili Soapstone Reindeer & Otter
            Jul. 14, 2023

            Joe Talirunili Soapstone Reindeer & Otter

            Est: $1,800 - $2,700

            Joe Talirunili (Inuit, 1893-1976). Reindeer and Otter with Fish. Soapstone sculpture, ca. 1960s to 1970s. Otter is signed in English beneath right foot and Reindeer is signed in English on underside of body. A charming pair of soapstone sculptures by renowned Inuit printmaker and sculptor Joe Talirunili, depicting an otter propped up on his hindlegs as he boasts a newly-caught fish in his mouth and a reindeer leaning forward with an elongated snout and thick flank. Talirunili, was a resident of Povungnituk and became known for his rough yet evocative carvings- if a piece broke off, he would often simply use glue and continue with the piece. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size of largest (otter): 3" L x 2.7" W x 7.4" H (7.6 cm x 6.9 cm x 18.8 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179525

            Artemis Gallery
          • 20th C. Inuit Stone Sculpure of Owl by Joe Talirunili
            Jun. 29, 2023

            20th C. Inuit Stone Sculpure of Owl by Joe Talirunili

            Est: $2,000 - $3,000

            Joe Talirunili (Inuit, 1893-1976). Owl. Soapstone sculpture, ca. 1960s to 1970s. Signed in English under right foot. A fabulous soapstone sculpture of a horned owl by renowned Inuit printmaker and sculptor Joe Talirunili. The delightful creature stands on short legs with delineated talons on each foot, his plumed wings tucked as his long neck slopes slightly back. His evocative visage is comprised of huge eyes and an open, curved beak beneath a narrowed brow and tall, pointed horns. Joe Talirunili, resident of Povungnituk, was known for his rough yet evocative descriptions of boats full of figures, as well as for owls, like this example. This owl is characteristically simplistic in execution though still exhibits a vivacious, animated presence. Size: 2.5" L x 1.8" W x 6.1" H (6.4 cm x 4.6 cm x 15.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179315

            Artemis Gallery
          • 20th C. Inuit Soapstone Sculpture Owl, Joe Talirunili
            Jun. 29, 2023

            20th C. Inuit Soapstone Sculpture Owl, Joe Talirunili

            Est: $1,600 - $2,400

            Joe Talirunili (Inuit, 1893-1976). Owl. Soapstone sculpture, ca. 1960s to 1970s. Signed in English under left foot and in syllabics under right. A delightful soapstone sculpture of a horned owl by renowned Inuit printmaker and sculptor Joe Talirunili. The charming creature stands upright on thick legs with delineated talons on each foot. His heavily plumed wings form sharp angles from his elongated body, as though about to spread outward and take flight, as his head presents huge eyes and a petite beak beneath a pair of pointed horns. Joe Talirunili, resident of Povungnituk, was known for his rough yet evocative descriptions of boats full of figures, as well as for owls, like this example. This owl is characteristically quite primitive in execution, yet full of spirit, exhibiting a dignified silhouette and a powerful presence. Size: 2.9" W x 5.3" H (7.4 cm x 13.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179314

            Artemis Gallery
          • Inuit Soapstone Figure Hunter w/ Spear, Joe Talirunili
            Jun. 29, 2023

            Inuit Soapstone Figure Hunter w/ Spear, Joe Talirunili

            Est: $4,000 - $6,000

            Joe Talirunili (Inuit, 1893-1976). Hunter with Harpoon and Spear. Soapstone sculpture with wood and walrus ivory, ca. 1960s to 1970s. Signed in English on underside of right foot. An enticing soapstone sculpture by renowned Inuit printmaker and sculptor Joe Talirunili depicting a hunter carrying weapons of wood and walrus ivory. A characteristically veristic portrayal of everyday life in the arctic, Talirunili's hunter stands atop slightly bent legs and tall boots, draped in a knee-length hooded coat with a thick collar as he holds a wood and thread toggling harpoon upright in one hand and a wood fishing gaff with an ivory hook in the other. His minimalist visage is comprised of huge, wide eyes - reminiscent of Talirunili's famed owl sculptures - as well as a broad nose, and straight mouth, all crowned by a hemispherical coiffure. Though relatively simplistic in form, short dashes add texture to his hair, while a fringe lines the lower hem of his coat. Size: 3.8" W x 11.6" H (9.7 cm x 29.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces, and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." This is an ESA antique exempt piece of ivory and cannot be sold internationally or to anyone residing in the states of California, Hawaii, Illinois, Nevada, New Hampshire, New Jersey, New York, Oregon, and Washington. Parts from certain animal species may require an additional license upon import into another country due to legislation relating to endangered species and environmental conservation. If you are not sure whether CITES rules apply to your item, please see the CITES Appendices. Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178818

            Artemis Gallery
          • 1960s Inuit Soapstone Otter w/ Fish by Joe Talirunili
            Jun. 29, 2023

            1960s Inuit Soapstone Otter w/ Fish by Joe Talirunili

            Est: $4,000 - $6,000

            Joe Talirunili ( Inuit, 1893-1976). Otter with Fish. Soapstone sculpture, ca. 1960/70s. Signed in English on posterior. A soapstone sculpture of a otter (or similar long tailed mammal) devouring a fish by renowned Inuit printmaker and sculptor Joe Talirunili. The base of the squatting animal is signed simply "JOE" with a number: "1-20947." Talirunili, was a resident of Povungnituk and became known for his rough yet evocative carvings- if a piece broke off, he would often simply use glue and continue with the piece. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Size: 3.75" L x 4" W x 5" H (9.5 cm x 10.2 cm x 12.7 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178781

            Artemis Gallery
          • Signed 20th C. Soapstone Arctic Weasel, Joe Talirunili
            Jun. 15, 2023

            Signed 20th C. Soapstone Arctic Weasel, Joe Talirunili

            Est: $1,800 - $2,700

            Joe Talirunili (Inuit, 1893-1976). Otter. Soapstone sculpture, ca. 1960s to 1970s. Signed in English on underside of tail. A charming soapstone sculpture of a least weasel in a playful stance with an adorable raised head and a thick tail. His undulating body is supported by 4 short legs with delineated claws. He gently lifts the heels of his front paws as though about to jump forward as his round snout displays a slightly open mouth, incised nostrils, almond-shaped eyes, and a furrowed brow all beneath a pair of petite ears and a central crest - perhaps representing a tuft of fur. Inuit mythology describes weasels as wise and brave. One story describes a hero who would choose to transform into a least weasel when he had to accomplish a task demanding bravery. Size: 7.1" L x 2.8" W x 4.9" H (18 cm x 7.1 cm x 12.4 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178782

            Artemis Gallery
          • Signed 20th C. Inuit Soapstone Squirrel, Joe Talirunili
            Jun. 01, 2023

            Signed 20th C. Inuit Soapstone Squirrel, Joe Talirunili

            Est: $1,200 - $1,800

            Native American, Canada, northern Quebec, Nunavik, Puvirnituq, ca. 1960s to 1970s CE. Signed by Joe Talirunili (Inuit, 1893-1976) in English and syllabics. A charming soapstone sculpture by renowned Inuit printmaker and sculptor Joe Talirunili depicting an arctic ground squirrel known as a siksik. The adorable animal sits on its haunches supported by long feet and leans forward as a long tail curves up from its backside. His lengthy snout displays protruding teeth or a tongue below a delineated nose, sizable, almond-shaped eyes, and petite pointed ears. Note how the tail is attached via some sort of adhesive; Talirunili would often mend broken pieces of his sculpture by simply gluing them back on. This sense of immediacy in both material selection and execution are intuitive to the scenarios they depict, highlighting themes of resilience and endurance. Size: 6" L x 2.3" W x 3.8" H (15.2 cm x 5.8 cm x 9.7 cm) Born in either 1893, 1899, or 1906, Joe Talirunili was known for his depictions of the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist's urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when Talirunili's "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #179316

            Artemis Gallery
          • Signed 20th C. Inuit Soapstone Owl by Joe Talirunili
            Jun. 01, 2023

            Signed 20th C. Inuit Soapstone Owl by Joe Talirunili

            Est: $1,200 - $1,800

            Native American, Canada, northern Quebec, Nunavik, Puvirnituq, ca. 1960s to 1970s CE. Signed by Joe Talirunili (Inuit, 1893-1976) in English and syllabics. An adorable soapstone sculpture of a horned owl by renowned Inuit printmaker and sculptor Joe Talirunili. The delightful creature stands on thick legs, his plumed wings tucked as his head leans slightly forward presenting huge eyes beneath a narrowed brow and petite horns. Joe Talirunili, resident of Povungnituk, was known for his rough yet evocative descriptions of boats full of figures, as well as for owls. This owl is characteristically quite primitive in execution, yet full of spirit. Size: 2.9" W x 5.3" H (7.4 cm x 13.5 cm) Born in either 1893, 1899, or 1906, Joe Talirunili used both sculpture and printmaking to depict the harshness of the northern climate and the survivalist lifestyle of a people dependent on a barren landscape, often crudely executed, as though emphasizing the artist’s urgency and conviction for documenting his thoughts. The rugged aesthetic Talirunili favored for his sculptures set them apart from the majority of those being produced from Puvirnituq at the time, which were increasingly being recognized for their "idealized, dreamlike quality," smooth surfaces and fine details. His sculpture "The Migration" made Talirunili one of the most sought-after Inuit artists, as it held the world record for a price paid for an Inuit artist at auction in 2012, a record that was only surpassed when "Migration Boat" (early to mid-1970s) sold for $408,000 in 2019. Both sculptures portray one of his childhood experiences, when families set sail in an umiak (large sealskin boat) to travel to better hunting grounds. This scene was repeatedly depicted in Joe's carvings, drawings, and prints. Talirunili's work has been included in over 30 exhibitions and was featured on a 14-cent Canadian stamp in 1976. When speaking of Joe Talirunili in "Canadian Inuit Print Artist/Printer Biographies," Sandra Barz states, "He left a legacy of sculpture, prints and drawings, which were unique in the way he crafted even the most mundane subject. His owls were horned 'Joe' owls, his human figures, animals and hunting scenes were instantly distinguishable, as were the haunting 'migration' boat scenes, whether rendered as drawings, prints or sculptures. Perhaps redundant as identification, but part of his enormous charm, was the inevitable 'JOE' (sometimes backwards) carved into his stones, almost as part of the image. His contributions to editioned print collections started with the initial release in 1962 and continued without a break through the next 10 collections for a total of some 70 stonecut prints. He cut his own stones and probably tried his hand at printing, too, on occasion." Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178765

            Artemis Gallery
          • Joe Talirunili Stonecut - White Owl & Lemming (1962)
            Jun. 01, 2023

            Joe Talirunili Stonecut - White Owl & Lemming (1962)

            Est: $500 - $750

            Joe Talirunilik (Inuit, 1893-1976, Disc Number E9-818). "White Owl and Lemming" stone cut, Povungnituk, 1962. Edition 25 of 30. Signed, numbered, and dated in pencil below image. Also signed in cartouche with syllabics. A striking stonecut print by Inuit artist Joe Talirunilik (also Talirunili) published in "Art of the Eskimo: Prints" (1974) with the following description, "Composing his image in terms of positive and negative space, Joe gives a clear vision of the proud nocturnal hunter, the owl. Its prey is humorously indicated in the corner. With an admirable sense of integrity, Joe allows the mass of the stone to frame the subject. The syllabics in the cartouche give the name of the artist." Size: 19.125" L x 17" W (48.6 cm x 43.2 cm) About the artist: "Born about 1898 at the place called Niaqunna (headache) near the mouth of the Qugaaluk River south of Povungnituk; his father was Putugu (big toe) and his mother Pualu (mitten). While still an infant, Joe took part in the desperate journey during which thirteen Eskimo families saved their lives by paddling a makeshift umiak through the breaking ice-floes to the Ottawa Islands. He is the last survivor of the forty Eskimoes involved in that epic voyage. Joe and his family moved to Povungnituk in 1963. Bug and burly, a hunter/trapper all his life, he is still vigorous in his seventies and is the hero of many an Arctic adventure, several of which he has illustrated in carvings and prints." ("Arts of the Eskimo: Prints" General Editor Ernst Roch; Texts by Patrick Furneaux and Leo Rosshandler, Published by Signum Press, Montreal in association with Oxford University Press, Toronto, p. 25) Published in "Arts of the Eskimo: Prints" General Editor Ernst Roch; Texts by Patrick Furneaux and Leo Rosshandler, Published by Signum Press, Montreal in association with Oxford University Press, Toronto on page 135 and back cover. Provenance: private Greenwood Village, Colorado, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #178684

            Artemis Gallery
          • INUIT PRINT BY JOE TALIRUNILI (1893-1976)
            Apr. 07, 2023

            INUIT PRINT BY JOE TALIRUNILI (1893-1976)

            Est: $200 - $400

            INUIT PRINT BY JOE TALIRUNILI (1893-1976) JOE TALIRUNILI (1893-1976), Povungnituk / Puvirnituq. Black and white stonecut print depicting events including hunting scenes from Inuit life. Signed in print "Joe". 16" X 15" Shipping: Shipping and handling in the continental US will cost $41.06 - $72.84, depending on your location. Local pickup is always free! Please schedule on our website! Image Text Image 1: Image 2: Image 3: JoE JoE Image 4: Image 5: Image 6: Photographs are considered part of the description and condition and supersede all written descriptions. Converse does not authenticate or guarantee authenticity. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email or by telephone. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Converse Auctions shall have no responsibility for any error or omission. Online bidding for this auction is on Bidsquare, Invaluable, LiveAuctioneers, HiBid and ConverseAuctions. Please note that Converse Auctions is using multiple online bidding platforms for this auction, as well as offering phone, in-house absentee, and live bidding. When watching the auction online live, please understand that 'floor' or 'competitive' bid simply means a bid taken from outside of the platform the bidder is currently on. Please also note that notifications of 'high bid' only pertain to the platform you are on and do not take into account live, absentee, phone, or other online bids. In the event of a tie in bids submitted, the bids will be accepted in the order they were placed. If a customer has placed a maximum higher than your bid, they will be the winning bidder. In this instance you will be told you are losing the lot while the auction is in progress and have the opportunity to place a higher bid. Other customers’ maximum bids will never be disclosed to you.

            Converse Auctions
          • First Edition Paperback Book, Joe Talirunili
            Mar. 12, 2023

            First Edition Paperback Book, Joe Talirunili

            Est: $10 - $200

            A Grace Beyond the Reach of Art; a beautifully illustrated study on the Inuk sculptor's works. Depth: 0.25in. 84 pages. Artist: Joe Talirunili Issued: 1977 Dimensions: 9.5"W x 8.5"H Edition Number: 1st Edition Manufacturer: Herzig Somerville Limited Country of Origin: Canada

            Lion and Unicorn
          • Joe Talirunili (Inuit, 1893-1976) OWL, 1963
            Dec. 06, 2021

            Joe Talirunili (Inuit, 1893-1976) OWL, 1963

            Est: $300 - $500

            Joe Talirunili (1893-1976) Puvirnituq. Inuk artist Joe Talirunili stonecut print, pencil signed and titled in syllabics, numbered c /30, dated 1963 (view margins). E9-818. Stonecut on laid Japan paper. Framed under glass. Dimensions: framed: 14 3/4 in x 25 in., sight: 13 1/2 in. x 23 1/2 in. Condition: good overall condition, toning noted. Provenance: Chicago Estate.

            Kensington Estate Auctions
          • ESKIMO, 1982
            Sep. 16, 2021

            ESKIMO, 1982

            Est: €100 - €150

            JOSHUA PAUJUNGI TALIRUNILI (Inuit, 1929) Eskimo, 1982 Inuit stone carving, 11 x 13 x 12 cm Joshua Joe, 82 Good condition

            Bertolami Fine Art s.r.l.
          • JOE TALIRUNILI (1893-1976), WOMAN HOLDING CHAR, stone, string, 7.5 x 5 x 3.5 in — 19.1 x 12.7 x 8.9 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), WOMAN HOLDING CHAR, stone, string, 7.5 x 5 x 3.5 in — 19.1 x 12.7 x 8.9 cm

            Est: $4,000 - $6,000

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ WOMAN HOLDING CHAR stone, string, signed in Roman 7.5 x 5 x 3.5 in — 19.1 x 12.7 x 8.9 cm Provenance: Private Collection, WY, USA Estimate: $4,000—6,000

            Waddington's
          • JOE TALIRUNILI (1893-1976), BIRD, stone, 4.25 x 6.5 x 2 in — 10.8 x 16.5 x 5.1 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), BIRD, stone, 4.25 x 6.5 x 2 in — 10.8 x 16.5 x 5.1 cm

            Est: $2,500 - $3,500

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ BIRD stone, signed in Roman, late 1960's 4.25 x 6.5 x 2 in — 10.8 x 16.5 x 5.1 cm Provenance: Private Collection, Hamilton, ON Estimate: $2,500—3,500

            Waddington's
          • JOE TALIRUNILI (1893-1976), OWL, stone, 5.5 x 3 x 3.5 in — 14 x 7.6 x 8.9 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), OWL, stone, 5.5 x 3 x 3.5 in — 14 x 7.6 x 8.9 cm

            Est: $3,000 - $5,000

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ OWL stone, signed in Roman, late 1960's 5.5 x 3 x 3.5 in — 14 x 7.6 x 8.9 cm Provenance: Private Collection, Hamilton, ON Estimate: $3,000—5,000

            Waddington's
          • JOE TALIRUNILI (1893-1976), SEATED MOTHER AND CHILD HOLDING A DOG AND VESSEL, stone, 6.5 x 4.5 x 5.5 in — 16.5 x 11.4 x 14 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), SEATED MOTHER AND CHILD HOLDING A DOG AND VESSEL, stone, 6.5 x 4.5 x 5.5 in — 16.5 x 11.4 x 14 cm

            Est: $5,000 - $7,000

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ SEATED MOTHER AND CHILD HOLDING A DOG AND VESSEL stone, signed in Roman. c.1965 6.5 x 4.5 x 5.5 in — 16.5 x 11.4 x 14 cm Provenance: Waddington's Auctioneers, November 2015, lot 116 Private Collection, Hamilton, ON Estimate: $5,000—7,000

            Waddington's
          • JOE TALIRUNILI (1893-1976), HUNTER RETURNING WITH CATCH, stone, 7.25 x 3.5 x 4.5 in — 18.4 x 8.9 x 11.4 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), HUNTER RETURNING WITH CATCH, stone, 7.25 x 3.5 x 4.5 in — 18.4 x 8.9 x 11.4 cm

            Est: $6,000 - $9,000

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ HUNTER RETURNING WITH CATCH stone, c. 1960 7.25 x 3.5 x 4.5 in — 18.4 x 8.9 x 11.4 cm Provenance: Private Collection, Oshawa, ON Estimate: $6,000—9,000

            Waddington's
          • JOE TALIRUNILI (1893-1976), UNTITLED, graphite and coloured pencil drawing, 8.5 x 11 in — 21.6 x 27.9 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), UNTITLED, graphite and coloured pencil drawing, 8.5 x 11 in — 21.6 x 27.9 cm

            Est: $1,000 - $1,500

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ UNTITLED graphite and coloured pencil drawing, signed in Roman and syllabics 8.5 x 11 in — 21.6 x 27.9 cm Provenance: Private Collection, WY, USA Estimate: $1,000—1,500

            Waddington's
          • JOE TALIRUNILI (1893-1976), UNTITLED, graphite and coloured pencil drawing, 8 x 11 in — 20.3 x 27.9 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), UNTITLED, graphite and coloured pencil drawing, 8 x 11 in — 20.3 x 27.9 cm

            Est: $2,000 - $3,000

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ UNTITLED graphite and coloured pencil drawing, signed in Roman 8 x 11 in — 20.3 x 27.9 cm Provenance: Private Collection, WY, USA Estimate: $2,000—3,000

            Waddington's
          • JOE TALIRUNILI (1893-1976), HUNTER CARRYING KAYAK, stone, ivory, wood, string, 6.75 x 8 x 3 in — 17.1 x 20.3 x 7.6 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), HUNTER CARRYING KAYAK, stone, ivory, wood, string, 6.75 x 8 x 3 in — 17.1 x 20.3 x 7.6 cm

            Est: $4,000 - $6,000

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ HUNTER CARRYING KAYAK stone, ivory, wood, string, signed in Roman 6.75 x 8 x 3 in — 17.1 x 20.3 x 7.6 cm Provenance: Private Collection, WY, USA Estimate: $4,000—6,000

            Waddington's
          • JOE TALIRUNILI (1893-1976), HUNTER IN A KAYAK, stone, wood, string, 5 x 10 x 3 in — 12.7 x 25.4 x 7.6 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), HUNTER IN A KAYAK, stone, wood, string, 5 x 10 x 3 in — 12.7 x 25.4 x 7.6 cm

            Est: $4,000 - $6,000

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ HUNTER IN A KAYAK stone, wood, string, signed in Roman 5 x 10 x 3 in — 12.7 x 25.4 x 7.6 cm Provenance: Private Collection, WY, USA Estimate: $4,000—6,000

            Waddington's
          • JOE TALIRUNILI (1893-1976), MIGRATION BOAT, stone, skin, wood, thread, 14.5 x 14 x 6.5 in — 36.8 x 35.6 x 16.5 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), MIGRATION BOAT, stone, skin, wood, thread, 14.5 x 14 x 6.5 in — 36.8 x 35.6 x 16.5 cm

            Est: $140,000 - $160,000

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ MIGRATION BOAT stone, skin, wood, thread, signed in Roman and syllabics 14.5 x 14 x 6.5 in — 36.8 x 35.6 x 16.5 cm Provenance: Private Collection, WY, USA Note: The best art always has a story. Perhaps the better the tale, the better the art. The most commonly heard layman’s criticism of art is that they “don’t get it,” which to my mind is simply a complaint about not having being initiated into the story—as if someone asked you to only watch the last thirty seconds of Citizen Kane and then declare it a masterpiece. Even those who rhapsodize about pure abstraction still can’t escape a primal need for narrative (how old was Rothko when he created the chapel? Who was Pollock married to?) This is the essence of our humanity: tell me a story. Joe Talirunili’s series, Migration Boat, is a story conjured from stone. For the uninitiated: when Talirunili was young, his and several other families were on a journey to another settlement. The ice floe they were on broke off and began to drift into Hudson’s Bay, forcing the group to hastily construct a boat out of the materials at hand. Adrift and hungry, it would be two weeks before they finally sighted the cliffs of the Ottawa Islands. However, the boat seemed unable to gain enough headway to make the shore, prompting Talirunili’s grandmother to suggest that a gun be fired at the land to subdue any rogue spirits that might be hindering their progress. The gun was fired, and the group made it ashore. Talirunili would often struggle to recall how many people were in the boat—ranging from 17, as in this example, to somewhere in the mid-40s—as well as how many perished. Many of the Migration Boats feature (or are accompanied by) lists of the people who were there, suggesting both memorial and mythology. Like any story retold, each iteration varies in terms of cast and details. This particular sculpture shows the decisive moment, the very height of the story’s arc: Talirunili’s grandmother stands above the group, commanding. The shooter takes aim. The Migration Boats are medium made message. Much like the story itself, his sculptures are rough, stark, determined. The artist applied this make-do approach to his life as well as his art: if a piece of stone chipped off while he carved it, it would simply be re-affixed and the work would continue. A liberal use of string and unsubtle gluing can be seen in his work, but rather than detracting, they enhance the muscular truth of his pieces. Perhaps this is what fascinates, how they tell us about endurance and improvisation. Through the breaking and the mending, above all, they endure. This lot includes a photograph of the artist sculpting this boat, as well as his letter written in syllabics explaining the origins behind his famous Migration Boat. Estimate: $140,000—160,000

            Waddington's
          • JOE TALIRUNILI (1893-1976), KNEELING WOMAN WITH ULU AND QUDLIQ HOLDING CHILD IN AMAUTIQ, stone, ivory, string, 3.5 x 2.5 x 2.5 in — 8.9 x 6.4 x 6.4 cm
            Sep. 16, 2020

            JOE TALIRUNILI (1893-1976), KNEELING WOMAN WITH ULU AND QUDLIQ HOLDING CHILD IN AMAUTIQ, stone, ivory, string, 3.5 x 2.5 x 2.5 in — 8.9 x 6.4 x 6.4 cm

            Est: $1,500 - $2,000

            JOE TALIRUNILI (1893-1976), ᔪᐅ ᑕᓚᕈᓂᓕ, POVUNGNITUK / PUVIRNITUQ KNEELING WOMAN WITH ULU AND QUDLIQ HOLDING CHILD IN AMAUTIQ stone, ivory, string, signed in Roman 3.5 x 2.5 x 2.5 in — 8.9 x 6.4 x 6.4 cm Provenance: Private Collection, WY, USA Estimate: $1,500—2,000

            Waddington's
          • Joe Talirunili, 24 x 28 in. (60.9 x 71.1 cm)(unframed)
            Jul. 24, 2020

            Joe Talirunili, 24 x 28 in. (60.9 x 71.1 cm)(unframed)

            Est: $800 - $1,200

            Joe Talirunili, Povungnituk, Story About Hunters Lost In Icebergs While Hunting Seals, stonecut, #44/50, signed and dated 1975. 24 x 28 in. (60.9 x 71.1 cm)(unframed)

            Maynards Fine Art & Antiques
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