Elaine Sturtevant Paintings & Artwork for Sale | Elaine Sturtevant Art Value Price Guide

Nov. 11, 2024
ELAINE STURTEVANT HAND SIGNED 'MARILYN MONROE'
Est: $600 - $1,200
Elaine Sturtevant (American, 1924-2014) 'Marilyn Monroe' vintage offset lithograph on paper. Signed in pencil lower right. Measures 11 x 8 1/4 inches .
Antiques & Modern Auction Gallery
Sep. 20, 2024
Elaine Sturtevant (1924 Lakewood - Paris 2014)
Est: €2,000 - €3,000
Duchamp wanted. 1992. Offsetdruck auf Karton. Am unteren Blattmaß mit Bleistift signiert, betitelt und datiert: "Duchamp wanted", Sturtevant, '92. Aus einer Auflage von 50 Exemplaren, davon 10 realisiert. Blattmaß: 32,8 x 26 cm.
AaG Auktionshaus am Grunewald
Jun. 26, 2024
Elaine Sturtevant, 1924-2014, Dillinger Running Series
Est: CHF400 - CHF600
22/50. Signed and dated. Editor: Texte zur Kunst, Berlin.
Germann Auction House Ltd
Feb. 08, 2024
Sturtevant, Elaine
Est: €200 - €400
Sturtevant, Elaine Lakewood, 1924 - Paris, 2014 Versch., o. R. 2 works: Untitled, 1990/2000. 1 etching on wove paper and 1 offset lithograph on paper. Both signed and dated, etching numbered 5/50 and with dedication. Collection Dr. Alexander Tolnay, former curator of the Villa Merkel, Esslingen and former director of the Neuen Berliner Kunstverein.
Nagel Auction
Feb. 07, 2024
Sturtevant, Elaine
Est: €500 - €800
Sturtevant, Elaine Lakewood, 1924 - Paris, 2014 Blattgröße: 15 x 20 cm, o. R. Untitled. Colour photography on photo paper, mounted on cardboard. Signed and with dedication. Collection Dr. Alexander Tolnay, former curator of the Villa Merkel, Esslingen and former director of the Neuen Berliner Kunstverein.
Nagel Auction
Dec. 10, 2023
ELAINE STURTEVANT (1930-2014) Duchamp's in Advance of the Broken Arm
Est: €4,000 - €6,000
ELAINE STURTEVANT (1930-2014) Duchamp's in Advance of the Broken Arm 1967 Signé, titré, daté et situé '17 rue de Sevigné, Paris 67' en bas Gouache sur une photographie noir et blanc Getekend, getiteld, gedateerd en gelokaliseerd '17 rue de Sevigné, Paris 67' onderaan Gouache op een zwart-wit foto Signed, titled, dated and located '17 rue de Sevigné, Paris 67' on the bottom Gouache on a black and white photograph 20,5 x 15,2 cm - 5,5 x 3 cm
Bonhams
Dec. 10, 2023
ELAINE STURTEVANT (1930-2014) Duchamp's in Advance of the Broken Arm
Est: €4,000 - €6,000
ELAINE STURTEVANT (1930-2014) Duchamp's in Advance of the Broken Arm 1967 Signé, titré, daté et situé 17 rue de Sevigné, Paris, 67 en bas Gouache et une photographie noir et blanc Getekend, getiteld, gedateerd en gelokaliseerd 17 rue de Sevigné, Parijs, 67 onderaan Gouache en zwart-wit foto Signed, titled, dated and located 17 rue de Sevigné, Paris, 67 below Gouache and a black and white photograph 22,8 x 17,7 cm – 5,5 x 5,5 cm
Bonhams
Dec. 10, 2023
ELAINE STURTEVANT (1930-2014) Sculpture de Voyage (after Duchamps)
Est: €4,000 - €6,000
ELAINE STURTEVANT (1930-2014) Sculpture de Voyage (after Duchamps) 1968-1969 Signé, titré, daté et situé 17 rue de Sevigné, Paris, 68-69 au dos Gouache et photomontage sur une photographie noir et blanc Getekend, getiteld, gedateerd en gelokaliseerd 17 rue de Sevigné, Parijs, 68-69 op de achterkant Gouache en fotomontage op een zwart-wit foto Signed, titled, dated and located 17 rue de Sevigné, Paris, 68-69 on the back Gouache and photomontage on a black and white photograph 23 x 20 cm – 7,8 x 8,4 cm
Bonhams
Dec. 07, 2023
ELAINE STURTEVANT (1924-2014) Illustration du théorème : l'originalité d'une forme se mesure à sa propension à s'exercer sur tout état : PROTOTYPE N°2 (exemplaire en papier) 1968-1969
Est: €40,000 - €60,000
ELAINE STURTEVANT (1924-2014) Illustration du théorème : l'originalité d'une forme se mesure à sa propension à s'exercer sur tout état : PROTOTYPE N°2 (exemplaire en papier) 1968-1969 signé, titré, daté 1969 et inscrit Model pour assemblage de cartons ondulés, papier kraft et canson, laine (couverture découpée) selon la forme en liberté, fusain et métal (vis et agrafes) signed, titled, dated 1969 and inscribed Model pour assembled undulated cardoards, kraft paper and paper, wood (cutout blanket) after la forme en liberté, charcoal and metal (screw and staples) 34 x 32 x 3 cm. 13 3/8 x 12 5/8 x 1 3/16 in.
Bonhams
Oct. 31, 2023
Dialogue of the Dogs (for Parkett 88)
Est: €200 - €400
STURTEVANT, ELAINE 1930 Lakewood/Ohio - 2014 Paris Title: Dialogue of the Dogs (for Parkett 88). Date: 2005/ 2011. Technique: Video (on DVD), laid in Parkett issue. Depiction Size: Magazine: 25,5cm. Sheet Size: 21,5cm. Notation: Signed and numbered on enclosed certificate. Publisher: Parkett-Verlag, Zurich (publisher). Number: 1/35. Condition: The object is fully functional. With enclosed certificate. With Parkett magazine. "Sturtevant has no faith in technology or productivity. What interests her about machines is not so much their transformative potential as the possibility they offer the artist to remove herself from the "creative process" and, more precisely, to eliminate the motivations of the will: to create mechanically, until the machine has finished running and becomes a pure process of invention and language." Stéphanie Moisdon, Parkett no. 88, 2005/2011. Article on the work and artist from Parkett edition no. 88. Explanations to the Catalogue
Van Ham Kunstauktionen
Jun. 08, 2023
ELAINE STURTEVANT Oldenburg Store Objects, Bacon and Pat of Butter.
Est: $4,000 - $6,000
ELAINE STURTEVANT Oldenburg Store Objects, Bacon and Pat of Butter. Bacon, cloth and enamel, 1967. 230x50 mm; 9x2 inches. Initialed and dated in enamel on the edge * Pat of Butter, painted plaster with porcelain dish, 1967. 65 mm; 2 1/2 inches (diameter), overall. Initialed and dated in enamel on the underside of the dish. Exhibited: The Store of Claes Oldenburg, New York, April 22-June 11, 1967 Acquired directly from the artist, New York, by Norman Dolph, New York; thence by descent to the current owner. Elaine Sturtevant (1924-2014) was an American postmodern artist known for her appropriation of the work of her contemporaries such as Frank Stella, Andy Warhol, and Marcel Duchamp. She copied by memory, using the same techniques and materials, and purposely made small alterations on her work (like a stray mark) to keep it unique. Through her work she sought to explore questions of authenticity, originality, and the creative process. The Store of Claes Oldenburg, Sturtevant's 1967 copy of Oldenburg's 1961 The Store was located in New York's East Village. She memorized Oldenburg's plaster and paint representations of household objects (like cigarette butts, cakes, spoons, eggs, pie cases, etc.) and reproduced them for her installation. Both artists operated their stores as actual stores, allowing customers to come in and purchase what they "needed". Oldenburg attended the installation but cut off contact with Sturtevant afterwards. The public's opinion on Sturtevant's copy installation was mixed, which contributed to both her allure and our modern knowledge on the appropriation of art.
Swann Auction Galleries
May. 24, 2023
Elaine Sturtevant
Est: €80,000 - €120,000
(Ohio 1930–2014 Paris) Haring Untitled January 1982, 1986, signed and titled on the reverse, acrylic on canvas, 60.5 x 60.5 cm, framed Provenance: Perry Rubenstein Gallery (label on the reverse) Sale Christie’s New York: Tuesday, September 9, 2008, lot 61 European Private Collection Literature: L. Maculan (ed.), Sturtevant Catalogue Raisonné 1964–2004, Museum für Moderne Kunst, Frankfurt am Main, Hatje Cantz Verlag, Ostfildern-Ruit, 2004, p. 152, no. 381 with ill. “In their radicality and totality, Sturtevant’s individual pieces as well as her concepts for her exhibitions were – and still are – time bombs for the traditional concepts of the work of art: Her oeuvre is characterized by a specific form of resistance against the respective context which determines what is still art and what isn’t. For the sake of autonomy, art must liberate itself from its own most stubborn conventions”. Udo Kittelmann – Mario Kramer (texts), in Sturtevant, The Brutal Truth, Hatje Cantz Verlag, Frankfurt am Main, 2004, p. 18
Dorotheum
May. 17, 2023
STURTEVANT (1924-2014) Johns Painting with Two Balls encaustic and paper co
Est: $500,000 - $700,000
STURTEVANT (1924-2014) Johns Painting with Two Balls encaustic and paper collage on three joined canvases with metal brackets and two balls 65 x 54 1/8 in. (165.1 x 137.5 cm.)
Christie's
Mar. 27, 2023
ELAINE STURTEVANT HAND SIGNED LITHOGRAPH PRINT
Est: $100 - $200
ELAINE STURTEVANT HAND SIGNED LITHOGRAPH PRINT -11" X 8.5" APPROX -GOOD PRE OWNED CONDITION -DP31623
DejaVu Estate Sales & Auctions
Mar. 18, 2023
ELAINE STURTEVANT 'MARILYN' OFFSET LITHOGRAPH
Est: $300 - $400
Elaine Sturtevant offset lithograph depicting Marilyn Monroe. Pencil signed lower right. Measures 11" x 8 3/8".
Antiques & Modern Auction Gallery
Dec. 01, 2022
Elaine Sturtevant (1924-2014) Raysse Peinture à Haute Tension acrylique et
Est: €80,000 - €120,000
Elaine Sturtevant (1924-2014) Raysse Peinture à Haute Tension acrylique et flocage marouflé sur toile et néon 162 x 96.5 x 15 cm.
Christie's
Nov. 18, 2022
ELAINE STURTEVANT (1924-2014) Johns Big Figure Five (Study) encaustic and p
Est: $300,000 - $500,000
ELAINE STURTEVANT (1924-2014) Johns Big Figure Five (Study) encaustic and printed paper collage on canvas 48 x 36 in. (121.9 x 91.4 cm.)
Christie's
Nov. 12, 2022
ELAINE STURTEVANT OFFSET LITHOGRAPH
Est: $200 - $300
Elaine Frances (Horan) Sturtevant (French/American, 1926-2014) offset lithograph. Pencil signed lower right. Sheet measures 11" x 8 1/4".
Antiques & Modern Auction Gallery
Aug. 16, 2022
Sturtevant (1924-2014); Duchamp Wanted;
Est: $2,500 - $3,500
Sturtevant (1924-2014) Duchamp Wanted, 1992 Offset lithograph in colors on wove paper, signed in pencil, titled and dated, the full sheet, framed. sheet 13 x 10 1/4in (33 x 26cm) For further information on this lot please visit the Bonhams website
Bonhams
May. 13, 2022
STURTEVANT (1926-2014) Warhol Gold Marilyn acrylic and silkscreen ink on ca
Est: $150,000 - $250,000
STURTEVANT (1926-2014) Warhol Gold Marilyn acrylic and silkscreen ink on canvas diameter: 17 3/4 in. (45.1 cm.)
Christie's
May. 09, 2022
STURTEVANT (1926-2014) Lichtenstein But It's Hopeless oil, acrylic and grap
Est: $600,000 - $800,000
STURTEVANT (1926-2014) Lichtenstein But It's Hopeless oil, acrylic and graphite on canvas 44 1/8 x 44 3/8 in. (112 x 112.7 cm.)
Christie's
May. 14, 2021
STURTEVANT (1926-2014) Warhol Flowers acrylic and silkscreen ink on canvas
Est: $50,000 - $70,000
STURTEVANT (1926-2014) Warhol Flowers acrylic and silkscreen ink on canvas 11 x 11 in. (27.9 x 27.9 cm.)
Christie's
May. 14, 2021
STURTEVANT (1926-2014) Warhol Flowers acrylic and silkscreen ink on canvas
Est: $50,000 - $70,000
STURTEVANT (1926-2014) Warhol Flowers acrylic and silkscreen ink on canvas 11 x 11 in. (27.9 x 27.9 cm.)
Christie's
Apr. 14, 2021
Elaine STURTEVANT (1924-2014) - WARHOL, STUDY FOR MARILYN, CIRCA 1970
Est: €2,000 - €3,000
Elaine STURTEVANT (1924-2014) WARHOL, STUDY FOR MARILYN, CIRCA 1970 Acrylique, encre sérigraphique et mine de plomb sur papier Signée en bas à gauche 60 x 45,3 cm - 23.62 x 17.83 in. Acrylic and silkcreen ink and graphite on paper Signed lower left Provenance - Vente Cornette de Saint Cyr 29 mai 2002 - Collection particulière, Paris
Cornette de Saint-Cyr
Mar. 24, 2021
Sturtevant (1924-2014) Study for Warhol's Marilyn 1965
Est: £120,000 - £180,000
Sturtevant (1924-2014) Study for Warhol's Marilyn 1965 signed, titled, and dated 1965 acrylic and silkscreen ink on canvas 50.8 by 40.6 cm. 20 by 16 in. For further information on this lot please visit the Bonhams website
Bonhams
Dec. 03, 2020
Sturtevant (1926-2014) Haring Untitled acrylic and Sumi ink on canvas 19 x
Est: $100,000 - $150,000
Sturtevant (1926-2014) Haring Untitled acrylic and Sumi ink on canvas 19 x 19 in. (48.3 x 48.3 cm.)
Christie's
Nov. 19, 2020
ELAINE STURTEVANT Duchamp Triptych.
Est: $1,500 - $2,500
ELAINE STURTEVANT Duchamp Triptych. Set of two color grano-lithographs and one color screenprint, 1998. 205x305 mm; 8 1/8x12 inches, full margins. Each an hors commerce impression, aside from the edition of 60. Each signed and inscribed "H.C." in pencil, lower margins. Published by Edition Schellmann, Munich and New York, with the ink stamp, verso. From Sequences. Very good impressions.
Swann Auction Galleries
Nov. 14, 2020
Elaine Sturtevant - Lakewood/Ohio 1924 - 2014 Paris
Est: -
Elaine Sturtevant Lakewood/Ohio 1924 - 2014 Paris Duchamp wanted'. Farb. Offset. 1992. 33 x 26 cm. Signiert, datiert und betitelt. (8) Eines von 15 Exemplaren, die als Jahresgabe des Württembergischen Kunstvereins in Stuttgart erschienen. - Auf leichtem Karton. - Makellos und unberührt.
Dr. Andreas Sturies Moderne Kunst & Auktionen
Oct. 07, 2020
Sturtevant (1926-2014) - Study for Warhol Flowers
Est: $100,000 - $150,000
Sturtevant (1926-2014) Study for Warhol Flowers acrylic and silkscreen ink on canvas 22 x 22 in. (55.9 x 55.9 cm.)
Christie's
Oct. 07, 2020
Sturtevant (1926-2014) - Warhol Flowers
Est: $100,000 - $150,000
Sturtevant (1926-2014) Warhol Flowers acrylic and silkscreen ink on canvas 22 x 22 in. (55.9 x 55.9 cm.)
Christie's
Nov. 14, 2019
Sturtevant (1926-2014) - Study for Warhol Flowers
Est: $200,000 - $300,000
Sturtevant (1926-2014) Study for Warhol Flowers acrylic and silkscreen ink on canvas 22 x 22 in. (55.9 x 55.9 cm.)
Christie's
Nov. 14, 2019
Sturtevant (1926-2014) - Warhol Flowers
Est: $200,000 - $300,000
Sturtevant (1926-2014) Warhol Flowers acrylic and silkscreen ink on canvas 22 x 22 in. (55.9 x 55.9 cm.)
Christie's
Oct. 05, 2019
Sturtevant (1924-2014) Warhol Flowers silkscreen and acrylic on canvas 11 x 11in. (28 x 28cm.)
Est: £50,000 - £70,000
Sturtevant (1924-2014) Warhol Flowers signed and titled ‘”Warhol flowers” sturtevant’ (on the reverse) silkscreen and acrylic on canvas 11 x 11in. (28 x 28cm.) Executed in 1964-1968
Christie's
Sep. 26, 2019
STURTEVANT | Flowers
Est: $120,000 - $180,000
acrylic and silkscreen ink on canvas
Sotheby's
May. 22, 2019
Elaine Sturtevant, (American, 1924-2014), Duchamp Triptych, 1998 (a suite of three works)
Est: $2,000 - $4,000
Elaine Sturtevant (American, 1924-2014) Duchamp Triptych, 1998 (a suite of three works) lithographs each signed and numbered 29/60 in pencil 20 x 16 inches.
Hindman
May. 16, 2019
Sturtevant (1924-2014) Warhol Flowers acrylic and silkscreen ink on canvas 22 x 22 in. (56 x 56 cm.)
Est: $200,000 - $300,000
Sturtevant (1924-2014) Warhol Flowers signed, inscribed, titled and dated '"WARHOL FLOWERS" e. Sturtevant collection of the artist 1965' (on the reverse) acrylic and silkscreen ink on canvas 22 x 22 in. (56 x 56 cm.) Painted in 1965.
Christie's
May. 15, 2019
Sturtevant (American, 1926-2014) Warhol's Flowers, 1968
Est: $60,000 - $80,000
Sturtevant (American, 1926-2014) Warhol's Flowers, 1968 signed, titled, dated and variously dedicated 'Warhol's Flowers E. Sturtevant 1968' (on the reverse) synthetic polymer and silkscreen ink on canvas 11 x 10 15/16 in. 27.9 x 27.8 cm. Footnotes This work will be included in the forthcoming edition of the catalogue raisonné being prepared by The Estate of Elaine Sturtevant, Paris. Provenance A gift from the artist to the present owner in 1978 Regarded by many as one of the most important artists of the last fifty years, Elaine Frances Sturtevant, known simply as Sturtevant, was born in Lakewood, Ohio, in 1924. After attending the University of Iowa, she moved to New York in the 1950s to attend Columbia University. She began creating her first works in the later part of the decade, but it was not until the mid-1960s that she truly evolved her pioneering and groundbreaking voice that questioned authorship, appropriation and originality. Beginning in 1964, Sturtevant started to explore the complex power structures behind a work of art by replicating and repeating examples by other artists. She began creating her own versions of the works from memory, employing the same techniques as the artists who created the original work. Rather than simply creating a copy, she worked by hand to replicate details in the pieces as closely as possible, thereby challenging the viewer's idea of what a work of art should be. An early work by Sturtevant, Warhol's Flowers, 1968, takes Andy Warhol's iconic Flowers series as a starting point in order to explore the themes that would come to define her entire practice. Warhol's work consistently explored appropriation, reproduction and mass production. His frequent use of appropriated logos, the repetition of motifs and the repetitive nature of printing itself, combined with his employment of numerous studio assistants in his 'Factory', question both the originality of a concept behind a work of art, and the uniqueness of the work itself. Therefore, when Sturtevant approached the Pop artist to use the original silkscreen that he had developed only a few weeks prior for his Flowers show at Leo Castelli Gallery, Warhol immediately agreed, even sharing his specific printing techniques with her. Warhol understood Sturtevant's motives and her concern with authorship and originality, a theme that he was also exploring in his own work. Sturtevant appears to have understood his process to such a degree that when asked about his creative practice in an interview, Warhol went so far as to say "I don't know. Ask Elaine" (the artist quoted in: Bill Arning, 'Sturtevant', Journal of Contemporary Art, 1989, p. 44). Sturtevant's exploration took Warhol's questions on mass culture and consumerism further however. Coming to the market for the first time, and hailing from the early period of Sturtevant's revolutionary practice, Warhol's Flowers, 1968, both questions and dismantles the mythical status awarded to an artist and the cultural cache that is bestowed upon a work of art. As Sturtevant herself questioned "what is the power, the silent power, of art?" (the artist quoted in: Hans Ulrich Obrist, 'Elaine Sturtevant obituary', The Guardian, 19 May 2014). Throughout her career, Sturtevant consistently chose to explore works that later became recognized as icons of art history, beginning with Warhol, and expanding to also include Roy Lichtenstein, Jasper Johns, Anselm Kiefer and Keith Haring. Her foresight in predicting the significant works of the period, is dwarfed only by the colossal influence she had on the artists that came after her. Appropriation was a key concept explored by artists in the 1980s and is even more ubiquitous in today's post-internet age. The current questions of online authorship and attribution issues surrounding today's meme culture shed further light on the revolutionary concepts Sturtevant was exploring over half a century ago. Sturtevant has been the subject of major museum shows in Deichtorhallen Hamburg, the Museum für Moderne Kunst, Frankfurt, the Musée d'Art Moderne de la Ville de Paris, the Moderna Museet, Stockholm, the Kunsthalle, Zurich and the Serpentine Galleries, London. Opening only months after her death at age 89, the Museum of Modern Art, New York hosted a career retrospective of her work in 2014-2015. She was awarded the Francis J Greenburger award in 2008 and received the Golden Lion for lifetime achievement at the 54th Venice Biennale in 2011.
Bonhams
Dec. 02, 2018
ELAINE STURTEVANT (1930-2014) Duchamp Wanted, 1991 Impression offset en c
Est: €15,000 - €20,000
ELAINE STURTEVANT (1930-2014) Duchamp Wanted, 1991 Impression offset en couleurs sur carton. Monogrammé situé Paris et daté 91 en bas à gauche Contresigné et dédicacé au dos. Offsetdruk in kleuren op karton. Monogram gelegen in Parijs en gedateerd 91 linksonder. 32 x 26 cm
Cornette de Saint-Cyr-Bruxelles
Nov. 16, 2018
Sturtevant (1926-2014) - Study for Warhol Flowers
Est: $120,000 - $180,000
Sturtevant (1926-2014) Study for Warhol Flowers synthetic polymer and silkscreen ink on canvas 22 1/8 x 22 1/8 in. (56.2 x 56.2 cm.)
Christie's
Nov. 16, 2018
Sturtevant (1926-2014) - Study for Warhol Flowers
Est: $120,000 - $180,000
Sturtevant (1926-2014) Study for Warhol Flowers synthetic polymer and silkscreen ink on canvas 22 x 22 1/8 in. (55.9 x 56.2 cm.)
Christie's
Nov. 15, 2018
STURTEVANT | Johns White Numbers
Est: $500,000 - $700,000
encaustic on canvas
Sotheby's
Jun. 07, 2018
STURTEVANT (1924-2014) - Drawing Study For Johns White Numbers
Est: €30,000 - €40,000
STURTEVANT (1924-2014) Drawing Study For Johns White Numbers encaustique, mine de plomb et collage sur papier 32 x 23.7 cm. (12 5/8 x 9 3/8 in.)
Christie's
Jun. 02, 2018
ELAINE STURTEVANT (1930-2014): DUCHAMP TRIPTYCH, FROM SEQUENCES
Est: $1,000 - $1,500
ELAINE STURTEVANT (1930-2014): DUCHAMP TRIPTYCH, FROM SEQUENCES Three grano-lithographs on wove paper, 1998, all signed in pencil and numbered 29/60. All 20 x 16 in. (sheet), 23 x 19 in. (frame).
STAIR
May. 18, 2018
STURTEVANT (1924-2014) - Warhol Flowers
Est: $140,000 - $180,000
STURTEVANT (1924-2014) Warhol Flowers synthetic polymer and silkscreen ink on canvas 22 1/8 x 22 in. (56.2 x 56 cm.)
Christie's
Mar. 06, 2018
Sturtevant (1926-2014) - Four Warhol Flowers
Est: £120,000 - £180,000
Sturtevant (1926-2014) Four Warhol Flowers acrylic and silkscreen ink on four attached canvases each: 11 x 11in. (27.9 x 27.9cm.) overall: 22 x 22in. (56 x 56cm.)
Christie's
Jun. 08, 2017
STURTEVANT (1926-2014) Raysse Peinture à Haute Tension flocage, acrylique
Est: €70,000 - €90,000
STURTEVANT (1926-2014) Raysse Peinture à Haute Tension flocage, acrylique, néon et xerographie sur toile 162 x 96.5 cm. (63 ¾ x 38 in.)
Christie's
Mar. 07, 2017
ELAINE STURTEVANT (1926-2014) - Stella Union Pacifc
Est: £400,000 - £600,000
ELAINE STURTEVANT (1926-2014) Stella Union Pacifc signed, titled and dated ‘“Stella Union Pacifc/Sturtevant ‘89’ (on the overlap) aluminium oil paint on canvas 77 x 148 1/2 in. (195.5 x 377.1cm.) Painted in 1989
Christie's
Dec. 12, 2016
Elaine STURTEVANT 1926 - 2014 Beuys la revoluzione siamo noi - 1988 Impression offset en couleurs
Est: €1,500 - €2,000
Elaine STURTEVANT 1926 - 2014 Beuys la revoluzione siamo noi - 1988 Impression offset en couleurs Signée, titrée et numérotée "36/60" Offset print in colors ; signed , titled and numbered h: 95,50 w: 51 cm Provenance : Perry Rubenstein Gallery, New York
Artcurial