Nepomuk Strixner Sold at Auction Prices

copperplate engraver, Lithographer, b. 1782 - d. 1855

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        • J. STRIXNER (*1782) after CARACCIOLO (*1761), At Mary's deathbed, around 1808, Lithography with pen
          Nov. 16, 2024

          J. STRIXNER (*1782) after CARACCIOLO (*1761), At Mary's deathbed, around 1808, Lithography with pen

          Est: €135 - €225

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Ludovico Caracciolo (1761 Rome - 1842 ): At Mary's deathbed, c. 1808, Lithography with pen Technique: Lithography with pen on Paper Inscription: At the lower part signed in the printing plate: "L: Carrache | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Mary, Holy Family, Putto, Angel, 19th century, Romanticism, Religious, Germany, Size: Paper: 24,5 cm x 18,7 cm (9,6 x 7,4 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after CANTAGALLINA (*1582), Farmers in dialogue, around 1808, Lithography
          Nov. 16, 2024

          J. STRIXNER (*1782) after CANTAGALLINA (*1582), Farmers in dialogue, around 1808, Lithography

          Est: €135 - €225

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Remigio Cantagallina (around 1582 Borgo Sansepolcro - 1656 Florence): Three farmers in dialogue, c. 1808, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Canta Gallina: | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Country people, Study, 19th century, Romanticism, Portraits, Germany, Size: Paper: 12,0 cm x 13,5 cm (4,7 x 5,3 in), Depiction: 8,3 cm x 9,7 cm (3,3 x 3,8 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after BADALOCCHIO (*1585), Christ on the Mount of Olives., Lithography
          Nov. 16, 2024

          J. STRIXNER (*1782) after BADALOCCHIO (*1585), Christ on the Mount of Olives., Lithography

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Sisto Badalocchio (1585 Parma - 1647 Rom): Christ on the Mount of Olives., 19th century, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "J. Lanfranca pinx: / N. Strixner del:". Date: 19th century Description: Impressive depiction in congenial realisation with dramatic depiction of light and shadow. In Strixner's day, the model for this print was a painting by Giovanni Lanfranco. Keywords: Passion, Jesus Christ, Gethsemane, Mount of Olives, Disciples, Peter, James, John, Angel with cross, Apparition of an angel, 19th century, Renaissance, Religious, Germany, Size: Paper: 62,8 cm x 46,0 cm (24,7 x 18,1 in), Depiction: 47,3 cm x 34,0 cm (18,6 x 13,4 in)

          Fichter Kunsthandel
        • J. STRIXNER (1782-1855), Antique figure in toga, Lithography
          Oct. 26, 2024

          J. STRIXNER (1782-1855), Antique figure in toga, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich): after Hieronymus da Carpi, Antique figure in toga, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed in the stone below the depiction: "Hieronym: da Carpi: | N: Strixner del:". On the reverse with a note of a dedication: "Gift to D. Collection [?] Politz 1912-". Date: 19th century Description: Full-length depiction of a bearded man in wrinkled antique robe. Keywords: 19th century, Romanticism, Biblical, Germany, Size: Paper: 35,8 cm x 24,2 cm (14,1 x 9,5 in), Depiction: 25,4 cm x 13,6 cm (10 x 5,4 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after CARRACCI (*1557), Group of figures with noblewomen, Lithography
          Oct. 26, 2024

          J. STRIXNER (*1782) after CARRACCI (*1557), Group of figures with noblewomen, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Agostino Carracci (1557 Bologna - 1602 Parma): Group of figures with noblewomen and grocers, 19th century, Lithography Technique: Lithography on Paper Stamp: Collector's stamp, Lugt no.: 1567b. Justinus Kerner. Budapest. 19th century Inscription: Signed in the stone below the depiction: "Aug: Carrache | N: Strixner del:". On the reverse is the collection stamp "Sammlung Justinus Kerner", of the well-known German poet and physician (1786 Ludwigsburg - 1862 Weinsberg). The sheet can be found in R. Arnim Winkler: Die Frühzeit der deutschen Lithographie under 356/28.2. Date: 19th century Description: Full-length depiction of a group of figures with antique or medieval-looking garments. Keywords: 19th century, Romanticism, Professions, Germany, Size: Paper: 16,5 cm x 20,7 cm (6,5 x 8,1 in), Depiction: 9,0 cm x 13,0 cm (3,5 x 5,1 in)

          Fichter Kunsthandel
        • (Strixner, Johann Nepomuk,
          Sep. 27, 2024

          (Strixner, Johann Nepomuk,

          Est: €160 - €240

          1782 Altötting - München 1855. Albrecht Dürers christlich-mythologische Handzeichnungen zum Gebetbuch Kaiser Maximilians in der Bayer. Staatsbibl. München). Daraus 29 Tafeln. Lithographien in verschied. Farben, 1808, auf Bütten ca. 2. Hälfte 19. Jh. Fol. Alle Bl. ohne Umrandungen, Nummer u. Namenszug Strixner, mit Monogr. Dürers u. Datum 1515. - Dazu: Ebenso. 8 Tafeln nach Lucas Cranach, 1818, (als Nachtrag zu Albrecht Dürers....Handzeichnungen). Ebenso. Zus. 37 Tafeln, 13 w. Bl. Brauner Ldr. mit Blindpräg. (Gebrauchssp., ob. Kapit. etw. beschäd.). Vgl. Dussler S. 260 1. Winkler 831, 14, 16 u. 64.). Wohl spätere Ausgabe auf Bütten mit WZ gekröntes Lilienwappen mit Buchstaben JwL (?). Enthält die Blätter nach Winkler 14 u 16: Bärtiger Kopf (Titel) u. Tafeln 8 u. 17-43 u. Winkler 64, 1-8 (in unterschiedl. Reihenfolge. - Taf. 1 etw. gebräunt, vereinz. unten ger. Randeinrisse. R

          Kiefer Buch- und Kunstauktionen
        • J. STRIXNER (*1782) after Unknown (16th), Mater Dolorosa. The Mother of Sorrows, 1823, Lithography
          Aug. 31, 2024

          J. STRIXNER (*1782) after Unknown (16th), Mater Dolorosa. The Mother of Sorrows, 1823, Lithography

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Unknown (16th century): Mater Dolorosa The Mother of Sorrows Weeping Madonna, 1823, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed on the left and right below the image. Inscribed in the centre: "From the collection of the brothers Boisserée and Bertra" (1821-1836). Date: 1823 Keywords: Mary, Mater Dolorosa, Mother of Sorrows, Sorrows of Mary, Jesus Christ, tear, tears, weeping, 19th century, Renaissance, Religious, Germany, Size: Paper: 56,7 cm x 31,7 cm (22,3 x 12,5 in)

          Fichter Kunsthandel
        • J. STRIXNER (1782-1855) Circle, Madonna and child, around 1811, Lithography
          Aug. 31, 2024

          J. STRIXNER (1782-1855) Circle, Madonna and child, around 1811, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) Circle: Madonna and Child, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: The lithograph dates from the 'early days of German lithography' (cf. the book of the same name by Arnim Winkler), from the circle of Nepomuk Strixner, who learned copperplate engraving from Dorner in 1799 and published the "Oeuvres Lithographiques" from 1810. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 42,5 cm x 32,1 cm (16,7 x 12,6 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after SCHWARZ (*1545), Crucifixion, around 1815, Lithography
          Aug. 31, 2024

          J. STRIXNER (*1782) after SCHWARZ (*1545), Crucifixion, around 1815, Lithography

          Est: €75 - €125

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Christoph Schwarz (1545 Munich - 1592 ibid.): Crucifixion, incunabulum of lithography, Munich 1811-1816, c. 1815, Lithography Technique: Lithography over tinted stone on Paper Inscription: Lower centre Renaissance frame, plate without lettering; signed below C: Schwarz // N: Strixner del:" (From: Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 38.3 I., p. 359). Strixner learned engraving from Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1815 Description: "Crucifixion with Founder's Family. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 24,1 cm x 33,4 cm (9,5 x 13,1 in), Depiction: 16,3 cm x 25,4 cm (6,4 x 10 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, around 1813, Lithography
          Aug. 31, 2024

          J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, around 1813, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Pietro Perugino (1445 Citt'a della Pieve/Perugia - 1523 Fontignano/Perugia): Madonna and Child, incunabulum of lithography, Winkler No 965, 476 II, 1813, c. 1813, Lithography Technique: Lithography on Paper Date: c. 1813 Description: Signed below the depiction: "P: Perugino pinx. // N. Strixner del: 1813", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 47.6. II. / Dussler p. 151, No. XLVII, 6. Munich 1811-16. Madonna and child playing with the rosary. Half-length figure of the seated Madonna, head tilted to the right, with long open hair holding the child with her left arm, who is playing with the balls on the right. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 48,0 cm x 36,5 cm (18,9 x 14,4 in), Depiction: 37,0 cm x 26,8 cm (14,6 x 10,6 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, around 1811, Lithography
          Aug. 31, 2024

          J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, around 1811, Lithography

          Est: €75 - €125

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Pietro Perugino (1445 Citt'a della Pieve/Perugia - 1523 Fontignano/Perugia): "Madonna and Child", incunabulum of lithography, Winkler No 965, 243, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Kneeling, seated from the front. Signed under the picture: "Peter Vannucci dite Perugino // N: Strixner del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 24.3/ Dussler (München II) p. 143, No. XXIV, 3. Munich 1811-16. Strixner learned engraving with Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 41,0 cm x 34,0 cm (16,1 x 13,4 in), Depiction: 30,0 cm x 23,0 cm (11,8 x 9,1 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after MEISTER WILHELM (*1370), St Bernard and St Matthew St Matthew, 1822, Lith
          Aug. 31, 2024

          J. STRIXNER (*1782) after MEISTER WILHELM (*1370), St Bernard and St Matthew St Matthew, 1822, Lith

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Meister Wilhelm: Wilhelm von Köln (around 1370 - around 1390 ): Depiction of saints Bernardus and St Matthew the Apostle, 1822, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed and dated on the left and right below the image. With indication: "Printed under the direction of Strixner in Stuttgart". The print is from the multi-volume edition: 'Die Sammlung Alt-, Nieder- und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisserée und Johann Bertram' (1821-1836). Date: 1822 Description: Matthew with halberd, depicted as an elderly man with wavy hair and long full beard. St Bernard in a habit with a staff and a filled sack in his hand. Keywords: Depiction of saints, saint, halo, Bernard of Clairvaux, Cistercian, monk, Doctor of the Church, Apostle Matthew, Evangelist Matthew, Matthew, 19th century, Renaissance, Religious, Germany, Size: Paper: 57,2 cm x 36,0 cm (22,5 x 14,2 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after MEISTER WILHELM (*1370), Apostles Matthew and James, 1823, Lithography wi
          Aug. 31, 2024

          J. STRIXNER (*1782) after MEISTER WILHELM (*1370), Apostles Matthew and James, 1823, Lithography wi

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Meister Wilhelm: Wilhelm von Köln (around 1370 - around 1390 ): Depiction of the saints Matthew and James with sword, staff and book, 1823, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed and dated on the left and right below the image. With indication: "Printed under the direction of Strixner in Stuttgart". The print is from the multi-volume edition: Die Sammlung Alt-, Nieder- und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisserée und Johann Bertram (1821-1836). Date: 1823 Keywords: Depiction of saints, saint, halo, apostle, New Testament, 19th century, Renaissance, Religious, Germany, Size: Paper: 57,0 cm x 35,5 cm (22,4 x 14 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after DÜRER (*1471), Lion kills deer, around 1811, Lithography with pen
          Aug. 31, 2024

          J. STRIXNER (*1782) after DÜRER (*1471), Lion kills deer, around 1811, Lithography with pen

          Est: €75 - €125

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Albrecht Dürer (1471 Nuremberg - 1528 ibid.): Lion attacking a stag, incunabulum of lithography, Winkler No 965, 402, 1811-1816, c. 1811, Lithography with pen Technique: Lithography with pen on Paper, mounted on Paper Inscription: At the bottom of the image (centre): "1505 and below Dürer's monogram, signed on the right: N: Strixner del:", after a painting in Gr. Sammlung Munich by Albrecht Dürer / Winkler No. 965, 40.2, Dussler (Munich II), p. 149 No. XL,2", Munich 1811-1816. Date: c. 1811 Keywords: 19th century, Renaissance, Animals, Germany, Size: Paper: 18,0 cm x 30,7 cm (7,1 x 12,1 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after CARRACCI (*1560), Church in Italy, around 1811, Lithography
          Aug. 31, 2024

          J. STRIXNER (*1782) after CARRACCI (*1560), Church in Italy, around 1811, Lithography

          Est: €75 - €125

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): Church in Italy, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Watermark: - more than three letters (words/names) - H:BLUM - Date: Inscription: Behind on the left a three-storey Romanesque tower with a low pointed roof. Trees and outbuildings, on the right landscape with staffage figures. Strixner learned engraving with Dorner in 1799. Employed as a draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1811 Description: Listed by Winkler: No. 965, 30.5. / Dussler p.146 No. XXX.5. Munich 1811-16. signed lower left: "H: Carrache. / right: N: Strixner del:" Drawing Graphische Sammlung Munich. The wide and flat building has many round arch openings on the front gable end. | Watermark: H:BLUM Keywords: 19th century, Romanticism, Architecture, Germany, Size: Paper: 30,5 cm x 41,5 cm (12 x 16,3 in), Depiction: 22,3 cm x 33,0 cm (8,8 x 13 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after CARRACCI (*1560), Diana and Endymion, around 1811, Lithography
          Aug. 31, 2024

          J. STRIXNER (*1782) after CARRACCI (*1560), Diana and Endymion, around 1811, Lithography

          Est: €75 - €125

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): Diana and Endymion, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Inscription: Signed at the bottom of the picture: "H. Carracci. // N: Strixner/del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 9.3. / Dussler p.139 No. XX, 3. Munich 1811-16. Endymion - in Greek mythology the beautiful and eternally youthful lover of Artemis, Roman Diana - is depicted sleeping in the centre of the picture. Diana coming out of the clouds from the right. In front on the right sleeping dog, behind on the left above two putti. Diana falls in love with Endymion. With the help of Zeus she lets him sink into eternal sleep to save him from death and thus give him eternal youth. Every night she comes to him in the cave and begets a total of fifty daughters with him. Date: c. 1811 Keywords: 19th century, Figurative, Mythology, Germany, Size: Paper: 35,0 cm x 28,0 cm (13,8 x 11 in), Depiction: 25,5 cm x 18,5 cm (10 x 7,3 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after CARRACCI (*1560), Escape to Egypt, around 1811, Lithography
          Aug. 31, 2024

          J. STRIXNER (*1782) after CARRACCI (*1560), Escape to Egypt, around 1811, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): Flight into Egypt, incunabulum of lithography, Winkler No 965, 474, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Inscription: Signed at the bottom: "H: Carracci // N: Strixner del: 1813.", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 47.4 / Dussler p.151 No. XLVII, 4. Munich 1811-16. In a beautiful landscape in front of a lake with sailing boats and with a mountain background Mary, the Child and Joseph are walking to the left behind a piece of grass. In the left background under two trees a flute player and a listener. The flight into Egypt is an event from Jesus' childhood, described in the Gospel of Matthew (Mt 2,13). Date: c. 1811 Description: "The reproduction of grandiose pen drawings for the "Oeuvres Lithographiques" made demands on Nepomuk Strixner's skills. Simple tracing work did not do justice to the pen stroke. The works shown here can only have been created freely over the tracing after great practice." (from: Winkler, plates 20-21). Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 37,1 cm x 51,0 cm (14,6 x 20,1 in), Depiction: 26,7 cm x 40,5 cm (10,5 x 15,9 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after CARRACCI (*1560), St John the Evangelist on Patmos, around 1811, Lithograp
          Aug. 31, 2024

          J. STRIXNER (*1782) after CARRACCI (*1560), St John the Evangelist on Patmos, around 1811, Lithograp

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): "John the Evangelist on Patmos", incunabulum of the lithograph, Winkler No 965, 23 III, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Inscription: On his right a deep landscape with mountains. Strixner learned engraving with Dorner in 1799. Employed as draughtsman at the electoral gallery in Munich in 1803. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1811 Description: Signed under the picture: "Hannibal Carrac. // N. Strixner", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 2.3. III. / Dussler p. 136, No. II, 3. Munich 1811-16. Johannes is on the left side at the rock, the right forearm propped up, with raised hand. In his left hand he holds a book. Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 38,0 cm x 52,0 cm (15 x 20,5 in), Depiction: 37,0 cm x 51,0 cm (14,6 x 20,1 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after CAMBIASO (*1527), Equestrian battle, around 1811, Lithography
          Aug. 31, 2024

          J. STRIXNER (*1782) after CAMBIASO (*1527), Equestrian battle, around 1811, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Luca Cambiaso (1527 Moneglia/Genua - 1585 San Lorenzo de El Escorial): Riding Battle, Incunabulum of Lithography, Winkler No 965, 46 II, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Inscription: On the left rider on horseback with lance, seen from behind; in the centre horse broken down, the fallen rider on the right of it fighting with an opponent lying on top of him. Background three more heads of horses and warriors with shields. Strixner learned engraving from Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1811 Description: "The reproduction of grandiose pen drawings for the "Oeuvres Lithographiques" made demands on Nepomuk Strixner's skills. Simple tracing work did not do justice to the pen stroke. The works shown here can only have been created freely over the tracing after great practice." (from: Winkler, plates 20-21). Signed under the image: "Lucas Cambiasi. // N. Strixner fecit", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 4.6. II. / Dussler p. 137, No. IV, 6. Munich 1811-16. Keywords: 19th century, Figurative, Animals, Germany, Size: Paper: 42,0 cm x 57,0 cm (16,5 x 22,4 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after BANDINELLI (*1493), Theft of women, robbery of the Sabine women, around 18
          Aug. 31, 2024

          J. STRIXNER (*1782) after BANDINELLI (*1493), Theft of women, robbery of the Sabine women, around 18

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Baccio Bandinelli (around 1493 - 1560 ibid.): Rape of the Sabine Women, incunabulum of lithography, Winkler No 965, 135, 1811-1816, c. 1815, Lithography Technique: Lithography on Paper Watermark: Partially visible. - more than three letters (words/names) - M. IA. Huber - Date: 19th century Inscription: Signed at the bottom: "Bacc: Bandinelli // N: Strixner del:", listed in Winkler: Die Frühzeit der Deutschen Lithographie, No. 965, 13.5 / Dussler p.140 No. XIII, 5. Munich 1811-16. Strixner learned engraving with Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: c. 1815 Description: | Watermark: A. HUBER Keywords: 19th century, Figurative, Mythology, Germany, Size: Paper: 47,4 cm x 38,0 cm (18,7 x 15 in), Depiction: 36,2 cm x 28,0 cm (14,3 x 11 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after WYNANTS (17th), Rocky landscape with trees, around 1811, Lithography
          Jul. 27, 2024

          J. STRIXNER (*1782) after WYNANTS (17th), Rocky landscape with trees, around 1811, Lithography

          Est: €75 - €125

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Jacob Wynants (17th century): Rock Landscape with Trees, Incunabulum of Lithography, 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: Signed in the upper left corner: "J. Wynants", lower right: "N: Strixner del.", verso inscribed in lead: Incunable of lithography / N. Strixner after ? Jan Wynants, Dutch / Winkler No. 965 42.4:III. Dussler, (Munich II), p. 150 No. XLII, 4 / Flesenlandschaft mit Bäumen", Munich 1811-1816." Strixner learned engraving with Dorner 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Keywords: 19th century, Romanticism, Nature, Germany, Size: Paper: 31,2 cm x 36,0 cm (12,3 x 14,2 in), Depiction: 20,0 cm x 25,0 cm (7,9 x 9,8 in)

          Fichter Kunsthandel
        • J. STRIXNER (1782-1855), Cracked disc, queen and miner, 1813, Lithography
          Jul. 27, 2024

          J. STRIXNER (1782-1855), Cracked disc, queen and miner, 1813, Lithography

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich): Arabesque, lithograph incunabulum, 1813, Lithography Technique: Lithography on Paper Watermark: Partially visible. Letters/Digits - more than three letters (words/names) - M. IA. Huber - Date: 19th century Inscription: Signed and dated "N. Strixner del. 1813." lower right in the image. Strixner learnt engraving from Dorner in 1799. Employed as a draughtsman at the electoral gallery in Munich in 1803. From 1806 experiment in lithography and from 1810 publication of the Oeuvres Lithographiques. From 1820 in Stuttgart. Date: 1813 Description: Watermark: A. Huber Keywords: 19th century, Figurative, Architecture, Germany, Size: Paper: 50,3 cm x 41,3 cm (19,8 x 16,3 in), Depiction: 41,8 cm x 33,0 cm (16,5 x 13 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after SCHONGAUER (*1430), Mary Magdalene, Wettenhausen, Lithography
          Jul. 27, 2024

          J. STRIXNER (*1782) after SCHONGAUER (*1430), Mary Magdalene, Wettenhausen, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Martin Schongauer (around 1430 Colmar - 1491 Breisach): Mourning Mary Magdalene From the High Altar of Wettenhausen, Incunabulum of Lithography, 1811-1816, 19th century, Lithography Technique: Lithography on Paper Date: 19th century Description: "From the high altar of Wettenhausen. Breast piece. Head inclined to the right and completely veiled by white cloth which intertwines under the neck. Chalk, limited. signed within below: M: Schoen pinx: N: Strixner del." (Winkler, Die Frühzeit der Deutschen Lithographie, p. 345). Inscribed in lead on verso: "Winkler No. 964, 29. unpublished pictures 1808-1810 / Mourners from the high altar of Wettenhausen. Keywords: 19th century, Figurative, Portraits, Germany, Size: Paper: 42,2 cm x 35,2 cm (16,6 x 13,9 in), Depiction: 34,8 cm x 29,3 cm (13,7 x 11,5 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after SCHONGAUER (*1430), Mary Magdalene, mourner, Lithography
          Jul. 27, 2024

          J. STRIXNER (*1782) after SCHONGAUER (*1430), Mary Magdalene, mourner, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Martin Schongauer (around 1430 Colmar - 1491 Breisach): Mary Magdalene, Mourner, Incunabulum of Lithography, 19th century, Lithography Technique: Lithography on Paper Date: 19th century Description: Signed "M. Schoen pinx. / N. Strixner del." under the depiction. "From the high altar of Wettenhausen. Breast piece, head inclined to the left and completely covered by white cloth. View of hands crossed in front of chest, in which she holds a cloth. Chalk, limited." (Winkler: The Early Period of German Lithography, p. 361). Strixner learned engraving from Dorner in 1799. Employed as a draughtsman 1803 at the electoral gallery in Munich. From 1806 he tried his hand at lithography and from 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. | Watermark: "A. Huber". Keywords: 19th century, Figurative, Biblical, Germany, Size: Paper: 39,6 cm x 31,7 cm (15,6 x 12,5 in), Depiction: 36,0 cm x 27,7 cm (14,2 x 10,9 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, Lithography
          Jul. 27, 2024

          J. STRIXNER (*1782) after PERUGINO (*1445), Madonna and child, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Pietro Perugino (1445 Citt'a della Pieve/Perugia - 1523 Fontignano/Perugia): Madonna and child, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed at the bottom of the image "P. Perugino pinx. / Strixner del. 1813". Verso inscribed in lead: Winkler "No. 965", "Dussler No. XLVII." Date: 19th century Description: Strixner learned engraving from Dorner in 1799. Employed as draughtsman at the electoral gallery in Munich in 1803. From 1806 he tried lithography and from 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. (Winkler, Die Frühzeit der Deutschen Lithographie, p. 268). Keywords: 19th century, Figurative, Religious, Germany, Size: Paper: 37,8 cm x 27,2 cm (14,9 x 10,7 in), Depiction: 36,8 cm x 26,7 cm (14,5 x 10,5 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after OSTADE (*1610), Two farmers and boys eating, around 1811, Lithography
          Jul. 27, 2024

          J. STRIXNER (*1782) after OSTADE (*1610), Two farmers and boys eating, around 1811, Lithography

          Est: €75 - €125

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Adriaen van Ostade (1610 Haarlem - 1685 ibid.): Two peasants and two boys eating, Winkler No 965, 401", lithograph incunabulum c 1811-1816, c. 1811, Lithography Technique: Lithography on Paper, mounted on Paper Inscription: Signed at the bottom of the image "A. Ostade / N. Strixner del. Incunabulum lithograph, listed at Winkler No. 965, 40.1. After a painting from the Graphische Sammlung Munich by A. van Ostade; Dussler Munich II, p. 149, No. XL.I, Zwei Bauern und zwei Knaben beim Mal. Pen and ink, chalk, Munich 1811-1816. Date: c. 1811 Keywords: 19th century, Figurative, People, Germany, Size: Paper: 15,1 cm x 18,8 cm (5,9 x 7,4 in), Depiction: 10,2 cm x 13,8 cm (4 x 5,4 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after MANTEGNA (*1430), Resurrection of Christ, around 1811, Lithography
          Jul. 27, 2024

          J. STRIXNER (*1782) after MANTEGNA (*1430), Resurrection of Christ, around 1811, Lithography

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Andrea Mantegna (around 1430 Cartura Island - 1506 Mantua): The Risen Christ, Winkler No 965, 86, lithograph incunabulum c 1811-1816, c. 1811, Lithography Technique: Lithography on Paper Date: c. 1811 Description: "Between two saints, the left one with cross, the right one in armour, bareheaded with spear. Pen and tone, hemic with highlights over the entire sheet. With five margins, signed and titled inside bottom: "A: Mantegna / Pio et Immortali Deo / N: Strixner del:". (Winkler, Die Frühzeit der Deutschen Lithographie, p. 351). Inscribed in lead on the verso: "N. Strixner after a drawing in Gr. Sammlung München by Andrea Mantegna (circle) / Winkler No. 965, 8.6. Dussler (München II), p. 138 No. VIII, 6. "Der Auferstandene Christus zwischen zwei Heiligen" München 1811-1816". Keywords: 19th century, Renaissance, Portraits, Italy, Size: Paper: 44,0 cm x 36,3 cm (17,3 x 14,3 in), Depiction: 36,0 cm x 29,0 cm (14,2 x 11,4 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after CARRACCI (*1560), St Francis, Lithography
          Jul. 27, 2024

          J. STRIXNER (*1782) after CARRACCI (*1560), St Francis, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): St Francis, Incunabulum of Lithography, 19th century, Lithography Technique: Lithography on Paper Date: 19th century Description: "Half figure in a cowl..the gaze turned rapturously to the sky, the left hand in front left on the skull. Pen and chalk, grey-green to blue-grey clay plate with strong highlights to the edge." (Winkler, Die Frühzeit der Deutschen Lithographie, p. 356). Signed "Aug. Carrache / / N. Strixner, del." below the image. , inscribed in pencil on verso: "Incunable of Lithography / Strixner after a drawing in Sammlung München by Carracci / Winkler No. 965, 27.2. "Der St. Franziskus", München 1811-16". (Winkler: The Early Period of German Lithography, p. 356). Strixner learned engraving from Dorner in 1799. Employed as draughtsman 1803 at the electoral gallery in Munich. From 1806 he tried his hand at lithography and from 1810 he published the Oeuvres Lithographiques. From 1820 in Stuttgart. Keywords: 19th century, Figurative, Nature, Germany, Size: Paper: 31,7 cm x 26,7 cm (12,5 x 10,5 in), Depiction: 21,0 cm x 16,0 cm (8,3 x 6,3 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after CARRACCI (*1560), Fidelitas, The Loyalty, Lithography
          Jul. 27, 2024

          J. STRIXNER (*1782) after CARRACCI (*1560), Fidelitas, The Loyalty, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Annibale Carracci (1560 Bologna - 1609 Rom): Fidelitas, The Fidelity, Incunabulum of Lithography, 19th century, Lithography Technique: Lithography on Paper Date: 19th century Description: "She sits facing left on a stone with the versal inscription Fidelita, in front of her a lying dog. , left in an oval apple tree, snake, lamb and griffin.Chalk and pen, delicately bordered with light ochre clay panel to this border. Lights support illumination from below." (Winkler, Die Frühzeit der Deutschen Lithographie, p. 355). Signed "A. Carracci / N. Strixner, del." below the image, inscribed on verso. , inscribed in pencil on verso: "Incunable of Lithography / Strixner after a drawing in Sammlung München by an unknown French artist after Annibal Carracci (?) / Winkler No. 965, 25.4..Fidelitas "Die Treue", Munich 1811-16". (Winkler: The Early Period of German Lithography, p. 361). Keywords: 19th century, Figurative, Mythology, Germany, Size: Paper: 35,0 cm x 43,0 cm (13,8 x 16,9 in), Depiction: 25,6 cm x 33,8 cm (10,1 x 13,3 in)

          Fichter Kunsthandel
        • Strixner, Johann Nepomuk
          Jul. 05, 2024

          Strixner, Johann Nepomuk

          Est: €40 - €60

          (1782 Altötting - München 1855). Heilige Christina mi Mühlstein in einer Landschaft. Lithographie n. Jan van Scorel aus d. Slg. der Brüder Boisserée, 1824. Blgr. 53,8 x 36,7 cm. Mit den Namensz. u. Datum im Stein. Mit schmalem Rändchen um die Darst. - Alters- u. Gebrauchssp., tls. Rand- u. Eckausrisse. R

          Kiefer Buch- und Kunstauktionen
        • Strixner, Johann Nepomuk: Der Evangelist Johannes mit dem Apostel Petrus
          May. 31, 2024

          Strixner, Johann Nepomuk: Der Evangelist Johannes mit dem Apostel Petrus

          Est: €2,600 - €2,800

          Der Evangelist Johannes mit dem Apostel Petrus. Aquarell über Bleistift, weiß gehöht, quadriert, auf festem Velin, nach Albrecht Dürer. 46,5 x 17 cm. Unten rechts signiert und datiert "J. N. Strixner del. 1848" sowie unten rechts undeutlich abermals datiert "vom 28. Juli 1813" und mit dem Monogramm "ST" versehen. Die sorgfältig und bildmäßig ausgeführte Zeichnung folgt im Format, lediglich wenige Millimeter abweichend, und in der Darstellung der Lithographie, die Strixner 1813 nach dem 1526 entstandenen Gemälde Albrecht Dürers für die umfangreiche, 432 Blatt zählenden Folge "Œuvres lithographiques" in Stein gezeichnet hat. Bei unserer Zeichnung handelt es sich jedoch nicht - da seitengleich ausgeführt - um die Vorlagenzeichnung für die Lithographie, sondern Strixner hat vielmehr seine Lithographie - möglicherweise im Auftrag und wie die Datierung verrät, zu einem späteren Zeitpunkt - noch einmal im Medium der Zeichnung wiederholt. Beigegeben die genannte, von Strixner 1813 ausgeführte Lithographie desselben Sujets (Winkler 965, 45.6). - Provenienz: Galerie Bassenge, Berlin, Auktion 99 am 1. Juni 2012, Los 6472. Privatsammlung München. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

          Bassenge Auctions
        • J. STRIXNER (*1782) after SCOREL (*1495), St Mary Magalene, 1818, Lithography with chalk
          May. 25, 2024

          J. STRIXNER (*1782) after SCOREL (*1495), St Mary Magalene, 1818, Lithography with chalk

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Jan van Scorel (1495 Schoorl - 1562 Utrecht): St Mary Magalene with the ointment vessel in the landscape, bust in three-quarter profile to the left, 1818, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed and dated on the left and right below the image. Date: 1818 Keywords: Saints, depiction of saints, Mary Magdalene, ointment vessel, 19th century, Renaissance, Religious, Germany, Size: Paper: 62,7 cm x 46,0 cm (24,7 x 18,1 in), Depiction: 37,7 cm x 27,0 cm (14,8 x 10,6 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after SCHONGAUER (*1430), Figures in mourning, apostles?, around 1808, Lithograp
          May. 25, 2024

          J. STRIXNER (*1782) after SCHONGAUER (*1430), Figures in mourning, apostles?, around 1808, Lithograp

          Est: €135 - €225

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Martin Schongauer (around 1430 Colmar - 1491 Breisach): Figures in mourning, apostles?, c. 1808, Lithography with pen Technique: Lithography with pen on Paper Inscription: At the lower part signed in the printing plate: "M: Schoen | N: Strixner fecit.". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Country people, Study, 19th century, Romanticism, Portraits, Italy, Size: Paper: 11,1 cm x 15,7 cm (4,4 x 6,2 in), Depiction: 6,5 cm x 13,2 cm (2,6 x 5,2 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after SCHIDONE (*1570), Allegorical female figure, around 1808, Lithography
          May. 25, 2024

          J. STRIXNER (*1782) after SCHIDONE (*1570), Allegorical female figure, around 1808, Lithography

          Est: €135 - €225

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Bartolomeo Schidone (1570 - 1578 ibid.): Allegorical depiction, female figure with putti, c. 1808, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Schidone | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Antiquity, Allegory, 19th century, Romanticism, Mythology, Italy, Size: Paper: 14,6 cm x 12,9 cm (5,7 x 5,1 in), Depiction: 9,0 cm x 7,4 cm (3,5 x 2,9 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after SARACENI (*1579), Death of Mary. Dying Mary, Lithography
          May. 25, 2024

          J. STRIXNER (*1782) after SARACENI (*1579), Death of Mary. Dying Mary, Lithography

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Carlo Saraceni (around 1579 Venice - 1620 ibid.): Death of Mary The dying Mary in the circle of the apostles and holy women, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed below the image on the left and right. Date: 19th century Keywords: Depiction of saints, Saints, Mary, Dormitio, Death of Mary, Dormition, Death of Mary, Death of Mary, 19th century, Renaissance, Religious, Germany, Size: Paper: 62,8 cm x 45,5 cm (24,7 x 17,9 in), Depiction: 47,3 cm x 30,0 cm (18,6 x 11,8 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after MIERIS (*1635), Portrait of a cheerful carouser, 1818, Lithography
          May. 25, 2024

          J. STRIXNER (*1782) after MIERIS (*1635), Portrait of a cheerful carouser, 1818, Lithography

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Frans van Mieris sen. (1635 Leiden - 1681 ibid.): Merry Reveler Portrait of a convivial man at a table with feathered hat and glass goblet, 1818, Lithography Technique: Lithography on Paper Inscription: Signed and dated on the left and right below the image. Date: 1818 Description: Man with feathered hat and glass goblet in his right hand, his left resting on a stone bench. Print from: "Königlich Baierischer Gemäldesaal zu München und Schleißheim. Two hundred pictures in lithography by Strixner, Piloty and others". Keywords: Portrait, Self-portrait, Drinking, Wine, Dutch art, 19th century, Renaissance, Portraits, Germany, Size: Paper: 59,3 cm x 44,5 cm (23,3 x 17,5 in), Depiction: 20,6 cm x 16,3 cm (8,1 x 6,4 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after MEISTER WILHELM (*1370), St Benedictus and St Philip St Philip, 1823, Lit
          May. 25, 2024

          J. STRIXNER (*1782) after MEISTER WILHELM (*1370), St Benedictus and St Philip St Philip, 1823, Lit

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Meister Wilhelm: Wilhelm von Köln (around 1370 - around 1390 ): Depiction of saints St Benedictus and the Apostle Philip, 1823, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed and dated on the left and right below the image. With indication: "Printed under the direction of Strixner in Stuttgart". The print is from the multi-volume edition: 'Die Sammlung Alt-, Nieder- und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisserée und Johann Bertram' (1821-1836). Date: 1823 Keywords: Depiction of saints, saint, halo, Benedict of Nursia, Apostle Philip, 19th century, Renaissance, Religious, Germany, Size: Paper: 57,5 cm x 35,0 cm (22,6 x 13,8 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after MEISTER WILHELM (*1370), Apostle Bartholomew and Simon, 1822, Lithography
          May. 25, 2024

          J. STRIXNER (*1782) after MEISTER WILHELM (*1370), Apostle Bartholomew and Simon, 1822, Lithography

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Meister Wilhelm: Wilhelm von Köln (around 1370 - around 1390 ): Depiction of the saints Bartholomew and Simon with sword, knife and book, 1822, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed and dated on the left and right below the image. With indication: "Printed under the direction of Strixner in Stuttgart". The print is from the multi-volume edition: Die Sammlung Alt-, Nieder- und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisserée und Johann Bertram (1821-1836). Date: 1822 Keywords: Depiction of saints, saint, halo, apostle, New Testament, martyrs, 19th century, Renaissance, Religious, Germany, Size: Paper: 57,5 cm x 36,5 cm (22,6 x 14,4 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after HOLBEIN (*1460), St Elisabeth with beggars, Lithography
          May. 25, 2024

          J. STRIXNER (*1782) after HOLBEIN (*1460), St Elisabeth with beggars, Lithography

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Hans Holbein sen. (1460 Augsburg - 1524 Issenheim): Saint Elisabeth with three beggars, distributing alms, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed on the left and right below the image. Date: 19th century Description: The present print reproduces the left wing of St Sebastian's Altarpiece. Framed by a stage-like Renaissance architecture, St. Elisabeth stands and gives water from a jug to one of three beggars kneeling at her feet. St. Elisabeth was a benefactress of the poor, sick and lepers in 13th century Thuringia, where she lived as the wife of Landgrave Ludwig IV at Wartburg Castle. An interesting detail: Holbein gave the pox-ridden boy on Elisabeth's right the face of his son, while he portrayed himself in the full-bearded head behind on the saint's left. Keywords: Saint, Saint Elisabeth, Elisabeth of Thuringia, Elisabeth of Hungary, patron saint of the country, Catholic Church, strong woman, alms, beggars, 19th century, Renaissance, Religious, Germany, Size: Paper: 62,5 cm x 45,8 cm (24,6 x 18 in), Depiction: 31,3 cm x 28,2 cm (12,3 x 11,1 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after HOLBEIN (*1498), Joachim Buecklaer (* around 1530), Lithography
          May. 25, 2024

          J. STRIXNER (*1782) after HOLBEIN (*1498), Joachim Buecklaer (* around 1530), Lithography

          Est: €105 - €175

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Hans Holbein jun. (1498 Augsburg - 1543 London): Portrait of the painter Joachim Buecklaer (* around 1530), 19th century, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Johan Beukler. J. Holbein fecit | N. Strixner del.". Date: 19th century Description: Probably a bust portrait of the history and genre painter Joachim Buecklaer (c. 1530 Antwerp - 1571 ibid.) with cap after a model by Hands Holbein the Younger. Keywords: Printmaking, Germany, Portrait, Artist, Painter, 19th century, Romanticism, Portraits, Germany, Size: Paper: 41,9 cm x 31,6 cm (16,5 x 12,4 in), Depiction: 36,1 cm x 25,8 cm (14,2 x 10,2 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after HOHLBEIN (16th), Portrait d. J. v. Carondelet, 1827, Lithography with cha
          May. 25, 2024

          J. STRIXNER (*1782) after HOHLBEIN (16th), Portrait d. J. v. Carondelet, 1827, Lithography with cha

          Est: €300 - €400

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Johann Hohlbein (16th century): Portrait of the Dutchman John of Carondelet (16th century), Archbishop of Palermo, Chancellor of Flanders, bust with frontal view towards the viewer, leafing through a book, 1827, Lithography with chalk Technique: Lithography with chalk on Paper Inscription: Signed and dated on the left and right below the image. With indication: "Printed under the direction of Strixner in Stuttgart". The print is from the multi-volume edition: Die Sammlung Alt-, Nieder- und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisserée und Johann Bertram (1821-1836). Date: 1827 Description: The bishop wears a dark cap and a cape with a hood. Keywords: Bishop, Bishop of Palermo, Chancellor of Flanders, 19th century, Renaissance, Religious, Germany, Size: Paper: 39,1 cm x 27,0 cm (15,4 x 10,6 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after GOYEN (*1596), Old church tower with steep stairs, Lithography
          May. 25, 2024

          J. STRIXNER (*1782) after GOYEN (*1596), Old church tower with steep stairs, Lithography

          Est: €105 - €175

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Jan van Goyen (1596 - 1636 ): Old church tower with steep stairs, 19th century, Lithography Technique: Lithography on Paper Date: 19th century Description: The depiction follows a model by the Dutch landscape painter Jan van Goyen. Keywords: Netherlands, Germany, Printmaking, Architecture, Lithography, 19th century, Romanticism, Architecture, Netherlands, Size: Paper: 34,4 cm x 25,4 cm (13,5 x 10 in), Depiction: 26,5 cm x 17,7 cm (10,4 x 7 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after GOYEN (*1596), Old church tower with steep stairs, Lithography
          May. 25, 2024

          J. STRIXNER (*1782) after GOYEN (*1596), Old church tower with steep stairs, Lithography

          Est: €105 - €175

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Jan van Goyen (1596 - 1636 ): Old church tower with steep stairs, 19th century, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "van Goyen | N: Strixner del:". Date: 19th century Description: The depiction follows a model by the Dutch landscape painter Jan van Goyen. Keywords: Netherlands, Germany, Printmaking, Architecture, Lithography, 19th century, Romanticism, Architecture, Netherlands, Size: Paper: 34,5 cm x 25,4 cm (13,6 x 10 in), Depiction: 26,5 cm x 17,7 cm (10,4 x 7 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after GADDI (*1290), Study of a seated merchant, Lithography
          May. 25, 2024

          J. STRIXNER (*1782) after GADDI (*1290), Study of a seated merchant, Lithography

          Est: €105 - €175

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Taddeo Gaddi (1290 - 1366 ibid.): Study of a seated merchant, 19th century, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Tadd: Gaddi. | N: Strixner fecit". Date: 19th century Description: The depiction of a merchant follows a figure from the work of the Florentine painter Taddeo Gaddi, son of Gaddo Gaddi and godchild and pupil of Giotto. Keywords: Italy, Renaissance, Florence, Germany, printmaking, lithography, 19th century, Romanticism, Portraits, Italy, Size: Paper: 30,7 cm x 23,5 cm (12,1 x 9,3 in), Depiction: 23,5 cm x 17,0 cm (9,3 x 6,7 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after DOMENICHINO (*1581), River landscape, around 1808, Lithography with pen
          May. 25, 2024

          J. STRIXNER (*1782) after DOMENICHINO (*1581), River landscape, around 1808, Lithography with pen

          Est: €135 - €225

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Domenichino: Zampieri Domenico (1581 Bologna - 1641 Naples): River landscape, c. 1808, Lithography with pen Technique: Lithography with pen on Paper Inscription: At the lower part signed in the printing plate: "Dominichino | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, River, Floodplain, Village, Mountains, Italy, 19th century, Romanticism, Landscape, Italy, Size: Paper: 25,1 cm x 33,7 cm (9,9 x 13,3 in), Depiction: 20,4 cm x 27,9 cm (8 x 11 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after BRUEGEL (*1525), Three blind travellers, around 1808, Lithography with pen
          May. 25, 2024

          J. STRIXNER (*1782) after BRUEGEL (*1525), Three blind travellers, around 1808, Lithography with pen

          Est: €135 - €225

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Pieter Bruegel sen. (around 1525 Breda - 1569 Brussels): Three blind travellers, c. 1808, Lithography with pen Technique: Lithography with pen on Paper Inscription: At the lower part signed in the printing plate: "Peter Breughel | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Country people, Blindness, Wandering, Allegory, Blind man's fall, 19th century, Romanticism, Fashion, Germany, Size: Paper: 26,0 cm x 34,2 cm (10,2 x 13,5 in), Depiction: 19,3 cm x 27,2 cm (7,6 x 10,7 in)

          Fichter Kunsthandel
        • J. STRIXNER (*1782) after GUERCINO (*1591), Writing Jerome, around 1808, Lithography
          May. 25, 2024

          J. STRIXNER (*1782) after GUERCINO (*1591), Writing Jerome, around 1808, Lithography

          Est: €135 - €225

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich) after Guercino: Giovanni Francesco Barbieri (1591 Cento/Ferrara - 1666 Bologna): Writing Jerome, c. 1808, Lithography Technique: Lithography on Paper Inscription: At the lower part signed in the printing plate: "Guercino | N: Strixner del:". Date: c. 1808 Description: Johann Nepomuk Strixner was a German draughtsman and printmaker who made a name for himself particularly through the print reproduction of old hand drawings. Around 1808, he worked together with the inventor of lithography, Aloys Senefelder, on the publication of a series of lithographic reproductions after Albrecht Dürer. In 1809, he enrolled at the Academy in Munich, where he deepened the technical skills he had already learnt in engraving and lithography through intensive study. He was particularly interested in the works of the Old Masters. Between 1808 and 1815, together with Johann Nepomuk Strixner, he published an extensive series of lithographs after Old Master drawings. This multifaceted work emphasises the full skill of the two artists, who copied the drawings onto the stone with a sensitive eye and convey a good impression of the original work in their reproductions. A characteristic feature of many of the sheets is the basis of a discreetly coloured clay plate with scratched-out areas, presumably intended to imitate the white heightening and different paper colours of the originals. Piloty and Strixner used the technique of lithography in all its facets and always endeavoured to give their reprints the same delicacy and depth that characterise the hand drawings of the Old Masters. Keywords: Lithograph series, Old Masters, Study, Saint, Church, Scriptorium, Hermitage, 19th century, Romanticism, Portraits, Italy, Size: Paper: 20,8 cm x 23,2 cm (8,2 x 9,1 in), Depiction: 16,2 cm x 18,3 cm (6,4 x 7,2 in)

          Fichter Kunsthandel
        • J. STRIXNER (1782-1855), Antique figure in toga, Lithography
          Apr. 20, 2024

          J. STRIXNER (1782-1855), Antique figure in toga, Lithography

          Est: €150 - €200

          Johann Nepomuk Franz Xaver Strixner (1782 Altötting - 1855 Munich): after Hieronymus da Carpi, Antique figure in toga, 19th century, Lithography Technique: Lithography on Paper Inscription: Signed in the stone below the depiction: "Hieronym: da Carpi: | N: Strixner del:". On the reverse with a note of a dedication: "Gift to D. Collection [?] Politz 1912-". Date: 19th century Description: Full-length depiction of a bearded man in wrinkled antique robe. Keywords: 19th century, Romanticism, Biblical, Germany,

          Fichter Kunsthandel
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