William Still Sold at Auction Prices

William Bailey - "Still Life Ostia" (Rare Oversize Litho")

William Bailey - "Still Life Ostia" (Rare Oversize Litho"). Lincoln Center. 1994. 42 x 37. Some staining on the edges (see pic). Good condition

WILLIAM GOWE FERGUSON. Attributed to. Still life.

Oil on canvas 80x114 cm.

William Bailey - "Still Life Ostia" (Rare Oversize Litho")

William Bailey - "Still Life Ostia" (Rare Oversize Litho"). Lincoln Center. 1994. 42 x 37. Some staining on the edges (see pic). Good condition

William M Haenel Still Floral Oil on Canvas

Oil on canvas by William Haenel measures 42x38

William Bailey - "Still Life Ostia" (Rare Oversize Litho")

William Bailey - "Still Life Ostia" (Rare Oversize Litho"). Lincoln Center. 1994. 42 x 37. Some staining on the edges (see pic). Good condition

William Silvian Signed Oil Painting Still Life

William Silvian Signed Oil Painting Still Life Dated 1961 In Carved Period Frame. Framed measures 24 inches x 27 inches, art measures 16 inches x 19 inches.

William Morris, Artifact: Still Life

William Morris Artifact: Still Life 1991 hand-blown glass 13 h x 19.25 w x 13 d in (33 x 49 x 33 cm) Work is composed of four elements. Etched signature and date to base of each element 'William Morris 91' or 'William Morris 1991'. Provenance: The Artist | Heller Gallery, New York | Acquired from the previous in 1994, Collection of Dina and Jerry Wind This work will ship from Lambertville, New Jersey.

William Bailey - "Still Life Ostia" (Rare Oversize Litho")

William Bailey - "Still Life Ostia" (Rare Oversize Litho"). Lincoln Center. 1994. 42 x 37. Some staining on the edges (see pic). Good condition

William Bailey - "Still Life Ostia" (Rare Oversize Litho")

William Bailey - "Still Life Ostia" (Rare Oversize Litho"). Lincoln Center. 1994. 42 x 37. Some staining on the edges (see pic). Good condition

William H. Bailey, Untitled (Still Life)

William H. Bailey Untitled (Still Life) 1987 etching and drypoint in colors image: 8.375 h x 6.875 w in (21 x 17 cm) sight: 10 h x 8.125 w in (25 x 21 cm) Signed, dated and numbered to lower margin '25/50 Bailey 1987'. This work is number 25 from the edition of 50. This work will ship from Chicago, Illinois.

William Bailey - "Still Life Ostia" (Rare Oversize Litho")

William Bailey - "Still Life Ostia" (Rare Oversize Litho"). Lincoln Center. 1994. 42 x 37. Some staining on the edges (see pic). Good condition

William Bailey - "Still Life Ostia" (Rare Oversize Litho")

William Bailey - "Still Life Ostia" (Rare Oversize Litho"). Lincoln Center. 1994. 42 x 37. Some staining on the edges (see pic). Good condition

William Bailey - "Still Life Ostia" (Rare Oversize Litho")

William Bailey - "Still Life Ostia" (Rare Oversize Litho"). Lincoln Center. 1994. 42 x 37. Some staining on the edges (see pic). Good condition

WILLIAM GOWE FERGUSON. Attributed to. Still life.

Oil on canvas 80x114 cm.

William Bailey - "Still Life Ostia" (Rare Oversize Litho")

William Bailey - "Still Life Ostia" (Rare Oversize Litho"). Lincoln Center. 1994. 42 x 37. Some staining on the edges (see pic). Good condition

WILLIAM S. SCHWARZ Still Life with Yellow Mums.

WILLIAM S. SCHWARZ Still Life with Yellow Mums. Oil on canvas. 565x380 mm; 22x15 inches. Signed in oil, lower right recto. Provenance: Private collection, New York.

William H. Bailey, Still Life with Eggs, Candlestick and Bowl

William H. Bailey Still Life with Eggs, Candlestick and Bowl 1976 collotype in colors 30 h × 22 w in (76 × 56 cm) Signed and numbered to verso 'William Bailey 156/200'. This work is number 156 from the edition of 200 published by APC Editions, New York. This work will ship from LAMA in Los Angeles, California.

WILLIAM HENRY CHANDLER PASTEL STILL LIFE

18.25" by 21.5" framed. William Henry Chandler was a prolific pastel artist. Living in New Jersey and working from his studios in New York City, Chandler was a deeply religious man who created primarily landscape scenes. He also paints fruit and dead-game still life, seascapes and occasionally some foreign scenes. And not all "Chandler" pastels were created by Chandler's own hand. Rather, at the peak of his business, orders were sometimes so numerous that Chandler employed a stable of artists who created a large number of "original" pastels in the style of Chandler, who signed the "Chandler" name to them, and who sold them through the Chandler Studios. Most Chandler pastels were signed "Chandler" either by Chandler himself, or one of his staff artists. And frequently Chandler pastels left the studio unsigned. Often when sold in pairs, only one pastel of the pair would be signed.

William Ferdinand Metzkes Floral Still Life Oil Ptg

Metzkes, William Ferdinand (American/Pittsburgh, b.1884), Untitled Floral Still Life, undated, oil on canvasboard, signed upper right, 27.5 x 18 inches, in a period wood frame 33.5 x 23.5 inches. Provenance: Harry Eichleay Art Co., Pittsburgh.

William Frater “Floral - Still Life” Oil on Board

William Frater (1890-1974) "Floral - Still Life" Oil on Board, signed lower right. 45cm x 28cm (Frame size - 55cm x 38cm).

William Bailey STILL LIFE WITH EGGS, CANDLESTICK AND BOWL Color lithograph from America: The Third Century

William Bailey (b. 1930) STILL LIFE WITH EGGS, CANDLESTICK AND BOWL Color collotype, 1976, signed and numbered 22/200 in pencil verso, from America: The Third Century and with inkstamp verso, published by APC Editions, New York, the full sheet, framed. Sheet 30 x 22 inches; 762 x 559 mm. Frame 26 1/8 x 34 1/8 inches; 664 x 867 mm. C 

William Daily, O/B Still Life of Fruit

signed verso. Frame size: 21" high, 25" wide. Frame wear.

William Mackendrick: Still Life

Crayon and pencil on paper, signed 'Mackendrick' lower left. 6 x 7 in. (sheet), unframed. Property from the Collection of Gloria and Richard Manney, NY

William Bracy Still Life Oil On Canvas Painting

Frame Measures Approximately 32in X 26in. Art Measures Approximately 29in X 23in. Nr8209 Zh

WILLIAM TOOTILL (AUS) "Still Life"

WILLIAM TOOTILL (AUS) "Still Life" Oil on board. Artwork is signed & framed. Image 49cm x 57cm Frame 66cm x 75cm

William Bailey, Still Life with Eggs, Candlestick and Bowl, Collotype

Artist: William Bailey, American (1930 - 2020) Title: Still Life with Eggs, Candlestick and Bowl Year: 1976 Medium: Collotype, signed and numbered in pencil verso Edition: 200 Size: 30 x 22 in. (76.2 x 55.88 cm)

William Hughes oil on canvas still life

William Hughes (British 1842-1901), oil on canvas still life with apples, signed lower left, 36" x 28".

WILLIAM SMITH AUTOGRAPHED "C.C. & COMPANY" BLACK & WHITE MOVIE STILL PHOTO

SMITH AS "MOON" THE BIKER, WITH ANN MARGARET, SIGNED "TO BARBARA WILLIAM SMITH "MOON" IN BLUE MARKER, PHOTO IS 8" X 10", IN GOOD CONDITION

WILLIAM SANDERSON SIGNED BLACK & WHITE TV STILL PHOTO

FROM THE " BOB NEWHART SHOW" WITH CBS PRESS INFORMATION CARD ATTACHED TO THE BACK, SIGNED ON THE LOWER RIGHT " TO JUDY, WITH LOVE WILLIAM SANDERSON "LARRY"" IN GOLD PEN,  IN BLACK MARKER, PHOTO IS 9 1/4" X 7" IN A PLASTIC SLEEVE

William H. Bailey, Untitled Still Life Etching

William H. Bailey (American B. 1930). Untitled Still Life Etching. Signed lower right. 1982. 15/200. Birch frame. (MTHM487)(EL)

William Carter Still Life

William Sylvester Carter (1909-1996) Still Life With Purple Plum,c. 1950 oil on canvas signed 18 x 32 inches framed William Sylvester Carter was born in St. Louis, MO and moved to Chicago in 1930 to study art at the School of the Art Institute of Chicago and the University of Illinois. In order to earn room and board, Carter worked as a janitor at the Palette and Chisel Club (an all-white club, to which he became an honorary member in 1986).  He was among the artists represented in the American Negro Exposition assembled by Alonzo Aden, with the Harmon Foundation and the WPA in Chicago, 1940.  Carter was awarded first prize for a work in watercolor.   The same year, he exhibited at Howard University Gallery of Art.  Carter also worked for the WPA in Illinois in 1943, and taught art at the historic South Side Community Art Center. Carter worked in many styles and addressed virtually any subject matter from the traditional portrait, seascape and landscape to the cubist still life and illustration seen here in this collection, to completely non-objective compositions.  

William Bailey, Still Life with Eggs, Candlestick and Bowl, Collotype

Artist: William Bailey, American (1930 - ) Title: Still Life with Eggs, Candlestick and Bowl Year: 1976 Medium: Collotype, signed and numbered in pencil verso Edition: 200 Image Size: 30 x 22 in. (76.2 x 55.88 cm)

WILLIAM SANDERSON SIGNED BLACK & WHITE TV STILL PHOTO

FROM THE " BOB NEWHART SHOW" WITH CBS PRESS INFORMATION CARD ATTACHED TO THE BACK, SIGNED ON THE LOWER RIGHT " TO JUDY, WITH LOVE WILLIAM SANDERSON "LARRY"" IN GOLD PEN,  IN BLACK MARKER, PHOTO IS 9 1/4" X 7" IN A PLASTIC SLEEVE

William H Earle; Still Life Oil on Canvas

William H Earle (Connecticut, 1928 - 1992); New England Still Life with Lemons, 1962; Oil on Canvas signed and dated lower right recto; framed. Good condition. Height of art 16 inches (40.6 cm.) X width of art 20 inches (50.8 cm.).

WILLIAM KRULLAARS STILL LIFE PAINTING

WILLIAM KRULLAARS STILL LIFE PAINTING

KRULLAARS, William, (American, 1878-1945): Still Life with Potted Plants, Vase and Books, Oil/Board, 24" x 22", signed lower left, original frame is 28.50" x 27". Krullaars was born in the Netherlands, studied at the Rotterdam Academy of Fine Art, moved to the States and studided at the Chicago Art Institute. He was a restorer of painting for Grant's Art Gallery, as well as the Chicago Art Institute.

William Bailey, Still Life with Eggs, Candlestick and Bowl, Collotype

Artist: William Bailey, American (1930 - ) Title: Still Life with Eggs, Candlestick and Bowl Year: 1976 Medium: Collotype, signed and numbered in pencil verso Edition: 200 Size: 30 x 22 in. (76.2 x 55.88 cm)

William Littlefield, Abstract and Still Life, Double Sided Oil Painting

Artist: William Littlefield, American (1902 - 1969) Title: Abstract and Still Life Medium: Double Sided Oil on Board, signed Size: 30 x 24 in. (76.2 x 60.96 cm)

WILLIAM YARROW Still Life.

WILLIAM YARROW Still Life. Oil on canvas, circa 1920. 760x630 mm; 30x24 3/4 inches. Signed in oil, lower right recto. Yarrow (1891-1941) was an American painter and muralist who was primarily active in Philadelphia. He studied at the Pennsylvania Academy of the Fine Art, as well as at the Grande Chaumière and the Académie Colarossi, Paris.

WILLIAM HUGHES: "STILL LIFE WITH FRUIT & BUTTERFLY"

circa 1875 oil on canvas relined signed and dated lower left 30 x 25 inches

William Murray - Still Life with Dog and Dead Game

Still Life with Dog and Dead Game

William Birdsall Gifford Still Life O/C

This lot features an original oil on canvas still life painting by William Birdsall Gifford (1842 - 1929). Gifford was born in Aurora, New York and died of pneumonia at the home of his niece, Mrs. S. Irving Howard. Gifford was raised as a Quaker and, with his mother's encouragement, developed a craving for art by age 7. His more serious studies started at age 15 in New York City; later his education took him to Philadelphia and Paris. Still life-post impressionist oil on canvas. Has been cleaned and been touched up in a couple of places. Measures 24" x 18". This piece comes from the Dickenson Estate of Knoxville, TN. See Photos for Details. Shipping Available.

William Huggins Signed, Still Life, Oil on Canvas

William Huggins signed, still life of pewter tankard with 18th C. books, oil on canvas, 19 1/2" x 31 1/2", framed 27" x 39".

WILLIAM DANIELS | Still Life With Flowers And Curtains

oil on board

STILL, WILLIAM

N/A The Underground Rail Road. A Record of Facts, Authentic Narratives, Letters, &c., Narrating the Hardships[,] Hair-breadth Escapes[,] and Death Struggles of the Slaves in their Efforts for Freedom, as related by themselves and others, or Witnessed by the Author; together with Sketches of some of the Largest Shareholders, and most Liberal Aiders and Advisers, of the Road. Revised Edition. Philadelphia: Wm. Still, Publishers, 1883 In 8s (9? x 6? in.; 235 x 159 mm). Engraved frontispiece portrait of the author, numerous wood-engraved plates and text illustrations. Publisher's pebbled maroon cloth, covers panelled in blind and elaborately gilt, maroon endpapers, gilt edges; spine slightly faded, inner hinges broken, preliminary leaves loose. Half maroon morocco slipcase, chemise. Association copy, from Clemens's library, with a lengthy autograph anecdote about an escaped slave on the front flyleaf. Still's history was first published in 1872 and "is generally acknowledged as a classic unrivalled by any previous firsthand account of the Underground Railroad" (Blockson). "William Still was the most energetic and adventurous of the many Philadelphians who operated the Underground Railroad. He had been born free, but his parents had undergone the hardships of escape. ? When Still turned his experience into a book, he filled it with tales of crated escapees, murdered agents, soft knocks on side doors, and a network as clandestine and complicated as anything dreamed up by James Bond" (Wolf). Clemens's detailed note (running to 146 words) records a covert escape similar to those described by Still, which he had evidently heard about from his mother-in-law, Olivia Lewis Langdon. "Mrs. Luckett was a slave in Richmond, with a daughter 3 years old. Her brother, Jones, an escaped slave, lived in Elmira (1844.) He cut two duplicate hearts out of pink paper, & wrote on one, 'When you see this again, you will know.' No other word accompanied it. After a while a white man went [to] Richmond with the other heart, called on the woman's mistress on some pretext which brought in the slaves: Mrs. L. saw & recognized the duplicate heart; she escaped, with her child in the night, joined the man at a place appointed, (Annapolis,) & thence got through safely to Elmira. She lives in Canada, now (whither she had to flee when the fugitive slave law was passed (1850,) & the child is also married & lives in Binghamton, N.Y., (1884.) This account given by Mother, who knew the several parties." Clemens has also closely marked Still's section on Seth Concklin (pages 24?38) with marginal rules. Mrs. Luckett's adventure shares many elements in common with Clemens's celebrated dialect narrative "A True Story Repeated Word for Word as I Heard It" (1874), and he may have written the present sketch in anticipation of expanding it to a full short story. References: Lilly/Karanovich 18; Gribben 2:666; Blockson, 101 Influential Books By and About People of African Descent 41; Wolf, Negro History 1553?1903 184