Charles Joseph Staniland Sold at Auction Prices

Charles Josef Staniland (1838-1916), Ink,

Charles Josef Staniland (1838-1916), Ink, watercolour and gouache, The Attack and Massacre of Armenians by Softas (theological fanatical religious students) near St. Sofia, Constantinople / modern day Istanbul, Turkey. By Staniland after a sketch by an eye witness. Signed lower left and inscribed under. Illustrated in the Graphic newspaper, 26th October 1895 (page 515), Tessa Hofmann & Gerayer Koutcharian, Armenian Review, Spring/Summer, 1992, Vol. 45, No. 1-2/177-178, p. 68, Fig. 4, and a reproduction at the Armenian Genocide Museum. Approx. 6" x 9"

Staniland (Charles Joseph) [Enthusiasm and Misery], etching, 1897; and 2 others similar, 19th century (3)

NO RESERVE Staniland (Charles Joseph) [Enthusiasm and Misery], etching, printed chine collé, on cream wove paper, signed in pencil by the artist, with Printseller's Association blindstamp, platemark 410 x 670 mm (16 1/8 x 26 1/4 in), under glass, good margins, framed, published by Arthur Ackermann, 1897; together with 2 others similar, including a photogravure after a Trout fishing scene by Heywood Hardy and Frank Walton, and an etching by Brunet-Debaines, signed in pencil, 550 x 360 mm (21 3/4 x 14 1/4 in) and 370 x 500 mm (14 3/4 x 19 3/4 in), respectively, framed and glazed, 19th century (3) Literature: Beazley, David, Images of Angling. Three Centuries of British Angling Prints, Creel Press, 2010, nos. 218 and 320 [the Brunet-Debaines not recorded]

CHARLES JOSEPH STANILAND (BRITISH, 1838-1916) ENGRAVING

19th century engraving titled The South Kensington Museum on Whit Monday. Depicting visitors inside the South Kensington Museum, which was founded in 1852. In 1899, during the last official public appearance by Queen Victoria, it was renamed the Victoria and Albert Museum. Whit Monday gets its English name from Whitsunday, an English name for Pentecost, one of the three baptismal seasons in the Christian calendar.  Issued: ca. 1860 Dimensions: 30.5"W x 23.5"L framed

CHARLES JOSEPH STANILAND (BRITISH, 1838-1916) ENGRAVING

19th century engraving titled The South Kensington Museum on Whit Monday. Depicting visitors inside the South Kensington Museum, which was founded in 1852. In 1899, during the last official public appearance by Queen Victoria, it was renamed the Victoria and Albert Museum. Whit Monday gets its English name from Whitsunday, an English name for Pentecost, one of the three baptismal seasons in the Christian calendar.  Issued: ca. 1860 Dimensions: 30.5"W x 23.5"L framed

ENGRAVED PRINT SOUTH KENSINGTON MUSEUM ON WHIT MONDAY

A framed color print depicting visitors and exhibitions inside the South Kensington Museum. Dated between 1857, the museum's opening, and 1899, during the last official public appearance by Queen Victoria, when it was renamed the Victoria and Albert Museum. Artist signed lower right corner C.J. [Charles Joseph] Staniland (1838-1916). Gilt banded with floral pattern around frame. A framed color print, depicting throngs of visitors and exhibitions inside the South Kensington Museum, which was founded in 1852. In 1899, during the last official public appearance by Queen Victoria, it was renamed the Victoria and Albert Museum, dating this print to sometime after the official 1857 opening and before 1899. The fashions depicted suggest the 1860's. Whit Monday gets its English name from Whitsunday, an English name for Pentecost, one of the three baptismal seasons in the Christian calendar. Artist signed in lower right corner C.J. [Charles Joseph] Staniland (1838-1916), a prolific and highly sought artist known for illustrating children's novels and painting still life, historical scenes, seascapes, and portraits. Gilt banded with floral pattern around frame. Dimensions: 30.5"W x 23.5"L framed Issued: ca. 1860

COLOR PRINT SOUTH KENSINGTON MUSEUM ON WHIT MONDAY

A framed color print depicting visitors and exhibitions inside the South Kensington Museum. Dated between 1857, the museum's opening, and 1899, during the last official public appearance by Queen Victoria, when it was renamed the Victoria and Albert Museum. Artist signed lower right corner C.J. [Charles Joseph] Staniland (1838-1916). Gilt banded with floral pattern around frame. A framed color print, depicting throngs of visitors and exhibitions inside the South Kensington Museum, which was founded in 1852. In 1899, during the last official public appearance by Queen Victoria, it was renamed the Victoria and Albert Museum, dating this print to sometime after the official 1857 opening and before 1899. The fashions depicted suggest the 1860's. Whit Monday gets its English name from Whitsunday, an English name for Pentecost, one of the three baptismal seasons in the Christian calendar. Artist signed in lower right corner C.J. [Charles Joseph] Staniland (1838-1916), a prolific and highly sought artist known for illustrating children's novels and painting still life, historical scenes, seascapes, and portraits. Gilt banded with floral pattern around frame. Dimensions: 30.5"W x 23.5"L framed Issued: ca. 1860

Charles Joseph Staniland (1838-1916) - Watercolour - "The Antiquary", 14ins x 20.25ins, signed and d

Charles Joseph Staniland (1838-1916) - Watercolour - "The Antiquary", 14ins x 20.25ins, signed and dated 1871, in gilt moulded frame and glazed

Charles Staniland (1838-1916) Fisherman Etching

Artist: Charles Staniland (1838-1916); Title: Untitled; Medium: Etching on paper; Year or Era Produced: 20th Century; Signature: Pencil signed in lower right margin; Sight Area Approximate Measurement: 14.625" x 26"; Frame Approximate Measurement: 16.375" x 27.5" x 0.875"; Approximate Weight: 3 lbs; Frame: Framed beneath glass

Charles Joseph Staniland 1838-1916) - Two fisherman in a boat

Etching and drypoint Signed in pencil lower right Published by Arthur Ackermann, 1897 37 x 55 cm. (14 1/2 x 25 1/2 in) Together with Two fisherman observing ladies on a path , by Boughton, engraving, circa 1898, signed by the artist and engraver, 39 x 56 cm.; an offset lithograph by Ernest Briggs, signed in pencil, 53 x 41 cm., and a signed offset lithograph view of a fishmerman in the Highlands, 48 x 70 cm., (4)

Charles Joseph Staniland RI, British 1838-1916, Lady Teasle 'School for Scandal', oil on panel, signed, 20cm x 25cm,

Charles Joseph Staniland RI, British 1838-1916, Lady Teasle 'School for Scandal', oil on panel, signed, 20cm x 25cm,

Charles Joseph Staniland, R.I. (1838-1916)

Charles Joseph Staniland, R.I. (1838-1916) >An <i>émeute<i> in the 16th century >signed and dated 'C. J. Staniland. 1874.' (lower right)<br>oil on canvas >40 ¼ x 50 ½ in. (102.3 x 128.3 cm.)<br>

Charles Joseph Staniland ( 1838-1916) RI

Charles Joseph Staniland ( 1838-1916) RI Watercolour ' Fairlight Glen Hastings' 91/2 x13" Bears annotation to mount by artist

Charles Joseph Staniland (1838-1916), FISHERMEN ON

Charles Joseph Staniland (1838-1916), FISHERMEN ON ROUGH SEAS Signed and dated 1875, watercolour and bodycolour over pencil 54 x 43.5cm

Charles J Staniland (1838 - 1916)

Charles J Staniland (1838 - 1916), Enthusiasm and Misery (Norfolk Broads), signed on card, label verso, 5 1/4" x 7 1/4", gilt frame

Charles J Staniland (1838 - 1916)

Charles J Staniland (1838 - 1916), Exchange no Robbery, signed on panel, label verso, 6 1/4" x 9 1/4", gilt frame

Charles Joseph Staniland RI, British 1838-1916-

Charles Joseph Staniland RI, British 1838-1916- "Where There's a Will There's a Way"; original artwork for illustration en grisaille, pen, ink and gouache, signed, 57x37.3cm PLEASE NOTE: This lot is subject to VAT

Charles Joseph Staniland (British, 1838-1916) 'Interior of a Farm House, Penanguer near Quimper, Brittany'

'Interior of a Farm House, Penanguer near Quimper, Brittany' signed with monogram (lower right); inscribed label verso, and bears labels verso oil on canvas 30 x 25cm (11 13/16 x 9 13/16in).

W P Gardner, 19th century- "Love at First Sight"

W P Gardner, 19th century- "Love at First Sight" after Charles Joseph Staniland 1838-1916; hand-coloured wood engraving, 31x44.5cm: together with three other hand-coloured wood engravings after various artists: George I Cruikshank 1792-1878- "The Written Apology" and eleven other examples from the "My Sketch Book" suite; etching on buff paper, ea. 18x26cm: a small number of other pictures (a lot)

Charles Joseph Staniland RI 1838-1916- "Where

Charles Joseph Staniland RI 1838-1916- "Where There's a Will There's a Way"; original artwork for illustration en grisaille, pen, ink and gouache, signed, 57x37.3cm Subject to VAT

Charles Joseph Staniland RI 1838-1916- "Where

Charles Joseph Staniland RI 1838-1916- "Where There's a Will There's a Way"; original artwork for illustration en grais aelle, pen, ink and gouache, signed, 57x37.3cm Subject to VAT

C. J. Staniland (Br., 1838-1916), Pair of Ateliers

C. J. Staniland (Br., 1838-1916), Pair of Ateliers: the first an oil on panel, signed and dated at lower left "C. J. Stani(land) (illegible date)," depicting a 16th c. Flemish atelier, the verso of the panel bears a Charles Roberson & Co. of 99 Long Acre, London paper label; the second an oil on panel, signed at lower right "C. J. Staniland" and illegibly dated, the verso retaining a paper label with ink inscription "No 2 / Italian Painter / 15th Century." Both in matching period appropriate gilt frames with linen liners. SS 7.75" x 9.75"; DOA 13.5" x 15.25"

Charles Joseph Staniland (British 1836-1916)

Charles Joseph Staniland (British, 1836-1916) Fishermen Scene Sgn. C.J. Staniland. W/C. 6" x 11"

Charles Joseph Staniland R.I., R.O.I., (British, 1836-1916) Her First Book

Charles Joseph Staniland R.I., R.O.I., (British, 1836-1916) 'Waiting for a Partner'