Raphael Soyer Paintings & Artwork for Sale | Raphael Soyer Art Value Price Guide

Mar. 30, 2025
RAPHAEL SOYER, PROFILE OF A WOMAN, ETCHING WITH AQUATINT
Est: $200 - $300
Artist: Raphael Soyer, Russian/American (1899 - 1987) Title: Profile of a Woman Year: circa 1968 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 285 Image Size: 10 inches (diameter) Size: 22.5 x 15 in. (57.15 x 38.1 cm)
RoGallery
Mar. 29, 2025
(2) RAPHAEL SOYER & GORDON GRANT LITHOGRAPHS
Est: $80 - $150
(lot of 2) Framed lithographs on paper, including: (1) Young Woman Combing Her Hair, signed lower right Raphael Soyer (Russian-American, 1899-1987), marked lower left EA (epreuve d'artiste/ artist's proof), David Gary Ltd. Gallery label verso, sight: approx 11 3/8"h, 8 7/8"w, overall: 24"h, 20"w, (1) "Life Boat," signed lower right Gordon Grant (Gordon Hope Grant, American, 1875-1962), sight: approx 9 7/8"h, 11 7/8"w, overall: 15.5"h, 17.5"w; 8lbs total
Austin Auction Gallery
Mar. 28, 2025
Raphael Soyer, signed artist's proof lithograph
Est: $100 - $150
Raphael Soyer (Russian-American, 1899-1987), Mother and Child, pencil signed and inscribed in lower margin, numbered "A.P.", 18"h x 11"w (sight), 25.25"h x 18.75"w (frame)
Millea Bros Ltd
Mar. 28, 2025
Raphael Soyer, large oil on canvas
Est: $300 - $500
Raphael Soyer (Russian-American, 1899-1987), Portrait of Father and Daughter, signed "Raphael Soyer" at lower right, 37.5"h x 29.5"w (sight), 46.25"h x 38"w (frame)
Millea Bros Ltd
Mar. 28, 2025
Raphael Soyer, watercolor on paper
Est: $200 - $300
Raphael Soyer (Russian-American, 1899-1987), Portrait of a Nude Female, signed "Raphael Soyer" at lower left, inscribed "For Alex Dobkin, Raphael Soyer" at lower right, 19.5"h x 13"w (sheet), 22"h x 15"w (frame)
Millea Bros Ltd
Mar. 28, 2025
Raphael Soyer, (4) drawings
Est: $100 - $150
Raphael Soyer (Russian-American, 1899-1987), Female Figures, various media incl. graphite, charcoal, and ink on paper, each signed, one hinged to mat board, loose and unframed, 23.25"h x 14.5"w (largest), 18"h x 12"w (smallest)
Millea Bros Ltd
Mar. 27, 2025
Raphael SOYER (1899-1987), 'Frau in Blau' / 'Woman in blue', 1979
Est: €120 - €240
Technik: Farblithographie auf Bütten, Signatur: unten rechts signiert 'Raphael Soyer', rückseitig gestempelt 'London Arts Copyright 1979', Auflage: 144/275, Maße: 71,5 x 54,5 cm, Zustand: leicht (stock-)fleckig, vereinzelt Randläsuren
Auktionshaus Schwab
Mar. 22, 2025
Raphael Soyer Pregnant Girl Reclining Oil Painting
Est: $250 - $10,000
An evocative oil painting on canvas by Raphael Soyer (Russian/American: 1899 - 1987), titled 'Pregnant Girl Reclining.' Soyer, known for his realistic portrayal of everyday life, captures the serene and intimate moment of a pregnant woman in repose. The use of soft, muted tones and delicate brushwork highlights the subject's gentle expression and the tranquility of the scene. This piece exemplifies Soyer's skill in depicting human emotion and form. Hand signed to lower left. Circa: 1960. Measures: 20 x 24 inches. Frame: 25 x 29 inches. Retains gallery labels to verso. Provenance: Whitney Museum of American Art, New York. Forum Gallery, New York.
Elite Auctioneers, LLC
Mar. 20, 2025
Raphael Soyer, Crayon Drawing, Two Nudes
Est: $200 - $400
Raphael Soyer (American, 1899-1987), crayon drawing depicting "Two Nudes". Pencil signed and inscribed lower left "For Alex, Raphael Soyer 1972". Sheet size seen approx. 15-3/4" x 20", overall frame size approx. 26-1/2" x 30-1/2". Sheet appears to be loose in frame. This lot is being offered on behalf of the Brooklyn Kings County Public Administrators Office from the Estate of Madeline Klings, #200134-181.
Weiss Auctions
Mar. 19, 2025
Raphael Soyer, New York / Russia (1899-1987), 2 female portraits, graphite on paper, 11 3/4"H x 7 7/8"W (each)
Est: -
Raphael Soyer New York / Russia, (1899-1987) 2 female portraits graphite on paper Signed lower. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.
Ripley Auctions
Mar. 19, 2025
Raphael Soyer, New York / Russia (1899-1987), reclined female portrait and nude, graphite on paper, 10 3/8"H x 13 5/8"W (nude)
Est: -
Raphael Soyer New York / Russia, (1899-1987) reclined female portrait and nude graphite on paper Signed lower right. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.
Ripley Auctions
Mar. 19, 2025
RAPHAEL SOYER - SEATED NUDE - PASTEL ON PAPER
Est: $150 - $250
Raphael Soyer, Russian-American, 1899-1987, Seated Nude, pastel on paper
Litchfield Auctions
Mar. 15, 2025
Raphael Soyer Lithograph "Adolescent"
Est: $100 - $200
Raphael Soyer, American (1899 - 1987) Lithograph "Adolescence". Pencil signed and numbered 115/150. Framed, matted and presented under a glass screen. Toning or in good condition. Measures 17-1/4" x 11-1/2", frame measures 23-1/4" x 17-1/4". LA/B13/SH:4B
Joshua Kodner
Mar. 09, 2025
Raphael Soyer (1899-1987) Portrait of a Young Girl, 1970
Est: $200 - $300
Lithograph, signed and numbered, 51/120, medium wove paper, deckled edges and wide margins; 15 1/4" x 12".
Peterborough Auctions
Mar. 06, 2025
RAPHAEL SOYER (1899 - 1987) Portrait of a Woman.
Est: $1,500 - $2,500
RAPHAEL SOYER (1899 - 1987) Portrait of a Woman. Oil on canvas, circa 1940. 255x205 mm; 10x8 inches. Signed lower right. Provenance Private collection, Florida.
Swann Auction Galleries
Mar. 06, 2025
RAPHAEL SOYER (1899 - 1987) Pregnant Woman.
Est: $2,000 - $3,000
RAPHAEL SOYER (1899 - 1987) Pregnant Woman. Oil on board, circa 1950. 302x225 mm;12x8¾ inches. Signed lower right. Provenance Private collection, New York.
Swann Auction Galleries
Mar. 05, 2025
Raphael Soyer, American 1899-1987, Reflection and Head of a Girl, Lithographs
Est: $200 - $400
Raphael Soyer American, 1899-1987 Reflection and Head of a Girl Lithographs Both signed in pencil l.r., with labels verso. One with broken frame.
Nye & Company
Mar. 05, 2025
Raphael Soyer, American 1899-1987, Farewell, Lithograph
Est: $400 - $600
Raphael Soyer American, 1899-1987 Farewell Lithograph Signed in pencil l.r. and titled l.l.
Nye & Company
Feb. 27, 2025
Signed Raphael Soyer (1899-1987) Framed Artwork - Girl on Bed Fixing Her Hair - Overall Approx 19"x16"
Est: $45 - $75
Signed Raphael Soyer (1899-1987) Framed Artwork - Girl on Bed Fixing Her Hair - Overall Approx 19"x16"
Catamount Auctions Co., LLC
Feb. 22, 2025
Raphael Soyer, New York / Russia (1899-1987), group of standing figures, graphite on paper, 22"H x 17"W
Est: $200 - $400
Raphael Soyer New York / Russia, (1899-1987) group of standing figures graphite on paper Pencil signed and initialed lower right. Note from artist lower right. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.
Ripley Auctions
Feb. 22, 2025
Raphael Soyer, New York / Russia (1899-1987), seated female portrait, graphite on paper, 13 1/2"H 10 1/4"W(sight), 21 1/2"H x 18 1/4"W(frame)
Est: $200 - $400
Raphael Soyer New York / Russia, (1899-1987) seated female portrait graphite on paper Signed lower right. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art
Ripley Auctions
Feb. 22, 2025
Raphael Soyer, New York / Russia (1899-1987), female portrait, graphite and pastel on paper, 11 3/4"H x 9"W(sight), 21 3/4"H x 17 1/2"W(frame)
Est: $200 - $400
Raphael Soyer New York / Russia, (1899-1987) female portrait graphite and pastel on paper Signed lower right. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art
Ripley Auctions
Feb. 19, 2025
Raphael Soyer (1899-1997) Signed Seamstress Lithographs (2)
Est: $200 - $400
2 Lithographs, 1 printed in color and 1 printed in black and white titled Seamstress I Portfolio Each lithograph is Signed lower right Each lithograph is numbered 31/300 Sight size 21.5" x 29.5" each piece. Original Portfolio cover included
Lion and Unicorn
Feb. 19, 2025
Raphael Soyer (1899-1997) Signed Nude Woman Lithographs (2)
Est: $200 - $400
2 Lithographs, 1 printed in color and 1 printed in black and white titled Nude Woman Portfolio Each lithograph is Signed lower right Each lithograph is numbered 100/300 Sight size 21.5" x 29.5" each piece. Original Portfolio cover included
Lion and Unicorn
Feb. 15, 2025
Raphael SOYER: "Double Portrait".
Est: $200 - $300
Raphael SOYER (Russian American, 1899-1987) "Double Portrait". Etching on wove paper, 1975. Unlikely edition of 35. The only other impression found in the collection of "University of California, Santa Barbara" is an artist's proof. "RR" blindstamp at lower right sheet, corner. With the artist's copyright stamp on the verso. Plate size: 6 x 8 inches. Sheet size: 11 1/4 x 13 inches.
Armstrong Fine Art
Feb. 14, 2025
RAPHAEL SOYER, AMERICAN 1899-1987, PASSING BY (STREET SCENE #3), CIRCA 1975, Lithograph in colors, Sight: 21 x 16 in. (53.3 x 40.6 cm.), Frame: 31 1/2 x 26 in. (80 x 66 cm.)
Est: $80 - $150
RAPHAEL SOYER AMERICAN, 1899-1987 PASSING BY (STREET SCENE #3), CIRCA 1975 Lithograph in colors Lower left numbered: 87/300; lower right signed: Raphael Soyer; verso label: District Fine Arts
Potomack Company
Feb. 14, 2025
RAPHAEL SOYER (New York, 1899-1987), Portrait study of men and a nude woman., Pencil on paper, 28.75" x 17" sight. Framed 32" x 26.5".
Est: $300 - $500
RAPHAEL SOYER New York, 1899-1987 Portrait study of men and a nude woman. Signed lower right "Raphael Soyer". Numbered XII/XXV.
Sandwich Auction House
Feb. 09, 2025
RAPHAEL SOYER (AMERICAN, 1899-1987).
Est: $600 - $900
'Portrait of a Seated Woman'. Oil on canvas. Signed lower right. Verso: New York Times Obituary Article by Douglas McGill. Property of New Milford, CT estate. Dimensions: 14" h x 10" w. 19.5" h x 15.5" w.
Clarke Auction Gallery
Feb. 08, 2025
Raphael Soyer, "Girl Combing Her Hair", Print
Est: $200 - $300
Raphael Soyer, "Girl Combing Her Hair", 1979, print, signed in pencil, 20" x 16". Provenance: Deaccessioned from a prominent Massachusetts museum.
Kaminski Auctions
Feb. 08, 2025
Raphael Soyer (American, 1899-1987) etching
Est: $200 - $400
Girl at Doorway etching, 1941, signed and titled in pencil. 9 3/8 x 6 3/4'' Literature: Cole 58
Rachel Davis Fine Arts
Feb. 08, 2025
Raphael Soyer (American, 1899-1987) lithograph
Est: $300 - $500
Protected lithograph, 1938, signed and titled in pencil. 13 3/8 x 6 1/4'' Literature: Cole 55
Rachel Davis Fine Arts
Feb. 06, 2025
RAPHAEL SOYER, SEATED COUPLE, PENCIL AND WATERCOLOR ON PAPER
Est: $1,200 - $1,600
Artist: Raphael Soyer, Russian/American (1899 - 1987) Title: Seated Couple Year: circa 1930 Medium: Pencil and Watercolor on Paper, signed Image Size: 10 x 8.75 inches Frame Size: 18 x 15 inches
RoGallery
Jan. 28, 2025
Raphael Soyer (Russian 1899-1987) 2 Lithographs Woman's Head 1 signed
Est: $200 - $400
2 Lithograph Suite With Portfolio Cover titled Woman's Head 1 Each lithograph is Signed lower right each lithograph is numbered 178/300 Each lithograph Sight size 22" x 29.5'
Lion and Unicorn
Jan. 28, 2025
Raphael Soyer (American 1899-1997) 2 Lithographs Woman in Red Stockings Portfolio signed
Est: $200 - $400
2 Lithographs, 1 printed in color and 1 printed in black and white titled Woman in Red Stockings Portfolio Each lithograph is Signed lower right Each lithograph is numbered 94/300 Sight size 21.5" x 29.5" each piece. Original Portfolio cover included
Lion and Unicorn
Jan. 28, 2025
Raphael Soyer (American 1899-1997) 2 Lithographs Seamstress I Portfolio signed
Est: $200 - $400
2 Lithographs, 1 printed in color and 1 printed in black and white titled Seamstress I Portfolio Each lithograph is Signed lower right Each lithograph is numbered 32/300 Sight size 21.5" x 29.5" each piece. Original Portfolio cover included
Lion and Unicorn
Jan. 28, 2025
Manner of Raphael Soyer Oil on Panel Reclined Nude Painting
Est: $100 - $1,000
DESCRIPTION: Manner of Raphael Soyer (American, 1899-1987) oil on panel painting depicting a reclined nude female, executed in an impressionistic manner. Backed by cardstock. CIRCA: Early to Mid 20th Cent. ORIGIN: Unknown DIMENSIONS: H: 9.5" x L: 14.25" CONDITION: Bending to lower right edge with minor craquelure. Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.
Akiba Galleries
Jan. 25, 2025
Raphael Soyer, American (1899-1987), female nude, pastel on brown paper, 15"H x 11"W (sheet), 22 7/8"H x 18 5/8"W (frame)
Est: $300 - $500
Raphael Soyer American, (1899-1987) female nude pastel on brown paper Signed lower right. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art
Ripley Auctions
Jan. 25, 2025
Raphael Soyer, New York / Russia (1899-1987), Seated female portrait, watercolor on brown paper, 16"H x 11 1/8"W (sight), 24 3/4"H x 19 7/8"W (frame)
Est: $300 - $500
Raphael Soyer New York / Russia, (1899-1987) Seated female portrait watercolor on brown paper Signed lower right. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art
Ripley Auctions
Jan. 25, 2025
Raphael Soyer, New York / Russia (1899-1987), Piazza Novona, Rome, 1961, watercolor on paper, 11 3/4"H x 8 3/4"W(sight), 17 3/4"H x 15"W(frame)
Est: $300 - $500
Raphael Soyer New York / Russia, (1899-1987) Piazza Novona, Rome, 1961 watercolor on paper Signed lower right. Exhibited: Michael Rosenfeld Gallery, NY Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art
Ripley Auctions
Jan. 04, 2025
Raphael SOYER (1899-1987), 'Frau in Blau' / 'Woman in blue', 1979
Est: €120 - €240
Technik: Farblithographie auf Bütten, Signatur: unten rechts signiert 'Raphael Soyer', rückseitig gestempelt 'London Arts Copyright 1979', Auflage: 144/275, Maße: 71,5 x 54,5 cm, Zustand: leicht (stock-)fleckig, vereinzelt Randläsuren
Auktionshaus Schwab
Jan. 01, 2025
RAPHAEL SOYER, BOY AND GIRL, LITHOGRAPH
Est: $650 - $750
Artist: Raphael Soyer, Russian/American (1899 - 1987) Title: Boy and Girl Year: circa 1950 Medium: Lithograph on paper, signed in pencil Size: 12 x 7.5 in. (30.48 x 19.05 cm) Frame Size: 21 x 15.5 inches Description: Color lithograph depicting a boy and girl embracing in a contemporary setting, by American artist Raphael Soyer
RoGallery
Dec. 22, 2024
Raphael Soyer (American, b. Russia, 1899-1987)
Est: -
Mother and child, Lithograph (printed in the Burston Graphic Center, Jerusalem), 57 x 40 cm, Signed in pencil and numbered "37/100"
Yair Art Gallery
Dec. 20, 2024
1899& 1987 RAPHAEL SOYER LITHOGRAOH SIGNED
Est: $400 - $700
19"X13" HAND SIGNED & STAMP. PENCEL ON PAPER.
Auction by Daum
Dec. 17, 2024
Raphael Soyer (American, 1899-1987) Woman Seated on a Bed
Est: $1,000 - $1,500
Raphael Soyer (American, 1899-1987) Woman Seated on a Bed oil on canvas signed RAPHAEL/ SOYER (lower left) 12 x 16 inches. This lot is located in Palm Beach.
Freeman’s | Hindman
Dec. 14, 2024
Raphael Soyer, New York / Russia (1899-1987), Seated Figure, female portrait, ink on paper, 10 1/4"H x 7 , a18 1/2"H x 15"W
Est: $140 - $250
Raphael Soyer New York / Russia, (1899-1987) Seated Figure, female portrait ink on paper Signed lower right. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art
Ripley Auctions
Dec. 14, 2024
Raphael Soyer, New York / Russia (1899-1987), self portrait, 1963, graphite on paper, 10"H x 8"W(paper), 17"H x 14 1/2"W(frame)
Est: $140 - $250
Raphael Soyer New York / Russia, (1899-1987) self portrait, 1963 graphite on paper Signed lower right, inscribed and dated lower left. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art
Ripley Auctions
Dec. 12, 2024
RAPHAEL SOYER - LIPSTICK / YOUNG GIRL (2 WORKS)
Est: $100 - $200
Lot 181 Raphael Soyer American (1899–1987) Lipstick / Young Girl (2 Works) one etching, one lithograph each signed lower right sheet (larger): 17 1/4 x 13 inches unframed Provenance: From the Collection of Dr. Priscilla Nelson
Capsule Gallery Auction
Dec. 10, 2024
Raphael Soyer (American 1899-1987), Mother and Child, Circa 1970, Lithograph in Sepia, Signed l.r. and numbered 11/50, Unframed: 20 x 25 3/4 in. (50.8 x 65.4 cm.)
Est: $10 - $20
Raphael Soyer (American 1899-1987), Mother and Child, Circa 1970, Lithograph in Sepia, Signed l.r. and numbered 11/50,
Weschler's