Raphael Soyer Sold at Auction Prices

Painter, Portrait painter, b. 1899 - d. 1987

See Artist Details

0 Lots

Sort By:

Categories

              Auction Date

              Seller

              Seller Location

              Price Range

              to
              • Raphael Soyer Lithograph SIGNED 26/50
                Nov. 20, 2024

                Raphael Soyer Lithograph SIGNED 26/50

                Est: $50 - $100

                Raphael Soyer (New York, 1899-1997) lithograph pencil signed lower right. Numbered 26/50 lower left. Sheet measures 20 in. x 25.75 in. Unframed, loose and not glued or mounted. Provenance: Estate collection of William Greenbaum, Gloucester, Massachusetts, Proprietor of William Greenbaum Fine Prints. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as condition can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.

                Grant Zahajko Auctions, LLC
              • Raphael Soyer Etching SIGNED #58/75 [Mother]
                Nov. 20, 2024

                Raphael Soyer Etching SIGNED #58/75 [Mother]

                Est: $50 - $100

                Raphael Soyer (New York, 1899-1997) etching pencil signed lower right and numbered 58/75 lower left. Image measures 8.25 in. x 9.125 in. Sheet measures 26 in. x 19 in. Unframed, loose and not glued or mounted. Provenance: Estate collection of William Greenbaum, Gloucester, Massachusetts, Proprietor of William Greenbaum Fine Prints. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as condition can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.

                Grant Zahajko Auctions, LLC
              • Raphael Soyer (2) S/N Lithographs [Woman]
                Nov. 20, 2024

                Raphael Soyer (2) S/N Lithographs [Woman]

                Est: $50 - $100

                Two (2) Raphael Soyer (New York 1899-1987) lithographs pencil signed lower right. The nude is numbered 14/100, image measures 15 in. x 11 in. and sheet measures 22.75 in. x 17.25 in., the portrait is numbered 84/100, image measures 15 in. x 10.75 and the sheet measures 20.75 in. x 15 in. Unframed, loose and not glued or mounted. Provenance: Estate collection of William Greenbaum, Gloucester, Massachusetts, Proprietor of William Greenbaum Fine Prints. If lot is absent of a condition report one may be requested via email. Condition report is provided as an opinion only and is no guarantee as condition can be subjective. Buyer must view photographs or scans to assist in determining condition and ask further questions if so desired. Our in-house shipping department will gladly pack and ship any item that fits into a 14x14x14 inch or 30x5x24 inch or equivalent or smaller box/folio if it is not fragile or over 25lbs. We will charge for labor to pack and process based on actual time it takes, actual cost of materials used to pack and actual shipper charges that will include insurance and signature required. We generally use USPS and Fed Ex and compare the pricing between the two. Books maximum box size will be 14x14x14 inch or equivalent and will be shipped USPS Media Mail unless otherwise requested. We gladly will give shipping estimates prior to auction. Please make this request at least 24 hours prior to auction for our shipping department to respond. If your invoice is for multiple items, we will use our discretion on requiring the use of an outside shipper. We reserve the right to require an outside shipper on any item(s) in the auction even if not stated.

                Grant Zahajko Auctions, LLC
              • RAPHAEL SOYER, AMERICAN 1899–1987, PASSING BY (STREET SCENE #3), CIRCA 1975, Lithograph in colors, Sight: 21 x 16 in. (53.3 x 40.6 cm.), Frame: 31 1/2 x 26 in. (80 x 66 cm.)
                Nov. 19, 2024

                RAPHAEL SOYER, AMERICAN 1899–1987, PASSING BY (STREET SCENE #3), CIRCA 1975, Lithograph in colors, Sight: 21 x 16 in. (53.3 x 40.6 cm.), Frame: 31 1/2 x 26 in. (80 x 66 cm.)

                Est: $150 - $300

                RAPHAEL SOYER AMERICAN, 1899–1987 PASSING BY (STREET SCENE #3), CIRCA 1975 Lithograph in colors Lower left numbered: 87/300; lower right signed: Raphael Soyer; verso label: District Fine Arts

                Potomack Company
              • MANNER OF SOYER OR RAPHAEL SOYER FOUR NUDES PENCIL DRAWING STUDIES
                Nov. 17, 2024

                MANNER OF SOYER OR RAPHAEL SOYER FOUR NUDES PENCIL DRAWING STUDIES

                Est: $300 - $500

                Raphael Soyer (American, 1899-1987) was active/lived in New York. Four Nude Studies Pencil drawing on paper 16 inches x 20 inches Signed in pencil lower right: RAPHAEL SAWYER. Framed and matted under glass. Shipping weight approx. 8 pounds.

                White's Auctions
              • MANNER OF SOYER OR RAPHAEL SOYER WOMAN IN RED OIL PAINTING
                Nov. 17, 2024

                MANNER OF SOYER OR RAPHAEL SOYER WOMAN IN RED OIL PAINTING

                Est: $500 - $700

                Raphael Soyer (1899 - 1987) was active/lived in New York. Woman side view with red top. Oil on canvas. Signed lower left. Not framed. Image 24 inches x 30 inches. Shipping weight 3 pounds.

                White's Auctions
              • MANNER OF SOYER OR RAPHAEL SOYER SEATED NUDE WOMAN OIL PAINTING
                Nov. 17, 2024

                MANNER OF SOYER OR RAPHAEL SOYER SEATED NUDE WOMAN OIL PAINTING

                Est: $500 - $700

                Raphael Soyer (1899 - 1987) was active/lived in New York. Seated woman with nude see though purple dress. Oil on canvas. Signed lower left. Framed. Image 24 inches x 30 inches. Some crackalure and 2 small holes right side edge. . Shipping weight 4 pounds. Frame 26 inches x 32 inches.

                White's Auctions
              • RAPHAEL SOYER, SEATED GIRL, LITHOGRAPH
                Nov. 15, 2024

                RAPHAEL SOYER, SEATED GIRL, LITHOGRAPH

                Est: $400 - $600

                Artist: Raphael Soyer, Russian/American (1899 - 1987) Title: Seated Girl Year: Circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 275 Image Size: 16.5 x 13.5 inches Size: 28 x 21.5 in. (71.12 x 54.61 cm)

                RoGallery
              • Raphael Soyer (American 1899-1987), Mother and Child, Circa 1970, Lithograph in Sepia, Signed l.r. and numbered 11/50, Unframed: 20 x 25 3/4 in. (50.8 x 65.4 cm.)
                Nov. 05, 2024

                Raphael Soyer (American 1899-1987), Mother and Child, Circa 1970, Lithograph in Sepia, Signed l.r. and numbered 11/50, Unframed: 20 x 25 3/4 in. (50.8 x 65.4 cm.)

                Est: $100 - $200

                Raphael Soyer (American 1899-1987), Mother and Child, Circa 1970, Lithograph in Sepia, Signed l.r. and numbered 11/50,

                Weschler's
              • Raphael Soyer (American 1899-1987), Seated Woman, Lithograph, Signed l.r. and numbered 99/150, Unframed: 14 3/4 x 11 in. (37.5 x 27.9 cm.)
                Nov. 05, 2024

                Raphael Soyer (American 1899-1987), Seated Woman, Lithograph, Signed l.r. and numbered 99/150, Unframed: 14 3/4 x 11 in. (37.5 x 27.9 cm.)

                Est: $100 - $200

                Raphael Soyer (American 1899-1987), Seated Woman, Lithograph, Signed l.r. and numbered 99/150,

                Weschler's
              • VTG OIL PAINTING AFTER RAFAEL SOYER RUSSIAN AMERICAN
                Oct. 26, 2024

                VTG OIL PAINTING AFTER RAFAEL SOYER RUSSIAN AMERICAN

                Est: $100 - $150

                An oil on board painting depicting a reclining woman after the original oil painting by Raphael Zalman Soyer, 1899 to 1987. Signed lower right: R. Soyer. Framed. Raphael Zalman Soyer was a Russian-born American painter, draftsman, and printmaker. Soyer was referred to as an American scene painter. He is identified as a Social Realist because of his interest in men and women viewed in contemporary settings which included the streets, subways, salons and artists studios of New York City. He also wrote several books on his life and art. One of a kind artwork. Social Realism Art, Mid Century Paintings And Wall Decor Collectibles.

                Antique Arena Inc
              • RAPHAEL SOYER (1899-1987). Bowery Nocturne. Image: 12 ¾ x 17 7⁄8 in. (324 x
                Oct. 23, 2024

                RAPHAEL SOYER (1899-1987). Bowery Nocturne. Image: 12 ¾ x 17 7⁄8 in. (324 x

                Est: $5,000 - $7,000

                RAPHAEL SOYER (1899-1987). Bowery Nocturne. Image: 12 ¾ x 17 7⁄8 in. (324 x 454 mm.) Sheet: 16 x 22 7⁄8 in. (406 x 581 mm.).

                Christie's
              • R. Soyer, Etching,"Pensive Girl"
                Oct. 22, 2024

                R. Soyer, Etching,"Pensive Girl"

                Est: $80 - $100

                Raphael Soyer (Rus./Am. 1899-1987), signed and numbered 62/85 lower margin. Sight size: 11" high, 9" wide. Frame size: 20 1/4" high, 17 1/2" wide. Not examined out of frame. Property from a New Jersey Private Collection.

                Schwenke Auctioneers
              • Raphael Soyer, Frieda
                Oct. 22, 2024

                Raphael Soyer, Frieda

                Est: $1,000 - $1,500

                Raphael Soyer Frieda 1930 oil on canvas 24 h x 20 w in (61 x 51 cm) Signed and dated to lower left 'Raphael Soyer 1930'. Provenance: ACA Galleries, New York | Private Collection This work will ship from Lambertville, New Jersey.

                Toomey & Co. Auctioneers
              • Raphael Soyer (American, 1899-1987) Mixed Media Sketch
                Oct. 22, 2024

                Raphael Soyer (American, 1899-1987) Mixed Media Sketch

                Est: $100 - $1,000

                DESCRIPTION: Mixed media sketch or study by Raphael Soyer (American, 1899-1987) depicting a nude woman. Signed at lower right. CIRCA: Early 20th century ORIGIN: American DIMENSIONS: H: 8.25" L: 7.25" Depth: 3" CONDITION: Patina wear Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.

                Akiba Galleries
              • Raphael Soyer (Russian/American 1899-1987)
                Oct. 20, 2024

                Raphael Soyer (Russian/American 1899-1987)

                Est: $400 - $600

                Raphael Soyer (Russian/American 1899-1987) 'Diane' A collection of Five Etchings depicting Diane DiPrima, a. Beat era Feminist Poet all signed l/l Etchings: 10in. x 9in 10in. x 11 1/2in Framed : One 16in. x 19in Two 17in. x 18in. One 17in. x 20in One 18in. x 21in Raphel Soyer's work is with the Smithsonian American Collection. Diane DiPrima, in an interview, Prima spoke about her life as a writer, a mother, and an activist. "I wanted everything—very earnestly and totally—I wanted to have every experience I could have, I wanted everything that was possible to a person in a female body

                Fine Estate Inc.
              • RAPHAEL SOYER (American 1899-1987) A PRINT "Untitled, Woman With Child," CIRCA 1979
                Oct. 20, 2024

                RAPHAEL SOYER (American 1899-1987) A PRINT "Untitled, Woman With Child," CIRCA 1979

                Est: $50 - $100

                RAPHAEL SOYER (American 1899-1987) A PRINT "Untitled, Woman With Child," CIRCA 1979, lithograph on paper, signed in pencil L/R, "Raphael Soyer," numbered L/L 29/125. 29 3/4" x 21 7/8"

                Simpson Galleries, LLC
              • RAPHAEL SOYER (Russian/American 1899-1987) A PRINT, "Girl With Jug," 1970s
                Oct. 20, 2024

                RAPHAEL SOYER (Russian/American 1899-1987) A PRINT, "Girl With Jug," 1970s

                Est: $25 - $50

                RAPHAEL SOYER (Russian/American 1899-1987) A PRINT, "Girl With Jug," 1970s, lithograph on paper, signed in plate in monogram "R.S." 26" x 20"

                Simpson Galleries, LLC
              • Raphael Soyer (American 1899-1987) etching
                Oct. 19, 2024

                Raphael Soyer (American 1899-1987) etching

                Est: $400 - $600

                Waiting drypoint etching, 1942, signed and titled in pencil, AAA edition. 7 1/8 x 9''      Cole 59

                Rachel Davis Fine Arts
              • Raphael Soyer (American, 1899 - 1987) "Waiting"
                Oct. 15, 2024

                Raphael Soyer (American, 1899 - 1987) "Waiting"

                Est: $200 - $300

                Raphael Soyer (American, 1899 - 1987) "Waiting" Etching and drypoint on wove paper. Signed and titled lower margin. Edition of 250, published by Associated American Artists. Sight Size: 7.25 x 9.25 in. Overall Framed Size: 14.25 x 15.75 in. Framed behind glass.

                Helmuth Stone
              • RAPHAEL SOYER, SIGNED ETCHING ON PAPER
                Oct. 10, 2024

                RAPHAEL SOYER, SIGNED ETCHING ON PAPER

                Est: $200 - $300

                Raphael Soyer (American, 1899-1967). 'Girl by Window', etching on wove paper, pencil signed to LR, numbered 12 from edition of 50, COA verso for Fine Arts Gallery, Ardmore, PA. Framed. Provenance: From a New York City Estate. Approximate dimensions: image h. 10", w. 7.5"; frame h. 21.75", w. 18.5", d. 1.5".

                Ahlers & Ogletree Inc.
              • RAPHAEL SOYER, NUDE WITH DEVILS, LITHOGRAPH
                Oct. 10, 2024

                RAPHAEL SOYER, NUDE WITH DEVILS, LITHOGRAPH

                Est: $450 - $650

                Artist: Raphael Soyer, Russian/American (1899 - 1987) Title: Nude with Devils Year: 1970 Medium: Lithograph, signed and numbered in pencil Edition: 150 Image Size: 22 x 16.5 inches Size: 25.75 x 19 in. (65.41 x 48.26 cm) Publisher: Touchstone Publishers, NY

                RoGallery
              • Raphael SOYER (1899-1987), 'Frau in Blau' / 'Woman in blue', 1979
                Oct. 10, 2024

                Raphael SOYER (1899-1987), 'Frau in Blau' / 'Woman in blue', 1979

                Est: €160 - €320

                Technik: Farblithographie auf Bütten, Signatur: unten rechts signiert 'Raphael Soyer', rückseitig gestempelt 'London Arts Copyright 1979', Auflage: 144/275, Maße: 71,5 x 54,5 cm, Zustand: leicht (stock-)fleckig, vereinzelt Randläsuren

                Auktionshaus Schwab
              • Raphael Soyer, New York / Russia (1899-1987), self portraits of the artist, 2 lithographs, 13"H x 17"W (larger)
                Oct. 09, 2024

                Raphael Soyer, New York / Russia (1899-1987), self portraits of the artist, 2 lithographs, 13"H x 17"W (larger)

                Est: $140 - $300

                Raphael Soyer New York / Russia, (1899-1987) self portraits of the artist 2 lithographs Both marked "AP" lower left and signed in pencil lower right. Biography from the Archives of askART Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), The Mirror and The Gentleman From Cracow, 1970, portfolio of 12 color lithograph illustrations, 26 5/8"H x 20 3/8"W (box)
                Oct. 09, 2024

                Raphael Soyer, New York / Russia (1899-1987), The Mirror and The Gentleman From Cracow, 1970, portfolio of 12 color lithograph illustrations, 26 5/8"H x 20 3/8"W (box)

                Est: $140 - $300

                Raphael Soyer New York / Russia, (1899-1987) The Mirror and The Gentleman From Cracow, 1970 portfolio of 12 color lithograph illustrations All lithographs are pencil signed limited editions. Touchstone Publishers, NY. Reprinted from Gimpel the Fool and Other Stories, 1957. Title page is pencil signed by the author, Isaac Bash Evis Singer. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), Self Portrait, 1967, 2 lithographs, 17 1/2"H x 13"W (larger)
                Oct. 09, 2024

                Raphael Soyer, New York / Russia (1899-1987), Self Portrait, 1967, 2 lithographs, 17 1/2"H x 13"W (larger)

                Est: $140 - $300

                Raphael Soyer New York / Russia, (1899-1987) Self Portrait, 1967 2 lithographs Higher contrast print marked "AP" and signed in plate lower left, signed in pencil lower right. Lower contrast print numbered 29/50 and signed in plate lower left, signed in pencil lower right. Biography from the Archives of askART Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), The Mirror and The Gentleman From Cracow, 1970, portfolio of 12 color lithograph illustrations, 26 5/8"H x 20 3/8"W (box)
                Oct. 09, 2024

                Raphael Soyer, New York / Russia (1899-1987), The Mirror and The Gentleman From Cracow, 1970, portfolio of 12 color lithograph illustrations, 26 5/8"H x 20 3/8"W (box)

                Est: $140 - $300

                Raphael Soyer New York / Russia, (1899-1987) The Mirror and The Gentleman From Cracow, 1970 portfolio of 12 color lithograph illustrations All lithographs are pencil signed artist proofs. Touchstone Publishers, NY. Reprinted from Gimpel the Fool and Other Stories, 1957. Title page is pencil signed by the author, Isaac Bash Evis Singer. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), Soldier and Woman Dancing, 1982, 3 etchings, 22"H x 15"W (largest)
                Oct. 09, 2024

                Raphael Soyer, New York / Russia (1899-1987), Soldier and Woman Dancing, 1982, 3 etchings, 22"H x 15"W (largest)

                Est: $140 - $300

                Raphael Soyer New York / Russia, (1899-1987) Soldier and Woman Dancing, 1982 3 etchings Editions include 33/45, 21/30, and 13/45. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), portfolio of portraits, 1964, 16 etchings, 19"H x 13"W x 3/4"D (portfolio)
                Oct. 09, 2024

                Raphael Soyer, New York / Russia (1899-1987), portfolio of portraits, 1964, 16 etchings, 19"H x 13"W x 3/4"D (portfolio)

                Est: $140 - $300

                Raphael Soyer New York / Russia, (1899-1987) portfolio of portraits, 1964 16 etchings With a foreword by Carl Zigrosser. Includes etchings Self-Portrait, Pedestrians, The Artist's Parents, and Woman with Cross, among others. Each etching is signed lower right by the artist. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), Young Mother, 1973 / Seated Woman, 1979, lithograph / etching, 28"H x 21 1/2"W (larger)
                Oct. 09, 2024

                Raphael Soyer, New York / Russia (1899-1987), Young Mother, 1973 / Seated Woman, 1979, lithograph / etching, 28"H x 21 1/2"W (larger)

                Est: $100 - $200

                Raphael Soyer New York / Russia, (1899-1987) Young Mother, 1973 / Seated Woman, 1979 lithograph / etching Young Mother is numbered 206/250 lower left, signed lower right, and dated on COA. Seated Woman is numbered 64/275 lower left, signed lower right, and dated verso. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), White Blouse, silkscreen on paper?, 21"H x 16 3/4"W (sight), 31"H x 26"W (frame)
                Oct. 09, 2024

                Raphael Soyer, New York / Russia (1899-1987), White Blouse, silkscreen on paper?, 21"H x 16 3/4"W (sight), 31"H x 26"W (frame)

                Est: $40 - $80

                Raphael Soyer New York / Russia, (1899-1987) White Blouse silkscreen on paper? Signed lower right, titled lower left. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), self portrait / Protected, mother and child, lithograph / etching, 15 3/8"H x 8 1/4"W (Protected)
                Oct. 09, 2024

                Raphael Soyer, New York / Russia (1899-1987), self portrait / Protected, mother and child, lithograph / etching, 15 3/8"H x 8 1/4"W (Protected)

                Est: $200 - $400

                Raphael Soyer New York / Russia, (1899-1987) self portrait / Protected, mother and child lithograph / etching Pencil signed lower. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), Memories: 16 Original Lithographs, 1969, portfolio of 16 original lithograph illustrations, 28"H x 21 1/2"W x 1"D (box)
                Oct. 09, 2024

                Raphael Soyer, New York / Russia (1899-1987), Memories: 16 Original Lithographs, 1969, portfolio of 16 original lithograph illustrations, 28"H x 21 1/2"W x 1"D (box)

                Est: $140 - $300

                Raphael Soyer New York / Russia, (1899-1987) Memories: 16 Original Lithographs, 1969 portfolio of 16 original lithograph illustrations All lithographs are pencil signed limited editions. Touchstone Publishers, NY, Paris, 1969. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              • Raphael Soyer, American (1899-1987), seated female nude, sanguine on paper, 12 3/4"H x 10"W (sight), 21 1/8"H x 17"W (frame)
                Oct. 05, 2024

                Raphael Soyer, American (1899-1987), seated female nude, sanguine on paper, 12 3/4"H x 10"W (sight), 21 1/8"H x 17"W (frame)

                Est: $300 - $500

                Raphael Soyer American, (1899-1987) seated female nude sanguine on paper Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), portrait of a woman in a blue dress, watercolor on paper, 17 3/4"H x 13 1/2"W(sight), 20"H x 15 3/4"W(frame)
                Oct. 05, 2024

                Raphael Soyer, New York / Russia (1899-1987), portrait of a woman in a blue dress, watercolor on paper, 17 3/4"H x 13 1/2"W(sight), 20"H x 15 3/4"W(frame)

                Est: $300 - $500

                Raphael Soyer New York / Russia, (1899-1987) portrait of a woman in a blue dress watercolor on paper Signed lower center. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), Seated female portrait, watercolor on brown paper, 16"H x 11 1/8"W (sight), 24 3/4"H x 19 7/8"W (frame)
                Oct. 05, 2024

                Raphael Soyer, New York / Russia (1899-1987), Seated female portrait, watercolor on brown paper, 16"H x 11 1/8"W (sight), 24 3/4"H x 19 7/8"W (frame)

                Est: $300 - $500

                Raphael Soyer New York / Russia, (1899-1987) Seated female portrait watercolor on brown paper Signed lower right. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art

                Ripley Auctions
              • Raphael Soyer, American (1899-1987), female nude, pastel on brown paper, 15"H x 11"W (sheet), 22 7/8"H x 18 5/8"W (frame)
                Oct. 05, 2024

                Raphael Soyer, American (1899-1987), female nude, pastel on brown paper, 15"H x 11"W (sheet), 22 7/8"H x 18 5/8"W (frame)

                Est: $300 - $500

                Raphael Soyer American, (1899-1987) female nude pastel on brown paper Signed lower right. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York. Sources include: Michael David Zellman, 300 Years of American Art Matthew Baigell, Dictionary of American Art

                Ripley Auctions
              • Raphael Soyer (American,1899 - 1987)
                Oct. 02, 2024

                Raphael Soyer (American,1899 - 1987)

                Est: $100 - $200

                Lithograph, "Street scene". Signed in pencil. Edition 106/150 lower left. Framed Dimensions 22" x 27" STERLING ASSOCIATES STRIVES TO PROVIDE ACCURATE, OBJECTIVE, & FAIR INFORMATION ON ALL LOTS. WE WILL BE HAPPY TO ANSWER ANY QUESTIONS AND PROVIDE ADDITIONAL PHOTOS. WE ADVISE THAT YOU, OR SOMEONE ON YOUR BEHALF, INSPECT ANY ITEM(S) AND COME TO YOUR OWN CONCLUSIONS BEFORE BIDDING. ALL SALES ARE FINAL. PLEASE SEE TERMS & CONDITIONS.

                Sterling Associates, Inc.
              • Raphael Soyer (American, b. Russia, 1899-1987)
                Oct. 01, 2024

                Raphael Soyer (American, b. Russia, 1899-1987)

                Est: -

                Mother and child, Lithograph (printed in the Burston Graphic Center, Jerusalem), 57 x 40 cm, Signed in pencil and numbered "37/100"

                Yair Art Gallery
              • Print, Raphael Soyer
                Sep. 21, 2024

                Print, Raphael Soyer

                Est: $250 - $450

                Raphael Soyer (American, 1899-1987), Untitled Standing Model, lithograph, pencil signed lower right, edition 3/150, gallery label (George Krevsky Gallery, San Francisco, CA) affixed verso, overall (with frame): 26.5"h x 19"w

                Clars Auctions
              • Print, Raphael Soyer
                Sep. 21, 2024

                Print, Raphael Soyer

                Est: $250 - $450

                Raphael Soyer (American, 1899-1987), "Mother and Child," etching and aquatint, pencil signed lower right, edition 4/85, gallery label (Garelick's Gallery, Detroit, MI) verso, overall (with frame): 19.75"h x 16"w

                Clars Auctions
              • Raphael Soyer AAA orig lithograph The Model
                Sep. 21, 2024

                Raphael Soyer AAA orig lithograph The Model

                Est: $200 - $400

                Soyer, Raphael (Russian/American 1899-1987), The Model,1940, (Cole #57)lithograph, published by Associated American Artists, framed measuring 20 x 16 inches

                Concept Art Gallery
              • RAPHAEL SOYER (1899-1987) Model Removing her Stockings.
                Sep. 19, 2024

                RAPHAEL SOYER (1899-1987) Model Removing her Stockings.

                Est: $2,000 - $3,000

                RAPHAEL SOYER (1899-1987) Model Removing her Stockings. Oil on canvas. 355x308 mm; 14x12⅛ inches. Signed lower right. Provenance Private collection, New York. Thence by descent to current owners, New York.

                Swann Auction Galleries
              • RAPHAEL SOYER (1899-1987) East Village.
                Sep. 19, 2024

                RAPHAEL SOYER (1899-1987) East Village.

                Est: $6,000 - $8,000

                RAPHAEL SOYER (1899-1987) East Village. Oil on canvas, circa 1964. 670x763 mm; 26x30 inches. Signed lower right. Provenance Forum Gallery, New York (label). Purchased from the above by private collector, New York, November 1964. Thence by descent to current owners, New York

                Swann Auction Galleries
              • RAPHAEL SOYER, DANCERS AT REST, OIL ON CANVAS
                Sep. 19, 2024

                RAPHAEL SOYER, DANCERS AT REST, OIL ON CANVAS

                Est: $11,000 - $14,000

                Artist: Raphael Soyer, Russian/American (1899 - 1987) Title: Dancers at Rest Year: circa 1965 Medium: Oil on Canvas, signed l.r. Size: 38 x 21 in. (96.52 x 53.34 cm) Frame Size: 40 x 25 inches Description: Portrait of two dancers resting and cooling off after a performance. Painted with grace by Raphael Soyer in the 1960s this painting displays his modern realist style and attention to beauty and detail in the skirts and faces of these women.

                RoGallery
              • RAPHAEL SOYER, PENSIVE WOMAN IN DRESS, CHARCOAL ON PAPER
                Sep. 19, 2024

                RAPHAEL SOYER, PENSIVE WOMAN IN DRESS, CHARCOAL ON PAPER

                Est: $1,000 - $1,500

                Artist: Raphael Soyer, Russian/American (1899 - 1987) Title: Pensive Woman in Dress Year: circa 1950 Medium: Charcoal on paper, signed l.l. Size: 13 x 10 in. (33.02 x 25.4 cm) Frame Size: 19.5 x 16 inches

                RoGallery
              • Raphael Soyer, New York / Russia (1899-1987), self portrait / Protected, mother and child, lithograph / etching, 15 3/8"H x 8 1/4"W (Protected)
                Sep. 18, 2024

                Raphael Soyer, New York / Russia (1899-1987), self portrait / Protected, mother and child, lithograph / etching, 15 3/8"H x 8 1/4"W (Protected)

                Est: $300 - $500

                Raphael Soyer New York / Russia, (1899-1987) self portrait / Protected, mother and child lithograph / etching Pencil signed lower. Biography from the Archives of askART: Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              • Raphael Soyer, New York / Russia (1899-1987), Dancer Resting / Behind Screen, lithographs, 21 1/4"H x 15"W (larger)
                Sep. 18, 2024

                Raphael Soyer, New York / Russia (1899-1987), Dancer Resting / Behind Screen, lithographs, 21 1/4"H x 15"W (larger)

                Est: $300 - $500

                Raphael Soyer New York / Russia, (1899-1987) Dancer Resting / Behind Screen lithographs Behind Screen marked "AP" lower left, signed in plate and in pencil lower right. Dancer Resting numbered 46/50 and signed in plate lower left, signed in pencil lower right. Biography from the Archives of askART Born in Borisoglebsk, Russia in 1899, Raphael Soyer is identified as a Social Realist* painter because of his interest in the common man, although he avoided subjects that were particularly critical of society. Soyer moved with his family to the Lower East Side of New York City in 1913, after they were deported from Russia by the Tsarist regime. His father, a Hebrew teacher and writer, encouraged artistic and intellectual pursuits. His popularity with his students in Russia and his liberal ideas led to problems for him with the authorities, and he was forced to leave with his family. Soyer left school at sixteen to help support the family. He attended free classes at Cooper Union* and at the National Academy of Design*. Guy Pene du Bois, a teacher at the Art Students League*, recognized his talent and introduced him to Charles Daniel, who gave him his first solo exhibition in 1929. The success of this event secured his position as a professional artist. The experience of immigrant life in the United States provided him with a rich source of imagery for his art, which was sensitive, penetrating portrayals including transients, shoppers, dancers, and fellow artists. Near his studio in Manhattan's Lower East Side he observed his fellow New Yorkers. His subjects were portrayed with strong, flat colors, which evoked a sense of isolation. Common themes were intimate studies of solitary women, often nudes, and portraits of fellow artists, reflecting his great affection and admiration for them. Soyer's most frequent model was himself, often posed with pencil or brush in hand, as in Self-Portrait ca. 1927, and his work was mainly in oil and lithography*. He did not accept commissions for portraits because his interest was with the private person and the effects of the modern world on the psyche, rather than a public facade. Artists he admired, such as Rembrandt, Degas, and Eakins, he felt were dedicated to showing their times truthfully, and emphasized inner character more than physical beauty. Both of Soyer's brothers, Moses and Isaac, were also artists. With his identical twin Moses, he painted murals for the post office in Kingessing, Pennsylvania. He also taught at the Art Students League. He was a co-founder of Reality magazine and champion of Realism* at a time when Abstract Expressionism* dominated the American art scene. The Depression's economic difficulties could be seen in his subjects, and unemployed men caught Soyer's eye. Women at work became a theme with Soyer after 1940. On November 4, 1987, he died in New York.

                Ripley Auctions
              Lots Per Page:

              Popular Artists

              Devices

              Get Invaluable on Your Phone

              Download the app via text link to get instantly notified if you’re outbid and receive auction reminders so you never miss out!

              Bid On-the-Go!

              Download the Invaluable app and never miss an auction from your iOS or Android device.

              App Store badgeGoogle Play badge
              Invaluable Logo

              As the world's leading online auction marketplace, thousands of auction houses use Invaluable to deepen relationships with millions of clients around the world. Stay connected to the things you love with curated items and auctions sent to your inbox.

              You can unsubscribe at any time. View ourPrivacy Policy.

              © 1986-2024 Invaluable, LLC. and participating auction houses. All Rights Reserved.

              TermsSubscription AgreementPrivacy PolicyCopyrightGDPR InfoPrivacy ChoiceYour Privacy ChoicesSite Map