Joaquín Sorolla y Bastida Sold at Auction Prices

Painter, b. 1863 - d. 1923

Born in 1863, Spanish artist Joaquin Sorolla y Bastida is among the world's most renowned painters, with a history of works displayed at places like the J. Paul Getty Museum in California, the Petit Palais in Paris, and the Art Institute of Chicago. Bastida first studied art at the Academy of San Carlos in Valencia, and he later received a grant to study painting in Rome. Eventually, he was exposed to modern painting in Paris, which can be seen to have influenced many of Joaquin Sorolla y Bastida's prints.

Bastida used a range of painting techniques, including Impressionism and Pointillism. Joaquin Sorolla y Bastida's prints feature portraits and landscapes, with a particular attention to light. Joaquin Sorolla y Bastida paintings for sale, usually oil on canvas, are still sought by major collectors today. Add some light to your life by searching a variety of rare and collectible Impressionist art for sale at online auction houses.

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  • JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Mending nets. Valencia beach", c.1902-1904
    Apr. 02, 2025

    JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Mending nets. Valencia beach", c.1902-1904

    Est: €27,000 - €36,000

    Oil on panel Painted on Cabañal beach, Valencia. A document of this work from 1958, issued by the Sala Vilches in Madrid, indicating the provenance of the work, has been preserved. Work referenced in Sorolla's will, series D, no. 95 of the 1929 inventory, awarded to Joaquin Sorolla Garcia. Provenance: -Sorolla's will -Joaquin Sorolla Garcia -Private collection (gift from Joaquin Sorolla Garcia) -Vilches Room, Madrid -Private collection, Madrid -Private collection, Madrid (since 1958) This work will be included in the catalogue raisonne in preparation (Volume II). Attached is a certificate of authenticity from Blanca Pons-Sorolla dated 02/14/2025 with the inventory ref. number BPS3926. Measurements: 13.5 x 26 cm

    Ansorena
  • JOAQUÍN SOROLLA Y BASTIDA (1863-1923) | HANDWRITTEN SIGNATURE (SPAIN / SPANISH)
    Mar. 27, 2025

    JOAQUÍN SOROLLA Y BASTIDA (1863-1923) | HANDWRITTEN SIGNATURE (SPAIN / SPANISH)

    Est: -

    1907 | profession: Painter | country: Spain | signature: Original signature | size: 310 x 260 mm (size of the pad) | technique: Handwritten signature on a paper card Lot information Handwritten signature of the famous Spanish painter Joaquín Sorolla y Bastida, dated Madrid, July 1907. The elegant signature is accompanied by the characteristic underline, which was typical of Sorolla. Sorolla is considered one of the most important Impressionist and Luminist painters of the late 19th and early 20th centuries. His works are distinguished by masterful captures of light, color harmony, and exceptional brush technique. He is best known for his scenes of life on Spanish beaches, portraits, and monumental historical paintings, including the "Vision of Spain" series created for the Hispanic Society of America in New York.

    Einszwei Gallery
  • JOAQUIN SOROLLA - Portrait of a Child
    Mar. 25, 2025

    JOAQUIN SOROLLA - Portrait of a Child

    Est: -

    JOAQUÍN SOROLLA Valencia 1863 - Cercedilla, Madrid 1923 Portrait of a Child. c. 1889 Oil on canvas Signed and dedicated: "To my friend Saint-Aubin" Dimensions 82 x 63.5 cm We would like to thank Blanca Pons-Sorolla for her help in cataloging this work, for which she has a certificate (inventory no. BPS 3924). Provenance: - Valls-Taberner Collection, Barcelona, c. 1970. - Private collection, Madrid.

    Subastas Segre
  • JOAQUÍN SOROLLA - Study of a Valencian boat (verso) Various studies (verso)
    Mar. 25, 2025

    JOAQUÍN SOROLLA - Study of a Valencian boat (verso) Various studies (verso)

    Est: -

    JOAQUÍN SOROLLA Valencia 1863 - Cercedilla, Madrid 1923 Study of a Valencian boat (verso) Various studies (verso) Charcoal and pencil drawing Signed on the back Measurements 230 x 300 mm We would like to thank Blanca Pons-Sorolla for her help in cataloging this work.

    Subastas Segre
  • JOAQUÍN SOROLLA - Sketch with characters
    Mar. 25, 2025

    JOAQUÍN SOROLLA - Sketch with characters

    Est: -

    JOAQUÍN SOROLLA Valencia 1863 - Cercedilla 1923 Sketch with characters Ink drawing on paper Measurements 260 x 190 mm Provenance: - Lorente Sorolla Family, Madrid. - Celini Gallery, Madrid, 1972 (see invoice) - Private collection, Madrid. We would like to thank Blanca Pons-Sorolla for her help in cataloging this work.

    Subastas Segre
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Bullfight".1897. Oil on fine cardboard with white primer adhered to French-made cardboard. Signed, dedicated to Pedro Gil Moreno de Mora and dated in the lower right corner.
    Mar. 19, 2025

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Bullfight".1897. Oil on fine cardboard with white primer adhered to French-made cardboard. Signed, dedicated to Pedro Gil Moreno de Mora and dated in the lower right corner.

    Est: €140,000 - €160,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Bullfight".1897. Oil on fine cardboard with white primer adhered to French-made cardboard. Signed, dedicated to Pedro Gil Moreno de Mora and dated in the lower right corner. Attached certificate issued by Blanca Pons Sorolla. Photograph of this work is preserved in the Photographic Archive of the Sorolla Museum. Work inventoried in the Catalogue Raisonné of the artist with the number BPS 3480. Measurements: 25,3 x 35,5 cm; 44,5 x 54,5 cm (frame). The oil painting "Bullfight" is an early work of Sorolla, in which his vibrant style is already unmistakable, although at that time he was mainly interested in genre and popular themes, not yet linked to the light of the Mediterranean. Here he masterfully captures the dramatic essence of bullfighting, highlighting the rapid brushstrokes and his ability to synthesize the movement and emotion of the fight with great formal economy. The bull charges with impetus the red cape held by the bullfighter, who leans toward the animal with a skillful and confident gesture. The banderillero, behind the bull, assumes a strategic position to plunge into the bleeding back of the bull with a dramatic flashing edge. This character, with his face unhinged by the rapid movement of his body, seems to dilute in a pure fierceness impregnated with fierceness. Three characters wearing monteras are standing in the background, but inside the ring. With their arms raised, they attentively observe the confrontation, which adds a theatrical touch that contrasts with the drama of the staging. The ring dominates the composition, eclipsing the space of the stands, which are reduced to spots bordering on abstraction. The intense reds of the cape and the blood contrast with the warm ochers of the sand, balanced by the white blouses and the green touches of the jackets. Sorolla flees from the spectacularization of bullfighting, and even ignores the audience. What interests him is to communicate an atmosphere charged with contradictory emotions related to the emotional exaltation and violence inherent in the rite. Painted in 1897, this oil painting belongs to the early years of Sorolla's career, when he was exploring themes related to Spanish traditions. Although Sorolla would later become famous for his luminous depictions of Mediterranean life, works such as "Corrida de toros" demonstrate his early interest in culture and folklore, approached with an unparalleled pulse. Already in his school days, Joaquín Sorolla showed his fondness for drawing and painting, attending the drawing classes given by the sculptor Cayetano Capuz at the School of Artisans in the afternoons. Awarded upon finishing his preliminary studies at the Escuela Normal Superior, he entered the prestigious Escuela de Bellas Artes de San Carlos in Valencia in 1879. Also, during his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco at the Prado Museum. Two years later he obtained a great success at the National Exhibition of Fine Arts with a history painting, which stimulated him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, in 1885 Sorolla left for Rome, staying in Paris for several months before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first class medal at the National, and the following year at the International in Chicago. This sensitivity would remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master will abandon the themes of unhappy children that we see in "Triste herencia", which had been awarded a prize at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his works, more cheerful and pleasant, with which he would achieve international fame. In 1906 he held his first individual exhibition at the George Petit Gallery in Paris, where he also demonstrated his skills as a portraitist. In 1908 the American Archer Milton Huntington, impressed by the artist's exhibition at the Grafton Gallery in London, sought to acquire two of his works for his Hispanic Society. A year later he himself invited Sorolla to exhibit at his institution, resulting in an exhibition in 1909 that was a huge success. The relationship between Huntington and Sorolla led to the most important commission of the painter's life: the creation of the immense canvases destined to illustrate, on the walls of the Hispanic Society, the regions of Spain. Trying to capture the essence of the lands and people of his country, Sorolla traveled throughout Spain between 1911 and 1919, while continuing to hold exhibitions. Incapacitated by an attack of hemiplegia in 1921, Sorolla died two years later, without seeing his great "Vision of Spain", which would not be installed until 1926. He is currently represented in the Prado Museum and the one that bears his name in Madrid, the Metropolitan Museum in New York, the Orsay Museum in Paris, the J. Paul Getty Museum in Los Angeles, the Fine Arts Museums of Bilbao and Valencia, the National Portrait Gallery in London and many others.

    Setdart Auction House
  • SEGUIDOR DE JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Mad
    Mar. 18, 2025

    SEGUIDOR DE JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Mad

    Est: -

    FOLLOWER OF JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Madrid, 1923) "Portrait of a lady in a white dress ". Oil on táblex Measurements: 24,5 x 19 cm.

    Magna Art Auctions
  • JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Port of Javea", 1905
    Feb. 25, 2025

    JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Port of Javea", 1905

    Est: €75,000 - €100,000

    Oil on canvas glued to pressed cardboard. Signed and dated in the lower right corner, done in the summer of 1905 On the back: “269” in black on a grey spot and label; corresponding to the catalogue of the New York exhibition, 1909. We know that the grey spot that appears below the black no. 269 covered a red number that corresponded to the shipment of the work to Sorolla's solo exhibition in London in 1908, at the Grafton Galleries. However, we are not sure whether it was actually exhibited, as more works were sent than were exhibited. HSA Photographic Archive, New York, neg. English: No. 469, photo 3617 Work that will be included in the catalogue raisonné in preparation under the number BPS3627 We would like to thank Blanca Pons Sorolla for her help in cataloguing this work. Provenance: -Mrs. A. H. Day, 28 Fifth Avenue, at the New York exhibition, 1909, $100 -Private collection, Madrid Bibliography: - VVAA., "Eight Essays on Joaquín Sorolla y Bastida", vol. II, New York, 1909, p. 211, no. 269 (reproduced) -Pons-Sorolla, B., "Sorolla y Estados Unidos", exhibition catalogue, Madrid, 2013, p. 355 (reproduced) -B. Pons-Sorolla, B., "Sorolla and America", exhibition catalogue, Dallas and San Diego, 2013, p. 309, no. 132 (reproduced). Exhibitions: -(Probably) London, The Grafton Galleries, "Exhibition of paintings by Sorolla y Bastida", May-July 1908. -New York, The Hispanic Society of America, "Exhibition of Paintings de Joaquín Sorolla y Bastida", 8 February-8 March 1909, no. 269. -Buffalo, The Buffalo Fine Arts Academy, "Exhibition of Paintings de Joaquín Sorolla y Bastida", 10 March-10 April 1909, and Boston, Copley Society, 20 April-11 May 1909, no. 146. -Dallas, Meadows Museum, "Spanish Light: Sorolla in American Collections", 17 September 2023-7 January 2024, p. 59, no. 20 (reproduced). Measurements: 18 x 20.2 cm

    Ansorena
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Woman's head", c. 1896. Oil on painter's palette. Attached certificate of authenticity issued by Doña Blanca Pons Sorolla.
    Feb. 19, 2025

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Woman's head", c. 1896. Oil on painter's palette. Attached certificate of authenticity issued by Doña Blanca Pons Sorolla.

    Est: €16,000 - €18,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Woman's head", c. 1896. Oil on painter's palette. Attached certificate of authenticity issued by Doña Blanca Pons Sorolla. It has slight damage to the frame. Signed and dedicated. Measurements: 31 x 45 cm; 72 x 82 cm (frame). Work signed by five artists. -Julio Cebrián Mezquita (Valencia 1854-1926), "Arab", 1897. -Pedro Ferrer Calatayud (1860-1944), "Sea". 1896. -Mariano Benlliure (Valencia, 1862 - Madrid, 1947), "Nuns. -Isidoro Garnelo (Valencia, 1867-1939), "Church". -Mariano García y Mas (Valencia 1858-1911), "Child". Painter's palette where six painters have captured small works of great pictorial quality, almost miniaturized. The palette that serves as a pictorial base seems to be dominated by a navy of great spatial depth, on which is superimposed a view of a palace in Venice, and several portraits starring nuns, a man dressed in an orientalist manner, a small child and a woman with a bow attributed to Sorolla. Painter's palettes, traditionally conceived as functional tools, have not only witnessed the artistic process, but have sometimes been transformed into unique canvases. In the 19th century, artists such as Joaquín Sorolla broke with the idea of the palette as a mere instrument, using it as a support to create original works. These pieces, loaded with texture and spontaneity. Already in his school days, Joaquín Sorolla showed his fondness for drawing and painting, attending the drawing classes given by the sculptor Cayetano Capuz in the School of Artisans in the afternoons. Awarded upon finishing his preliminary studies at the Escuela Normal Superior, he entered the prestigious Escuela de Bellas Artes de San Carlos in Valencia in 1879. Also, during his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco at the Prado Museum. Two years later he obtained a great success at the National Exhibition of Fine Arts with a history painting, which stimulated him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, in 1885 Sorolla left for Rome, staying in Paris for several months before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first class medal at the National, and the following year at the International in Chicago. This sensitivity would remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master will abandon the themes of unhappy children that we see in "Triste herencia", which had been awarded a prize at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his works, more cheerful and pleasant, with which he would achieve international fame. In 1906 he held his first individual exhibition at the George Petit Gallery in Paris, where he also demonstrated his skills as a portraitist. In 1908 the American Archer Milton Huntington, impressed by the artist's exhibition at the Grafton Gallery in London, sought to acquire two of his works for his Hispanic Society. A year later he himself invited Sorolla to exhibit at his institution, resulting in an exhibition in 1909 that was a huge success. The relationship between Huntington and Sorolla gave rise to the most important commission of the painter's life: the creation of the immense canvases destined to illustrate, on the walls of the Hispanic Society, the regions of Spain. He is currently represented in the Prado Museum and the one that bears his name in Madrid, the Metropolitan Museum in New York, the Orsay Museum in Paris, the J. Paul Getty Museum in Los Angeles, the Fine Arts Museums of Bilbao and Valencia, the National Portrait Gallery in London and many others. Attached certificate of authenticity issued by Doña Blanca Pons Sorolla. It has slight damage to the frame.

    Setdart Auction House
  • JOAQUÍN SOROLLA BASTIDA (Valencia, 1863 - Madrid, 1923) - El Mar de Sorolla. Libro de autor
    Feb. 05, 2025

    JOAQUÍN SOROLLA BASTIDA (Valencia, 1863 - Madrid, 1923) - El Mar de Sorolla. Libro de autor

    Est: €1,100 - €1,300

    Edición única, limitada y numerada de 2.998 ejemplares, 2014. Ed. Artika, en coedición con la Fundación Museo Sorolla, Contenido: Un libro de gran formato, encuadernado en tela de algodón emulando la textura de un lienzo, contiene los 69 dibujos reproducidos que el Museo Sorolla ha seleccionado cuidadosamente para apreciar la progresión del artista y todas las técnicas utilizadas. Junto a la obra, un libro de Estudios nos adentra en el luminoso universo del pintor de la mano de grandes especialistas sobre su obra, entre los que se encuentran la directora del Museo Sorolla o la biznieta del artista. Completa la edición una Carpeta de Arte con dos dibujos facsimilares del artista, Pescadoras Barcelonesas y Barca en la Playa. Ficha Técnica: - Estuche: Dos placas de metacrilato unidas con una plancha de hierro pintada y oxidada para dar la sensación del mar Grosor de las placas: 2,5 cm : 41 x 53 x 12,5 cm - Libro de Arte: Impresión a cinco tintas con encuadernación de lujo, cosido a mano con hilo de algodón Cubierta en tela de algodón impresa a seis tintas Número de páginas: 182 69 facsímiles de dibujos troquelados y unidos al Libro por tres puntos de cola, más cinco trípticos desplegables Tamaño: 35,3 x 45,8 cm - Libro de Estudios: Impresión a cuatro tintas con encuadernación en rústica y cosido con doble cartulina de 350 g Forro impreso en la tapa, a cuatro tintas, con plastificado protector Número de páginas: 168 Tamaño: 35,3 x 45,8 cm - Carpeta de Arte: 2 láminas de arte impresas a cinco tintas con dos dípticos protectores Tamaño: 35,3 x 45,8 cm Perfecto estado de conservación. Mantiene caja de embalaje original.

    Isbilya Subastas
  • JOAQUÍN SOROLLA BASTIDA (Valencia, 1863 - Madrid, 1923) - Los paisajes de Sorolla. Libro de autor
    Feb. 05, 2025

    JOAQUÍN SOROLLA BASTIDA (Valencia, 1863 - Madrid, 1923) - Los paisajes de Sorolla. Libro de autor

    Est: €850 - €1,000

    Edición limitada y numerada. Ejemplar Nº: 2294 Editorial Planeta, ARTIKA en coedición con la Fundación Museo Sorolla, 2015. Contenido: Un Libro de Arte, encuadernado en tela de algodón que simula un lienzo, con la reproducción de un detalle del cuadro Vendimiando. Jerez (1914), nos descubre 71 dibujos, reproducidos en formato facsímil de temática paisajística, troquelados según los originales y pegados sobre el libro. La cuidada selección, realizada por el Museo Sorolla, muestra todos los tipos de paisaje que esbozó el artista y las diversas técnicas utilizadas: lápiz, carboncillo, tinta, clarión, acuarela o guache. El volumen se organiza en seis capítulos con desplegables de gran formato. Medidas: 35,3 x 45,6 cm. Un libro de Estudios, que por sí solo es una obra única, nos acerca a la vida y obra del artista, de la mano de los máximos expertos, entre los que destacan la bisnieta del pintor, Blanca Pons-Sorolla, investigadores del Museo Sorolla o el Jefe de Conservación de Pintura del siglo XIX del Museo del Prado. Medidas: 35 x 46 cm. Los paisajes de Sorolla incorpora dos láminas presentadas en Carpetas de Arte que se han concebido para poder ser expuestas de forma individual: Orillas del Tajo, Villaseca (1882-1888) y , Paisaje con río y dos torres (1882). Todos los elementos se presentan en un estuche, realizado de forma artesanal y compuesto por dos piezas de metacrilato de 2,5 cm de grosor, y con la firma del artista grabada. Perfecto estado de conservación. Mantiene caja de embalaje original.

    Isbilya Subastas
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Madrid, 1923). "Res; Marina with oxen. Abstraction", c. 1908. Oil on canvas. Attached certificate of authenticity issued by Ms. Blanca Pons Sorolla (granddaughter of the artist). Nº BPS4694
    Jan. 29, 2025

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Madrid, 1923). "Res; Marina with oxen. Abstraction", c. 1908. Oil on canvas. Attached certificate of authenticity issued by Ms. Blanca Pons Sorolla (granddaughter of the artist). Nº BPS4694

    Est: €22,000 - €25,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Madrid, 1923). "Res; Marina with oxen. Abstraction", c. 1908. Oil on canvas. Attached certificate of authenticity issued by Ms. Blanca Pons Sorolla (granddaughter of the artist). Nº BPS4694 We thank Mrs. Blanca Pons Sorolla for her help in the cataloguing. The word "Res" can be seen in the lower center. Provenance: Elena Sorolla García (Daughter of the artist). Measurements: 10,5 x 13 cm; 31 x 34 cm (frame). The sketchy technique of this work, almost abstract, indicates that it is a study of the artist, taken from life. This was a frequent exercise used by Sorolla, who tried to capture the luminosity and its reflection on the environment. This painting captures that essence, showing, as if it were the painter's notes, a pictorial composition that is especially reminiscent of the same one developed by the author in his work "The return from fishing. Towing the boat", painted in 1984 and currently in the collection of the Musée d'Orsay in Paris. Already in his school days, Joaquín Sorolla showed his love for drawing and painting, attending in the afternoons to the drawing classes taught by the sculptor Cayetano Capuz at the School of Artisans. Awarded upon finishing his preliminary studies at the Escuela Normal Superior, he entered the prestigious Escuela de Bellas Artes de San Carlos in Valencia in 1879. Also, during his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco at the Prado Museum. Two years later he obtained a great success at the National Exhibition of Fine Arts with a history painting, which stimulated him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, in 1885 Sorolla left for Rome, staying in Paris for several months before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first class medal at the National, and the following year at the International in Chicago. This sensitivity would remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master will abandon the themes of unhappy children that we see in "Triste herencia", which had been awarded a prize at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his works, more cheerful and pleasant, with which he would achieve international fame. In 1906 he held his first individual exhibition at the George Petit Gallery in Paris, where he also demonstrated his skills as a portraitist. In 1908 the American Archer Milton Huntington, impressed by the artist's exhibition at the Grafton Gallery in London, sought to acquire two of his works for his Hispanic Society. A year later he himself invited Sorolla to exhibit at his institution, resulting in an exhibition in 1909 that was a huge success. The relationship between Huntington and Sorolla led to the most important commission of the painter's life: the creation of the immense canvases destined to illustrate, on the walls of the Hispanic Society, the regions of Spain. Trying to capture the essence of the lands and people of his country, Sorolla traveled throughout Spain between 1911 and 1919, while continuing to hold exhibitions. Incapacitated by an attack of hemiplegia in 1921, Sorolla died two years later, without seeing his great "Vision of Spain", which would not be installed until 1926. Attached certificate of authenticity issued by Mrs. Blanca Pons Sorolla (granddaughter of the artist). Nº BPS4694 We thank Ms. Blanca Pons Sorolla for her help in the cataloguing. The word "Res" can be seen in the lower center. Provenance: Elena Sorolla García (Daughter of the artist).

    Setdart Auction House
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923) "Roofs of Madrid. Circa 1882-1884. Oil on panel Work supervised by Blanca Pons Sorolla and referenced in the catalog raisonné with the nº BPS 103.
    Jan. 29, 2025

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923) "Roofs of Madrid. Circa 1882-1884. Oil on panel Work supervised by Blanca Pons Sorolla and referenced in the catalog raisonné with the nº BPS 103.

    Est: €20,000 - €22,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923) "Roofs of Madrid. Circa 1882-1884. Oil on panel Work supervised by Blanca Pons Sorolla and referenced in the catalog raisonné with the nº BPS 103. Attached certificate issued by D. Francisco Pons Sorolla y Arnau, April 3, 1984. Provenance: Augusto Dánvila Jaldero Collection. With inscription on the back. Measurements: 20,1 x 12,2 cm; 33 x 25 cm (frame). Oil on panel in which the painter starts with loose and vibrant brushstrokes to form a scene. In which we can appreciate the representation of the roofs of Madrid. The view is incomplete since it is possible to observe spaces on the panel that have not been intervened by the artist. However, despite this detail, it is remarkable the complex composition and the atmosphere that manages to create in the image. An atmosphere of luminous and vibrant character. Already in his school days, Joaquín Sorolla showed his fondness for drawing and painting, attending the drawing classes given by the sculptor Cayetano Capuz in the School of Artisans in the afternoons. Awarded upon finishing his preliminary studies at the Escuela Normal Superior, he entered the prestigious Escuela de Bellas Artes de San Carlos in Valencia in 1879. Also, during his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco at the Prado Museum. Two years later he obtained a great success at the National Exhibition of Fine Arts with a history painting, which stimulated him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, in 1885 Sorolla left for Rome, staying in Paris for several months before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first class medal at the National, and the following year at the International in Chicago. This sensitivity would remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master will abandon the themes of unhappy children that we see in "Triste herencia", which had been awarded a prize at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his works, more cheerful and pleasant, with which he would achieve international fame. In 1906 he held his first individual exhibition at the George Petit Gallery in Paris, where he also demonstrated his skills as a portraitist. In 1908 the American Archer Milton Huntington, impressed by the artist's exhibition at the Grafton Gallery in London, sought to acquire two of his works for his Hispanic Society. A year later he himself invited Sorolla to exhibit at his institution, resulting in an exhibition in 1909 that was a huge success. The relationship between Huntington and Sorolla led to the most important commission of the painter's life: the creation of the immense canvases destined to illustrate, on the walls of the Hispanic Society, the regions of Spain. Trying to capture the essence of the lands and people of his country, Sorolla traveled throughout Spain between 1911 and 1919, while continuing to hold exhibitions. Incapacitated by an attack of hemiplegia in 1921, Sorolla died two years later, without seeing his great "Vision of Spain", which would not be installed until 1926. He is currently represented in the Prado Museum and the one that bears his name in Madrid, the Metropolitan Museum in New York, the Orsay Museum in Paris, and the J. Paul Getty Museum. Work supervised by Blanca Pons Sorolla and referenced in the catalog raisonné with nº BPS 103. Attached certificate issued by D. Francisco Pons Sorolla y Arnau, April 3, 1984. Provenance: Augusto Dánvila Jaldero Collection. With inscription on the back.

    Setdart Auction House
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "La santera", 1890. Watercolor on paper. Presents damage in the frame. Signed and dated in the lower right corner.
    Jan. 29, 2025

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "La santera", 1890. Watercolor on paper. Presents damage in the frame. Signed and dated in the lower right corner.

    Est: €75,000 - €80,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "La santera", 1890. Watercolor on paper. Presents damage in the frame. Signed and dated in the lower right corner. Measurements: 54 x 39 cm; 78 x 63 cm (frame). Watercolor painted by Joaquín Sorolla at 27 years of age, prior to the development of his luminist style as can be seen by the absence of the usual force that has the light in his paintings. This costumbrista scene denotes the academicist influence of his training, as can be seen in the choice of the subject, as well as in the attempt of realism and preciosity in the details. The composition of intimate character represents a santera lighting a candle that illuminates a triptych with the image of the virgin in the center and family coats of arms on the side panels. As we have mentioned before, in this scene there is not the usual Sorolla's light, but it is practically a zenithal light that, nevertheless, with the capture of the space and the atmosphere, already allows us to intuit the best of Sorolla. Following the line of costumbrismo, the Valencian roots of the artist are observed in two aspects, on the one hand, with the representation of the tilework, typically Valencian, with an enhanced baseboard that reaches almost to the shoulders of the woman, and the clothing of the same, with clothes that could be very Valencian style. He used to paint this type of small works so that later his dealer, Francisco Jover, could sell them due to the great demand they had. Already in his school days, Joaquín Sorolla showed his fondness for drawing and painting, attending the drawing classes given by the sculptor Cayetano Capuz in the School of Artisans in the afternoons. Awarded upon finishing his preliminary studies at the Escuela Normal Superior, he entered the prestigious Escuela de Bellas Artes de San Carlos in Valencia in 1879. Also, during his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco at the Prado Museum. Two years later he obtained a great success at the National Exhibition of Fine Arts with a history painting, which stimulated him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, in 1885 Sorolla left for Rome, staying in Paris for several months before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first class medal at the National, and the following year at the International in Chicago. This sensitivity would remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master will abandon the themes of unhappy children that we see in "Triste herencia", which had been awarded a prize at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his works, more cheerful and pleasant, with which he would achieve international fame. In 1906 he held his first individual exhibition at the George Petit Gallery in Paris, where he also demonstrated his skills as a portraitist. In 1908 the American Archer Milton Huntington, impressed by the artist's exhibition at the Grafton Gallery in London, sought to acquire two of his works for his Hispanic Society. A year later he himself invited Sorolla to exhibit at his institution, resulting in an exhibition in 1909 that was a huge success. The relationship between Huntington and Sorolla led to the most important commission of the painter's life: the creation of the immense canvases destined to illustrate, on the walls of the Hispanic Society, the regions of Spain. Trying to capture the essence of the lands and people of his country, Sorolla traveled throughout Spain between 1911 and 1919, while continuing to hold exhibitions. Incapacitated by an attack of hemiplegia in 1921, Sorolla died two years later, without seeing his great "Vision of Spain", which would not be installed until 1926. He is currently represented in the Prado Museum and the one that bears his name in Madrid, the Metropolitan Museum in New York, the Orsay Museum in Paris, the J. Paul Getty Museum in Los Angeles, the Fine Arts Museums of Bilbao and Valencia, the National Portrait Gallery in London and many others. It presents damages in the frame.

    Setdart Auction House
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Street of a village", 1895. Watercolor and paper. Attached certificate of authenticity issued by Blanca Pons Sorolla. Signed and dated in the lower left corner.
    Jan. 29, 2025

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Street of a village", 1895. Watercolor and paper. Attached certificate of authenticity issued by Blanca Pons Sorolla. Signed and dated in the lower left corner.

    Est: €65,000 - €70,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Street of a village", 1895. Watercolor and paper. Attached certificate of authenticity issued by Blanca Pons Sorolla. Signed and dated in the lower left corner. Measurements: 34 x 25 cm; 69 x 58 cm (frame). In this work of Joaquín Sorolla, dated in 1895, we can appreciate a daily scene, set in a typical rural environment of the south of Spain. The painting, done in watercolor, presents a light and fresh atmosphere, with soft tones that capture the Mediterranean light. In the foreground, two figures are seated on a stone bench next to the entrance of a house. A man, dressed in simple clothes with a blue scarf on his head, appears to be conversing with a woman wearing a traditional dress adorned with flowers and a brightly colored shawl, adding dynamism to the composition. In the background, through a small window, a flower pot peeks out, adding a touch of life and detail to the painting. The architectural setting, with whitewashed walls and tiled roofs, reflects the aesthetics of a Mediterranean village, while the details, such as the green street lamp hanging on the wall, give authenticity and charm to the scene. In the background, a landscape of rolling hills and clear skies stretches out to frame the moment, creating a contrast between the intimate space of the village and the vastness of the surrounding nature. The loose brushwork and use of color convey warmth and everydayness, emphasizing Sorolla's connection to the luminous environments and genre scenes. It is a work that captures not only an instant, but also the essence of Spanish rural life in the late 19th century. Already in his school days, Joaquín Sorolla showed his fondness for drawing and painting, attending drawing classes in the afternoons given by the sculptor Cayetano Capuz at the School of Artisans. Awarded upon finishing his preliminary studies at the Escuela Normal Superior, he entered the prestigious Escuela de Bellas Artes de San Carlos in Valencia in 1879. Also, during his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco at the Prado Museum. Two years later he obtained a great success at the National Exhibition of Fine Arts with a history painting, which stimulated him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, in 1885 Sorolla left for Rome, staying in Paris for several months before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first class medal at the National, and the following year at the International in Chicago. This sensitivity would remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master will abandon the themes of unhappy children that we see in "Triste herencia", which had been awarded a prize at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his works, more cheerful and pleasant, with which he would achieve international fame. In 1906 he held his first individual exhibition at the George Petit Gallery in Paris, where he also demonstrated his skills as a portraitist. In 1908 the American Archer Milton Huntington, impressed by the artist's exhibition at the Grafton Gallery in London, sought to acquire two of his works for his Hispanic Society. A year later he himself invited Sorolla to exhibit at his institution, resulting in an exhibition in 1909 that was a huge success. The relationship between Huntington and Sorolla gave rise to the most important commission of the painter's life: the creation of the immense canvases destined to illustrate, on the walls of the Hispanic Society, the regions of Spain. He is currently represented in the Prado Museum and the one that bears his name in Madrid, the Metropolitan Museum in New York, the Orsay Museum in Paris, the J. Paul Getty Museum in Los Angeles... Attached certificate of authenticity issued by Blanca Pons Sorolla.

    Setdart Auction House
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, 1923) "Portrait of Enrique María Repullés y Vargas"
    Dec. 18, 2024

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, 1923) "Portrait of Enrique María Repullés y Vargas"

    Est: €80,000 - €100,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, 1923) "Portrait of Enrique María Repullés y Vargas" Oil on canvas Signed, Dated in 1911 and dedicated 102 x 80 cm 80.000 - 100.000 € We would like to thank Ms. Blanca Pons-Sorolla for her assistance in the cataloguing of this work, that will be included in the artist's catalogue (Volum III).

    Bayeu Subastas
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, 1923) "The Burial of Christ"
    Dec. 18, 2024

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, 1923) "The Burial of Christ"

    Est: €6,000 - €7,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, 1923) "The Burial of Christ" Pencil on parchment paper Signed and dated on 10 January 1886 in Roma 35,8 x 56,4 cm 6.000 - 7.000 € We would like to thank Ms. Blanca Pons-Sorolla for her assistance in the cataloguing of this work.

    Bayeu Subastas
  • JOAQUÍN SOROLLA Valencia 1863 - Cercedilla, Madrid 1923 Port
    Dec. 17, 2024

    JOAQUÍN SOROLLA Valencia 1863 - Cercedilla, Madrid 1923 Port

    Est: -

    JOAQUÍN SOROLLA Valencia 1863 - Cercedilla, Madrid 1923 Portrait of Manuel M. Ducasi y de Laiglesia. 1905 Oil on canvas Signed, dated and dedicated to the sitter Measurements 51.8 x 65.5 cm On the back, on the frame "1907" in white chalk: Label glued to the canvas: "GENERAL REPAIR BOX Portrait of a gentleman painted by Sorolla / Avda. Peñalver 13 / Ref. 490 / Valued at 10,000 pesetas". Provenance: - Manuel M. Ducassi y de Laiglesia. - Mrs. Fernández Corella, goddaughter of the sitter. - Carmen Fernández de Toro. - Private collection, Madrid. Don Manuel Ducassi y de Laiglesia was a close friend of Sorolla and also a neighbour during the years he lived in the famous Pasaje de la Alhambra (Calle de Augusto Figueroa) in Madrid, where they both lived. There are two further portraits by Manuel Ducassi, no. XX (Museo de Bellas Artes de Cuba, Havana, BPS 1790) from 1895, and no. XX (BPS 1675) painted around 1905. We would like to thank Blanca Pons-Sorolla for her help in cataloguing this work, which is listed under the references P 1957 and BPS 3716.

    Subastas Segre
  • Joaquín Sorolla print on Paper
    Dec. 14, 2024

    Joaquín Sorolla print on Paper

    Est: $1,500 - $2,000

    Joaquín Sorolla   PRINT ON PAPER 31"X31" 

    1stBid
  • JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Portrait of HRH the Prince of Asturias"
    Dec. 10, 2024

    JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Portrait of HRH the Prince of Asturias"

    Est: €97,500 - €130,000

    Oil on canvas Done in La Granja, summer of 1907 Signed and dedicated in the lower left: "to my friend Pedro Gil/ yours/ J Sorolla". On the top: "SAR PRINCE OF ASTURIAS" On the reverse: "SAR Prince of Asturias. 10 July 1907. La Granja" This work will be included in the catalogue raisonne in preparation by Blanca Pons-Sorolla with the inventory number BPS1561 Provenance: -Pedro Gil Moreno de Mora, gift from Sorolla -Gil Moreno de Mora family, sold in Madrid in 1975 -Private collection, Valencia Exhibitions: -"Sorolla. La Edad Feliza", No. 57 (Fundacion Bancaja), Valencia 2022 -"Sorolla. A traves de la luz", No. 6, Palacio Real, Madrid 2023 We would like to thank Doña Blanca Pons-Sorolla for her help in cataloguing this work. Measurements: 30 x 45 cm

    Ansorena
  • Beach of Biarritz
    Nov. 19, 2024

    Beach of Biarritz

    Est: $80,000 - $120,000

    Joaquín Sorolla 1863 - 1923  Beach of Biarritz signed J. Sorolla B. and dated 1906 (lower left); bearing the inscription 139; Playa de Biarritz / Sorolla (on the reverse) oil on board 6 ¼ by 8 ½ in. 15.9 by 21.6 cm. Executed in 1906. The authenticity of this work has been confirmed by Blanca Pons-Sorolla, who will be including it in the Sorolla catalogue raisonné (BPS 3543).

    Sotheby's
  • Study for 'Sad Inheritance'
    Nov. 19, 2024

    Study for 'Sad Inheritance'

    Est: $150,000 - $200,000

    Sold by The Art Institute of Chicago Joaquín Sorolla y Bastida 1863 - 1923  Study for 'Sad Inheritance' oil on canvas laid down on board 12 by 23 ¼ in. 30.5 by 59.1 cm. Executed in Valencia in Summer 1899. The authenticity of this work has been confirmed by Blanca Pons-Sorolla, who will be including it in the Sorolla catalogue raisonné (BPS 3447).

    Sotheby's
  • FOLLOWER OF JOAQUIN SOROLLA (SPANISH, 1863-1923)
    Nov. 12, 2024

    FOLLOWER OF JOAQUIN SOROLLA (SPANISH, 1863-1923)

    Est: £800 - £1,200

    FOLLOWER OF JOAQUIN SOROLLA (SPANISH, 1863-1923) FOLLOWER OF JOAQUIN SOROLLA (SPANISH, 1863-1923) Summer's evening beach scene bears signature (lower right) oil on canvas 28.5 x 33.5 cm. (11 1/4 x 13 1/4 in.)

    Chiswick Auctions
  • Joaquin Sorolla. Boat
    Oct. 23, 2024

    Joaquin Sorolla. Boat

    Est: -

    Pencil on paper with incomplete watermark "A RO" [A ROMANI]. It comes from the Testamentary of Joaquín Sorolla, within number 43 of the Series R (Drawings folder) of the 1929 inventory in which it was awarded to his youngest daughter Elena Sorolla García. Attached is a certificate from Mrs. Blanca Pons-Sorolla issued on December 22, 2023, in which she places the work in Valencia between the years 1903 and 1905.

    Duran Arte y Subastas
  • Joaquin Sorolla. Valencia Beach
    Oct. 23, 2024

    Joaquin Sorolla. Valencia Beach

    Est: -

    Pencil on paper. Handwritten inscription [Sun 11 in the morning]. It comes from the Testament of Joaquín Sorolla, within number 43 of Series R (Drawings folder) of the 1929 inventory in which it was awarded to his youngest daughter Elena Sorolla García. The figure of the child is one of the two that appear in no. 267 of the book "Drawings of Joaquín Sorolla" by Luz Buelga Lastra, FAHAH, Madrid, 2000, p. 320. Attached is a certificate from Mrs. Blanca Pons-Sorolla issued on December 22, 2023 in which she places the work in Valencia between the years 1904 and 1905.

    Duran Arte y Subastas
  • JoaquÌn Sorolla y Bastida (Spanish, 1863 - 1923), Portrait of the artist's niece
    Oct. 23, 2024

    JoaquÌn Sorolla y Bastida (Spanish, 1863 - 1923), Portrait of the artist's niece

    Est: £15,000 - £25,000

    Joaquín Sorolla y Bastida (Spanish, 1863 - 1923) Study of a woman's head for the painting “Oath of the Constitution by Her Majesty the Queen Regent Doña María Cristina de Habsburgo” Madrid, 1897 Oil on canvas Provenance: Juan Antonio García del Castillo; Jaime García Banús; José Entrecanales Ibarra; Delfina Entrecanales; Thence by descent. Dimensions: (Frame) 24 in. (H) x 17 in. (W) (Canvas) 20.5 in. (H) x 13.5 in. (W) It is very likely that the original provenance of this work was that of Juan Antonio García del Castillo, son of the photographer Antonio García, since D. José Entrecanales acquired several works from that source and they had several of the studies for the Oath of the Constitution. In the photograph from the HSA Archive, it is noted that the model was chosen for her resemblance to Queen Maria Cristina of Habsburg.  We are grateful to Blanca Pons Sorolla for her help in cataloguing this lot and for confirming that this painting will be included in her forthcoming catalogue raisonné of the artist’s work (Inv. 4959). Delfina Entrecanales (1927-2022) was a Spanish-British arts philanthropist and patron. Born to a southern Spanish family, she moved to England at the end of the Spanish civil war. She was the founder and director of the Delfina Foundation, an important not-for-profit arts foundation which supported, and continues to support, artists through residency programmes and exhibition space in London.

    Sloane Street Auctions
  • ATTRIBUTED TO JOAQUIN SOROLLA Y BASTIDA OIL PAINTING
    Oct. 19, 2024

    ATTRIBUTED TO JOAQUIN SOROLLA Y BASTIDA OIL PAINTING

    Est: $100 - $150

    Attributed to Joaquin Sorolla Y Bastida, Spanish, 1863 to 1923, oil painting on panel depicting a ballet dancer. Signed lower right. Framed. Additionally inscribed, on the backside. Joaquin Sorolla y Bastida was a Spanish painter. Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the bright sunlight of Spain and sunlit water. One of a kind artwork.

    Antique Arena Inc
  • JOAQUÍN SOROLLA Y BASTIDA (SPANISH, 1863-1923). Esperando. Paneau decorativ
    Oct. 09, 2024

    JOAQUÍN SOROLLA Y BASTIDA (SPANISH, 1863-1923). Esperando. Paneau decorativ

    Est: $400,000 - $600,000

    JOAQUÍN SOROLLA Y BASTIDA (SPANISH, 1863-1923). Esperando. Paneau decorativo.. oil on canvas 46 x 27 5⁄8 in. (116.8 x 70.2 cm.).

    Christie's
  • JOAQUÍN SOROLLA Y BASTIDA (SPANISH, 1863-1923). Puerto de Jávea. oil on can
    Oct. 09, 2024

    JOAQUÍN SOROLLA Y BASTIDA (SPANISH, 1863-1923). Puerto de Jávea. oil on can

    Est: $30,000 - $50,000

    JOAQUÍN SOROLLA Y BASTIDA (SPANISH, 1863-1923). Puerto de Jávea. oil on canvas on board 7 1⁄8 x 8 in. (18.1 x 20.3 cm.).

    Christie's
  • JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Javea sea", 1905
    Sep. 25, 2024

    JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Javea sea", 1905

    Est: €180,000 - €240,000

    Oil on canvas Signed and dated in the lower left corner: "J. Sorolla Bastida/1905" On the back, partially lost label from the exhibition of the centenary of the artist's birth, "Sorolla 1863-1963", Cason del Buen Retiro, Madrid April-May 1963 This work will be included in the artist's catalog raisonne in preparation by Blanca Pons-Sorolla under number BPS 1521 Provenance: - Sorolla's will; awarded to her daughter Maria Sorolla Garcia -Francisco Pons-Sorolla y Arnau; 1973 -Private collection, Madrid Exhibitions: -1963, Madrid, "Sorolla 1863-1923. First Centenary of the birth of Sorolla", Cason del Buen Retiro, no. 20 (several notes); -2019, Madrid, "Hunting impressions. Sorolla in small format", Sorolla Museum, no. 160. Bibliography: -Pantorba, Bernardino "The Life and Work of Joaquin Sorolla", Extensa Graficas Monteverde, no. 2124 (2nd edition), Madrid, 1970, p. 212 -Pons-Sorolla, F., “L'obra de Sorolla a Xàbia”, Xàbiga: magazine of culture, no. 3, 1987, p. 130, no. 96 -David Gutierrez Pulido,"Xàbia in the life and work of Joaquin Sorolla", Xàbia City Council, 2021, p. 156, fig. 141 and 179 (reproduced). We thank Blanca Pons Sorolla for her help in cataloging this work. Measurements: 37.2 x 45.2 cm

    Ansorena
  • JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Javea sea", c.1905
    Sep. 25, 2024

    JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Javea sea", c.1905

    Est: €37,500 - €50,000

    Oil on photographic cardboard Signed in the lower left corner: "J. Sorolla"; on the back printed: "Light and Art/Photography of/Antº.. Garcia/Valencia/Plaza de San Francisco nº10" This work will be included in the catalog raisonne in preparation of Blanca Pons-Sorolla with number BPS 265 Exhibitions: "Sorolla ", Galerie Georges Petit, Paris 1906 (probably no. 157 as “Etude”) Bibliography: -David Gutierrez Pulido, "Xàbia in the life and work of Joaquin Sorolla", Xàbia City Council, 2021, p. 161 and 176 (reproduced). We thank Blanca Pons Sorolla for her help in cataloging this work. Measurements: 13.3 x 21.9cm

    Ansorena
  • JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Return from fishing", c.1899-1903
    Sep. 25, 2024

    JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Return from fishing", c.1899-1903

    Est: €16,500 - €22,000

    Charcoal and clarion pencil on brown paper, very fine, matte, tan beige color “J Sorolla”, signature apocryphal in the lower right corner Provenance: -Sorolla's will, series R, no. 41 (folder of several drawings), inventory of 1929, awarded to his daughter Elena Sorolla Garcia -Private collection, Madrid The drawings of oxen pulling out the boat, on the return from fishing, are numerous during much of Sorolla's artistic production, and specifically this one due to the support and its outline we place between 1899 and 1903. We thank Blanca Pons-Sorolla for cataloging this work Measurements: 21 x 41.5cm

    Ansorena
  • JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Cabin boy sleeping in the boat", c. 1896-1899
    Sep. 25, 2024

    JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Cabin boy sleeping in the boat", c. 1896-1899

    Est: €4,500 - €6,000

    Charcoal pencil on paper Brown type paper, very fine, matte, beige color somewhat tanned on the edges Unsigned From 1896 is the painting Child sleeping in a boat or The cabin boy's nap (BPS 1943) and from 1899 is The rest of the cabin boy (BPS 939), which are related to this drawing. Provenance: -Sorolla's will, series R, no. 40 (folder with several drawings), inventory of 1929, awarded to his daughter Elena Sorolla Garcia -Theo Gallery, Madrid -Private collection, Madrid We thank Blanca Pons-Sorolla for the cataloging of this work Measurements: 22 x 32.2 cm.

    Ansorena
  • JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Valencian fishing boat rig", c.1896-1902
    Sep. 25, 2024

    JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Valencian fishing boat rig", c.1896-1902

    Est: €3,000 - €4,000

    Charcoal pencil on paper “GUARRO” type paper, very fine grain, matte, very slightly satin, It has incomplete filigree of a crown, slightly bony white color Unsigned Studies of the gear of Valencian fishing boats are frequent from 1894 and especially from 1896. Provenance: -Testamentary of Sorolla, series R, no. 43 (folder of drawings), inventory from 1929, awarded to his daughter Elena Sorolla Garcia -Theo Gallery, Madrid -Private collection, Madrid We thank Blanca Pons-Sorolla for her help in cataloging this work Measurements: 15.9 x 22 cm

    Ansorena
  • JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Clotilde with Joaquinito", h.1896
    Sep. 25, 2024

    JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Clotilde with Joaquinito", h.1896

    Est: €1,350 - €1,800

    Charcoal pencil on paper Unsigned The models are Clotilde, Sorolla's wife and his son Joaquin. “GUARRO” type paper, thin, matte, slightly boned white color. Provenance: -Sorolla's will, series R, no. 43 (folder of drawings), inventory of 1929, awarded to his daughter Elena Sorolla Garcia -Theo Gallery, Madrid -Private collection, Madrid We thank Blanca Pons-Sorolla for the cataloging of This work measures: 8.8 x 8.6 cm.

    Ansorena
  • JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Figure of a woman sitting on the floor", c.1902-1902
    Sep. 25, 2024

    JOAQUIN SOROLLA Y BASTIDA Valencia (1863) / Cercedilla, Madrid (1923) "Figure of a woman sitting on the floor", c.1902-1902

    Est: €1,800 - €2,400

    Charcoal pencil on paper “GUARRO” type paper, fine, matte, slightly satin, has incomplete filigree of a crown, slightly boned white. On the reverse, handwritten inscription of Joaquin Sorolla: “Flock ahead / of all the figures of Leon / until the donkey in the foreground / term – or, oxen plowing / undulating land” Provenance: -Sorolla's will, series R, n .º 43 (folder with several drawings), inventory from 1929, awarded to his daughter Elena Sorolla Garcia -Theo Gallery, Madrid -Private collection, Madrid The figure could have been taken in the Leon market where it was common for women to sit on the floor where they presented their products for sale. The inscription on the reverse, although it reflects some ideas that Sorolla had at that time to carry out a larger work of type from Leon, would not be carried out until 1906-1907 and it did not include either the herd or the plowing oxen that he comments. We thank Blanca Pons-Sorolla for cataloging this work. Measurements: 10.9 x 16.2 cm.

    Ansorena
  • JoaquÌn Sorolla y Bastida (Spanish, 1863 - 1923), Study of a woman's head for the painting “Oath of the Constitution by Her Majesty the Queen Regent Doña María Cristina de Habsburgo” Madrid, 1897
    Sep. 19, 2024

    JoaquÌn Sorolla y Bastida (Spanish, 1863 - 1923), Study of a woman's head for the painting “Oath of the Constitution by Her Majesty the Queen Regent Doña María Cristina de Habsburgo” Madrid, 1897

    Est: £20,000 - £40,000

    Joaquín Sorolla y Bastida (Spanish, 1863 - 1923) Study of a woman's head for the painting “Oath of the Constitution by Her Majesty the Queen Regent Doña María Cristina de Habsburgo” Madrid, 1897 Oil on canvas Provenance: Juan Antonio García del Castillo; Jaime García Banús; José Entrecanales Ibarra; Delfina Entrecanales; Thence by descent. Dimensions: (Frame) 24 in. (H) x 17 in. (W) (Canvas) 20.5 in. (H) x 13.5 in. (W) It is very likely that the original provenance of this work was that of Juan Antonio García del Castillo, son of the photographer Antonio García, since D. José Entrecanales acquired several works from that source and they had several of the studies for the Oath of the Constitution. In the photograph from the HSA Archive, it is noted that the model was chosen for her resemblance to Queen Maria Cristina of Habsburg. We are grateful to Blanca Pons Sorolla for her help in cataloguing this lot and for confirming that this painting will be included in her forthcoming catalogue raisonné of the artist’s work (Inv. 4959). Delfina Entrecanales (1927-2022) was a Spanish-British arts philanthropist and patron. Born to a southern Spanish family, she moved to England at the end of the Spanish civil war. She was the founder and director of the Delfina Foundation, an important not-for-profit arts foundation which supported, and continues to support, artists through residency programmes and exhibition space in London. 

    Sloane Street Auctions
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). Artist's book "Sorolla's sea". Copy 627/2998
    Sep. 12, 2024

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). Artist's book "Sorolla's sea". Copy 627/2998

    Est: €900 - €1,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). Artist's book "Sorolla's sea". Copy 627/2998 Study book and art book with 69 facsimiles and 5 folding triptychs and two plates. Publisher: Artika, in co-publication with the Sorolla Museum Foundation. Preserves box of Measurements: 35,3 x 45,8 cm (books, x2): 35,3 x 45, 8 cm (folder with plates): 41x 53 x 12,5 cm (box). This artist's book produced between the Sorolla Foundation and the specialized publishing house Artika presents a selection of works by the Valencian artist based on the theme of the sea. Joaquín Sorolla (Valencia, 1863 - Cercedilla, Madrid, 1923) showed his fondness for drawing and painting by attending drawing classes given by the sculptor Cayetano Capuz at the School of Artisans in the afternoons. Awarded upon finishing his preliminary studies at the Escuela Normal Superior, he entered the prestigious Escuela de Bellas Artes de San Carlos in Valencia in 1879. Also, during his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco at the Prado Museum. Two years later he obtained a great success at the National Exhibition of Fine Arts with a history painting, which stimulated him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, in 1885 Sorolla left for Rome, staying in Paris for several months before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first class medal at the National, and the following year at the International in Chicago. This sensitivity would remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master will abandon the themes of unhappy children that we see in "Triste herencia", which had been awarded a prize at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his works, more cheerful and pleasant, with which he would achieve international fame.

    Setdart Auction House
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). Artist's book "Los paisajes de Sorolla" with two plates. Facsimile with Old Mill Bianco paper, 100g. Copy 1804/2998. Attached study book. ARTIKA Publisher.
    Sep. 12, 2024

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). Artist's book "Los paisajes de Sorolla" with two plates. Facsimile with Old Mill Bianco paper, 100g. Copy 1804/2998. Attached study book. ARTIKA Publisher.

    Est: €900 - €1,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). Artist's book "Los paisajes de Sorolla" with two plates. Facsimile with Old Mill Bianco paper, 100g. Copy 1804/2998. Attached study book. ARTIKA Publisher. Measurements: 35,3 x 45,5 cm cm (book), 35,3 x 45,7 cm (plates, x2); 41 x 53 x 12,5 cm (case). Unique editions with facsimile reproductions of 73 drawings by Joaquín Sorolla, belonging to the Sorolla Museum and the Sorolla Museum Foundation in Madrid. Joaquín Sorolla (Valencia, 1863 - Cercedilla, Madrid, 1923) showed his fondness for drawing and painting, attending drawing classes in the afternoons given by the sculptor Cayetano Capuz at the School of Artisans. Awarded upon finishing his preliminary studies at the Escuela Normal Superior, he entered the prestigious Escuela de Bellas Artes de San Carlos in Valencia in 1879. Also, during his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco at the Prado Museum. Two years later he obtained a great success at the National Exhibition of Fine Arts with a history painting, which stimulated him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, in 1885 Sorolla left for Rome, staying in Paris for several months before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first class medal at the National, and the following year at the International in Chicago. This sensitivity will remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master will abandon the themes of unhappy children that we see in "Triste herencia", which had been awarded a prize at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his works, more cheerful and pleasant, with which he would achieve international fame. In 1906 he held his first individual exhibition at the George Petit Gallery in Paris, where he also demonstrated his skills as a portraitist. In 1908 the American Archer Milton Huntington, impressed by the artist's exhibition at the Grafton Gallery in London, sought to acquire two of his works for his Hispanic Society. A year later he himself invited Sorolla to exhibit at his institution, resulting in an exhibition in 1909 that was a huge success. The relationship between Huntington and Sorolla led to the most important commission of the painter's life: the creation of the immense canvases destined to illustrate, on the walls of the Hispanic Society, the regions of Spain. Trying to capture the essence of the lands and people of his country, Sorolla traveled throughout Spain between 1911 and 1919, while continuing to hold exhibitions. Incapacitated by an attack of hemiplegia in 1921, Sorolla died two years later, without seeing his great "Vision of Spain", which would not be installed until 1926. He is currently represented in the Prado Museum and the one that bears his name in Madrid, the Metropolitan Museum in New York, the Orsay Museum in Paris, the J. Paul Getty Museum in Los Angeles, the Fine Arts Museums of Bilbao and Valencia, the National Portrait Gallery in London and many others.

    Setdart Auction House
  • ATTRIBUTED TO JOAQUIN SOROLLA Y BASTIDA OIL PAINTING
    Aug. 18, 2024

    ATTRIBUTED TO JOAQUIN SOROLLA Y BASTIDA OIL PAINTING

    Est: $100 - $150

    Attributed to Joaquin Sorolla Y Bastida, Spanish, 1863 to 1923, oil painting on panel depicting a ballet dancer. Signed lower right. Framed. Additionally inscribed, on the backside. Joaquin Sorolla y Bastida was a Spanish painter. Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the bright sunlight of Spain and sunlit water. One of a kind artwork.

    Antique Arena Inc
  • JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Paisaje de sierra", c. 1887-1889. Oil on panel. We thank Blanca Pons Sorolla for her help in the expertise of the work.
    Jul. 11, 2024

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Paisaje de sierra", c. 1887-1889. Oil on panel. We thank Blanca Pons Sorolla for her help in the expertise of the work.

    Est: €20,000 - €25,000

    JOAQUÍN SOROLLA Y BASTIDA (Valencia, 1863 - Cercedilla, Madrid, 1923). "Paisaje de sierra", c. 1887-1889. Oil on panel. We thank Blanca Pons Sorolla for her help in the expertise of the work. Soon the work will be included in the catalog raisonné of the artist (No. BPS-3860). Measurements: 14 x 11 cm; 47 x 43 cm (frame). This painting belongs to a seminal period of Sorolla's production, specifically to the period in which he resided in Rome, a key period for his formation. We can appreciate in this masterfully resolved intimate landscape where the artist is already defining a loose and vibrant brushstroke that will lead him to the full and fair recognition of his unmistakable technique. The expressiveness is maximum thanks to the skillful touches combining quick and broken strokes with a palette of ochers and browns in wise contrast with the light flesh tones and draped whites. Already in his school days, Joaquín Sorolla showed his fondness for drawing and painting, attending in the afternoons the drawing classes given by the sculptor Cayetano Capuz at the School of Artisans. Awarded upon finishing his preliminary studies at the Escuela Normal Superior, he entered the prestigious Escuela de Bellas Artes de San Carlos in Valencia in 1879. Also, during his visits to Madrid in 1881 and 1882, he copied paintings by Velázquez, Ribera and El Greco at the Prado Museum. Two years later he obtained a great success at the National Exhibition of Fine Arts with a history painting, which stimulated him to apply for a scholarship to study at the Spanish Academy of Fine Arts in Rome. Having achieved his goal, in 1885 Sorolla left for Rome, staying in Paris for several months before arriving. In the French capital he was impressed by the paintings of the realists and the painters who worked outdoors. At the end of his years in Rome he returned to Valencia in 1889, settling in Madrid the following year. In 1892 Sorolla showed a new concern in his art, becoming interested in social problems by depicting the sad scene of "¡Otra Margarita!", awarded a first class medal at the National, and the following year at the International in Chicago. This sensitivity will remain in his work until the end of the decade, in his performances on the Valencian coast. Gradually, however, the Valencian master will abandon the themes of unhappy children that we see in "Triste herencia", which had been awarded a prize at the Universal Exhibition in Paris in 1900 and at the National in Madrid a year later. Encouraged by the success of his resplendent images of the Mediterranean, and stimulated by his love of the light and life of its sunny beaches, he focused on these scenes in his works, more cheerful and pleasant, with which he would achieve international fame. In 1906 he held his first individual exhibition at the George Petit Gallery in Paris, where he also demonstrated his skills as a portraitist. In 1908 the American Archer Milton Huntington, impressed by the artist's exhibition at the Grafton Gallery in London, sought to acquire two of his works for his Hispanic Society. A year later he himself invited Sorolla to exhibit at his institution, resulting in an exhibition in 1909 that was a huge success. The relationship between Huntington and Sorolla led to the most important commission of the painter's life: the creation of the immense canvases destined to illustrate, on the walls of the Hispanic Society, the regions of Spain. Trying to capture the essence of the lands and people of his country, Sorolla traveled throughout Spain between 1911 and 1919, while continuing to hold exhibitions. Incapacitated by an attack of hemiplegia in 1921, Sorolla died two years later, without seeing his great "Vision of Spain", which would not be installed until 1926. He is currently represented in the Prado Museum and the one that bears his name in Madrid, the Metropolitan Museum in New York, the Orsay Museum in Paris, the J. Paul Getty Museum in Los Angeles, the Fine Arts Museums of Bilbao and Valencia, the National Portrait Gallery in London and many others. We would like to thank Blanca Pons Sorolla for her help in the expert analysis of the work. The work will soon be included in the catalog raisonné of the artist (No. BPS-3860).

    Setdart Auction House
  • Joaquín Sorolla y Bastida (1863 - 1923) "Still Life. Flowers Still Life" (circa 1880)
    Jul. 04, 2024

    Joaquín Sorolla y Bastida (1863 - 1923) "Still Life. Flowers Still Life" (circa 1880)

    Est: €16,000 - €35,000

    Oil on canvas. Signed and initialled in the lower right corner "J Sorolla". Executed between 1880 and 1882.  With a 19th century wood frame. Size: 77.5 x 44.5 cm; Size with frame: 86 x 53.5 cm   Provenance:  - Valencian private collection   Literature:   Francisco Javier Pérez Rojas, professor and Art Historian, talks about this work in the catalogue "Sorolla and the rebirth of the Valencian school" produced on the occasion of the exhibition of the same name: "Flower painting has a long tradition in Valencia, given that floral motifs adorned the silk brocades produced in the city. Sorolla had a real passion for flowers and commented on this to Clotilde in one of his letters. [ ]. This explains the abundant number of still lifes that have been catalogued from Sorolla's youthful years, as well as their quality. Among them is this unpublished Still Life (c. 1880 - 1882), which depicts a Chinese "Hu" vase with flowers and a small jewel or bracelet on a table. In this space, the copious bouquet, composed of bluebells, jasmine and pansies, is transformed into a burst of light and chromatic colour by the combination of all these delicate and fleeting plants. The verticality of this composition introduces a variation on the horizontality of other catalogued floral still lifes. [ ]"   Bibliography:  - Sorolla and the rebirth of the Valencian School. By Javier Pérez Rojas. Chap II, Sorolla's beginnings. Exhibition and academic context. Fig. 10.    Catalogue note:  - With certificate made by Blanca Pons-Sorolla Ruiz de la Prada, issued in 2024. - Included in the catalogue raisonné of the artist with reference BPS 18. 

    Subastas Darley
  • Pescadoras en la playa
    Jul. 04, 2024

    Pescadoras en la playa

    Est: £120,000 - £180,000

    Property from a Private Collection Joaquín Sorolla Spanish 1863 - 1923 Pescadoras en la playa signed J. Sorolla B lower right oil on board Unframed: 13.3 by 21.8cm., 5¼ by 8½in. Framed: 18.2 by 27.2cm., 7 by 10¾in. The authenticity of this work has been confirmed by Blanca Pons Sorolla.

    Sotheby's
  • El Mar de Sorolla. Libro de autor
    Jun. 18, 2024

    El Mar de Sorolla. Libro de autor

    Est: -

    Edición única, limitada y numerada de 2.998 ejemplares, 2014. Ed. Artika, en coedición con la Fundación Museo Sorolla, Contenido: Un libro de gran formato, encuadernado en tela de algodón emulando la textura de un lienzo, contiene los 69 dibujos reproducidos que el Museo Sorolla ha seleccionado cuidadosamente para apreciar la progresión del artista y todas las técnicas utilizadas. Junto a la obra, un libro de Estudios nos adentra en el luminoso universo del pintor de la mano de grandes especialistas sobre su obra, entre los que se encuentran la directora del Museo Sorolla o la biznieta del artista. Completa la edición una Carpeta de Arte con dos dibujos facsimilares del artista, Pescadoras Barcelonesas y Barca en la Playa. Ficha Técnica: - Estuche: Dos placas de metacrilato unidas con una plancha de hierro pintada y oxidada para dar la sensación del mar Grosor de las placas: 2,5 cm : 41 x 53 x 12,5 cm - Libro de Arte: Impresión a cinco tintas con encuadernación de lujo, cosido a mano con hilo de algodón Cubierta en tela de algodón impresa a seis tintas Número de páginas: 182 69 facsímiles de dibujos troquelados y unidos al Libro por tres puntos de cola, más cinco trípticos desplegables Tamaño: 35,3 x 45,8 cm - Libro de Estudios: Impresión a cuatro tintas con encuadernación en rústica y cosido con doble cartulina de 350 g Forro impreso en la tapa, a cuatro tintas, con plastificado protector Número de páginas: 168 Tamaño: 35,3 x 45,8 cm - Carpeta de Arte: 2 láminas de arte impresas a cinco tintas con dos dípticos protectores Tamaño: 35,3 x 45,8 cm Perfecto estado de conservación. Mantiene caja de embalaje original.

    Isbilya Subastas
  • Los paisajes de Sorolla. Libro de autor
    Jun. 18, 2024

    Los paisajes de Sorolla. Libro de autor

    Est: -

    Edición limitada y numerada. Ejemplar Nº: 2294 Editorial Planeta, ARTIKA en coedición con la Fundación Museo Sorolla, 2015. Contenido: Un Libro de Arte, encuadernado en tela de algodón que simula un lienzo, con la reproducción de un detalle del cuadro Vendimiando. Jerez (1914), nos descubre 71 dibujos, reproducidos en formato facsímil de temática paisajística, troquelados según los originales y pegados sobre el libro. La cuidada selección, realizada por el Museo Sorolla, muestra todos los tipos de paisaje que esbozó el artista y las diversas técnicas utilizadas: lápiz, carboncillo, tinta, clarión, acuarela o guache. El volumen se organiza en seis capítulos con desplegables de gran formato. Medidas: 35,3 x 45,6 cm. Un libro de Estudios, que por sí solo es una obra única, nos acerca a la vida y obra del artista, de la mano de los máximos expertos, entre los que destacan la bisnieta del pintor, Blanca Pons-Sorolla, investigadores del Museo Sorolla o el Jefe de Conservación de Pintura del siglo XIX del Museo del Prado. Medidas: 35 x 46 cm. Los paisajes de Sorolla incorpora dos láminas presentadas en Carpetas de Arte que se han concebido para poder ser expuestas de forma individual: Orillas del Tajo, Villaseca (1882-1888) y , Paisaje con río y dos torres (1882). Todos los elementos se presentan en un estuche, realizado de forma artesanal y compuesto por dos piezas de metacrilato de 2,5 cm de grosor, y con la firma del artista grabada. Perfecto estado de conservación. Mantiene caja de embalaje original.

    Isbilya Subastas
  • ATTRIBUTED TO JOAQUIN SOROLLA Y BASTIDA OIL PAINTING
    Jun. 16, 2024

    ATTRIBUTED TO JOAQUIN SOROLLA Y BASTIDA OIL PAINTING

    Est: $100 - $150

    Attributed to Joaquin Sorolla Y Bastida, Spanish, 1863 to 1923, oil painting on panel depicting a ballet dancer. Signed lower right. Framed. Additionally inscribed, on the backside. Joaquin Sorolla y Bastida was a Spanish painter. Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the bright sunlight of Spain and sunlit water. One of a kind artwork.

    Antique Arena Inc
  • In the Mannier of Joaquin Sorolla y Bastida, Blue Water Coast
    Jun. 15, 2024

    In the Mannier of Joaquin Sorolla y Bastida, Blue Water Coast

    Est: $500 - $800

    In the manner of Joaquin Sorolla y Bastida (Spanish, 1863-1923), "Blue Water Coast", oil on canvas, signed L/L, 5 1/2" x 8", framed 11" x 12 1/2". Provenance: Westbury, New York collection.

    Kaminski Auctions
  • JOAQUIN SOROLLA Y BASTIDA (SPANISH 1863-1923)
    Jun. 12, 2024

    JOAQUIN SOROLLA Y BASTIDA (SPANISH 1863-1923)

    Est: £10,000 - £15,000

    JOAQUIN SOROLLA Y BASTIDA (SPANISH 1863-1923) PORTRAIT OF A LADY signed J Sorolla upper left oil on panel 40.5 x 34.5cm; 16 x 13 1/2in 58.5 x 53.5cm; 23 x 21in (framed) Property from a Private Collector Painted in 1892. Provenance Sale, Alcala Madrid, 17th December, 2014, lot 271 Purchased at the above sale by the present owner To be included in the Sorolla catalogue raisonné being prepared by Blanca Pons-Sorolla, the artist's great-granddaughter and recorded in her archive under number BPS 3879.

    Olympia Auctions
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