Giovanni Antonio Sogliani Paintings & Artwork for Sale | Giovanni Antonio Sogliani Art Value Price Guide

Oct. 22, 2024
Giovanni Antonio Sogliani
Est: €50,000 - €70,000
(Florence 1492–1544) The Holy Family with Saint Francis, oil and tempera on panel, 76.5 x 58 cm, framed Provenance: Collection of the Comtesse de Benneville; her sale, Paris, June 1878 (as Marco d’Oggiono); Collection of Alphonse Wattel-Bayart (died 1906), Roubaix; his sale, Roubaix, 18 December 1906, lot 162 (as Marco d’Oggiono); sale, Mercier & Cie., Lille, 23 March 1997, lot 165 (as Giovanni Antonio Sogliani); sale, Sotheby’s, New York, 26 January 2007, lot 178A (as Giovanni Antonio Sogliani); The Alana Collection, Newark, Delaware; with Moretti, London, 2016; Private collection, England Literature: S. Reinach, Répertoire de peintures du moyen age et de la Renaissance (1280–1580), Paris 1922, vol. V, p. 122, engraved (as ‘Attribué à Oggiono – Brina. suivant Berenson’); A. Nesi, Giovanni Antonio Sogliani, in: M. Boskovits (ed.) The Alana Collection: Italian paintings and sculptures from the fourtheenth to sixteenth century, vol. 2, Florence 2011, pp. 258–262, no. 37, illustrated p. 259 (as Giovanni Antonio Sogliani, circa 1531–1536) The present panel depicts the Madonna, Saint Joseph and Saint Francis in adoration of the newborn Child, who reclines on a white cloth over a pillow of straw on which he rests his elbow. Saint Francis is depicted holding a small cross, with the wounds of the stigmata, a pledge of his devotion. In this composition Sogliani has drawn on the Florentine tradition of the late Quattrocento and early Cinquecento, popularised by his master Lorenzo di Credi (circa 1459–1537) and his pupils, and this work can be compared to Lorenzo di Credi’s Adoration of the Child dated to circa 1525, conserved in the Museo Nazionale di Capodimonte in Naples (inv. no. Q48). Sogliani had already referred to the scheme adopted from Credi in an earlier panel, formerly in the church of Sant’Ignazio all’Olivella, Palermo and now in the Galleria Regionale della Sicilia, Palazzo Abatellis, Palermo. Another subsequent version, which predates the present painting, was completed as a fresco for the former Florentine convent of Santa Maria dei Candeli. The present Holy Family probably represents Sogliani’s most mature interpretation of the subject for which a date around 1531–36 has been suggested (see A. Nesi 2011 in literature). Sogliani’s youthful production unsurprisingly emulated the figurative repertoire of Lorenzo di Credi, whose workshop he had already entered in 1501. In 1515 Sogliani enrolled in the Arte dei Medici e Speziali and supposedly soon after began running his own independent workshop. In 1531 Sogliani was called to Pisa where he was commissioned to execute paintings for the cathedral, for which he was only able to complete three panels.
Dorotheum
Oct. 06, 2023
Saint John the Baptist
Est: $6,000 - $8,000
Sold Without Reserve Giovanni Antonio Sogliani Florence 1492 - 1544 Saint John the Baptist oil on panel, a fragment panel: 21 ⅜ by 7 ⅝ in.; 54.3 by 19.4 cm. later addition along right edge: 21 ⅜ by 1 ¾ in.; 54.3 by 4.4 cm. framed: 25 ⅛ by 13 ⅜ in.; 63.8 by 34.0 cm.
Sotheby's
Oct. 21, 2022
Beheading of Saint John the Baptist
Est: $4,000 - $6,000
Sold Without Reserve Giovanni Antonio Sogliani Florence 1492 - 1544 Beheading of Saint John the Baptist oil on panel panel: 25 by 19 in.; 63.8 by 50.2 cm. framed: 26 by 20 in.; 66.4 by 52.4 cm. Bid on Sotheby's
Sotheby's
Nov. 29, 2019
Sogliani, Giovanni Antonio: Kopf einer Nonne
Est: €10,000 - €12,000
Kopf einer Nonne. - Schwarze Kreide, weiß gehöht, ein paar kleinere Stellen an Augen, Nase und Mund mit Feder in Schwarz. 31 x 20,7 cm. -- Sogliani ist in Florenz zunächst Schüler von Lorenzo di Credi, arbeitet in der Folge intensiv mit Fra Bartolomeo zusammen, der ihn maßgeblich beeinflusst. Chris Fisher sieht eine große Nähe der Dargestellten zur hl. Birgitta von Schweden. Ein 1522 datiertes Altarbild Soglianis, heute im Kloster San Salvi in Florenz, zeigt die Heilige bei der Gründung des Ordens des Allerheiligsten Erlösers, auch Birgittenorden genannt, im Jahr 1378. Typisch für die Zeichenkunst Soglianis ist die ovale Form des Gesichtes, die Mandelaugen sowie die weiche Modellierung. -- Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. -- Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
Nov. 26, 2019
Giovanni Antonio Sogliani (Firenze 1492 – 1544) VERONICA oli
Est: €10,000 - €15,000
Giovanni Antonio Sogliani (Firenze 1492 – 1544) VERONICA olio su tavola, cm 60x43 VERONICA oil on panel, cm 60x43 Passato in asta nel 2013 con un’attribuzione alla scuola del Sodoma, il dipinto qui offerto è stato riconosciuto come opera di Giovanni Antonio Sogliani in occasione della presentazione all’Ufficio Esportazione di Firenze, che ne ha proposto il vincolo. Si tratta in effetti di una rara testimonianza della produzione dell’artista fiorentino destinata alla devozione privata eseguita intorno al 1520 quando, dopo la morte di Fra Bartolomeo nel 1517, il Sogliani - “persona onesta e religiosa molto” come lo ricorda il Vasari – fu riconosciuto come il suo erede più autorevole nel campo della pittura sacra. Non a caso, nel 1536 fu scelto dai Domenicani di San Marco per affrescare il loro refettorio, dove raffigurò il tema della Provvidenza domenicana, ovvero il pasto miracolosamente offerto ai frati seduti a mensa sotto l’immagine della Crocefissione con i dolenti affiancata dai protettori dell’Ordine, i santi Antonino e Caterina da Siena. Attivo per le principali famiglie fiorentine, tra cui gli Albizi e i Serristori, che gli commisero negli anni Venti una serie di pale ora conservate nelle raccolte pubbliche della città, oltre che per numerose confraternite, Giovanni Antonio Sogliani continuò ad operare fin quasi alla metà del secolo come il maggior interprete di quella linea di classicismo devoto impressa da Fra Bartolomeo alla cosiddetta Scuola di san Marco, e di cui il nostro dipinto è un perfetto esemplare. Motivi stilistici e tipologici ne propongono l’accostamento alla pala con Santa Brigida che impone la regola, anch’essa nel museo di San Marco. Opera dichiarata di interesse culturale particolarmente importante dal Ministero per i Beni Culturali, Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il polo Museale della città di Firenze, decreto del 19 giugno 2014 (N. 251/2014). The Italian Soprintendenza considers this lot to be a work of national importance and requires it to remain in Italy; it cannot therefore be exported from Italy.
Pandolfini Casa d'Aste
Aug. 25, 2018
AFTER GIOVANNI ANTONIO SOGLIANI (ITALY, 1492-1544)
Est: $3,000 - $5,000
AFTER GIOVANNI ANTONIO SOGLIANI (ITALY, 1492-1544) Grand Tour Period Rondel of The Madonna with Child, flanked by infant St. John and St. Peter, landscape with buildings behind, oil on panel, unsigned, in an ornately carved fruit themed gilt wood frame, OS: 45" diam.; SS: 33" diam. Fine condition.
Thomaston Place Auction Galleries
Jul. 05, 2018
GIOVANNI ANTONIO SOGLIANI | Madonna and Child with the infant Saint John
Est: £60,000 - £80,000
oil on poplar panel
Sotheby's
Nov. 13, 2015
SOGLIANI, GIOVANNI ANTONIO - Florence 1492 - 1544 - workshop - Madonna and the Child and John the Baptist as a boy.
Est: €10,000 - €15,000
SOGLIANI, GIOVANNI ANTONIO Florence 1492 - 1544 - workshop Madonna and the Child and John the Baptist as a boy. Oil on wood. 74,5 x 56cm. Framed. We would like to thank Michele Danieli for his kind support.
Van Ham Kunstauktionen
Oct. 03, 2014
Giovanni Antonio Sogliani Florence, 1492 - 1544 Moine à genoux lisant Crayon noir, estompe,
Est: €3,000 - €4,000
Giovanni Antonio Sogliani Florence, 1492 - 1544 Moine à genoux lisant Crayon noir, estompe, porte une annotation indistincte en haut à droite (Trois coins coupés) Sans cadre h: 28 w: 18,50 cm
Artcurial
Mar. 26, 2014
Giovanni Antonio Sogliani Florence, 1492 - 1544 Moine à genoux lisant Crayon noir, estompe
Est: €3,000 - €4,000
Giovanni Antonio Sogliani Florence, 1492 - 1544 Moine à genoux lisant Crayon noir, estompe Annotation indistincte en haut à droite (Trois coins coupés) Sans cadre 'MONK ON HIS KNEES READING', BLACK CHALK, BY G. A. SOGLIANI h: 28 w: 18,50 cm
Artcurial
Dec. 03, 2013
Giovanni Antonio Sogliani (Florence 1492-1544)
Est: £400,000 - £600,000
Giovanni Antonio Sogliani (Florence 1492-1544) An angel facing right in a niche; and An angel facing left in a niche oil on panel 47 1/8 x 22¾ in. (119.4 x 57.5 cm.) and 47¼ x 23¼ in. (120 x 59 cm.) a pair
Christie's
Apr. 10, 2013
Follower of Giovanni Antonio Sogliani (Florence 1492-1544)
Est: £4,000 - £6,000
The Madonna and Child oil on canvas 114 x 74.1cm (44 7/8 x 29 3/16in). in an Italian 17th Century mecca gilded frame
Bonhams
Jan. 30, 2013
Giovanni Antonio Sogliani (Florence 1492-1544)
Est: $80,000 - $120,000
Giovanni Antonio Sogliani (Florence 1492-1544) The Madonna and Child before a landscape oil, tempera and gold on marouflaged panel 31½ x 21 5/8 in. (80 x 55 cm.)
Christie's
May. 02, 2012
Follower of Giovanni Antonio Sogliani (Florence 1492-1544)
Est: £7,000 - £10,000
The Madonna and Child oil on canvas 114 x 74.1cm (44 7/8 x 29 3/16in). in an Italian 17th Century mecca gilded frame
Bonhams
Jul. 07, 2011
GIOVANNI ANTONIO SOGLIANI
Est: £10,000 - £15,000
FLORENCE 1492 - 1544 RECTO: A DRAPED STANDING MALE FIGURE WITH ANOTHER SKETCHED FIGURE AND TWO OTHER PROFILES; VERSO: TWO STUDIES FOR THE MARRIAGE AT CANA Black chalk (recto and verso); the recto pricked with the upper part of a figure of the resurrected Christ, His arms outstretched, and two angels in adoration 425 by 220 mm
Sotheby's
Jan. 27, 2010
GIOVANNI ANTONIO SOGLIANI
Est: $80,000 - $120,000
.RECTO.: THE HEAD OF A BEARDED MAN INCLINED TO THE LEFT; .VERSO.: STUDY FOR A MADONNA AND CHILD WITH SAINTS
Sotheby's
Jun. 28, 2007
Florentine School, after the work of an early
Est: £200 - £300
Florentine School, after the work of an early sixteenth-century Florentine painter, possibly Giovanni Antonio di Francesco Sogliani (Italian, 1492-1544) A Saint holding a Martyr's Palm pencil and watercolour 33 x 15cm Provenance: Private collection, Hertfordshire
Cheffins
Mar. 22, 2007
Homme nu tenant un bâton dans sa main gauche et étude subsidiaire du même personnage ( recto ); Quatre enfants nus vus jusqu'aux épaules ( verso )
Est: €10,000 - €15,000
GIOVANNI ANTONIO SOGLIANI (FLORENCE 1492-1544) Homme nu tenant un bâton dans sa main gauche et étude subsidiaire du même personnage (recto); Quatre enfants nus vus jusqu'aux épaules (verso) avec inscriptions 'disse Ciro ferri una volta del Frate di S. Marco ma à me non pare' et 'l'hebbi da Gasparo Mola che in parere di Ciro ferri me li diede e del frate ma Ciro un altra volta' craie noire et blanche (recto), craie noire (verso), sur papier brun clair, une bande de papier ajoutée en haut 357 x 196 mm.
Christie's
Jan. 25, 2007
GIOVANNI ANTONIO SOGLIANI FLORENCE 1492 - 1544
Est: $70,000 - $90,000
PROPERTY OF A PRIVATE COLLECTOR THE HOLY FAMILY WITH SAINT FRANCIS measurements note 30 by 22 3/4 in.; 76.2 by 57.8 cm. inscribed on the reverse Marcooggiano ou uggioni...Cuntessi de bernelle...yuon 1878" oil on panel, unframed PROVENANCE Anonymous sale, New York, Sotheby's, January 30, 1998, lot 25A; There purchased by the present collector. NOTE Sogliano was trained by his fellow Florentine Lorenzo di Credi, working closely with his master until founding his own studio in about 1515. That he was influenced by and inspired by other contemporary artists is certain (Vasari, for example, considered him a follower of Fra Bartolomeo, while certain other works rely on del Sarto's style; he even finished a work left incomplete by that artist). His style, however, was not simply an amalgam of current trends in Florentine painting, but independent; Vasari notes that one of his designs for an altarpiece was rejected by his patrons as too modern. Everett Fahy, has seen the painting and confirmed the work to be by the artist.
Sotheby's
Jul. 08, 2005
Giovanni Antonio Sogliani (Florence 1492-1544)
Est: £40,000 - £60,000
The Annunciation with Saints Zenobius and Francis of Assisi, above a trompe l'oeil predella panel with roundels depicting Saint Jerome, the Risen Christ and Tobias and the Angel oil on panel 29 x 22 7/8 in. (73.7 x 58.1 cm.)
Christie's