Loading Spinner

George Barnett Smith Sold at Auction Prices

Etcher

See Artist Details

0 Lots

Sort By:

Aug. 31, 2024
G. SMITH (1841-1909), Melrose Abbey Fassade, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset): Impressive façade of the Gothic Melrose Abbey in detailed illustration, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "MELROSE ABBEY.". Date: 19th century Description: The artwork shows the impressive façade of Melrose Abbey in its Gothic splendour. The detailed depiction of the ruinous architecture and lush vegetation evokes a bygone era of sacred splendour and religious significance. The harmonious composition symbolises the dignity and grandeur of the medieval building. The dynamic symmetry and the filigree, ornamental decorations point to the masterly craftsmanship of the era and transport the viewer into the depths of the historical and cultural scenery. Keywords: Melrose Abbey; Gothic; sacred architecture; ruins; vegetation; medieval; façade; ornamentation; historical depiction; cultural history; religious architecture; attention to detail; harmony; symmetry; art history; sacred art; building; religious history; ruinous beauty; contemporary engraving, 19th century, Romanticism, Architecture, Scotland, Melrose (Roxburghshire), Size: Paper: 20,4 cm x 27,4 cm (8 x 10,8 in), Depiction: 15,3 cm x 20,7 cm (6 x 8,1 in)
Fichter Kunsthandel
Aug. 31, 2024
G. SMITH (*1841) after BILLINGS (*1813), Melrose Abbey View, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset) after Robert William Billings (1813 - 1874 ibid.): Detailed view of the southern side of the Melrose Abbey ship, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "MELROSE ABBEY. SOUTH SIDE OF THE NAVE.". Date: 19th century Description: The artwork shows the impressive remains of Melrose Abbey, a once important Gothic monastery complex in Scotland. The detailed architecture, characterised by pointed arches, towers and intricate stone ornamentation, bears witness to the masterful architecture of the Gothic period. These depictions emphasise the sacred significance of the abbey and reflect the religious and cultural importance of the site. The façade is partially overgrown, which indicates its decay over the centuries. Keywords: Melrose Abbey; Gothic; monastery; architecture; sacred building; Scotland; ruin; rich in detail; pointed arches; towers; stone ornaments; religion; culture; history; decay; architecture; work of art; abbey; monastic; art historical, 19th century, Romanticism, Architecture, Scotland, Melrose (Roxburghshire), Size: Paper: 22,5 cm x 29,4 cm (8,9 x 11,6 in), Depiction: 16,6 cm x 22,3 cm (6,5 x 8,8 in)
Fichter Kunsthandel
Aug. 31, 2024
G. SMITH (*1841) after BILLINGS (*1813), South transept of Melrose Abbey, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset) after Robert William Billings (1813 - 1874 ibid.): Depiction of the south transept of Mellrose Abbey in the Gothic style, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "SOUTH TRANSEPT OF MELROSE". Date: 19th century Description: The artwork depicts the south transept of Mellrose Abbey, an outstanding example of Gothic architecture. The magnificent façade with its filigree windows and elaborate decorations illustrates the masterful stonemasonry of the period. The Gothic elements such as pointed arches and tracery emphasise the sacred character. In the background, ruined structures hint at the historical and cultural context of the abbey, which reflects a rich history of significance and decay. Keywords: Gothic architecture; Melrose Abbey; transept; stonemasonry; sacred building; pointed arches; historic building; tracery; façade; abbey church; cultural heritage; sacred art; ruin; architectural drawing; Middle Ages; iconography; Gothic Revival; church building; art history; sacred architecture, 19th century, Romanticism, Architecture, Scotland, Melrose (Roxburghshire), Size: Paper: 29,2 cm x 22,7 cm (11,5 x 8,9 in), Depiction: 21,6 cm x 16,1 cm (8,5 x 6,3 in)
Fichter Kunsthandel
Aug. 31, 2024
G. SMITH (*1841) after BILLINGS (*1813), North transept of Melrose Abby, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset) after Robert William Billings (1813 - 1874 ibid.): North transept of the Gothic ruins of Melrose Abby, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "NORTH TRANSEPT OF MELROSE.". Date: 19th century Description: The artwork depicts impressive, ruinous Gothic architecture characterised by striking pointed arches and elaborate tracery. At the centre of the depiction is a dominant circular rose window, flanked by lush vegetation symbolising the passing of time. The view seems to lead into a once magnificent, now abandoned sacred building, whose structural details hint at its historical significance. Keywords: Ruin; Gothic; Architecture; Pointed arches; Rose window; Vegetation; History; Sacred building; Work of art; History; Tracery; North transept; Melrose; Religion; Decay; Monochrome; Pillar; Window; Antiquity; Monument protection, 19th century, Romanticism, Architecture, Scotland, Melrose (Roxburghshire), Size: Paper: 29,4 cm x 22,5 cm (11,6 x 8,9 in), Depiction: 21,2 cm x 17,2 cm (8,3 x 6,8 in)
Fichter Kunsthandel
Aug. 31, 2024
G. SMITH (*1841) after BILLINGS (*1813), Gothic façade of Melrose Abbey, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset) after Robert William Billings (1813 - 1874 ibid.): Detailed view of the Gothic façade of Melrose Abbey with portal and Gothic niches, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Melrose Abbes. Part of the cloisters". Date: 19th century Description: This work of art is a detailed depiction of Gothic monastery architecture characterised by ornate arches and vaults. The embossing and floral decorations hint at a history of spiritual devotion and craftsmanship in an ecclesiastical context. The allusions to monastic architecture invite reflection on medieval sacred buildings and their social and cultural relevance. Keywords: Gothic architecture; monastery; arches; vaults; Middle Ages; sacred art; floral decorations; religious history; craftsmanship; stonemasonry; spiritual devotion; ecclesiastical context; monastic architecture; historical architecture; monastic courtyard; cultural heritage; art history; sacred architecture; medieval art; religious history, 19th century, Romanticism, Architecture, Scotland, Melrose (Roxburghshire), Size: Paper: 22,5 cm x 29,1 cm (8,9 x 11,5 in), Depiction: 16,4 cm x 22,3 cm (6,5 x 8,8 in)
Fichter Kunsthandel
Aug. 31, 2024
G. SMITH (*1841) after BILLINGS (*1813), Transept of the Melrose Abby ruins, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset) after Robert William Billings (1813 - 1874 ibid.): South transept of the ruins of the historic Melrose Monastery, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "SOUTH TRANSEPT OF MELROSE.". Date: 19th century Description: The artwork depicts the ruins of the south transept of Melrose Abbey, a once majestic Gothic abbey. The structure, punctuated by light and shadow effects, conveys a poignant depiction of past splendour. The architecture is characterised by soaring arches, rich detail and intricate window patterns. The contrast between the monument and the gentle nature in the background is subtly emphasised, suggesting a harmonious interaction between culture and nature. Historical and cultural references are obvious. Keywords: Melrose Abbey; ruin; Gothic; abbey; architecture; church building; sacred building; history; monument; window; arches; nature; culture; past; structure; transept; work of art; monument; light; shadow;, 19th century, Romanticism, Architecture, Scotland, Melrose (Roxburghshire), Size: Paper: 29,4 cm x 22,5 cm (11,6 x 8,9 in), Depiction: 21,3 cm x 16,5 cm (8,4 x 6,5 in)
Fichter Kunsthandel
Aug. 31, 2024
G. SMITH (*1841) after BILLINGS (*1813), Transept of the Melrose Abby ruins, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset) after Robert William Billings (1813 - 1874 ibid.): Northern transept of the ruins of the historic Melrose Monastery, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "North Transept of Melrose". Date: 19th century Description: The artwork depicted shows the imposing ruins of impressive Gothic architecture, possibly a monastery or abbey. The dilapidated vaults and arches combine with the natural vegetation and lend the picture a melancholy atmosphere. The detailed background, dominated by clouds and trees, complements the dilapidated structures and tells of a bygone era. The ruins could refer to western ecclesiastical architecture, but there are no recognisable iconographic symbols such as crosses or saints that could point to a specific history or person. Keywords: Ruins; Gothic architecture; Monastery; Abbey; Ruin; Arches; Vegetation; Historical architecture; Melancholy; Past; Vaults; Trees; Clouds; Epoch; Work of art; Monument; Decay; History; Atmospheric; Sacred architecture, 19th century, Romanticism, Architecture, Scotland, Melrose (Roxburghshire), Size: Paper: 29,6 cm x 22,4 cm (11,7 x 8,8 in), Depiction: 21,0 cm x 17,2 cm (8,3 x 6,8 in)
Fichter Kunsthandel
Aug. 31, 2024
G. SMITH (*1841) after BILLINGS (*1813), Portal von Melrose Abbey, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset) after Robert William Billings (1813 - 1874 ibid.): Detailed view of the Gothic façade of Melrose Abbey with portal and Gothic niches, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "MELROSE ABBEY PART OF THE CLOISTERS". Date: 19th century Description: The artwork presents a detailed look at the architectural beauty and masterful execution of Melrose Abbey's façade. The stone structures depicted, including three Gothic arches and ornately crafted capitals, emphasise the elegance and historical relevance of the building. The symbolism and precision craftsmanship of the abbey emphasise the importance of religious architecture in medieval Europe and the influence of Gothic styles. Keywords: Melrose Abbey; Gothic architecture; late Romanesque; arches; capitals; stonemasonry; façade; medieval; religious symbolism; abbey; historic building; work of art; architectural beauty; masterpiece; church building; medieval Europe; Gothic styles; detailed view; stone structures; precision craftsmanship; historical relevance, 19th century, Romanticism, Architecture, Scotland, Melrose (Roxburghshire), Size: Paper: 22,6 cm x 29,7 cm (8,9 x 11,7 in), Depiction: 16,4 cm x 22,4 cm (6,5 x 8,8 in)
Fichter Kunsthandel
Aug. 31, 2024
G. SMITH (*1841) after BILLINGS (*1813), Gothic chapel in Staindrop Church, 1844, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset) after Robert William Billings (1813 - 1874 ibid.): Detailed depiction of Gothic arches in a church chapel in Staindrop Church, 1844, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part inscribed in the printing plate: "Sedilia in the chancel of Staindrop Church". Date: 1844 Description: The artwork shows a detailed depiction of a medieval architectural fragment within a church chapel. Three ornate Gothic arches, supported by filigree columns and decorated with floral capitals, dominate the picture. The use of masks as keystones emphasises the symbolic significance of the picture, which evokes the rich tradition of Gothic architecture. Keywords: St; Mary's Church; Staindrop; architecture; gothic; chapel; arches; columns; capitals; masks; medieval; church; decoration; stone; relief; detail; sacral; art; historical art; interior; decorations;, 19th century, Romanticism, Interior, United Kingdom, Size: Paper: 28,0 cm x 21,8 cm (11 x 8,6 in), Depiction: 19,3 cm x 15,4 cm (7,6 x 6,1 in)
Fichter Kunsthandel
Aug. 31, 2024
G. SMITH (*1841) after BILLINGS (*1813), King Charles's Raum, Wintoun House, 1841, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset) after Robert William Billings (1813 - 1874 ibid.): King Charles's Zimmer im Wintoun House, 1841, Steel engraving Technique: Steel engraving on , rolled-on on Paper Inscription: At the lower part inscribed in the printing plate: "Wintopun House. King Charles's Room.". Date: 1841 Description: The artwork shows an ornately decorated room from the Baroque period, known as King Charles's Room in Wintoun House. The opulent room is characterised by an elaborately decorated ceiling with tendril patterns and floral motifs. A woman dresses on the floor next to a magnificent armchair. The room speaks of royal splendour and the historical heritage of the British royal family. The architectural details bear witness to Baroque craftsmanship. Keywords: Baroque; Wintoun Castle; King Charles's Room; ceiling decoration; floral patterns; historical; British royalty; opulent; architectural representation; vine pattern; interior; craftsmanship; royal; splendour; woman; armchair; historical heritage; architecture; baroque art; attention to detail, 19th century, Romanticism, Interior, Scotland, Size: Paper: 23,6 cm x 29,8 cm (9,3 x 11,7 in), Plate: 22,7 cm x 29,0 cm (8,9 x 11,4 in), Depiction: 16,2 cm x 21,3 cm (6,4 x 8,4 in)
Fichter Kunsthandel
Aug. 31, 2024
G. SMITH (*1841) after BILLINGS (*1813), Melrose Abbey south transept, Steel engraving
Est: €75 - €125
George Barnett Smith (1841 Ovenden, West Yorkshire - 1909 Bournemouth, Dorset) after Robert William Billings (1813 - 1874 ibid.): Depiction of the south transept of Melrose Abbey, 19th century, Steel engraving Technique: Steel engraving on Paper Inscription: At the lower part signed in the printing plate: "Drawn by R.W.Billings / Engraved by G.B. Smith.". Date: 19th century Description: The artwork depicts the South Transept of Melrose Abbey. The focus is on the Gothic architecture, characterised by pointed arched windows and fine stonework. The main portal and the detailed window rosettes emphasise the artistic execution. The composition demonstrates a high degree of precision and technical skill that captures the monumentality and historical significance of this sacred building. Keywords: Gothic; Melrose Abbey; south transept; architecture; rose window; sacred building; stonemasonry; engraving; historical depiction; monumentality; John Billing; R; W; Smith; Edinburgh; artistic precision; religious building; cultural-historical; work of art; technical finesse; petal ornamentation; attention to detail, 19th century, Romanticism, Architecture, Scotland, Melrose (Roxburghshire), Size: Paper: 29,7 cm x 22,6 cm (11,7 x 8,9 in), Depiction: 21,0 cm x 16,3 cm (8,3 x 6,4 in)
Fichter Kunsthandel

Lots Per Page:

Popular Artists

Devices

Get Invaluable on Your Phone

Download the app via text link to get instantly notified if you’re outbid and receive auction reminders so you never miss out!

Bid On-the-Go!

Download the Invaluable app and never miss an auction from your iOS or Android device.

Artist Database

Sell on Invaluable

As the world's leading online auction marketplace, thousands of auction houses use Invaluable to deepen relationships with millions of clients around the world. Stay connected to the things you love with curated items and auctions sent to your inbox.

You can unsubscribe at any time. View ourPrivacy Policy.

© 1986-2024 Invaluable, LLC. and participating auction houses. All Rights Reserved.