Ernest Slingeneyer Paintings & Artwork for Sale | Ernest Slingeneyer Art Value Price Guide

Nov. 14, 2023
Tableaux SLINGENEYER Ernest (1820 - 1894) Huile sur panneau "Portrait
Est: €400 - €600
Tableaux SLINGENEYER Ernest (1820 - 1894) Huile sur panneau "Portrait de notable" . Signé en bas à droite Ernest Slingeneyer et daté 1860. Ecole belge. Dim. : +/- 74x58 cm.
Vanderkindere
Oct. 21, 2023
Slingeneyer Ernest - Italian mother feeding her child (1872)
Est: €2,400 - €4,000
Oil on canvas - Sig. '72
De Vuyst
Dec. 05, 2022
ERNEST SLINGENEYER (1820-1894)
Est: €2,000 - €3,000
'Camoes et son esclave mendiant', 1853 Canvas. Signed and dated 'Ernest. Slingeneijer. 1853.'. Title on copper plaque. The painting illustrates the 16th-century Portuguese poet Luís de Camões with his Javanese house servant Jau. Luís de Camões is considered one of Portugal's greatest poet, yet he died in poverty. The artist painted the legend that describes how the house servant Jau went begging at night in Lisbon to support his penniless master. The scene probably takes place in a square in the old city centre of Lisbon which is still named after the poet today (Praça Luís de Camões) and where his statue is located. Today this painting should be seen in the 'zeitgeist' of the 19th century in which colonialism was part of the European political context and personal servants were more common. Description FR 'Camoes et son esclave mendiant', 1853 Toile. Signée et datée 'Ernest. Slingeneijer. 1853.'. Titre sur plaque en cuivre. Le tableau représente le poète portugais du 16ème siècle Luís de Camões avec son domestique javanais Jau. Luís de Camões est considéré comme le plus grand poète du Portugal, mais il est mort dans la pauvreté. L'artiste dépeint ici la légende romantique selon laquelle son domestique Jau allait mendier la nuit à Lisbonne pour soutenir son maître. La scène se déroule probablement sur la place de la vieille ville de Lisbonne, qui porte encore aujourd'hui le nom du poète (Praça Luís de Camões) et où se trouve également son monument. http://lusitanie.info/2017/09/lisbonne-la-place-luis-de-camoes/ Le sujet doit être interprété dans l'esprit du 19ème siècle, où le colonialisme faisait partie du contexte politique européen. Beschrijving NL 'Camoes et son esclave mendiant', 1853 Doek. Getekend en gedateerd 'Ernest. Slingeneijer. 1853.'. Titel op koperen plakketje. Op het schilderij zien we de zestiende eeuwse Portugese dichter Luís de Camões met zijn Javaanse huisdienaar Jau. Luís de Camões wordt aanzien als Portugals grootste dichter maar hij stierf in armoede. De kunstenaar verbeeldt hier de romantische legende dat de huisdienaar Jau 's nachts in Lissabon ging bedelen om zijn berooide meester te steunen. De scène speelt zich waarschijnlijk af op een plein in het oude centrum van Lissabon, dat vandaag nog steeds vernoemd is naar de dichter (Praça Luís de Camões) en waar ook zijn monument staat. Het werk dient vandaag natuurlijk gezien te worden in de tijdsgeest van de 19de eeuw waarin kolonialisme deel uitmaakte van de Europese politieke context en persoonlijk dienstpersoneel meer courant was.
Bernaerts Auctioneers
Oct. 22, 2022
Slingeneyer Ernest - An Italian mother feeding her child (1872)
Est: €3,000 - €4,000
Oil on canvas - Sig. '72
De Vuyst
Jan. 16, 2017
Ernest Slingeneyer, Fighting on the Sea, Oil, C. 1857
Est: €11,200 - €14,000
Oil on canvas, relined Ernest Slingeneyer (1820-1894) Belgian history- and genrepainter Signed Ernest Slingeneyer lower left Dimensions: 293 x 370 cm Exhibitions: Tentoonstelling van Schilderen en Kunstwerken van levende Meesters, sGravenhage, 1857, Cat.-No. 576, with the title Het heldenfeit van de zeelieden van het fransche schip le Feu; Exposition générale des Beaux-Arts à Bruxelles: le Salon de 1860, Cat.-No. 883 Provenance: 1860 In possession of Baron J.J.C.J. van Heeckeren van Enghuysen, Den Haag, then in possession of the family, until c. 1940 presented on Kasteel Enghuizen, Hummelo (Netherlands); according to a former owner it was sold c. 1940, hidden during the German occupation of the Netherlands and resold in 1978; since 2012 in private collection, Netherlands Impressive, dramatically composed painting depicting a true incident from 1795 The painting depicts a true incident from the war of the first French republic, as the artist remarks in the catalog of the exhibition in The Hague 1857. The French ship Le Feu sank during a campaign in the North Sea, only five sailors managed to enter a raft. After two days they were spotted by a British ship which sent a sloop to them. But the French sailors defended themselves until death to avoid captivity. The subject of the painting with shipwrecked men, crowded together on a raft goes back to the famous painting The Raft of the Medusa by Théodore Géricault (1819). But while Gericault chose to show a blameful, scandalous incident within the French navy, Slingeneyer decided to depict a heroic story with great pathos. During the abovementioned exhibitions in The Hague and Brussels the painting was widely admired. In his lexicon De levens en werken der Hollandsche en Vlaamsche kunstschilderers, beeldhouwers, graveurs en bouwmeesters, van den vroegsten to op onzen tijd, Amsterdam 1857-1864, the Dutch art historian Christiaan Kramm highlights this painting. The artwork is also noticed in the Annuaire de lAcadémie Royale des Sciences, des Lettres et des Beaux-Arts de Belgique, Brussels 1915-1919, and in Les artistes belges contemporains: leur vie, leurs oeuvres, leur place dans lart by Edmond-Louis de Taeye, Brussels 1894. A photo, taken before 1940, shows the painting located in Kasteel Enghuizen. According to the former owner the painting was sold c. 1940 and taken out of its frame, folded and later rolled up to hide it from the German occupators. Kasteel Enghuizen was damaged in the last days of World War II and demolished in 1948. Condition: The canvas is relined and mounted on a new stretcher frame. Inspection under UV light reveals many retouching and repainting. The cracks in the surface and the losses of paint due to the abovementioned folding are skillfully restored. The signature has been partially retouched. A detailed restoration report is available on request. Ernest Slingeneyer (1820-1894) His artistic training Ernest Slingeneyer received at the academy of Antwerp by Gustave Wappers. From his first beginning he prefered to paint historic themes. With only 19 years he exhibited his first painting. The colossal painting Le Vengeur, exhibited in 1845 at the Salon of Brussels, was admired by the Belgian king. He was showered with honours and received numerous orders. In 1878 he was in charge of executing 13 painting for the great hall of the Academiënpalais in Brussels and was paid with a record payment of 122.000 Belgian Franc. His great success and influence led to a late political career in the Belgian Parliament. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Nov. 28, 2016
Ernest Slingeneyer, Fighting on the Sea, Oil, C. 1857
Est: €24,000 - €30,000
Oil on canvas, relined Ernest Slingeneyer (1820-1894) Belgian history- and genrepainter Signed Ernest Slingeneyer lower left Dimensions: 293 x 370 cm Exhibitions: Tentoonstelling van Schilderen en Kunstwerken van levende Meesters, sGravenhage, 1857, Cat.-No. 576, with the title Het heldenfeit van de zeelieden van het fransche schip le Feu; Exposition générale des Beaux-Arts à Bruxelles: le Salon de 1860, Cat.-No. 883 Provenance: 1860 In possession of Baron J.J.C.J. van Heeckeren van Enghuysen, Den Haag, then in possession of the family, until c. 1940 presented on Kasteel Enghuizen, Hummelo (Netherlands); according to a former owner it was sold c. 1940, hidden during the German occupation of the Netherlands and resold in 1978; since 2012 in private collection, Netherlands Impressive, dramatically composed painting depicting a true incident from 1795 The painting depicts a true incident from the war of the first French republic, as the artist remarks in the catalog of the exhibition in The Hague 1857. The French ship Le Feu sank during a campaign in the North Sea, only five sailors managed to enter a raft. After two days they were spotted by a British ship which sent a sloop to them. But the French sailors defended themselves until death to avoid captivity. The subject of the painting with shipwrecked men, crowded together on a raft goes back to the famous painting The Raft of the Medusa by Théodore Géricault (1819). But while Gericault chose to show a blameful, scandalous incident within the French navy, Slingeneyer decided to depict a heroic story with great pathos. During the abovementioned exhibitions in The Hague and Brussels the painting was widely admired. In his lexicon De levens en werken der Hollandsche en Vlaamsche kunstschilderers, beeldhouwers, graveurs en bouwmeesters, van den vroegsten to op onzen tijd, Amsterdam 1857-1864, the Dutch art historian Christiaan Kramm highlights this painting. The artwork is also noticed in the Annuaire de lAcadémie Royale des Sciences, des Lettres et des Beaux-Arts de Belgique, Brussels 1915-1919, and in Les artistes belges contemporains: leur vie, leurs oeuvres, leur place dans lart by Edmond-Louis de Taeye, Brussels 1894. A photo, taken before 1940, shows the painting located in Kasteel Enghuizen. According to the former owner the painting was sold c. 1940 and taken out of its frame, folded and later rolled up to hide it from the German occupators. Kasteel Enghuizen was damaged in the last days of World War II and demolished in 1948. Condition: The canvas is relined and mounted on a new stretcher frame. Inspection under UV light reveals many retouching and repainting. The cracks in the surface and the losses of paint due to the abovementioned folding are skillfully restored. The signature has been partially retouched. A detailed restoration report is available on request. Ernest Slingeneyer (1820-1894) His artistic training Ernest Slingeneyer received at the academy of Antwerp by Gustave Wappers. From his first beginning he prefered to paint historic themes. With only 19 years he exhibited his first painting. The colossal painting Le Vengeur, exhibited in 1845 at the Salon of Brussels, was admired by the Belgian king. He was showered with honours and received numerous orders. In 1878 he was in charge of executing 13 painting for the great hall of the Academiënpalais in Brussels and was paid with a record payment of 122.000 Belgian Franc. His great success and influence led to a late political career in the Belgian Parliament. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.
Auctionata Paddle8 AG
Jun. 25, 2013
Ernst Slingeneyer (1820-1894). Dimensions: 0m18 x
Est: €300 - €400
Ernst Slingeneyer (1820-1894). Dimensions: 0m18 x 0m14
Galerie Moderne
Feb. 21, 2011
Ernest Slingeneyer (1820-1894) École belge Huile
Est: €800 - €1,200
Ernest Slingeneyer (1820-1894) École belge Huile sur panneau: La jeune fille à l'éventail. Signée: Ernest Slingeneyer. Dimensions : 56 x 41
Horta