William Skelton Sold at Auction Prices

W. SKELTON (*1763) after HILL (*1779), Architect William Edwards, around 1800, Copper engraving

William Skelton (1763 - 1848 ) after Thomas Hill (born 1779 ): Portrait of the Welsh architect and Methodist minister William Edwards (1719 - 1789), bust in oval sitting at a table with pen, compass and ruler, c. 1800, Copper engraving Technique: Copper engraving on Paper Inscription: Inscribed below with the sitter's name and details of his life. Date: c. 1800 Description: William Edwards, presented in three-quarter portrait, sits at a desk and holds the sheet of a technical sketch in his right hand. Keywords: Portrait, William Edward, Methodist minister, architect, bridge builder, arch bridge, Pontybridd, Wales, 19th century, Realism, Portraits, United Kingdom, Size: Paper: 27,8 cm x 19,3 cm (10,9 x 7,6 in), Plate: 14,2 cm x 10,3 cm (5,6 x 4,1 in), Depiction: 7,5 cm x 6,3 cm (3 x 2,5 in)

W. SKELTON (*1763) after HILL (*1779), Architect William Edwards, around 1800, Copper engraving

William Skelton (1763 - 1848 ) after Thomas Hill (born 1779 ): Portrait of the Welsh architect and Methodist minister William Edwards (1719 - 1789), bust in oval sitting at a table with pen, compass and ruler, c. 1800, Copper engraving Technique: Copper engraving on Paper Inscription: Inscribed below with the sitter's name and details of his life. Date: c. 1800 Description: William Edwards, presented in three-quarter portrait, sits at a desk and holds the sheet of a technical sketch in his right hand. Keywords: Portrait, William Edward, Methodist minister, architect, bridge builder, arch bridge, Pontybridd, Wales, 19th century, Realism, Portraits, United Kingdom,

SKELTON, William, a partir de Jean-Antoine-Siméon Fort. "Fin de la Bataille d'Oporto", gravura s/ papel. Não emoldurada.

SKELTON, William (1763-1848), a partir de Jean-Antoine-Siméon Fort (1793-1861). "Fin de la Bataille d'Oporto / le 29 mars 1809 á 3 heures du soir". Representação da chegada das tropas de Soult à margem do Rio Douro, na cidade do Porto. Gravura sobre papel reproduzida através do "Diagraphe et pantographe Gavard" Manchas de acidez e defeitos. Acomodada em tubo de proteção. Não emoldurada. Dim. aprox. mancha: 14,5 x 25 cm; Dim. aprox. total: 39 x 57 cm.

W. SKELTON (*1763) after HILL (*1779), Architect William Edwards, around 1800, Copper engraving

William Skelton (1763 - 1848 ) after Thomas Hill (born 1779 ): Portrait of the Welsh architect and Methodist minister William Edwards (1719 - 1789), bust in oval sitting at a table with pen, compass and ruler, c. 1800, Copper engraving Technique: Copper engraving on Paper Inscription: Inscribed below with the sitter's name and details of his life. Date: c. 1800 Description: William Edwards, presented in three-quarter portrait, sits at a desk and holds the sheet of a technical sketch in his right hand. Keywords: Portrait, William Edward, Methodist minister, architect, bridge builder, arch bridge, Pontybridd, Wales, 19th century, Realism, Portraits, United Kingdom,

W. SKELTON (*1763) after HILL (*1779), Portrait of the architect William Edwards, around 1800, Coppe

William Skelton (1763 - 1848 ) after Thomas Hill (born 1779 ): Portrait of the architect William Edwards, c. 1800, Copper engraving Technique: Copper engraving on Paper Inscription: Inscribed below with the sitter's name and details of his life. Date: c. 1800 Description: William Edwards, presented in three-quarter portrait, sits at a desk and holds the sheet of a technical sketch in his right hand. Keywords: Portrait, William Edward, Methodist minister, architect, bridge builder, arch bridge, Pontybridd, Wales, 19th century, Realism, Portraits, United Kingdom,

William Skelton after Beechey, 'Field Marshall Arthur, Duke of Wellington', 18" x 14" (46 x 36cm), along with

William Skelton after Beechey, 'Field Marshall Arthur, Duke of Wellington', 18" x 14" (46 x 36cm), along with a collection of engravings of Waterloo, unframed, A/F, (Q).

William Skelton, Die Engel erscheinen den Hirten

William Skelton, Die Engel erscheinen den Hirten Frauen wecken die schlummernden Hirten, um die erscheinenden Engel zu sehen, Radierung, rechts unter der Darstellung bezeichnet „Engraved by William Skelton“ und mittig betitelt „The Angels appearing to the Shepherds“ und datiert „... July 15.1794 ...“, Erhaltungsmängel, hinter Glas gerahmt, Darstellungsmaße ohne Schrift ca. 43 x 58,5 cm. Künstlerinfo: engl. Kupferstecher (1763 London bis 1848 London), Bruder des Joseph Skelton, Studium an der Royal Academy bei James Basire und William Sharp, Quelle: Thieme-Becker und Wikipedia.

William Skelton, Die Engel erscheinen den Hirten

William Skelton, Die Engel erscheinen den Hirten Frauen wecken die schlummernden Hirten, um die erscheinenden Engel zu sehen, Radierung, rechts unter der Darstellung bezeichnet „Engraved by William Skelton“ und mittig betitelt „The Angels appearing to the Shepherds“ und datiert „... July 15.1794 ...“, Erhaltungsmängel, hinter Glas gerahmt, Darstellungsmaße ohne Schrift ca. 43 x 58,5 cm. Künstlerinfo: engl. Kupferstecher (1763 London bis 1848 London), Bruder des Joseph Skelton, Studium an der Royal Academy bei James Basire und William Sharp, Quelle: Thieme-Becker und Wikipedia.

* Skelton (William, circa 1760-1848). David Garrick Esqre., published by Messrs. Colnaghi & Co., 1st November 1818,

copper engraved portrait by William Skelton, after Robert Edge Pine, a few surface marks and minor marginal stains, 43 x 31.5 cm (17 x 12.5 ins) mount aperture, period frame, glazed - Quantity (1)

William Skelton (1763-1848) English engraver

William Skelton (1763-1848) English engraver, born London. His chief work consists of a series of portraits embracing member of the Royal Family from Geo. III to the accession of Victoria in 1837. The engraving offered here is called THE OWL, THE SWAN, THE COCK, THE SPIDER, THE ASS AND THE FARMER, signed in the plate, 3 x 3-5/8 plus margins. Circa 1797.

Shakespeare Engraving, King Richard III, 18th C.

Engraved by William Skelton (English, 1763-1848) after the painting by James Northcote (English, 1746-1831), "King Richard the Third, Act IV, Scene III, Tower of London", engraving, published London 1795. Engraving depicts a scene from the Shakespearean play in which the two young princes, having been murdered in their sleep, are lowered down the staircase by Tyrell and an armored knight. Framed approximately 33.25" x 26.75", sight size approximately 23" x 16.5".

W. Skelton (1760-1848), "The Angora Goat," 19th c., colored engraving, presented in a silvered frame, H.- 7 1/2 in., W.- 11 in.

WILLIAM SKELTON (British, 1763-1848) His Most Excellent

WILLIAM SKELTON (British, 1763-1848) His Most Excellent Majesty George the Third, October 25, 1810 Engraving 29 x 23-1/2 inches (73.7 x 59.7 cm) The Elton M. Hyder, Jr. Charitable and Educational Fund Collection: Formerly at the University of Texas Law Library.

WILLIAM SKELTON (British 1763-1848) Cupid

WILLIAM SKELTON (British 1763-1848) Cupid, Hymen and Plutus, copperplate engraving. Contained in matted ebonized wood frame under glass. Condition: no visible defects. Dimensions: 3'' x 3 3/4'', framed 12 3/4'' x 16 3/4''. (165)