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  • Enrique Simonet Lombardo. Orientalist Scene
    Mar. 26, 2025

    Enrique Simonet Lombardo. Orientalist Scene

    Est: -

    Oil on canvas. Signed in the lower left corner.

    Duran Arte y Subastas
  • ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). Untitled. Oil on panel. Signed in the lower right corner.
    Mar. 19, 2025

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). Untitled. Oil on panel. Signed in the lower right corner.

    Est: €1,600 - €1,800

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). Untitled. Oil on panel. Signed in the lower right corner. Measurements: 34 x 29 cm; 38 x 33 cm (frame). In this work the painter works on a drawing displaying a very worked chromatism, full of nuances, applied with a brushstroke of precious influence that is superimposed on the rigidity of the drawing. The subject is one of the classics of the traditional orientalist painting of the 19th century, the beautiful odalisque of clear skin and classic beauty, more a captive Christian princess than an Arab woman, the consummation of the European bourgeois fantasy. Simonet began his training at the School of Fine Arts of San Carlos in Valencia, and continued in Malaga, in the workshop of Bernardo Ferrándiz. In 1887 he went to Rome, making a trip throughout Italy. In the Italian capital his apprenticeship was completely conditioned by the prevailing classicism of the time, as can be seen in his work "The decapitation of St. Peter", which would occupy a preferential place in the cathedral of Malaga. He visited Paris several times, and in 1890 he toured the Mediterranean. In 1892 he won the first medal at the International Exhibition in Madrid, with the work that was his first success, "Flevit super illam", painted in Rome. He also won awards at the Universal Exposition of Chicago (1894), Barcelona (1896) and Paris (1900). Between 1893 and 1894 he traveled to Morocco as a correspondent for "La Ilustración Española y Americana", and in 1901 he obtained a chair at the School of Fine Arts in Barcelona, where he settled. In 1911 he moved to the San Fernando School of Fine Arts in Madrid, also as a professor, and between 1921 and 1922 he was director of the El Paular Residence for landscape painters. He is represented in the Prado Museum, the Museum of Fine Arts of Malaga and the Royal Academy of Fine Arts of San Fernando.

    Setdart Auction House
  • Enrique Simonet. Orpheus tames the pieces
    Dec. 11, 2024

    Enrique Simonet. Orpheus tames the pieces

    Est: -

    Oil on canvas. Signed in the lower left corner.

    Duran Arte y Subastas
  • Enrique Simonet. Portrait of a Gentleman
    Dec. 11, 2024

    Enrique Simonet. Portrait of a Gentleman

    Est: -

    Oil on canvas. Signed in the lower left corner.

    Duran Arte y Subastas
  • ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). Untitled. Oil on canvas. Requires cleaning and presents tension on the canvas. Signed in the lower left corner.
    Nov. 12, 2024

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). Untitled. Oil on canvas. Requires cleaning and presents tension on the canvas. Signed in the lower left corner.

    Est: €2,500 - €3,000

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). Untitled. Oil on canvas. Requires cleaning and presents tension on the canvas. Signed in the lower left corner. Measurements: 46 x 62 cm. Rural landscape with a series of trees located under a powerful and clear light, with a shadow at the bottom creating some contrast and space. Clearly, by the brushstrokes, the composition, the subject, etc. we are before a work that already shows influence and relation with certain pictorial post-impressionist currents. Simonet began his training at the School of Fine Arts of San Carlos in Valencia, and continued in Malaga, in the workshop of Bernardo Ferrándiz. In 1887 he went to Rome, making a trip throughout Italy. In the Italian capital his apprenticeship was completely conditioned by the prevailing classicism of the time, as can be seen in his work "The decapitation of St. Peter", which would occupy a preferential place in the cathedral of Malaga. He visited Paris several times, and in 1890 he toured the Mediterranean. In 1892 he won the first medal at the International Exhibition in Madrid, with the work that was his first success, "Flevit super illam", painted in Rome. He also won awards at the Universal Exposition of Chicago (1894), Barcelona (1896) and Paris (1900). Between 1893 and 1894 he traveled to Morocco as a correspondent for "La Ilustración Española y Americana", and in 1901 he obtained a chair at the School of Fine Arts in Barcelona, where he settled. In 1911 he moved to the San Fernando School of Fine Arts in Madrid, also as a professor, and between 1921 and 1922 he was director of the El Paular Residence for landscape painters. He is represented in the Prado Museum, the Museum of Fine Arts of Malaga and the Royal Academy of Fine Arts of San Fernando. It requires cleaning and presents tension in the canvas.

    Setdart Auction House
  • ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). "The expulsion of the merchants". Oil on canvas. Signed in the lower left corner. Titled on the back. It has a patch on the back. Needs cleaning.
    Sep. 12, 2024

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). "The expulsion of the merchants". Oil on canvas. Signed in the lower left corner. Titled on the back. It has a patch on the back. Needs cleaning.

    Est: €6,000 - €8,000

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). "The expulsion of the merchants". Oil on canvas. Signed in the lower left corner. Titled on the back. It has a patch on the back. Needs cleaning. Measurements: 70 x 87 cm; 99 x 113 cm (frame). Enrique Simonet resorts in this occasion to the biblical passage in which Jesus expels the merchants and money changers of the temple of Jerusalem in order to recreate in his singular skill to capture the choral agitation of that moment of tension. With rapid brushstrokes, he offers us a lively scene in which the merchants quickly carry their merchandise, take their bundles, cloths and jewels. Simonet's interest in the exoticism of features and clothing is evident. He imagines the temple of Jerusalem with thickly chiseled columns, among which Jesus is shouting with a heavenly aura. In the distance, several seagulls fly across a blue sky and a white village is drawn on the sand. Simonet began his training at the School of Fine Arts of San Carlos in Valencia, and continued in Malaga, in the workshop of Bernardo Ferrándiz. In 1887 he went to Rome, making a trip throughout Italy. In the Italian capital his apprenticeship was completely conditioned by the prevailing classicism of the time, as can be seen in his work "The decapitation of St. Peter", which would occupy a preferential place in the cathedral of Malaga. He visited Paris several times, and in 1890 he toured the Mediterranean. In 1892 he won the first medal at the International Exhibition of Madrid, with the work that was his first success, "Flevit super illam", painted in Rome but for which he had documented in his travels in the Holy Land. He also won awards at the Universal Exposition in Chicago (1894), Barcelona (1896) and Paris (1900). Between 1893 and 1894 he traveled to Morocco as correspondent of "La Ilustración Española y Americana", context in which he would paint the work that we now present, being part of the expedition of the extraordinary Embassy of General Martínez Campos in Marrakech, whose mission was to reach an agreement with the Sultan Muley Hassan to put an end to the war initiated in 1893 by the tribes of the Rif. In 1901 he obtained a chair at the School of Fine Arts in Barcelona, where he settled. In 1911 he moved to the San Fernando School of Fine Arts in Madrid, also as a professor, and between 1921 and 1922 he was director of the El Paular Residence for landscape painters. He is represented in the Prado Museum, the Museum of Fine Arts of Malaga and the Royal Academy of Fine Arts of San Fernando.

    Setdart Auction House
  • Enrique Simonet. good fortune
    Jun. 26, 2024

    Enrique Simonet. good fortune

    Est: -

    Oil on canvas. Signed in the lower left corner. Attached study and documentation. Provenance: - Private collection. Enrique Simonet y Lombardo (1866-1927) was a Spanish painter known for his mastery of realism. His most iconic work, "The Autopsy" (1889), stands out for its detailed anatomical representation. He also left his mark with "The Judgment of Paris" (1904), a work that fuses mythology and classical beauty. Simonet is revered for his ability to capture technical precision and emotional depth in his paintings, making him a benchmark of Spanish art.

    Duran Arte y Subastas
  • ENRIQUE SIMONET LOMBARDO Valencia (1864) / Madrid (1927) "Sappho of Lesbos"
    May. 21, 2024

    ENRIQUE SIMONET LOMBARDO Valencia (1864) / Madrid (1927) "Sappho of Lesbos"

    Est: €13,500 - €18,000

    Oil on canvas. Signed in the lower left corner. Measurements: 82 x 102 cm.

    Ansorena
  • Enrique Simonet. good fortune
    Jan. 24, 2024

    Enrique Simonet. good fortune

    Est: -

    Oil on canvas. Signed in the lower left corner. Attached study and documentation. Provenance: - Private collection. Enrique Simonet y Lombardo (1866-1927) was a Spanish painter known for his mastery of realism. His most iconic work, "The Autopsy" (1889), stands out for its detailed anatomical representation. He also left his mark with "The Judgment of Paris" (1904), a work that fuses mythology and classical beauty. Simonet is revered for his ability to capture technical precision and emotional depth in his paintings, making him a benchmark of Spanish art.

    Duran Arte y Subastas
  • Enrique Simonet. The good fortune
    Oct. 25, 2023

    Enrique Simonet. The good fortune

    Est: -

    Oil on canvas. Signed in the lower left corner. Attached study and documentation. Provenance: - Private collection. Enrique Simonet y Lombardo (1866-1927) was a Spanish painter known for his mastery of realism. His most iconic work, "The Autopsy" (1889), stands out for its detailed anatomical representation. He also left his mark with "The Judgment of Paris" (1904), a work that fuses mythology and classical beauty. Simonet is revered for his ability to capture technical precision and emotional depth in his paintings, making him a benchmark of Spanish art.

    Duran Arte y Subastas
  • ENRIQUE SIMONET LOMBARDO Valencia (1864) / Madrid (1927) "Province of Murcia", c.1924
    Jun. 14, 2023

    ENRIQUE SIMONET LOMBARDO Valencia (1864) / Madrid (1927) "Province of Murcia", c.1924

    Est: €2,100 - €2,800

    Oil on canvas. On the back, certificate issued by the artist's son in 1989. Sketch for the mural decoration project for the Palace of Justice in Madrid. In 1924 the author made the great allegorical ensemble destined for the Audiencia of Madrid commissioned by the Ministry of Justice: "Las Provincias Españolas". Once completed, it will be hung on the honorary access staircase of the Palace of Justice in the city's Plaza de la Villa de París. It consists of eight canvases, painted in tempera, showing four women and four men who symbolize the provinces. Measurements: 70 x 59 cm.

    Ansorena
  • Enrique Simonet Lombardo (Valencia, 1866 - Madrid, 1927) "Young shellfish gatherers"
    May. 18, 2023

    Enrique Simonet Lombardo (Valencia, 1866 - Madrid, 1927) "Young shellfish gatherers"

    Est: €9,000 - €12,000

    Enrique Simonet Lombardo (Valencia, 1866 - Madrid, 1927) "Young shellfish gatherers" Oil on canvas 198 x 149 cm 9.000 - 12.000 €

    Greco Subastas
  • ENRIQUE SIMONET LOMBARDO (Valencia, 1866 - Madrid, 1927) "Child on the porch"
    Mar. 15, 2023

    ENRIQUE SIMONET LOMBARDO (Valencia, 1866 - Madrid, 1927) "Child on the porch"

    Est: €1,500 - €2,000

    ENRIQUE SIMONET LOMBARDO (Valencia, 1866 - Madrid, 1927) "Child on the porch" Oil on canvas Signed in Rome 28,5 x 46,5 cm 1.500 - 2.000 €

    Bayeu Subastas
  • ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 – Madrid, 1927). "Still life with carnations". Oil on canvas. Signed in the lower left corner.
    Nov. 24, 2022

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 – Madrid, 1927). "Still life with carnations". Oil on canvas. Signed in the lower left corner.

    Est: €2,000 - €3,000

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). "Still life with carnations". Oil on canvas. Signed in the lower left corner. Size: 42 x 32,5 cm; 61 x 51 cm (frame). Simonet began his training at the School of Fine Arts of San Carlos in Valencia, and continued in Malaga, in the workshop of Bernardo Ferrándiz. In 1887 he went to Rome, travelling all over Italy. In the Italian capital his apprenticeship was completely conditioned by the prevailing classicism of the time, as can be seen in his work "The Decapitation of St. Peter", which would occupy a preferential place in Malaga cathedral. He visited Paris several times, and in 1890 he travelled around the Mediterranean. In 1892 he won the first medal at the Madrid International Exhibition with the work that was his first success, "Flevit super illam", painted in Rome but for which he had researched during his travels in the Holy Land. He also won prizes at the Universal Exposition in Chicago (1894), Barcelona (1896) and Paris (1900). Between 1893 and 1894 he travelled to Morocco as a correspondent for "La Ilustración Española y Americana", the context in which he painted the work we present here, as part of the expedition of the extraordinary embassy of General Martínez Campos in Marrakech, whose mission was to reach an agreement with Sultan Muley Hassan to put an end to the war started in 1893 by the Rif tribes. In 1901 he obtained a professorship at the School of Fine Arts in Barcelona, where he settled. In 1911 he moved to the San Fernando School of Fine Arts in Madrid, also as a professor, and between 1921 and 1922 he was director of the El Paular Residence for landscape painters. He is represented in the Prado Museum, the Malaga Fine Arts Museum and the San Fernando Royal Academy of Fine Arts.

    Setdart Auction House
  • ENRIQUE SIMONET LOMBARDO Valencia (1864) / Madrid (1927) "The first mass"
    Sep. 28, 2022

    ENRIQUE SIMONET LOMBARDO Valencia (1864) / Madrid (1927) "The first mass"

    Est: €12,000 - €16,000

    Oil on canvas. Signed in the lower left corner. In the production of this great painter of Valencian origin, this exceptional work typical of costumbrismo stands out anecdotal. Resolved in a realist key, it must have been painted during the years in which he lived in the city of Barcelona, ​​tackling two other compositions on a religious theme that today are unaccounted for "Illusions" and "The afternoon prayer". Its accentuated movement stands out in the composition, based on the diagonal that the parishioners make towards the kissers, together with the powerful and contrasting lighting and the rich and varied color palette in which warm tones predominate. To this must be added its delicate execution in a precious key, where the painter delights in the execution of the textures of the materials and the rich fabrics. Measurements: 86 x 128 cm.

    Ansorena
  • ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 – Madrid, 1927). “Children playing under the cherry tree in the orchard”, circa 1926-1926. Oil on canvas. Work reproduced in the artist's catalog raisonné, p. 243 (Digital format).
    Feb. 16, 2022

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 – Madrid, 1927). “Children playing under the cherry tree in the orchard”, circa 1926-1926. Oil on canvas. Work reproduced in the artist's catalog raisonné, p. 243 (Digital format).

    Est: €6,000 - €7,000

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). "Children playing under the cherry tree in the orchard", circa 1926-1926. Oil on canvas. Work reproduced in the catalogue raisonné of the artist, p. 243 (digital format). Measurements: 86,5 x 67 cm; 110 x 92 cm (frame). In this image Enrique Simonet recreates with his unmistakable aesthetics a scene from his everyday life. Under the shade of a tree, he portrays his children Carmen and Bernardo, who are playing with each other, oblivious to their father's gaze. The scene is set in a leafy landscape near the Monastery of Santa María del Paular, next to the Peñalara mountains, where the artist taught at the school set up by Mariano Benlliure. Simonet began his training at the San Carlos School of Fine Arts in Valencia and continued in Malaga in the studio of Bernardo Ferrándiz. In 1887 he went to Rome, travelling all over Italy. In the Italian capital his apprenticeship was completely conditioned by the prevailing classicism of the time, as can be seen in his work "The Decapitation of St. Peter", which would occupy a preferential place in Malaga cathedral. He visited Paris several times, and in 1890 he travelled around the Mediterranean. In 1892 he won the first medal at the Madrid International Exhibition with the work that was his first success, "Flevit super illam", painted in Rome but for which he had researched during his travels in the Holy Land. He also won prizes at the Universal Exposition in Chicago (1894), Barcelona (1896) and Paris (1900). Between 1893 and 1894 he travelled to Morocco as a correspondent for "La Ilustración Española y Americana", the context in which he painted the work we present here, as part of the expedition of the extraordinary embassy of General Martínez Campos in Marrakech, whose mission was to reach an agreement with the Sultan Muley Hassan to put an end to the war started in 1893 by the tribes of the Rif. In 1901 he obtained a professorship at the School of Fine Arts in Barcelona, where he settled. In 1911 he moved to the San Fernando School of Fine Arts in Madrid, also as a professor, and between 1921 and 1922 he was director of the El Paular Residence for landscape painters. He is represented in the Prado Museum, the Malaga Fine Arts Museum and the San Fernando Royal Academy of Fine Arts.

    Setdart Auction House
  • ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 – Madrid, 1927). “Fountain of the retreat-Madrid”, c. 1911.1927. Oil on canvas. Work reproduced in the artist's catalog raisonné, p. 219(Digital format)
    Feb. 16, 2022

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 – Madrid, 1927). “Fountain of the retreat-Madrid”, c. 1911.1927. Oil on canvas. Work reproduced in the artist's catalog raisonné, p. 219(Digital format)

    Est: €6,000 - €7,000

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). "Fuente del retiro-Madrid", c. 1911.1927. Oil on canvas. Work reproduced in the catalogue raisonné of the artist, p. 219 (digital format). It has restoration on the right side and patch on the back. Measurements: 88,5 x 70 cm; 104 x 86 cm (frame). The work shows a view of the Retiro Park, with the fountain located at the entrance of the Hernani gate as the main feature. Neither the author of the fountain nor its exact title is known, although it is true that it is known as the fountain of the Nymphs, the four mermaids and the four graces. This classical reference was undoubtedly the inspiration that led Simonet to create this view, in addition to the fact that his personal studio was in Calle Salustiano Olózaga, located next to the Puerta de Alcalá and close to the Retiro. Simonet began his training at the San Carlos School of Fine Arts in Valencia and continued in Malaga in the studio of Bernardo Ferrándiz. In 1887 he went to Rome, travelling all over Italy. In the Italian capital his apprenticeship was completely conditioned by the prevailing classicism of the time, as can be seen in his work "The Decapitation of St. Peter", which would occupy a preferential place in Malaga cathedral. He visited Paris several times, and in 1890 he travelled around the Mediterranean. In 1892 he won the first medal at the Madrid International Exhibition with the work that was his first success, "Flevit super illam", painted in Rome but for which he had researched during his travels in the Holy Land. He also won prizes at the Universal Exposition in Chicago (1894), Barcelona (1896) and Paris (1900). Between 1893 and 1894 he travelled to Morocco as a correspondent for "La Ilustración Española y Americana", the context in which he painted the work we present here, as part of the expedition of the extraordinary embassy of General Martínez Campos in Marrakech, whose mission was to reach an agreement with Sultan Muley Hassan to put an end to the war started in 1893 by the Rif tribes. In 1901 he obtained a professorship at the School of Fine Arts in Barcelona, where he settled. In 1911 he moved to the San Fernando School of Fine Arts in Madrid, also as a professor, and between 1921 and 1922 he was director of the El Paular Residence for landscape painters. He is represented in the Prado Museum, the Malaga Fine Arts Museum and the San Fernando Royal Academy of Fine Arts.

    Setdart Auction House
  • ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 – Madrid, 1927). "Still life with carnations". Oil on canvas. Signed in the lower left corner.
    Feb. 16, 2022

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 – Madrid, 1927). "Still life with carnations". Oil on canvas. Signed in the lower left corner.

    Est: €2,000 - €3,000

    ENRIQUE SIMONET Y LOMBARDO (Valencia, 1863 - Madrid, 1927). "Still life with carnations". Oil on canvas. Signed in the lower left corner. Size: 42 x 32,5 cm; 61 x 51 cm (frame). Simonet began his training at the School of Fine Arts of San Carlos in Valencia, and continued in Malaga, in the workshop of Bernardo Ferrándiz. In 1887 he went to Rome, travelling all over Italy. In the Italian capital his apprenticeship was completely conditioned by the prevailing classicism of the time, as can be seen in his work "The Decapitation of St. Peter", which would occupy a preferential place in Malaga cathedral. He visited Paris several times, and in 1890 he travelled around the Mediterranean. In 1892 he won the first medal at the Madrid International Exhibition with the work that was his first success, "Flevit super illam", painted in Rome but for which he had researched during his travels in the Holy Land. He also won prizes at the Universal Exposition in Chicago (1894), Barcelona (1896) and Paris (1900). Between 1893 and 1894 he travelled to Morocco as a correspondent for "La Ilustración Española y Americana", the context in which he painted the work we present here, as part of the expedition of the extraordinary embassy of General Martínez Campos in Marrakech, whose mission was to reach an agreement with Sultan Muley Hassan to put an end to the war started in 1893 by the Rif tribes. In 1901 he obtained a professorship at the School of Fine Arts in Barcelona, where he settled. In 1911 he moved to the San Fernando School of Fine Arts in Madrid, also as a professor, and between 1921 and 1922 he was director of the El Paular Residence for landscape painters. He is represented in the Prado Museum, the Malaga Fine Arts Museum and the San Fernando Royal Academy of Fine Arts.

    Setdart Auction House
  • ENRIQUE SIMONET LOMBARDO (1864 / 1927) "Orpheus tames the wild beasts".
    May. 12, 2021

    ENRIQUE SIMONET LOMBARDO (1864 / 1927) "Orpheus tames the wild beasts".

    Est: €13,500 - €18,000

    Signed in the lower left corner. . Oil on canvas

    Ansorena
  • Enrique Simonet Lombardo. Old man face
    Nov. 26, 2020

    Enrique Simonet Lombardo. Old man face

    Est: -

    Dibujo. Firmado en el ángulo inferior derecho.

    Duran Arte y Subastas
  • Enrique SImonet Lombardo. Two african heads
    Jul. 23, 2020

    Enrique SImonet Lombardo. Two african heads

    Est: -

    Dibujos. Firmado en el ángulo inferior derecho.

    Duran Arte y Subastas
  • Enrique Simonet Lombardo (Valencia 1866 - Madrid 1927) "An Elder Man"
    Jul. 20, 2020

    Enrique Simonet Lombardo (Valencia 1866 - Madrid 1927) "An Elder Man"

    Est: €125 - €150

    "An Elder Man" Drawing on paper 12 x 12 cm

    Goya Subastas
  • Enrique Simonet Lombardo (Valencia, 1866 - Madrid, 1927) "Academia. Foot"
    Jul. 20, 2020

    Enrique Simonet Lombardo (Valencia, 1866 - Madrid, 1927) "Academia. Foot"

    Est: €125 - €150

    "Academia. Foot" Drawing Signed 50 x 32 cm

    Goya Subastas
  • Enrique Simonet Lombardo (Valencia, 1866 - Madrid, 1927) "Rural landscape"
    Jul. 20, 2020

    Enrique Simonet Lombardo (Valencia, 1866 - Madrid, 1927) "Rural landscape"

    Est: €125 - €150

    "Rural landscape" Drawing Signed 30 x 41 cm

    Goya Subastas
  • Enrique Simonet Lombardo (Valencia, 1866 - Madrid, 1927) "Academia. Female head"
    Jul. 20, 2020

    Enrique Simonet Lombardo (Valencia, 1866 - Madrid, 1927) "Academia. Female head"

    Est: €100 - €125

    "Academia. Female head" Drawing Signed 50 x 32,5 cm

    Goya Subastas
  • Enrique Simonet Lombardo (Valencia 1866 - Madrid 1927) "Odalisque"
    Jun. 02, 2020

    Enrique Simonet Lombardo (Valencia 1866 - Madrid 1927) "Odalisque"

    Est: €125 - €150

    "Odalisque" Drawing Signed 9 x 17 cm

    Goya Subastas
  • SIMONET LOMBARDO, ENRIQUE (Málaga, 1866 - Madrid,
    May. 28, 2020

    SIMONET LOMBARDO, ENRIQUE (Málaga, 1866 - Madrid,

    Est: -

    SIMONET LOMBARDO, ENRIQUE (Málaga, 1866 - Madrid, 1927) Dos bocetos femeninos 30 x 20 cm

    Duran Arte y Subastas
  • Enrique Simonet Lombardo. Tangiers steet market
    Dec. 19, 2019

    Enrique Simonet Lombardo. Tangiers steet market

    Est: -

    SIMONET LOMBARDO, ENRIQUE (1866 - 1927). "El zoco de Tánger". Óleo sobre lienzo. Firmado y localizado (Tánger) en el ángulo inferior izquierdo. 46,5 x 72 cm

    Duran Arte y Subastas
  • Enrique Simonet Lombardo. Arts Parade
    Jan. 26, 2017

    Enrique Simonet Lombardo. Arts Parade

    Est: -

    SIMONET LOMBARDO, ENRIQUE (1866 - 1927). "El desfile de las Artes". Óleo sobre lienzo. 90,5 x 174 cm. Firmado en el ángulo inferior izquierdo.

    Duran Arte y Subastas
  • ENRIQUE SIMONET LOMBARDO. Oil on canvas
    Jan. 25, 2017

    ENRIQUE SIMONET LOMBARDO. Oil on canvas

    Est: -

    ENRIQUE SIMONET LOMBARDO 1866 Valencia 1927 Estudio para retrato Óleo sobre lienzo Firmado "E. Simonet". 44 x 39,5 cm

    Isbilya Subastas
  • Enrique Simonet Lombardo.Wife artist
    Dec. 22, 2016

    Enrique Simonet Lombardo.Wife artist

    Est: -

    SIMONET LOMBARDO, ENRIQUE (1866 - 1927). "La esposa del artista". Óleo sobre lienzo. 100,5 x 70 cm. Firmado en el ángulo inferior izquierdo. Estudió en Roma y Nápoles. Medalla de Plara de París 1900 y Medalla de oro en la Exposición Universal de Atenas. Su obra "La decapitación de San Pablo" se encuentra en la Catedral de Málaga.

    Duran Arte y Subastas
  • Enrique Simonet Lombardo. Arts Parade
    Nov. 24, 2016

    Enrique Simonet Lombardo. Arts Parade

    Est: -

    SIMONET LOMBARDO, ENRIQUE (1866 - 1927). "El desfile de las Artes". Óleo sobre lienzo. 90,5 x 174 cm. Firmado en el ángulo inferior izquierdo.

    Duran Arte y Subastas
  • ENRIQUE SIMONET LOMBARDO
    Jun. 22, 2016

    ENRIQUE SIMONET LOMBARDO

    Est: -

    ENRIQUE SIMONET LOMBARDO 1866 Valencia - 1927 Madrid Estudio para retrato Óleo sobre lienzo Firmado "E. Simonet". 44 x 39,5 cm

    Isbilya Subastas
  • Enrique SIMONET LOMBARDO (1863-1927) ÉCOLE ESPAGNOLE
    Dec. 08, 2014

    Enrique SIMONET LOMBARDO (1863-1927) ÉCOLE ESPAGNOLE

    Est: €8,000 - €10,000

    Enrique SIMONET LOMBARDO (1863-1927) ÉCOLE ESPAGNOLE CAFÉ MAURE À TANGER MOORISH CAFE IN TANGER Huile sur panneau, signé « E. Simonet » en bas à gauche. 28,5 x 45,5 cm Après ses études notamment à l'Académie Royale des Beaux-Arts de San Carlos à Valence, il voyage dans toute l'Italie et visite plusieurs fois Paris. Il participe à l'Exposition internationale de Madrid en 1892 puis à l'Exposition Universelle de 1893 à Chicago, à Barcelone en 1896 et à l'Exposition Universelle de Paris en 1900. Il se rend au Maroc en 1893 et 1894 où il peint des scènes d'ambiance, des chevaux et des fantasias.

    Millon & Associes
  • Enrique SIMONET LOMBARDO (1864 - 1927) Le café maure Huile sur panneau, signé en bas à gauche 28,5 x 45,5 cm
    Nov. 14, 2012

    Enrique SIMONET LOMBARDO (1864 - 1927) Le café maure Huile sur panneau, signé en bas à gauche 28,5 x 45,5 cm

    Est: €8,000 - €10,000

    Enrique SIMONET LOMBARDO (1864 - 1927) Le café maure Huile sur panneau, signé en bas à gauche 28,5 x 45,5 cm

    Europ Auction
  • A Framed Painted Porcelain Plaque and Triptych Mirror,
    Mar. 20, 2010

    A Framed Painted Porcelain Plaque and Triptych Mirror,

    Est: $500 - $1,000

    A Framed Painted Porcelain Plaque and Triptych Mirror, the plaque with a portrait of a Medieval falconer, signed Simonet, possibly Enrique Simonet Lombardo, 1863-1927, the plaque mounted and framed as the cover for an unfolding triptych mirror, the mirror having a metal frame marked Brevete SGDG, Patent 1876. The visible plaque size 9 1/8" high, 6 3/4" wide. The whole frame 21 1/4" high, 17 3/4" wide.

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