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Shinsai (1764) Sold at Auction Prices

Painter, Wood cutter

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    • Japan Grafik, Shinsai, Masayuki, 1764?-1820, Surimono, Kakuban, Kopie D, 1890-1900
      Sep. 14, 2024

      Japan Grafik, Shinsai, Masayuki, 1764?-1820, Surimono, Kakuban, Kopie D, 1890-1900

      Est: €35 - €60

      Schießbogen und Tsuitate. Sign.: Shinsai. Guter Druck mit Blinddruck, vergilbt, Lichtrand, Stockflecken. (394)

      Signens Kunstauktionen
    • RYURYUKYO SHINSAI: A SURIMONO OF JUROJIN AND MINOGAME
      Sep. 04, 2024

      RYURYUKYO SHINSAI: A SURIMONO OF JUROJIN AND MINOGAME

      Est: €150 - €300

      RYURYUKYO SHINSAI: A SURIMONO OF JUROJIN AND MINOGAME By Ryuryukyo Shinsai (c. 1764-1820) Japan, late 18th-early 19th century Color woodblock print on paper. Signed with seals. The surimono illustrated with Jurojin seated cross-legged as he examines a large sake saucer with a crack, his familiar minogame slowly crawls towards him. SIZE of the sheet 11.2 x 15.4 cm Condition: Presenting well, with wear, soiling, stains, creases, and fading. Firmly mounted on a paper passepartout which is inscribed in pencil, ‘Sori Hokusai’. Provenance: Family collection of either Felix Tikotin (1893-1986) or his son-in-law Louis (Loek) Borensztajn (1935-2021), Netherlands. Felix Tikotin (1893-1986) was an architect, art collector, dealer, and founder of the first Museum of Japanese Art in the Middle East. He became one of the world’s leading collectors of Japanese art, starting at the age of 18, and continued to collect and work as an art dealer in Berlin in the 1920s. In the 1930s Felix Tikotin fled from the Nazis and hid his collection in the Netherlands. After the war, he decided that his collection should be taken to Israel, where in 1959 and with the help of Abba Hushi, who was the mayor of Haifa, The Tikotin Museum of Japanese Art was established. The Museum's collection comprises more than 8,000 items of art and crafts. Surimono, literally "printed matter", are high-quality, limited-edition, privately commissioned, woodblock-printed "greeting cards," mainly produced between the 1790s and the 1830s, and usually ordered for New Year's greetings. Surimono usually paired poetic texts with images, and both were typically intended to carry the cachet of "insider knowledge" for a cultured and well-educated audience.

      Galerie Zacke
    • RYURYUKYO SHINSAI: A SURIMONO OF A FERRY BOAT RIDE
      Sep. 04, 2024

      RYURYUKYO SHINSAI: A SURIMONO OF A FERRY BOAT RIDE

      Est: €150 - €300

      RYURYUKYO SHINSAI: A SURIMONO OF A FERRY BOAT RIDE By Ryuryukyo Shinsai (c. 1764-1820) Japan, late 18th-early 19th century Color woodblock print on paper. The surimono illustrated with two figures on a ferry, one slowly paddling the boat. SIZE of the sheet 13.5 x 18.5 cm Condition: Presenting well. With wear, soiling, minor creasing, stains, fading. Gently mounted on a paper passepartout. Provenance: Family collection of either Felix Tikotin (1893-1986) or his son-in-law Louis (Loek) Borensztajn (1935-2021), Netherlands. Felix Tikotin (1893-1986) was an architect, art collector, dealer, and founder of the first Museum of Japanese Art in the Middle East. He became one of the world’s leading collectors of Japanese art, starting at the age of 18, and continued to collect and work as an art dealer in Berlin in the 1920s. In the 1930s Felix Tikotin fled from the Nazis and hid his collection in the Netherlands. After the war, he decided that his collection should be taken to Israel, where in 1959 and with the help of Abba Hushi, who was the mayor of Haifa, The Tikotin Museum of Japanese Art was established. The Museum's collection comprises more than 8,000 items of art and crafts. Surimono, literally "printed matter", are high-quality, limited-edition, privately commissioned, woodblock-printed "greeting cards," mainly produced between the 1790s and the 1830s, and usually ordered for New Year's greetings. Surimono usually paired poetic texts with images, and both were typically intended to carry the cachet of "insider knowledge" for a cultured and well-educated audience.

      Galerie Zacke
    • RYURYUKYO SHINSAI: A SURIMONO OF A CRAFTSMAN’S ROOM
      Sep. 04, 2024

      RYURYUKYO SHINSAI: A SURIMONO OF A CRAFTSMAN’S ROOM

      Est: €150 - €300

      RYURYUKYO SHINSAI: A SURIMONO OF A CRAFTSMAN’S ROOM By Ryuryukyo Shinsai (c. 1764-1820) Japan, late 18th-early 19th century Color woodblock print on paper. The surimono illustrated with a long table before a screen decorated with cherry blossoms and a crescent moon, two bolts of fabric strewn to the ground. Inscribed with a poem. SIZE of the sheet 13.6 x 17.2 cm Condition: Presenting well. With wear, soiling, creasing, folds, stains, fading, and slightly trimmed margins. Gently mounted on a paper passepartout. Provenance: Family collection of either Felix Tikotin (1893-1986) or his son-in-law Louis (Loek) Borensztajn (1935-2021), Netherlands. Felix Tikotin (1893-1986) was an architect, art collector, dealer, and founder of the first Museum of Japanese Art in the Middle East. He became one of the world’s leading collectors of Japanese art, starting at the age of 18, and continued to collect and work as an art dealer in Berlin in the 1920s. In the 1930s Felix Tikotin fled from the Nazis and hid his collection in the Netherlands. After the war, he decided that his collection should be taken to Israel, where in 1959 and with the help of Abba Hushi, who was the mayor of Haifa, The Tikotin Museum of Japanese Art was established. The Museum's collection comprises more than 8,000 items of art and crafts. Surimono, literally "printed matter", are high-quality, limited-edition, privately commissioned, woodblock-printed "greeting cards," mainly produced between the 1790s and the 1830s, and usually ordered for New Year's greetings. Surimono usually paired poetic texts with images, and both were typically intended to carry the cachet of "insider knowledge" for a cultured and well-educated audience.

      Galerie Zacke
    • RYURYUKYO SHINSAI: A SURIMONO WITH A PALACE PAVILLION
      Sep. 04, 2024

      RYURYUKYO SHINSAI: A SURIMONO WITH A PALACE PAVILLION

      Est: €150 - €300

      RYURYUKYO SHINSAI: A SURIMONO WITH A PALACE PAVILLION By Ryuryukyo Shinsai (c. 1764-1820) Japan, late 18th-early 19th century Color woodblock print on paper. The surimono illustrated with an open book, one sheet inscribed with a long verse, and the other decorated with a scene within a pavilion. Inscribed to the back, ‘Shinsai’. SIZE of the sheet 13.6 x 20.2 cm Condition: Good condition with wear, soiling, fading, creasing, and trimmed margins. Provenance: Family collection of either Felix Tikotin (1893-1986) or his son-in-law Louis (Loek) Borensztajn (1935-2021), Netherlands. Felix Tikotin (1893-1986) was an architect, art collector, dealer, and founder of the first Museum of Japanese Art in the Middle East. He became one of the world’s leading collectors of Japanese art, starting at the age of 18, and continued to collect and work as an art dealer in Berlin in the 1920s. In the 1930s Felix Tikotin fled from the Nazis and hid his collection in the Netherlands. After the war, he decided that his collection should be taken to Israel, where in 1959 and with the help of Abba Hushi, who was the mayor of Haifa, The Tikotin Museum of Japanese Art was established. The Museum's collection comprises more than 8,000 items of art and crafts. Surimono, literally "printed matter", are high-quality, limited-edition, privately commissioned, woodblock-printed "greeting cards," mainly produced between the 1790s and the 1830s, and usually ordered for New Year's greetings. Surimono usually paired poetic texts with images, and both were typically intended to carry the cachet of "insider knowledge" for a cultured and well-educated audience.

      Galerie Zacke
    • TEA-UTENSILS.
      Dec. 15, 2023

      TEA-UTENSILS.

      Est: €800 - €1,000

      Ink and colour on hoshô paper, blind embossing and silver pigments, signature: Shinsai; 21,5 x 19,3 cm, colours and print in very good condition (3 sm. wormholes, traces of glue on verso).

      Arenberg Auctions
    • KAKEMONO WITH TAKARABUNE (TREASURE SHIP AND WESTERN CLOCK).
      Dec. 15, 2023

      KAKEMONO WITH TAKARABUNE (TREASURE SHIP AND WESTERN CLOCK).

      Est: €800 - €1,000

      Hoshô paper, ink, colour, silver pigment, 20 x 18,2 cm. Very good condition. - Ref. Metropolitan Museum of Art JP2116.

      Arenberg Auctions
    • COUPLE WITH CHILD AND TOY HORSE.
      Dec. 15, 2023

      COUPLE WITH CHILD AND TOY HORSE.

      Est: €800 - €1,000

      Ink, colour and gold pigments on hoshô paper, signature: Ryûryûkyo Shinsai ga, 21 x 18,5 cm, on verso in pencil "Kesai". Very good print and condition.

      Arenberg Auctions
    • RYÛRYÛKYO SHINSAI (1764-1820)
      Jun. 14, 2023

      RYÛRYÛKYO SHINSAI (1764-1820)

      Est: €800 - €1,200

      RYÛRYÛKYO SHINSAI (1764-1820) Japan, 19th c. 20,6 x 18,3 cm Color woodprint, surimono, kakuban. With blind embossing and silver pigments. A still Life with two scrolls on a tray, a table screen, two seals, a coral branch and a plum blossom branch. Kyôka by Haku/Hyakujutei Edamori and Dondontei. Kyoka Club Sign: a drum with mitsutomoe motif. Circa 1810-1820. From an old South German private collection, acquired before 2007 - Partially very minor wear

      Nagel Auction
    • RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), early 19th century
      May. 23, 2023

      RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), early 19th century

      Est: £1,000 - £1,500

      RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), early 19th century A shikishiban surimono print, titled Kakizome yoshi (Preparing for the First Calligraphy of the New Year) for the Taiko-gawa (Taiko Group), depicting assorted writing utensils, branches of blossoming plum, and camellia, with three poems by Sanpotei To, Ryutotei Tokiyoshi, and Dondontei, signed Shinsai; mounted on card. 20cm x 18cm (7 7/9in x 7 1/8in).

      Bonhams
    • Japanese Woodblock Print Ryuryukyo Shinsai
      Apr. 15, 2023

      Japanese Woodblock Print Ryuryukyo Shinsai

      Est: $200 - $300

      Japanese Woodblock Print by Ryuryukyo Shinsai Waterfall at Mount Kurokami

      Woodblock Prints World
    • RYURYUKYO SHINSAI (1764?-1820) Shinsen kyoka gojunin isshu (New selection o
      Mar. 21, 2023

      RYURYUKYO SHINSAI (1764?-1820) Shinsen kyoka gojunin isshu (New selection o

      Est: $6,000 - $8,000

      RYURYUKYO SHINSAI (1764?-1820) Shinsen kyoka gojunin isshu (New selection of fifty kyoka poems) Fukurotojibon (puch binding) hanshibon: 8 1/4 x 6 in. (21 x 15.2 cm.) (2)

      Christie's
    • SHINSAI MASAYUKI (JAPANESE, CIRCA 1764-1823) - STILL LIFE, WOODBLOCK PRINT.
      Mar. 09, 2023

      SHINSAI MASAYUKI (JAPANESE, CIRCA 1764-1823) - STILL LIFE, WOODBLOCK PRINT.

      Est: $200 - $400

      Shinsai Masayuki (Japanese, Circa 1764-1823) - Still Life, Woodblock Print. 21x18.5cm.

      Pasarel
    • Set of Surimono Woodblock Prints
      Feb. 28, 2023

      Set of Surimono Woodblock Prints

      Est: $200 - $300

      Lot consisting of 1) Katsushika Hokusai (Japanese, Edo period), early 19th century surimono woodblock print of two men and a tall woman, 6 1/2" x 8" sight, 12" x 18" framed; 2) Ryuryukyo Shinsai (Japanese, Edo period), early 19th century surimono woodblock print depicting aoi plant, cherry blossoms and drum, 6 1/2" x 8" sight, 12" x 18" framed; 3) and 4) Japanese, 19th century woodblock prints, one of a disgruntled man, and one of a woman with a fan, with illegible name verso, 9 1/2" x 13 1/2" sight, 15 1/2" x 21 1/2" framed.

      Old Kinderhook Auction Company
    • RYURYUKYO SHINSAI (JAPANESE, 1799-1823) - AIO PLANT, CHERRY BLOSSOM, DRUM AND EBOSHI HAT, WOODBLOCK PRINT.
      Dec. 21, 2022

      RYURYUKYO SHINSAI (JAPANESE, 1799-1823) - AIO PLANT, CHERRY BLOSSOM, DRUM AND EBOSHI HAT, WOODBLOCK PRINT.

      Est: $200 - $400

      Ryuryukyo Shinsai (Japanese, 1799-1823) - Aio Plant, Cherry Blossom, Drum and Eboshi Hat, Woodblock Print. Representing the Aoi Chapter of the story of Genji. 21x18.5cm.

      Pasarel
    • RYURYUKYO SHINSAI (1764-1820) Bunboshiho (The four treasures of writing) Ko
      Sep. 27, 2022

      RYURYUKYO SHINSAI (1764-1820) Bunboshiho (The four treasures of writing) Ko

      Est: $1,000 - $2,000

      RYURYUKYO SHINSAI (1764-1820) Bunboshiho (The four treasures of writing) Kokonotsugiri-ban: 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm.)

      Christie's
    • RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), late 18th/early 19th century
      Mar. 23, 2022

      RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), late 18th/early 19th century

      Est: $2,000 - $3,000

      RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), late 18th/early 19th century A surimono shikishiban print of a kimono draped over a hanging rod, a mirror stand, and various makeup utensils, with poems by Shiseido Sutana, Dondontei, and one other, signed Shinsai 8 1/8 x 7in (20.6 x 17.8cm) For further information on this lot please visit the Bonhams website

      Bonhams
    • RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), late 18th/early 19th century
      Mar. 23, 2022

      RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), late 18th/early 19th century

      Est: $2,000 - $3,000

      RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), late 18th/early 19th century A surimono shikishiban print of a woman in a multi-layered kimono strolling and gazing at small pine trees while under an umbrella held by a male servant, with poems, signed Shinsai 8 1/8 x 7 1/8in (20.6 x 18.1cm) For further information on this lot please visit the Bonhams website

      Bonhams
    • RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), late 18th/early 19th century
      Mar. 23, 2022

      RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), late 18th/early 19th century

      Est: $2,000 - $3,000

      RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), late 18th/early 19th century A surimono shikishiban print of a metal pot for serving hot sake, various cups, and a covered dish with poems by Kakuseiro Takamaru and Shotei Senju, signed Shinsai 8 1/4 x 7 3/8in (30 x 18.7cm) For further information on this lot please visit the Bonhams website

      Bonhams
    • RYURYUKYO SHINSAI (1764?-1820) Dressing the hair Shikishiban surimono: 8 1
      Mar. 22, 2022

      RYURYUKYO SHINSAI (1764?-1820) Dressing the hair Shikishiban surimono: 8 1

      Est: $3,000 - $4,000

      RYURYUKYO SHINSAI (1764?-1820) Dressing the hair Shikishiban surimono: 8 1/4 x 7 in. (21 x 17.8 cm.)

      Christie's
    • RYURYUKYO SHINSAI (1764?-1820) Mii bansho (Evening bell at Mii) Horizontal
      Sep. 29, 2021

      RYURYUKYO SHINSAI (1764?-1820) Mii bansho (Evening bell at Mii) Horizontal

      Est: $2,000 - $3,000

      RYURYUKYO SHINSAI (1764?-1820) Mii bansho (Evening bell at Mii) Horizontal oban: 9 x 13 5/8 in. (22.9 x 34.6 cm.)

      Christie's
    • RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), 1810s
      Sep. 22, 2021

      RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), 1810s

      Est: $4,000 - $6,000

      RYURYUKYO SHINSAI (1764?-1820) Edo period (1615-1868), 1810s A surimono shikishiban print of a covered koto with plectra, poems by Takasaki Bugoro Umeyoshi, Izumi Motokiyo, and Dondontei, signed Shinsai 8 1/4 x 7 3/8in (21 x 18.8cm) For further information on this lot please visit the Bonhams website

      Bonhams
    • Ryûryûkyo Shinsai (1764?-1820) and other surimono artists>> pupil of Tawaraya Sôri, later of Hokusai
      Jun. 27, 2020

      Ryûryûkyo Shinsai (1764?-1820) and other surimono artists>> pupil of Tawaraya Sôri, later of Hokusai

      Est: €1,000 - €1,200

      Five surimono of various formats. a) Women with hobby horses; two noble men; a woman’s hair and make-up utensils. Each signed: (Ryûryûkyo) Shinsai ga. b) Two women and a child, seen through a round window. Signed: Shôsadô Shunman ga. c) Porcelain pot with Adonis and Chinese halberd. Signed: Gakutei ga. Mostly very good impressions, good colours, some with metal pigments, fair to good conditions. All mounted in mats. RefPai12620

      Kunsthaus Lempertz KG
    • Ryuryukyo Shinsai - Japanese Woodblock Print - Beauties and Attendant Preparing Tea
      Jun. 13, 2020

      Ryuryukyo Shinsai - Japanese Woodblock Print - Beauties and Attendant Preparing Tea

      Est: $300 - $500

      Japanese Woodblock Print Artist: Shinsai, Ryuryukyo, 1764 ?-1820 Title: Beauties and Attendant Preparing Tea Date: c. 1820

      Floating World Auctions
    • Ryuryukyo Shinsai - Japanese Woodblock Print - Beauty at a Writing Table
      Jun. 13, 2020

      Ryuryukyo Shinsai - Japanese Woodblock Print - Beauty at a Writing Table

      Est: $300 - $500

      Japanese Woodblock Print Artist: Shinsai, Ryuryukyo, 1764 ?-1820 Title: Beauty at a Writing Table Date: c. 1820

      Floating World Auctions
    • SHINSAI RYURYUKYO (1764-1820) Nature morte au thé Assiette à quatre lobes, contenant de la nourriture. A l'arrière plan, une théiè...
      Mar. 02, 2011

      SHINSAI RYURYUKYO (1764-1820) Nature morte au thé Assiette à quatre lobes, contenant de la nourriture. A l'arrière plan, une théiè...

      Est: €300 - €400

      SHINSAI RYURYUKYO (1764-1820) Nature morte au thé Assiette à quatre lobes, contenant de la nourriture. A l'arrière plan, une théière en fonte verte à côté d'un bol à thé en porcelaine bleue et blanche, à décor de dragons, symbole de la puissance. Un poème est inscrit. Signé : Shinsai Format : surimono H_20,2 cm L_13,7 cm BELLE EPREUVE FRAICHE DE COLORIS. QUELQUES POINTS AU-DESSUS DE LA THEIERE. GOOD IMPRESSION AND COLOUR. SOME SPOTTING ABOVET THE KETTLE.

      Pierre Bergé & Associés
    • SHINSAI RYURYUKYO (ACTIF VERS 1799-1823) Nature morte au brasero en forme de lapin Un brasero en forme de lapin est posé sur deux ...
      Mar. 02, 2011

      SHINSAI RYURYUKYO (ACTIF VERS 1799-1823) Nature morte au brasero en forme de lapin Un brasero en forme de lapin est posé sur deux ...

      Est: €800 - €1,200

      SHINSAI RYURYUKYO (ACTIF VERS 1799-1823) Nature morte au brasero en forme de lapin Un brasero en forme de lapin est posé sur deux coussins ; deux fleurs de camélia sur lesquelles est déroulé un kakemono représetant Jurojin Hotei un des 7 dieux du bonheur portant une grue ; un cartouche « le lièvre raconte ses mérites » et trois poèmes Kyôka de Tachibanatei Sodefuru, Shukatei Magiku et Shuchodo Monozuki Signé : Shinsai Format : Surimono H_20,2 cm L_18,1 cm Provenance : Collection Vever (cachet) TRES BELLE EPREUVE FRAICHE DE COULEURS. FINE IMPRESSION AND COLOUR. Bibliographie : Vente Vever III n°290a

      Pierre Bergé & Associés
    • LOT DE : A - SHINSAI (1764?-1820) Carpe couchée sur des brindilles de prunier en fleurs Signé : Shinsai Format : surimono H_18,1 c...
      Mar. 02, 2011

      LOT DE : A - SHINSAI (1764?-1820) Carpe couchée sur des brindilles de prunier en fleurs Signé : Shinsai Format : surimono H_18,1 c...

      Est: €300 - €400

      LOT DE : A - SHINSAI (1764?-1820) Carpe couchée sur des brindilles de prunier en fleurs Signé : Shinsai Format : surimono H_18,1 cm 25,2 cm BELLE EPREUVE. PLIURE CENTRALE. COULEURS PASSEES. QUELQUES PETITES TACHES. GOOD IMPRESSION. SOME SPOT. CENTREFOLD. FADED COLOUR. B - SHINSAI (1764?-1820) Un dignitaire chinois se présente à la Cour Signé : Shinsai Format : surimono H_13,9 cm L_19 cm BELLE EPREUVE AUX COLORIS FRAIS. GOOD IMPRESSION AND COLOUR. C - KUNISADA UTAGAWA (1786-1864) Portrait d'homme de la noblesse en costume de cour Signé : Tokoyuni ga. Sceau de l'artiste : Toshidama Format : surimono H_12,2 cm L_8,1 cm BELLE EPREUVE AUX COLORIS FRAIS. ROGNÉE. GOOD IMPRESSION AND COLOUR. TRIMMED.

      Pierre Bergé & Associés
    • LOT DE : A - SHINSAI (1764?-1820) Shichi-nin shojo sairei Les souhaits de fin d'année des sept shojo Un ivrogne aux cheveux rouges...
      Mar. 02, 2011

      LOT DE : A - SHINSAI (1764?-1820) Shichi-nin shojo sairei Les souhaits de fin d'année des sept shojo Un ivrogne aux cheveux rouges...

      Est: €300 - €400

      LOT DE : A - SHINSAI (1764?-1820) Shichi-nin shojo sairei Les souhaits de fin d'année des sept shojo Un ivrogne aux cheveux rouges exécute une danse rythmée devant une jeune femme et son garçonnet qui joue au volant ; les shojo sont des êtres fantastiques aux cheveux roux. Deux poèmes kyoka sont inscrits signés Tsuki Sayaka et Tsuki ni Akiudo. Signé : Shinsai ga Format : surimono H_21,2 cm L_19 cm BELLE EPREUVE AUX COLORIS FRAIS. GOOD IMPRESSION. GOOD COLOUR. B - SHINSAI (1764?-1820) Une carpe se débat dans l'eau Sous une branche de prunier en fleurs, une carpe (koi) prise dans un courant violent, se débat dans l'eau. Signé : Shinsai Format : surimono H_13 cm L_18,1 cm BELLE EPREUVE. COULEURS PASSEES. SALIE. GOOD IMPRESSION. FADED. COLOUR SOILING.

      Pierre Bergé & Associés
    • LOT DE : A - SENSHU GOSAI (ATTRIBUE A) Danseur de Bugaku, dans la pièce Rindai XIXEME SIECLE Signé : Sceau rouge inscrit Gosai For...
      Mar. 02, 2011

      LOT DE : A - SENSHU GOSAI (ATTRIBUE A) Danseur de Bugaku, dans la pièce Rindai XIXEME SIECLE Signé : Sceau rouge inscrit Gosai For...

      Est: €400 - €600

      LOT DE : A - SENSHU GOSAI (ATTRIBUE A) Danseur de Bugaku, dans la pièce Rindai XIXEME SIECLE Signé : Sceau rouge inscrit Gosai Format : Surimono H_21,4 cm L_18,7 cm Provenance : Sceau rouge non identifié BELLE EPREUVE. COULEURS PASSEES. UN PEU SALIE GOOD IMPRESSION. COLOUR FADED. SOME SOILING B - SENSHU GOSAI (ATTRIBUÉ À) Danseur de Bugaku, dans la pièce Ayakiri Format : Surimono H_22 cm L_18,8 cm Provenance : Sceau rouge non identifié BELLE EPREUVE. COULEURS PASSEES. SALIE. GOOD IMPRESSION. COLOUR FADED. SOILED. C - SHINSAI RYURYUKYO (ACTIF VERS 1799-1823) Fleurs de printemps Derrière des fleurs rouges on voit un Shikishi, papier fort pour la calligraphie, un poème de Shikata Shinzan est inscrit, à gauche un Tanzaku, bande de papier fort pour la calligraphie Signé : Ryuryukyo Shinsai Format : Koban yoko-e H_13,5 cm L_17,4 cm BELLE EPREUVE. COULEURS PASSEES. SALIE. GOOD IMPRESSION. COLOURS FADED AND SOILING

      Pierre Bergé & Associés
    • Lot de : a - Shinsai ryuryukyo (actif Vers
      Oct. 16, 2010

      Lot de : a - Shinsai ryuryukyo (actif Vers

      Est: -

      Lot de : a - Shinsai ryuryukyo (actif Vers 1799-1823) Deux personnages devant l'entrée d'un temple Une prostituée et un marchand ambulant se tiennent devant l'entrée...

      Pierre Bergé & Associés
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