Peter Clapham Sheppard Paintings & Artwork for Sale | Peter Clapham Sheppard Art Value Price Guide

Sep. 28, 2024
Peter Clapham Sheppard (Canadian, 1879-1964) - Main Street, Bancroft, Ontario
Est: $4,000 - $6,000
Peter Clapham Sheppard (Canadian, 1879-1964) - Main Street, Bancroft, Ontario
Westbridge Fine Art Auction House
May. 29, 2024
Peter Clapham Sheppard, OSA, RCA (1879-1965), DOMINIQUE LA PLANTE, THUNDER CLOUD, 1914
Est: $20,000 - $30,000
Peter Clapham Sheppard, OSA, RCA (1879-1965), Canadian DOMINIQUE LA PLANTE, THUNDER CLOUD, 1914 oil on canvas signed and dated lower left; P.C. Sheppard Collection inv. no. LG068 24.25 x 30 in — 61.6 x 76.2 cm Estimate: $20,000—30,000
Waddington's
Nov. 14, 2023
PETER CLAPMAN SHEPPARD - 3 FIGURAL WORKS
Est: $300 - $500
Peter Clapman Sheppard, Canadian, 1879-1964, 3 works on paper, includes 6 Female Figures, ink on paper; Female Nude- conte crayon, estate stamped; Male Nude - pencil on paper, verso ink on paper, estate stamped
Litchfield Auctions
Apr. 19, 2023
Peter Clapham Sheppard, Canadian (1882-1965), Untitled-Old Mine, oil on board, 12 x 11 in. (30.5 x 27.9 cm.)
Est: $3,000 - $4,000
Peter Clapham Sheppard Canadian, (1882-1965) Untitled-Old Mine oil on board signed
Maynards Fine Art & Antiques
Nov. 04, 2021
Peter Clapham Sheppard - Winter on the Humber River
Est: $2,000 - $3,000
Winter on the Humber River
Westbridge Fine Art Auction House
Jun. 26, 2021
Peter Clapham Sheppard - Winter on the Humber River
Est: $2,000 - $3,000
Winter on the Humber River
Westbridge Fine Art Auction House
Jun. 26, 2021
Peter Clapham Sheppard - Autumn, Lake of Bays, Ont.
Est: $2,000 - $3,000
Autumn, Lake of Bays, Ont.
Westbridge Fine Art Auction House
May. 28, 2018
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., HOUSE BY THE RIVER, oil on board, 13.25 ins x 16.25 ins; 33.7 cms x 41.3 cms
Est: $4,000 - $5,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.HOUSE BY THE RIVERoil on boardsigned; with an unfinished sketch on the reverse 13.25 ins x 16.25 ins; 33.7 cms x 41.3 cms Provenance:Private Collection, OntarioEstimate: $4,000–5,000
Waddington's
Dec. 14, 2017
PETER CLAPHAM SHEPPARD (CANADIAN, 1882-1965), UNTITLED (WAGON CART), OIL ON PANEL; SIGNED LOWER LEFT, 5.5 x 9.5 in — 14 x 24.1 cm
Est: $700 - $900
PETER CLAPHAM SHEPPARD (CANADIAN, 1882-1965) UNTITLED (WAGON CART)OIL ON PANEL; SIGNED LOWER LEFT5.5 x 9.5 in — 14 x 24.1 cmEstimate: $700—900
Waddington's
Nov. 20, 2017
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., TUGBBOATS, WATERFRONT, TORONTO, oil on board, 10.5 ins x 13.75 ins; 26.7 cms x 34.9 cms
Est: $3,000 - $4,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.TUGBBOATS, WATERFRONT, TORONTOoil on boardsigned 10.5 ins x 13.75 ins; 26.7 cms x 34.9 cms Provenance:Kaspar Gallery, TorontoPrivate Collection, OntarioEstimate: $3,000–4,000
Waddington's
Nov. 20, 2017
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., AUTUMN, oil on board, 13 ins x 16 ins; 33 cms x 40.6 cms
Est: $5,000 - $7,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.AUTUMNoil on boardsigned 13 ins x 16 ins; 33 cms x 40.6 cms Provenance:Estate of the Artist Private Collection, TorontoEstimate: $5,000–7,000
Waddington's
May. 18, 2017
PETER CLAPHAM SHEPPARD (CANADIAN, 1882-1965), SUMMER’S DAY, OIL ON MASONITE; SIGNED LOWER LEFT; SIGNED AND TITLED VERSO, 12" x 15.5" — 30.5 x 39.4 cm.
Est: -
PETER CLAPHAM SHEPPARD (CANADIAN, 1882-1965) SUMMER’S DAYOIL ON MASONITE; SIGNED LOWER LEFT; SIGNED AND TITLED VERSO12" x 15.5" — 30.5 x 39.4 cm.Estimate: $700—900
Waddington's
Mar. 17, 2016
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., OCTOBER, ALGONQUIN LAKE, oil on board, 10.5 ins x 13.75 ins; 26.7 cms x 34.9 cms
Est: -
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.OCTOBER, ALGONQUIN LAKEoil on boardsigned 10.5 ins x 13.75 ins; 26.7 cms x 34.9 cms Provenance:Estate of the artistPrivate Collection, TorontoEstimate: $3,000–5,000
Waddington's
Nov. 23, 2015
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., SEASIDE, C. 1920, oil on board, 8.5 ins x 10.5 ins; 21.6 cms x 26.7 cms
Est: $3,500 - $4,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.SEASIDE, C. 1920oil on board 8.5 ins x 10.5 ins; 21.6 cms x 26.7 cms Provenance:Estate of the artistPrivate Collection, Toronto
Waddington's
Nov. 23, 2015
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., SHORELINE, LOWER ST. LAWRENCE, QUEBEC, oil on canvas, 24 ins x 34 ins; 61 cms x 86.4 cms
Est: $25,000 - $30,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.SHORELINE, LOWER ST. LAWRENCE, QUEBECoil on canvassigned 24 ins x 34 ins; 61 cms x 86.4 cms Provenance:Private Collection, TorontoLiterature:Colin S. MacDonald, A Dictionary of Canadian Artists, 3rd edition, Canadian Paperbacks, Ottawa, 1975, pages 459-461.Note:Born in Toronto in 1882, Peter Clapham Sheppard apprenticed and studied with some of the leading lithographers and artists at the time, and travelled throughout Europe and the United States to further his artistic education. Known primarily for his landscape paintings, Sheppard’s subject matter is highly varied, depicting portraiture, cityscapes, genre painting, and of course landscape with a keen eye for detail. His work is not easily categorized as Sheppard not only painted an array of subjects, but he did so using many different artistic techniques as well (see also Lot 92). Working during a period of rampant industrialization and development, Sheppard would have been exposed to the rapidly evolving aesthetic trends of the time. As such, his work seems to sit in that heady axis of change between one artistic school of thought and another, that is Impressionism and Post-Impressionism. Sheppard’s use and precise application of light and shadow hint at the former, while his exploration of colour and line suggests the latter. The painting Shoreline, Lower St. Lawrence, Quebec is demonstrative of this duality. The looseness of the brushwork and the subtleties of light on the rooftops evidences a more Impressionistic influence, while the abstraction of form in both the mountains and shoreline suggests his familiarity with the Post-Impressionist aesthetic. With a career spanning the First and Second World War and the Great Depression, Sheppard’s colourful and recognizable imagery would have resonated deeply with the Canadian public. His stylistic versatility portraying the changing seasons and rugged beauty of both rural and urban centres would have worked to foster a nationalist sentiment, and for this reason Sheppard’s work is essential to the ongoing study and understanding of the Canadian landscape tradition.
Waddington's
Nov. 23, 2015
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., THE MARKET, NOVEMBER, oil on canvas, 24 ins x 30 ins; 61.6 cms x 76.2 cms
Est: $40,000 - $50,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.THE MARKET, NOVEMBERoil on canvassigned 24 ins x 30 ins; 61.6 cms x 76.2 cms Provenance:Estate of the artist Private Collection, OntarioExhibited:51st Annual Spring Exhibition, 19 April-13 May, Art Association of Montreal, Montreal, 1934, no. 318.Literature:A. H. Robson, Canadian Landscape Painters, Ryerson Press, Toronto, 1932, page 164. Colin S. MacDonald, A Dictionary of Canadian Artists, 3rd edition, Canadian Paperbacks, Ottawa, 1975. Evelyn de Rostaing McMann, Montreal Museum of Fine Arts, Spring Exhibitions 1880-1970, University of Toronto Press, Toronto/Buffalo/London, 1988, page 350 for The Market, November listed.Note:Toronto-born Peter Clapham Sheppard served as an apprentice lithographer before training as a painter under George Reid, John William Beatty, and William Cruickshank at the Central Ontario School of Art and Design and the Ontario College of Art. After 1912, he set off to travel throughout Europe and the United States. He became a member of the Ontario Society of Artists in 1918 and an Associate of the Royal Academy in 1929, exhibiting regularly with both organizations alongside contemporaries such as J.E.H. MacDonald, Tom Thomson, and Frederick Varley. Sheppard worked in oil, watercolour, and pencil to depict the landscapes and cityscapes he observed in Quebec, New Brunswick, Nova Scotia, and Ontario. Developing a wide range of subject matter and figure groupings, he focused his compositions on capturing urban and industrial activities in cities like New York, Montreal, Toronto, and Ottawa. The bustle and small economy of the marketplace is a subject he approached in a number of ways in his maturity as a painter. The Market exhibits many of the facets of Canadian Impressionism while reinterpreting the lessons he had taken from European Symbolism and Expressionism. At the height of his renown in Canada, Sheppard was invited to participate in a number of international exhibitions: the British Empire Exhibition at Wembley (1925); L'Exposition d'Art Canadien in Paris (1927); and the New York World's Fair (1939). Today, his work is represented in the collections of the Art Gallery of Ontario, the Canadian War Museum and the National Gallery of Canada. While there is an R.C.A. exhibition label attached to the back of the frame which gives the title of the painting, there is no painting listed for the R.C.A. exhibitions from this period that precisely corresponds. There are other market scenes that were shown at the R.C.A. at this time including Fruit Market (exhibited in 1933) and Hamilton Market (exhibited in 1934). However, a work of this same title is listed as having been included in the records for the 1934 A.A.M. Exhibition.
Waddington's
Nov. 24, 2014
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., SHIP AT DOCK, oil on canvas, 20.25 ins x 25.25 ins; 51.4 cms x 64.1 cms
Est: $7,000 - $9,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.SHIP AT DOCKoil on canvassigned 20.25 ins x 25.25 ins; 51.4 cms x 64.1 cms Provenance:Private Collection, OntarioLiterature:Graham Campbell Mclnnes, "World Of Art", Saturday Night, Toronto, Apr. 27 1935.A.H. Robson, Canadian Landscape Painters, Ryerson Press, Toronto, 1932, page 164.Note:Robson writes that Peter Sheppard "began exhibiting pictures with the breadth of brush handling and a brilliancy of colour which attracted favourable attention." Critic Graham Mclnnes points out that "Peter Sheppard is at his best among the skyscrapers and the docks."
Waddington's
Nov. 24, 2014
PETER CLAPHAM SHEPPARD & BERNICE FENWICK MARTIN, A COLLECTION OF EIGHT SKETCHBOOKS, watercolour and pencil
Est: $4,000 - $6,000
PETER CLAPHAM SHEPPARD & BERNICE FENWICK MARTINA COLLECTION OF EIGHT SKETCHBOOKSwatercolour and pencilSeven small sketchbooks containing works by P.C. Sheppard comprising over 80 pages of watercolours and 65 pages of pencil drawings; one sketchbook containing 4 watercolours by B.F. Martin depicting Muskoka scenes (3 titled on the reverse) and one unfinished drawing of flowersProvenance:Private Collection, Toronto
Waddington's
May. 26, 2014
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., THE DOCKS, oil on canvas, 17 ins x 21 ins; 43.2 cms x 53.3 cms
Est: $4,000 - $6,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.THE DOCKSoil on canvassigned 17 ins x 21 ins; 43.2 cms x 53.3 cms Provenance:Private Collection, Toronto
Waddington's
Jun. 03, 2013
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., AUTUMN, NORTHERN RIVER, oil on board, 10.5 ins x 13.75 ins; 26.3 cms x 34.4 cms
Est: $3,000 - $4,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.AUTUMN, NORTHERN RIVER, oil on board; signed; an estate stamp on the reverse 10.5 ins x 13.75 ins; 26.3 cms x 34.4 cms
Waddington's
May. 15, 2013
Peter Clapham Sheppard 1882 - 1965 Canadian oil on
Est: $15,000 - $20,000
Peter Clapham Sheppard 1882 - 1965 Canadian oil on canvas Market 24 x 31 1/2 inches 61 x 80 centimeters signed Provenance:Private Collection, Ontario Peter Clapham Sheppard exhibited extensively throughout his career but notably in the 1920s, showing internationally at Wembley in 1925 and the Jeu de Paume in Paris in 1927. He was a versatile painter - talented in depicting figures, coastal scenes, landscapes and still lifes. Sheppard was particularly adept at capturing the energy and activity of urban and industrial scenes, as seen here in Market, in which various figures, either at work or at leisure, bustle about, enjoying the light streaming into this urban space. The location of this particular market is undetermined, but we can assume it is Montreal, Ottawa or Toronto. However, the anonymity of the location allows the viewer to identity with the familiarity of the market scene and draw connections to their own experiences. Sheppard uses his colour palette liberally, adding broad and contrasting strokes of colour, particularly the electric blue surrounding the windows contrasted with pink tones on the roof and mint green on the building's front. Executed in masterly fashion, this luscious light-filled painting can be seen to have qualities of Canadian Impressionism. There is an unfinished figurative work on verso.
Heffel
Feb. 28, 2013
Peter Clapham Sheppard 1882 - 1965 Canadian oil on
Est: $2,000 - $3,000
Peter Clapham Sheppard 1882 - 1965 Canadian oil on board Winter Landscape 8 1/2 x 10 1/2 inches 21.6 x 26.7 centimeters signed and on verso titled on the gallery label Provenance: Kaspar Gallery, Toronto Private Collection, Ontario
Heffel
Feb. 28, 2013
PETER CLAPHAM SHEPPARD (CANADIAN, 1882-1965) PORT
Est: $500 - $700
PETER CLAPHAM SHEPPARD (CANADIAN, 1882-1965) PORT VIEWS; SET OF 3 WATERCOLOURS; EACH INITIALED LOWER RIGHT (All in similar frames) Each sight 4.5" x 6.5" - 11.4 x 16.5 cm.
Waddington's
Nov. 29, 2012
Peter Clapham Sheppard 1882 - 1965 Canadian oil on
Est: $2,000 - $2,500
Peter Clapham Sheppard 1882 - 1965 Canadian oil on board House and Garden 8 1/2 x 10 1/2 inches 21.6 x 26.7 centimeters signed and on verso titled on the gallery label and inscribed ""S23"" and ""#5648"" Provenance:Kaspar Gallery, Toronto Private Collection, Toronto
Heffel
Nov. 22, 2012
Peter Clapham Sheppard 1882 - 1965 Canadian oil on
Est: $20,000 - $30,000
Peter Clapham Sheppard 1882 - 1965 Canadian oil on canvas Cabstand, Winter, Dominion Square, Montreal 20 1/4 x 24 1/2 inches 51.4 x 62.2 centimeters signed Provenance:Private Collection, Ontario Peter Clapham Sheppard was born in Toronto in 1882, the son of a brickmaker. He began work at age 16 as a commercial illustrator for the lithographers Barclay, Clark & Co. (later Rolf-Clark-Stone Limited), with whom he stayed for most of his working life. He studied at the Central Ontario School of Art and Industrial Design (rechristened the Ontario College of Art in 1912), where his teachers included the two doyens of art instruction in Toronto, George A. Reid and William Cruikshank. Another instructor was J.W. Beatty, at the time the studio-mate and mentor of J.E.H. MacDonald. Sheppard proved an outstanding pupil at the OCA, winning major prizes such as the Sir Edmund Walker Scholarship and earning nine honours diplomas. His artistic practice was undoubtedly also stimulated by his work in comm rcial illustration. Toronto's lithography companies, notably Grip Ltd., where Tom Thomson and five charter members of the Group of Seven earned their livings, were cradles of artistic invention. After spending their weekdays producing pamphlets and posters for the advertising industry, these men expended their leisure time on painting excursions into the Ontario hinterlands. This combination of commercial craft and backwoods exploration helped produce the intense colours and energetic patterns denounced in 1913 by the Toronto Daily Star as the "Hot Mush School". Sheppard quickly proved adept at the ""Hot Mush"" style. Like so many of his contemporaries, he used his time away from the workbench to stalk the popular painting grounds of rural Ontario, producing vivid landscapes that combined a fiery palette with robust brushwork in the cause of the vibrant and distinctively Canadian style of art of which his old teacher, Beatty, was an enthusiastic proponent. He exhibited extensively, including at Wembley n 1925, the Jeu de Paume in Paris in 1927 and the World's Fair in New York in 1939. He became a member of the Ontario Society of Artists in 1918 and was made an Associate of the Royal Canadian Academy in 1929. However, naturally reclusive and publicity-shy, he lacked the flair for loquacious self-promotion that distinguished a number of his contemporaries. An exceptionally versatile painter, Sheppard was capable of both sensitive figure studies and what seems to have been his greatest passion - urban and industrial scenes featuring bridges, locomotives, tramp steamers and lake freighters. These steely monuments to Canada's commercial progress were always offered as the handiwork of vigorous and even heroic human effort, with the figures of toiling workmen giving both scale and a sense of empathy. Sheppard was painting Montreal's docks and historic houses by the early 1920s. In 1928, his scene of Dominion Square in a snowstorm, Midwinter, was purchased by the National Gallery of Canada, the second of his works to enter their collection. Midwinter was the product of at least two studies, one a rapidly brushed plein air watercolour, the other this careful oil sketch, Cabstand, Winter, Dominion Square, Montreal. This work shows the cab horses and the Boer War monument in tighter focus and from a less oblique angle, and features Sheppard's combination of confident brushwork and, in the figure of the horse and its sleigh, a delicate linear grace. Cabstand, Winter, Dominion Square, Montreal beautifully evokes the enticing gloom of a heavy snowfall, with the bold curves and brick red of the sleigh standing out against the snow piled at the foot of the war memorial. The painting is striking above all for the wonderful contrast between the placid cab horses, with their blinkers, blankets and nosebags, and the bronze warhorse rearing heroically on its plinth. The cab horses display their own modest heroism, Sheppard suggests, by enduring the rigours of a Canadian snowstorm. We thank Ross King, author of Defiant Spirits: The Modernist Revolution of the Group of Seven, for contributing the above essay.
Heffel
Nov. 04, 2012
Artist: PETER CLAPHAM SHEPPARD [1882-1965]
Est: $800 - $1,000
Artist: PETER CLAPHAM SHEPPARD [1882-1965] Canadian Title: Untitled - Marsh in the Fall Media: oil on canvas board 12 x 16 in. / 30 x 41 cm. Notes: signed lower left; framed; some surface dirt noted
Levis Auction
Nov. 04, 2012
Artist: PETER CLAPHAM SHEPPARD [1882-1965]
Est: $800 - $1,000
Artist: PETER CLAPHAM SHEPPARD [1882-1965] Canadian Title: Untitled - Still Evening Media: oil on canvas board 10.25 x 13.5 in. / 26 x 34 cm. Notes: signed lower right; estate stamp verso; framed Provenance: Pegasus Gallery, Salt Spring Island, label verso
Levis Auction
Sep. 13, 2012
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. WAGON, oil
Est: $800 - $1,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. WAGON, oil on panel; signed 5 ins x 8.75 ins; 12.5 cms x 21.9 cms
Waddington's
May. 25, 2012
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. PORTRAIT OF A SEATED GENTLEMAN, oil on board; signed and dated June/27 on the reverse 10.25 ins x 8.5 ins; 25.6 cms x 21.3 cms
Est: $2,000 - $3,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. PORTRAIT OF A SEATED GENTLEMAN, oil on board; signed and dated June/27 on the reverse 10.25 ins x 8.5 ins; 25.6 cms x 21.3 cms
Waddington's
Mar. 15, 2012
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.
Est: $1,000 - $1,200
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. WAGON, oil on panel; signed 5 ins x 8.75 ins; 12.5 cms x 21.9 cms
Waddington's
Nov. 25, 2011
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.WINTER, MUSKOKA, oil on canvas; signed 20 ins x 25 ins; 50 cms x 62.5 cms
Est: $4,000 - $6,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.WINTER, MUSKOKA, oil on canvas; signed 20 ins x 25 ins; 50 cms x 62.5 cms $4,000-6,000
Waddington's
Jun. 10, 2010
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. HARBOUR
Est: $3,000 - $4,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. HARBOUR SCENE, oil on canvas; signed, small tear at left edge of canvas 34 ins x 38 ins; 85 cms x 95 cms
Waddington's
Jun. 10, 2010
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. WHEEL
Est: $800 - $1,200
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. WHEEL BARREL, oil on board; signed 5 1/2 ins x 9 1/2 ins; 13.8 cms x 23.8 cms
Waddington's
Jun. 10, 2010
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. OCTOBER
Est: $1,200 - $1,500
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. OCTOBER GLORY, oil on board; signed, with a sketch of a village on the reverse 8 1/2 ins x 10 1/2 ins; 21.3 cms x 26.3 cms
Waddington's
Jun. 10, 2010
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. HIGH FALLS,
Est: $5,000 - $6,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. HIGH FALLS, BRACEBRIDGE, CIRCA 1932, oil on canvas; signed 10 1/2 ins x 13 3/4 ins; 26.3 cms x 34.4 cms
Waddington's
Jun. 01, 2010
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., CARGO SHIP AT THE DOCK, oil on canvas, 30 ins x 36 ins; 75 cms x 90 cms
Est: $4,000 - $6,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.CARGO SHIP AT THE DOCK, oil on canvas; signed 30 ins x 36 ins; 75 cms x 90 cms
Waddington's
Jun. 01, 2010
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A., OCEAN PORT, oil on canvas, 24 ins x 34 ins; 60 cms x 85 cms
Est: $4,000 - $6,000
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A.OCEAN PORT, oil on canvas; signed 24 ins x 34 ins; 60 cms x 85 cms Exhibited: Eighth Annual Exhibition, The Art Gallery of Hamilton, 1957.
Waddington's
May. 29, 2010
Peter Clapham Sheppard 1882 - 1965 Canadian oil on
Est: $4,000 - $6,000
Peter Clapham Sheppard 1882 - 1965 Canadian oil on canvas Rural Landscape 24 x 30 inches 61 x 76.2 centimeters signed Provenance:Private Collection, Winnipeg
Heffel
May. 28, 2008
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. CITY
Est: -
PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. CITY HARBOUR
Joyner
Nov. 24, 2007
Peter Clapham Sheppard 1882 - 1965 Canadian oil on
Est: $1,500 - $2,000
Peter Clapham Sheppard 1882 - 1965 Canadian oil on board Laying the Foundation for Victory Mills, Toronto Waterfront AOL1107-E05399-006 8 1/2 x 10 1/2 inches 21.6 x 26.7 centimeters signed and on verso titled, dated September 1945 and estate stamp Provenance:Estate of the Artist By descent to the present Private Collection, Toronto
Heffel