Mira Schendel Paintings & Artwork for Sale | Mira Schendel Art Value Price Guide

Nov. 14, 2024
Mira Schendel (1919-1988) Untitled
Est: €6,000 - €8,000
Mira Schendel (1919-1988) Untitled Ink on Japanese paper Signed and dated 65 (slightly stained) 47x23 cm
Veritas Art Auctioneers
Aug. 13, 2024
Mira Schendel (Swiss, 1919-1988) Monotype On Rice Paper
Est: $10,000 - $50,000
DESCRIPTION: Monotype on rice paper by Mira Schendel depicting various Latin letters in white against a black background. Signed and dated at lower right. Mounted in a wooden frame. Provenance: From the estate of David Beatty a prominent Latin American art collector and donor to MOA, Ft. Lauderdale. CIRCA: 20th Century ORIGIN: Switzerland DIMENSIONS: With frame - H: 19.5" W: 2" L: 15" Without frame - H: 13" L: 9.5" CONDITION: Minor wear to frame Unless otherwise stated, all information provided is the opinion of our specialists. Should you have any specific questions regarding the condition of this lot, please use the ask question button or send us an email.
Akiba Galleries
Apr. 19, 2024
Mira SCHENDEL (1919-1988) Swiss - Italian - Brazilian
Est: $40,000 - $60,000
Mira SCHENDEL (1919-1988) ; tempera and gold leaf on panel ; 1983 ; dimensions 79 x 79 cm (31 x 31 in.) ; signed and dated on verso ; Shipping to USA - DHL $835 , National post with tracking service $525 / Shipping to EU, Middle Assia - DHL $645 , National post with tracking service $475
Art-Torg
Mar. 04, 2024
Untitled
Est: $15,000 - $20,000
Property from the Estate of Donna and Howard Stone Mira Schendel 1919 - 1988 Untitled signed and dated 64 (lower right) oil on paper mounted between Plexiglas 18 ½ by 9⅛ in. 47 by 23 cm. Executed in 1964.
Sotheby's
Mar. 04, 2024
Untitled
Est: $15,000 - $20,000
Property from the Estate of Donna and Howard Stone Mira Schendel 1919 - 1988 Untitled oil on paper mounted between Plexiglas 18½ by 9⅛ in. 47 by 23 cm. Executed in 1964.
Sotheby's
Mar. 01, 2024
Untitled, from the series Datiloscritos
Est: $50,000 - $70,000
Mira Schendel 1919 - 1988 Untitled, from the series Datiloscritos signed and dated 74, 3 (lower right); inscribed 3 and 1/a (on the verso) typewriting, transfer and ink on paper 20 by 14¼ in. 36.3 by 50.8 cm. Executed in 1974.
Sotheby's
Dec. 08, 2023
Mira SCHENDEL (1919-1988) Swiss - Italian - Brazilian
Est: $6,000 - $9,000
Mira SCHENDEL (1919 Zurich - 1988 San Paulo) ; Untitled abstract ; 1960s ; oil on canvas / framed ; dimensions 46 x 61,5 cm (18 x 24 1/4 in.) ; frame size 49 x 64 cm (19 1/3 x 25 1/4 in.) ; signed on verso ; Shipping to USA - DHL $250 , National post with tracking service $120 / Shipping to EU, Russia, Middle Assia - DHL $150 , National post with tracking service $65
Art-Torg
Dec. 07, 2023
Mira Schendel, Untitled (two works)
Est: $2,000 - $3,000
Mira Schendel Untitled (two works) 1965, 1969 monotype 18.25 h x 9 w in (46 x 23 cm) 20 h x 10.5 w in (51 x 27 cm) Signed and dated to lower right of one work 'Mira 65'. Signed and dated to lower right of additional work 'Mira 69'. This work will ship from Lambertville, New Jersey.
Wright
Dec. 07, 2023
Mira Schendel, Untitled (three works)
Est: $6,000 - $8,000
Mira Schendel Untitled (three works) 1965, 1969 monotype 18.25 h x 9 w in (46 x 23 cm) Signed and dated to lower right of one work 'Mira 65'. Signed and dated to lower right of additional two works 'Mira 69'. This work will ship from Lambertville, New Jersey.
Wright
Jun. 08, 2023
¤ Mira SCHENDEL (1919 - 1988) Sans titre - 1956 Huile et cire sur panneau
Est: €50,000 - €70,000
Mira SCHENDEL (1919 - 1988) Sans titre - 1956 Huile et cire sur panneau Signé et daté en bas à droite "Mira, MCMLVI", contresigné et daté au dos h: 40,50 w: 70,50 cm Provenance : Collection particulière, Brésil Commentaire : Oil and wax on panel; signed and dated lower right, signed again and dated on the reverse Lot en importation temporaire. L'acquéreur devra acquitter des frais d'importation, soit 5,5% en sus du prix d'adjudication sauf s'il réexporte immédiatement le lot hors de l'Union Européenne. This work is in temporary import. The buyer will have to pay import fees of 5.5% in addition to the hammer price, unless the buyer immediately re-exports the lot outside the European Union. Estimation 50 000 - 70 000 €
Artcurial
Jun. 06, 2023
Mira Schendel, Untitled, 1964/1965
Est: €45,000 - €50,000
4 works signed and dated 'Mira, 64', 6 signed and dated 'Mira, 65'.
Kunsthaus Lempertz KG
Apr. 07, 2023
Mira SCHENDEL (1919-1988) Swiss - Italian - Brazilian
Est: $6,000 - $9,000
Mira SCHENDEL (1919 Zurich - 1988 San Paulo) ; Untitled abstract ; 1960s ; oil on canvas / framed ; dimensions 46 x 61,5 cm (18 x 24 1/4 in.) ; frame size 49 x 64 cm (19 1/3 x 25 1/4 in.) ; signed on verso ; Shipping to USA - DHL $250 , National post with tracking service $120 / Shipping to EU, Russia, Middle Assia - DHL $150 , National post with tracking service $65
Art-Torg
Mar. 08, 2023
Mira Schendel Brazilian, 1919-1988 Idle, 1973
Est: $4,000 - $6,000
Mira Schendel Brazilian, 1919-1988 Idle, 1973 Signed and dated October 19, 1973 Mira - and inscribed as titled (ll) Gouache on paper 14 1/4 x 22 1/2 inches (36.2 x 57.1 cm) Provenance: Acquired directly from the artist by the current owner C
DOYLE Auctioneers & Appraisers
Nov. 28, 2022
Mira Schendel, 1919-1988, Untitled, from the series "Silver and gold small squares/Quadradinho de oura e prata"
Est: CHF10,000 - CHF15,000
Signed and dated lower right: Mira, 82. (Frame).
Germann Auction House Ltd
Nov. 17, 2022
Mira Schendel (1919-1988) Untitled (triptych), 1978 Mixed media on paper 18 x 9
Est: $20,000 - $30,000
Mira Schendel (1919-1988) Untitled (triptych), 1978 Mixed media on paper 18 x 9 inches (45.7 x 22.9 cm) (sheets) Each signed and dated lower right: Mira 78 PROVENANCE: Schendel Foundation; Galeria Millan, Sao Paolo, Brazil; Private collection, Florida. HID01801242017
Heritage Auctions
Oct. 12, 2022
Mira Schendel Brazilian, 1919-1988 Idle, 1973
Est: $4,000 - $6,000
Mira Schendel Brazilian, 1919-1988 Idle, 1973 Signed and dated October 19, 1973 Mira - and inscribed as titled (ll) Gouache on paper 14 1/4 x 22 1/2 inches (36.2 x 57.1 cm) Provenance: Acquired directly from the artist by the current owner C
DOYLE Auctioneers & Appraisers
Aug. 12, 2022
Mira SCHENDEL (1919-1988) Swiss - Italian - Brazilian
Est: $9,000 - $11,000
Mira SCHENDEL (1919 Zurich - 1988 San Paulo) ; Untitled abstract ; 1960s ; oil on canvas / framed ; dimensions 46 x 61,5 cm (18 x 24 1/4 in.) ; frame size 49 x 64 cm (19 1/3 x 25 1/4 in.) ; signed on verso ; Shipping to USA - DHL $250 , National post with tracking service $120 / Shipping to EU, Russia, Middle Assia - DHL $150 , National post with tracking service $65
Art-Torg
May. 11, 2022
Mira Schendel Brazilian, 1919-1988 Idle, 1973
Est: $6,000 - $9,000
Mira Schendel Brazilian, 1919-1988 Idle, 1973 Signed and dated October 19, 1973 Mira - and inscribed as titled (ll) Gouache on paper 14 1/4 x 22 1/2 inches (36.2 x 57.1 cm) Provenance: Acquired directly from the artist by the current owner C
DOYLE Auctioneers & Appraisers
May. 11, 2022
Mira Schendel Brazilian, 1919-1988 Across the Yellow River, 1973
Est: $6,000 - $9,000
Mira Schendel Brazilian, 1919-1988 Across the Yellow River, 1973 Signed and dated August 16, 1973 Mira (ll); inscribed as titled (lr) Gouache on paper 14 x 20 inches (35.6 x 50.8 cm) Provenance: Acquired directly from the artist by the current owner C
DOYLE Auctioneers & Appraisers
Oct. 27, 2021
Mira Schendel Brazilian, 1919-1988 Untitled, 1964
Est: $20,000 - $30,000
Mira Schendel Brazilian, 1919-1988 Untitled, 1964 Signed and dated Mira, 1964 on the reverse Tempera on jute 15 x 12 inches (38.1 x 30.4 cm) Unframed Provenance: Private collection, Miami C
DOYLE Auctioneers & Appraisers
Jun. 04, 2021
Mira SCHENDEL (1919-1988) Swiss - Italian - Brazilian
Est: $9,000 - $11,000
Mira SCHENDEL (1919 Zurich - 1988 San Paulo) ; Untitled abstract ; 1960s ; oil on canvas / framed ; dimensions 46 x 61,5 cm (18 x 24 1/4 in.) ; frame size 49 x 64 cm (19 1/3 x 25 1/4 in.) ; signed on verso ; Shipping to USA - DHL $250 , National post with tracking service $120 / Shipping to EU, Russia, Middle Assia - DHL $150 , National post with tracking service $65
Art-Torg
Nov. 18, 2020
Mira Schendel (1919-1988) - Vector, letra e linhas V
Est: $8,000 - $12,000
Mira Schendel (1919-1988) Vector, letra e linhas V monotype 9 x 9 in. (22.9 x 22.9 cm.)
Christie's
Aug. 08, 2020
Mira SCHENDEL (1919-1988) Swiss - Italian - Brazilian
Est: $15,000 - $20,000
Mira SCHENDEL (1919 Zurich - 1988 San Paulo) ; Untitled abstract ; 1960s ; oil on canvas / framed ; dimensions 46 x 61,5 cm (18 x 24 1/4 in.) ; frame size 49 x 64 cm (19 1/3 x 25 1/4 in.) ; signed on verso ; Shipping to USA - DHL $250 , National post with tracking service $120 / Shipping to EU, Russia, Middle Assia - DHL $150 , National post with tracking service $65
Art-Torg
Oct. 05, 2019
Mira SCHENDEL (1919-1988) Swiss - Italian - Brazilian
Est: $30,000 - $45,000
Mira SCHENDEL (1919 Zurich - 1988 San Paulo) ; Untitled abstract ; 1960s ; oil on canvas / framed ; dimensions 46 x 61,5 cm (18 x 24 1/4 in.) ; frame size 49 x 64 cm (19 1/3 x 25 1/4 in.) ; signed on verso ; Shipping to USA - DHL $250 , National post with tracking service $120 / Shipping to EU, Russia, Middle Assia - DHL $150 , National post with tracking service $65
Art-Torg
Dec. 08, 2018
MIRA SCHENDEL
Est: CHF4,000 - CHF6,000
MIRA SCHENDEL (Zurich 1919 - 1988 São Paulo) Untitled (from the series: Silver and gold small squares/Quadradinho de oura e prata). 1982. Gold leaf, charcoal and oil on firm paper. Signed and dated lower right: Mira 82. 38 x 23.5 cm. Provenance: - Purchased from the artist, private collection Brasil. - By descent to the present owner, since then private collection USA. Born in Zurich in 1919 to a Jewish family of Italian-German origins, Myrrha Dagmar Dub grew up in Milan. The growth of Fascism in Europe forced her to flee first to Sofia in 1930 and then later to Sarajevo. In 1944 she returned to Italy and then emigrated to Brazil in 1949. Only then did the former philosophy student begin to dedicate herself to art. In Brazil in the 1950s there raged a passionate debate about the significance of art in a modern post war society. On the one side stood the defenders of figurative art, which was seen as the symbol of nationalism and revolution; on the other side were the supporters of abstraction, which was seen as a unique opportunity for the renewal of art after the experiences of the war. Mira Schendel was influenced by both sides, but in the end turned to neither group. Starting with figurative work, she turned again and again to abstraction, in which her distinct interest in materiality played a great role. Above all, for her the making of a work – the handmade element – represented a connection between the real world and the artist. The present work from 1982 powerfully demonstrates her love of experimentation, with the use of various types of paper, and the meaning of materiality within her work. Alongside Lygia Clark and Hélio Oiticica, Mira Schendel is one of the most important Brazilian artists of the second half of the 20th century. --------------- MIRA SCHENDEL (Zürich 1919 - 1988 São Paulo) Ohne Titel (aus der Serie: Silver and gold small squares/Quadradinho de oura e prata). 1982. Blattgold, Kohle und Öl auf festem Papier. Unten rechts signiert und datiert: Mira 82. 38 x 23,5 cm. Provenienz: - Direkt von der Künstlerin erworben, Privatsammlung Brasilien. - Durch Erbschaft an den heutigen Besitzer, seitdem Privatsammlung USA. 1919 in Zürich in eine jüdische Familie mit italienisch-deutschen Wurzeln geboren, wächst Myrrha Dagmar Dub in Mailand auf. Der zunehmende Faschismus in Europa zwingt sie 1939 zur Flucht erst nach Sofia und dann weiter nach Sarajevo. 1944 kehrt sie nach Italien zurück und wandert 1949 nach Braslien aus. Erst hier beginnt die ehemalige Philosophie-Studentin, sich der Kunst zu widmen. Im Brasilien der 1950er Jahre tobt eine leidenschaftliche Diskussion über den Stellenwert der Kunst in der modernen Nachkriegsgesellschaft. Auf der einen Seite stehen die Verfechter der figurativen Kunst, die als Symbol des Nationalimus und der Revolution gesehen wird; auf der anderen Seite die Anhänger der Abstraktion, die als einzige Möglichkeit gesehen wird, den Kunstbetrieb, auch nach den Erfahrungen des Krieges zu erneuern. Mira Schendel wird von beiden Seiten beeinflusst, tritt aber letztendlich keiner Gruppe bei. Beginnend mit figurativen Werken, wendet sie sich immer mehr der Abstraktion zu, wobei ihr ausgeprägtes Interesse an der Materialität eine grosse Rolle spielt. Darüberhinaus bedeutet für sie das „Machen“ – die handwerkliche Arbeit also – eine Verbindung zwischen der realen Welt und dem Künstler. Die vorliegende Arbeit von 1982 zeigt eindrucksvoll ihre Expertimentierfreude mit unterschiedlichen Papieren und die Bedeutung der Materialiät in ihrem Werk. Neben Lygia Clark und Hélio Oiticica gehört Mira Schendel zu den bedeutendsten brasilianischen Künstlern der zweiten Hälfte des 20. Jahrhunderts.
Koller Auctions
Nov. 15, 2018
MIRA SCHENDEL | Untitled
Est: $50,000 - $70,000
mixed media on panel
Sotheby's
Nov. 15, 2018
MIRA SCHENDEL | Untitled, from the series 'Datiloscritos'
Est: $80,000 - $120,000
typewriting, transfer and ink on paper
Sotheby's
Sep. 28, 2018
MIRA SCHENDEL (1919-1988) | Untitled, 1964
Est: $10,000 - $15,000
oil on Japanese paper mounted between plexiglas sheets, in four parts; signed and dated '1964' lower right, also inscribed 'IV' lower left
Sotheby's
Jun. 30, 2018
MIRA SCHENDEL
Est: CHF8,000 - CHF12,000
MIRA SCHENDEL (Zurich 1919 - 1988 Sao Paulo) Untitled. 1972. Mixed media on paper, collaged. Signed and dated lower right: Mira 72. 48.7 x 25 cm. Provenance: - Purchased in 1980 in Brazil. - By descent to the present owner, since then private collection USA. Born in Zurich in 1919 to a Jewish family of Italian-German origins, Myrrha Dagmar Dub grew up in Milan. The growth of Fascism in Europe forced her to flee first to Sofia in 1930 and then later to Sarajevo. In 1944 she returned to Italy and then emigrated to Brazil in 1949. Only then did the former philosophy student begin to dedicate herself to art. In Brazil in the 1950s there raged a passionate debate about the significance of art in a modern post war society. On the one side stood the defenders of figurative art, which was seen as the symbol of nationalism and revolution; on the other side were the supporters of abstraction, which was seen as a unique opportunity for the renewal of art after the experiences of the war. Mira Schendel was influenced by both sides, but in the end turned to neither group. Starting with figurative work, she turned again and again to abstraction, in which her distinct interest in materiality played a great role. Above all, for her the making of a work – the handmade element – represented a connection between the real world and the artist. The present work from 1982 powerfully demonstrates her love of experimentation, with the use of various types of paper, and the meaning of materiality within her work. The present piece from 1972 is a fine example of her expert use “of a reduced concrete formal language, in order to fathom the existential dimensions of emptiness, of the ephemeral and of stillness.” (quote Philipp Meier, in: Neue Zürcher Zeitung, Südliche Spielarten, 19.12.2009). Alongside Lygia Clark and Hélio Oiticica, Mira Schendel is one of the most important Brazilian artists of the second half of the 20th century. --------------- MIRA SCHENDEL (Zürich 1919 - 1988 Sao Paulo) Ohne Titel. 1972. Mischtechnik auf Papier, collagiert. Unten rechts signiert und datiert: Mira 72. 48,7 x 25 cm. Provenienz: - 1980 in Brasilien erworben. - Durch Erbschaft an den heutigen Besitzer, seitdem Privatsammlung USA. 1919 in Zürich in eine jüdische Familie mit italienisch-deutschen Wurzel geboren, wächst Myrrha Dagmar Dub in Mailand auf. Der Faschismus in Europa zwingt sie 1939 zur Flucht erst nach Sofia und dann weiter nach Sarajevo. 1944 kehrt sie nach Italien zurück und wandert 1949 nach Braslien aus. Erst hier beginnt die ehemalige Philosophie-Studentin, sich der Kunst zu verschreiben. Im Brasilien der 1950er Jahre tobt eine leidenschaftliche Diskussion über den Stellenwert der Kunst in der modernen Nachkriegsgesellschaft. Auf der einen Seite stehen die Verfechter der figurativen Kunst, die als Symbol des Nationalimus und der Revolution gesehen wird; auf der anderen Seite die Anhänger der Abstraktion, die als einzige Möglichkeit gesehen wird, den Kunstbetrieb, auch nach den Erfahrungen des Krieges, zu erneuern. Mira Schendel wird von beiden Seiten beeinflusst, wendet sich aber letztendlich keiner Gruppe zu. Beginnend mit figurativen Werken widmet sie sich immer mehr der Abstraktion, wobei ihr ausgeprägtes Interesse an der Materialität eine grosse Rolle spielt. Darüberhinaus bedeutet für sie das „Machen“ – die handwerkliche Arbeit also – eine Verbindung zwischen der realen Welt und dem Künstler. Die vorliegende Arbeit von 1972 ist exemplarisch für ihren meisterhaften Einsatz „einer reduzierten konkreten Formensprache, um die existenziellen Dimensionen der Leere, des Ephemeren und der Stille auszuloten“ (zit. Philipp Meier, in: Neue Zürcher Zeitung, Südliche Spielarten, 19.12.2009). Neben Lygia Clark und Hélio Oiticica gehört Mira Schendel zu den bedeutendsten brasilianischen Künstlern der zweiten Hälfte des 20. Jahrhunderts.
Koller Auctions
May. 24, 2018
Mira Schendel (1919-1988) - Untitled (from the series Toquinhos)
Est: $30,000 - $40,000
Mira Schendel (1919-1988) Untitled (from the series Toquinhos) ecoline and letraset on paper 19 ¼ x 9 7/8 in. (48.90 x 25 cm.)
Christie's
May. 24, 2018
Mira Schendel (1919-1988) - Untitled
Est: $20,000 - $30,000
Mira Schendel (1919-1988) Untitled tempera and ink on paper 14 x 10 1/8 in. (35.5 x 25.7 cm.)
Christie's
Dec. 09, 2017
MIRA SCHENDEL
Est: CHF4,000 - CHF6,000
MIRA SCHENDEL (Zurich 1919 - 1988 Sao Paulo) Untitled (from the series: Silver and gold small squares/Quadradinho de oura e prata). 1982. Silver leaf, charcoal and oil on firm paper. Signed and dated lower right: Mira 82. 32 x 21 cm. The work is recorded in the Estate of Mira Schendel, New York. We thank the Estate for their kind support. Provenance: - Purchased directly from the artist in 1983 by the previous owner. - By descent to the present owner, since then privatly owned USA. Born in Zurich in 1919 to a Jewish family of Italian-German origins, Myrrha Dagmar Dub grew up in Milan. The growth of Fascism in Europe forced her to flee first to Sofia in 1930 and then later to Sarajevo. In 1944 she returned to Italy and then emigrated to Brazil in 1949. Only then did the former philosophy student begin to dedicate herself to art. In Brazil in the 1950s there raged a passionate debate about the significance of art in a modern post war society. On the one side stood the defenders of figurative art, which was seen as the symbol of nationalism and revolution; on the other side were the supporters of abstraction, which was seen as a unique opportunity for the renewal of art after the experiences of the war. Mira Schendel was influenced by both sides, but in the end turned to neither group. Starting with figurative work, she turned again and again to abstraction, in which her distinct interest in materiality played a great role. Above all, for her the making of a work the handmade element represented a connection between the real world and the artist. The present work from 1982 powerfully demonstrates her love of experimentation, with the use of various types of paper, and the meaning of materiality within her work. Alongside Lygia Clark and Hélio Oiticica, Mira Schendel is one of the most important Brazilian artists of the second half of the 20th century. --------------- MIRA SCHENDEL (Zürich 1919 - 1988 Sao Paulo) Ohne Titel (aus der Serie: Silver and gold small squares/Quadradinho de oura e prata). 1982. Blattsilber, Kohle und Öl auf festem Papier. Unten rechts signiert und datiert: Mira 82. 32 x 21 cm. Das Werk ist verzeichnet im Estate of Mira Schendel, New York. Wir danken dem Estate für die freundliche Unterstützung. Provenienz: - Vom Vorbesitzer 1983 direkt bei derKünstlerin erworben. - Durch Erbschaft an den heutigen Besitzer, seitdem Privatbesitz USA. 1919 in Zürich in eine jüdische Familie mit italienisch-deutschen Wurzeln geboren, wächst Myrrha Dagmar Dub in Mailand auf. Der zunehmende Faschismus in Europa zwingt sie 1939 zur Flucht erst nach Sofia und dann weiter nach Sarajevo. 1944 kehrt sie nach Italien zurück und wandert 1949 nach Braslien aus. Erst hier beginnt die ehemalige Philosophie-Studentin, sich der Kunst zu verschreiben. Im Brasilien der 1950er Jahre tobt eine leidenschaftliche Diskussion über den Stellenwert der Kunst in der modernen Nachkriegsgesellschaft. Auf der einen Seite stehen die Verfechter der figurativen Kunst, die als Symbol des Nationalimus und der Revolution gesehen wird; auf der anderen Seite die Anhänger der Abstraktion, die als einzige Möglichkeit gesehen wird, den Kunstbetrieb, auch nach den Erfahrungen des Krieges zu erneuern. Mira Schendel wird von beiden Seiten beeinflusst, tritt aber letztendlich keiner Gruppe bei. Beginnend mit figurativen Werken, wendet sie sich immer mehr der Abstraktion zu, wobei ihr ausgeprägtes Interesse an der Materialität eine grosse Rolle spielt. Darüberhinaus bedeutet für sie das Machen die handwerkliche Arbeit also eine Verbindung zwischen der realen Welt und dem Künstler. Die vorliegende Arbeit von 1982 zeigt eindrucksvoll ihre Expertimentierfreude mit unterschiedlichen Papieren und die Bedeutung der Materialiät in ihrem Werk. Neben Lygia Clark und Hélio Oiticica gehört Mira Schendel zu den bedeutendsten brasilianischen Künstlern der zweiten Hälfte des 20. Jahrhunderts.
Koller Auctions
Sep. 29, 2017
MIRA SCHENDEL (1919-1988) | Untitled (Triptych), 1967
Est: $12,000 - $18,000
ink, graphite and letraset on Japanese paper mounted between plexiglas sheets; signed and dated '1967'
Sotheby's
Jun. 18, 2017
Painting, Mira Schendel
Est: $15,000 - $20,000
Mira Schendel (Brazilian, 1919-1988), Untitled (Abstract), 1966, mixed media on wood, signed and dated verso, wood: 16"h x 13.5"w, overall (with frame): 17.5"h x 14.75"w. Provenance: Amador Aguiar (former CEO of Bradesco) by descent to current owner.
Clars Auctions
May. 24, 2017
MIRA SCHENDEL - Untitled
Est: $30,000 - $50,000
MIRA SCHENDEL - Untitled
Phillips
May. 24, 2017
MIRA SCHENDEL - Untitled
Est: $120,000 - $180,000
MIRA SCHENDEL - Untitled
Phillips
May. 24, 2017
MIRA SCHENDEL - Untitled
Est: $50,000 - $70,000
MIRA SCHENDEL - Untitled
Phillips
May. 21, 2017
Painting, Mira Schendel
Est: $30,000 - $50,000
Mira Schendel (Brazilian, 1919 - 1988), Untitled (Abstract), 1966, mixed media on wood, signed and dated verso, wood: 16"h x 13.5"w, overall (with frame): 17.5"h x 14.75"w. Provenance: Amador Aguiar (former CEO of Bradesco) by descent to current owner.
Clars Auctions
May. 18, 2017
MIRA SCHENDEL | Untitled, from the series Droguinhas (Little Nothings)
Est: $1,200,000 - $1,800,000
rice paper
Sotheby's
Apr. 05, 2017
Mira Schendel (Brazilian, 1919–1988) A tribute to hemmingway A/P
Est: $5,000 - $7,000
A tribute to ernest hemmingway mono type print/ink by artist Mira Schendel (Brazilian, 1919–1988) signed: Bottom right corner of the artwork A/P. 24x 22in.
Antique Empire
Nov. 23, 2016
Mira Schendel (1919-1988) Desenho 2
Est: $25,000 - $35,000
Mira Schendel (1919-1988) Desenho 2 ecoline ink and gold on artisanal paper 15 ½ x 11 ½ in. (39.37 x 28.58 cm.)
Christie's
Nov. 22, 2016
MIRA SCHENDEL (1919-1988) | Untitled
Est: $180,000 - $220,000
mixed media on masonite
Sotheby's
Nov. 22, 2016
MIRA SCHENDEL - Untitled
Est: $15,000 - $20,000
MIRA SCHENDEL - Untitled
Phillips
Nov. 17, 2016
MIRA SCHENDEL - Untitled (Frutas)
Est: $30,000 - $50,000
MIRA SCHENDEL - Untitled (Frutas)
Phillips
Nov. 17, 2016
MIRA SCHENDEL - Untitled
Est: $30,000 - $50,000
MIRA SCHENDEL - Untitled
Phillips
Nov. 17, 2016
MIRA SCHENDEL - Untitled
Est: $25,000 - $35,000
MIRA SCHENDEL - Untitled
Phillips
Nov. 17, 2016
MIRA SCHENDEL - Untitled
Est: $150,000 - $250,000
MIRA SCHENDEL - Untitled
Phillips
Jun. 13, 2016
Mira Schendel (1919-1988), Senza Titolo, 1972
Est: €5,000 - €6,000
tecnica mista su carta, cm 50x 23,5 firmata e datata in basso a destra
Cambi Casa d'Aste