1987 | technique: hand-colored photo, author described: #126, Printed for Stratege, Print Finished May 28, 1887 | 18 x 23.3 cm | signature: bottom right | note: The original author's certificate is attached | unframed
1980 | technique: hand-colored photo, author described: #127, Model Print, Finished October 2, 1880 | 40.5 x 30 cm | signature: bottom right | note: The original author's certificate is attached | unframed
1987 | technique: hand-colored photo, author described: #297, Model Print | 40.5 x 30 cm | signature: bottom right | note: The original author's certificate is attached | unframed
Jan Saudek, Women of All Kinds Ende 20. Jh., kolorierte Vintage-Fotografie, Frauen aller Art, nummeriert 849, finished September 7.1897, Silbergelatineabzug im Passepartout hinter Glas gerahmt, guter Zustand, Maße Foto 23 x 24 cm, Maße Rahmen 44 x 46 cm. Jan Saudek, Women of All Kinds Late 20th century, coloured vintage photograph, women of all kinds, numbered 849, finished September 7.1897, silver gelatin print framed behind glass in passepartout, good condition, dimensions photo 23 x 24 cm, dimensions frame 44 x 46 cm.
Chromogenic vintage print cm 30 x 40 (cm 28,5 x 38,6 picture) | 11.8 x 15.7 in. (11.3 x 15.2 in. picture) Signed in black ink on the image and titled and dated in black ink on the white inferior recto margin
WINDOW SERIES. Title: DESIRE #8. Original silver gelatin print with applied color, signed by the photographer, Jan Saudek (lower right). Custom framed and matted under glass. Dimensions: framed: 25 x 22 inches, sight: 14 x 11 inches. Condition: good original pre-owned custom framed estate auction. Provenance: Chicago, IL Estate.
Original hand colored gelatin silver print signed by photographer, Jan Saudek (lower right). This photo was used as a cover art for David Hazaltine Trio's ALICE IN WONDERLAND album. Depicts nude woman walking toward a herd of swans feeding by a river. Professionally framed and matted under glass. Dimensions: framed: 25 x 22 inches, sight: 14 x 11 inches. Condition: good original pre-owned framed estate condition. Provenance: Chicago, IL Estate.
Jan Saudek (1935 Prague - lives and works ibid), 'Johanna und Karl, ca. 1862', #46, 1990, Gelatin silver print. 57.6 x 49.7 cm (print), 89.5 x 77.5 cm (frame). Signed on the lower edge: Jan Saudek and inscribed below: #46 "Johanna und Karl, ca. 1862" Model print FINISHED: January 2., 1880 (black felt-tip pen). Framed under glass in a passepartout. ,
Jan Saudek (1935 Prague - lives and works ibid), 'Monica the Queen', #392, 1989, Gelatin silver print, hand-tinted. 29.2 x 29.6 cm (print), 58.1 x 67.0 cm (frame). Signed on the lower edge: Jan Saudek and inscribed below: #392 Model print FINISHED APRIL 10., 1890 (gold/black felt-tip pen). Framed under glass in a passepartout. ,
JAN SAUDEK Print. "Life" "My Son" . . Dimensions: Frame Height: 34.5 inches, Frame Width: 27.5 inches. - Image Size: Image Height: 27.5 inches, Image Width: 21 inches. --- - - We offer curbside delivery for most items to NYC, Manhattan, Close Brooklyn, Hoboken about a week after the auction at reasonable rates. Next Trip August 14. See details at our website. https://www.uniquesandantiques.com/nyc/
Jan SAUDEK (1935-) L'homme, 1976 Tirage argentique réalisé en 1989, signé, daté et annoté sous l'image 38,5 x 30 cm Bibliographie : Hommes pour Hommes, Editions des Deux Terres, 2007, page 185 Collection Pierre Borhan La collection « masculine » de Pierre Borhan Pierre Borhan s’est passionné pour la photographie à la fin des années 1970. Dès lors, magazines, livres, expositions, entretiens avec des photographes et des spécialistes qualifiés nourrirent son engouement. Son premier livre, Voyons Voir, fut publié par Créatis en 1980. Le masculin devint naturellement l’un de ses thèmes de prédilection. Il lui permit de s’insinuer dans ses recherches et dans ses choix iconographiques quand il prépara certaines expositions, certains ouvrages, comme Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, prix Nadar 1989), Raymond Voinquel : les acteurs du rêve (AFDPP, 1998), Toni Catany, l’artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino : Sir (Taschen, 2015). Dans cette veine, il est l’auteur d’un livre qui fait date : Hommes pour Hommes / homoérotisme et homosexualité masculine dans l’histoire de la photographie depuis 1840 (éditions des Deux Terres, 2007). The Vendome Press publia l’édition américaine : Man to Man : A History of Gay Photography. Rizzoli se chargea de l’édition italienne : Uomini per Uomini. Jonathan Cape Ltd fit sienne l’édition anglaise : Men for Men. Christian Brandstätter Verlag, l’édition en langue allemande. Depuis 2007, ces éditions (23 000 exemplaires) font référence pour les professionnels et les amateurs avertis. Achetées à des galeries ou directement à des photographes pour lesquels il écrivit un texte ou fit une sélection emblématique de leurs créations, les épreuves proposées dans cette vente sont les coups de coeur constitutifs d’une collection créée au fil de rencontres et de missions institutionnelles. Peu importe que les modèles soient des sportifs, des mannequins, des complices aguicheurs ou des amis assumés : ils s’offrent, grâce aux artistes qui les ont mis en lumière, à l’imagination de tout un chacun. Beauté, charme, sex-appeal, admiration, attraction, fantasme. Parmi les « vedettes » de la vente, figurent aussi bien des Européens hors du commun (Walter Pfeiffer, Jan Saudek, Paul Blanca) que des Américains : David Vance, Tom Bianchi, l’un et l’autre auteur de plus de dix livres ; David Morgan qui trouva son bonheur avec Beach (2001) et suscita bien des désirs ; Jim French, maître d’un male fine art débridé, de Man (1972) à Opus Deorum (1992) ; Arthur Tress dont une rétrospective fut présentée en Californie au Getty Center en 2023. Auxquels se joint un Egyptien : Youssef Nabil qui est représenté par la galerie Nathalie Obadia à Paris et dont la notoriété défie les frontières. Pierre Borhan se confie : « Mon être est imprégné par l’attrait (sensoriel, sexuel, affectif) des hommes. J’ai toujours senti que cet attrait était indélébile en moi. » Sa collection en témoigne. Jan SAUDEK (1935-) Man, 1976 Silver print made in 1989, signed, dated and annotated below the image 38.5 x 30 cm Bibliography: Hommes pour Hommes, Editions des Deux Terres, 2007, page 185 Pierre Borhan Collection Pierre Borhan's "masculine" collection Pierre Borhan's passion for photography began in the late 1970s. From magazines, books, exhibitions, interviews with photographers and qualified with photographers and qualified specialists. His first book, Voyons Voir, was published by Créatis in 1980. The masculine naturally became one of his favorite themes. It into his research and iconographic choices when preparing certain when he prepared certain exhibitions and books, such as Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In this vein, he is the author of a landmark book: Hommes pour Hommes / homoeroticism and male homosexuality in the history of photography since 1840 (éditions des Deux Terres, 2007). The Vendome Press published the American edition: Man to Man: A History of Gay Photography. Rizzoli Italian edition: Uomini per Uomini. Jonathan Cape Ltd. the English edition: Men for Men. Christian Brandstätter Verlag, the German-language German-language edition. Since 2007, these editions (23,000 copies) have set the standard for professionals and connoisseurs alike. Purchased from galleries or directly from the photographers for whom he for whom he wrote a text or made an emblematic selection of their creations, the prints the prints offered in this sale are the "coups de coeur" that make up a collection collection created through meetings and institutional missions. No matter whether the models are sportsmen, models, teasing accomplices friends: they offer themselves, thanks to the artists who have brought them to light to everyone's imagination. Beauty, charm, sex appeal, admiration, attraction, fantasy. Among the "stars" of the sale are a number of outstanding Europeans (Walter Pfeiffer, Jan Saudek, Paul Blanca) and Americans: David Vance, Tom Bianchi Vance, Tom Bianchi, both authors of more than ten books; David Morgan who found his happiness with Beach (2001) and aroused many desires; Jim French, master of unbridled male fine art, from Man (1972) to Opus Deorum (1992); Arthur Tress, whose retrospective was presented in California at the Getty Center in 2023. They are joined by an Egyptian: Youssef Nabil, who is represented by the Nathalie Obadia gallery in Paris, and whose reputation defies borders. Pierre Borhan confides: "My being is impregnated by the attraction (sensory, sexual, emotional) of men. I've always felt that this attraction was indelible in me. His collection bears witness to this. Jan SAUDEK (1935-) El hombre, 1976 Grabado en plata realizado en 1989, firmado, fechado y anotado bajo la imagen 38,5 x 30 cm Bibliografía: Hommes pour Hommes, Editions des Deux Terres, 2007, página 185 Colección Pierre Borhan La colección "masculina" de Pierre Borhan Pierre Borhan se apasionó por la fotografía a finales de los años setenta. Desde revistas, libros, exposiciones y entrevistas con fotógrafos y cualificados con fotógrafos y especialistas cualificados. Su primer libro, Voyons Voir, fue publicado por Créatis en 1980. La forma masculina se convirtió naturalmente en uno de sus temas favoritos. Se en sus investigaciones y elecciones iconográficas cuando preparaba ciertas exposiciones cuando preparaba ciertas exposiciones y libros, como Jan Saudek (Musées de Paris, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). En esta línea, es autor de un libro de referencia: Hommes pour Hommes / homoerotismo y homosexualidad masculina en la historia de la fotografía depuis 1840 (éditions des Deux Terres, 2007). Vendome Press publicó la edición americana: Man to Man: A History of Gay Photography. Rizzoli la edición italiana: Uomini per Uomini. Jonathan Cape Ltd. la edición inglesa: Men for Men. Christian Brandstätter Verlag produjo la la edición en alemán. Desde 2007, estas ediciones (23.000 ejemplares) son las obras de referencia para profesionales y aficionados informados. Adquiridas en galerías o directamente a los fotógrafos para los que para los que escribió un texto o hizo una selección emblemática de sus creaciones, las estampas las estampas ofrecidas en esta venta son los "coups de coeur" que componen una colección colección creada a través de encuentros y misiones institucionales. No importa que los modelos sean deportistas, modelos, cómplices burlones amigos: se ofrecen, gracias a los artistas que los han sacado a la luz a la imaginación de todos. Belleza, encanto, sex appeal, admiración, atracción, fantasía. Entre las "estrellas" de la venta figuran varios europeos destacados, como Walter Pfeiffer (Walter Pfeiffer, Jan Saudek, Paul Blanca) y estadounidenses: David Vance, Tom Bianchi Vance, Tom Bianchi, ambos autores de más de diez libros; David Morgan que encontró la felicidad con Beach (2001) y despertó mucho deseo; Jim French, maestro del arte masculino desenfrenado, de Man (1972) a Opus Deorum (1992); Arthur Tress, cuya retrospectiva se presentó en California, en el Getty Center en 2023. A ellos se une un egipcio: Youssef Nabil, que está representado por la galería Nathalie Obadia de París, y cuya reputación desafía las fronteras. fronteras. Pierre Borhan confiesa: "Mi ser está impregnado por la atracción (sensorial, sexual, emocional) de los hombres. Siempre he sentido que esta atracción era indeleble en mí". Su colección da fe de ello. Jan SAUDEK (1935-) Der Mensch, 1976 Silberabzug aus dem Jahr 1989, unter dem Bild signiert, datiert und annotiert. 38,5 x 30 cm Bibliografie: Hommes pour Hommes, Editions des Deux Terres, 2007, Seite 185. Sammlung Pierre Borhan Die "maskuline" Sammlung von Pierre Borhan Pierre Borhan begeisterte sich Ende der 1970er Jahre für die Fotografie. Ab Zeitschriften, Bücher, Ausstellungen, Interviews mit Fotografen und Fachleuten qualifizierten Fachleuten nährten seine Begeisterung. Sein erstes Buch, Voir Voir Voir, wurde 1980 von Créatis veröffentlicht. Das Männliche wurde natürlich zu einem ihrer Lieblingsthemen. Es ermöglichte es ihm, sich in seine Recherchen und seine ikonografische Auswahl einzuschleichen. als er bestimmte Ausstellungen und Bücher vorbereitete, wie Jan Saudek (Paris Musées, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In diesem Zusammenhang ist er der Autor eines bahnbrechenden Buches: Hommes pour Hommes /. Homoerotik und männliche Homosexualität in der Geschichte der Fotografie seit 1840 (éditions des Deux Terres, 2007). The Vendome Press veröffentlichte die amerikanische Ausgabe: Man to Man: A History of Gay Photography. Rizzoli übernahm übernahm die italienische Ausgabe: Uomini per Uomini. Jonathan Cape Ltd. machte seine eigene die englische Ausgabe: Men for Men. Christian Brandstätter Verlag die deutschsprachige Ausgabe. in deutscher Sprache. Seit 2007 gelten diese Ausgaben (23.000 Exemplare) als Referenz für für Fachleute und erfahrene Amateure. Gekauft von Galerien oder direkt von Fotografen, für die er einen Text verfasste oder eine symbolträchtige Auswahl ihrer Werke traf. Abzüge, die in dieser Auktion angeboten werden, sind die Favoriten einer Sammlung von Sammlung, die im Laufe von Begegnungen und institutionellen Missionen entstanden ist. Wenig Dabei spielt es keine Rolle, ob es sich bei den Modellen um Sportler, Models, Komplizen Sie werden von den Künstlern, die sie in Szene gesetzt haben, als Geschenk angeboten. ins Rampenlicht gestellt, der Fantasie eines jeden Menschen. Schönheit, Charme, Sexappeal, Bewunderung, Anziehung, Fantasie. Zu den "Stars" der Auktion gehören sowohl außergewöhnliche Europäer wie (Walter Pfeiffer, Jan Saudek, Paul Blanca) als auch Amerikaner: David Vance, Tom Bianchi, beide Autoren von mehr als zehn Büchern; David Morgan der mit Beach (2001) sein Glück fand und viele Wünsche weckte; Jim French, Meister einer ungezügelten male fine art, von Man (1972) bis Opus Deorum (1992); Arthur Tress, dessen Retrospektive in Kalifornien im Getty Center im Jahr 2023 zu sehen war. Dazu gesellt sich ein Ägypter: Youssef Nabil, der von der von der Galerie Nathalie Obadia in Paris vertreten wird und dessen Bekanntheitsgrad die Grenzen überschreitet. Grenzen überschreitet. Pierre Borhan vertraut sich an: "Mein Wesen ist durchdrungen von der Anziehungskraft (sinnlich, sexuell, affektive) der Männer geprägt. Ich habe immer gespürt, dass diese Anziehungskraft unauslöschlich in mir ist". Seine Sammlung zeugt davon. Jan SAUDEK (1935-) L'uomo, 1976 Stampa all'argento realizzata nel 1989, firmata, datata e annotata sotto l'immagine 38,5 x 30 cm Bibliografia: Hommes pour Hommes, Editions des Deux Terres, 2007, pagina 185. Collezione Pierre Borhan La collezione "maschile" di Pierre Borhan Pierre Borhan ha sviluppato una passione per la fotografia alla fine degli anni Settanta. Da riviste, libri, mostre e interviste riviste, libri, mostre e interviste con fotografi e specialisti qualificati. con fotografi e specialisti qualificati. Il suo primo libro, Voyons Voir, è stato pubblicato da Créatis nel 1980. La forma maschile divenne naturalmente uno dei suoi temi preferiti. Essa nella sua ricerca e nelle sue scelte iconografiche quando preparava certe mostre quando preparava alcune mostre e libri, come Jan Saudek (Musées di Parigi, 1987), Splendeurs et misères du corps (Benteli, 1988, Prix Nadar 1989), Raymond Voinquel: les acteurs du rêve (AFDPP, 1998), Toni Catany, l'artiste en son paradis (Lunwerg, 2000), Les vérités du sexe (Marval, 2003), Mario Testino: Sir (Taschen, 2015). In questo ambito, è autore di un libro fondamentale: Hommes pour Hommes / omoerotismo e omosessualità maschile nella storia della fotografia depuis 1840 (éditions des Deux Terres, 2007). La Vendome Press ha pubblicato l'edizione americana: Man to Man: A History of Gay Photography. Rizzoli l'edizione italiana: Uomini per Uomini. Jonathan Cape Ltd. l'edizione inglese: Men for Men. Christian Brandstätter Verlag ha prodotto l'edizione edizione in lingua tedesca. Dal 2007, queste edizioni (23.000 copie) sono le opere di riferimento per professionisti e amatori informati. per professionisti e amatori informati. Acquistate presso le gallerie o direttamente dai fotografi per i quali ha scritto un testo o realizzato un'opera. per i quali ha scritto un testo o ha fatto una selezione emblematica delle loro creazioni, le stampe le stampe proposte in questa vendita sono i "coups de coeur" che compongono una collezione collezione creata attraverso incontri e missioni istituzionali. Non importa non importa se i modelli sono sportivi e donne, modelle, complici di scherzi amici: si offrono, grazie agli artisti che li hanno portati alla luce, all'immaginazione di tutti. all'immaginazione di tutti. Bellezza, fascino, sex appeal, ammirazione, attrazione, fantasia. Tra le "star" della vendita ci sono alcuni europei di spicco, tra cui Walter Pfeiffer (Walter Pfeiffer, Jan Saudek, Paul Blanca) e americani: David Vance, Tom Bianchi Vance, Tom Bianchi, entrambi autori di più di dieci libri; David Morgan che ha trovato la felicità con Beach (2001) e ha suscitato molto desiderio; Jim French, maestro dell'arte maschile sfrenata, da Man (1972) a Opus Deorum (1992); Arthur Tress, che ha trovato la felicità con Beach (2001) e ha suscitato molto desiderio. (1992); Arthur Tress, la cui retrospettiva è stata presentata in California al Getty Center nel 2023. Center nel 2023. A loro si aggiunge un egiziano: Youssef Nabil, rappresentato da Nathalie Obadia. rappresentato dalla galleria Nathalie Obadia di Parigi e la cui fama sfida i confini. confini. Pierre Borhan confida: "Il mio essere è impregnato dall'attrazione (sensoriale, sessuale, emotiva) degli uomini, emozionale) degli uomini. Ho sempre sentito che questa attrazione era indelebile in me". La sua collezione lo testimonia. 扬-索德克（1935 年） 男人，1976 年 银质印刷品，1989 年制作，图像下方有签名、日期和注释 38.5 x 30 厘米 参考书目：Hommes pour Hommes，Editions des Deux Terres，2007 年，第 185 页 皮埃尔-博尔汉收藏 皮埃尔-博尔汉的 "阳刚 "系列 皮埃尔-博尔汉在 20 世纪 70 年代末对摄影产生了浓厚的兴趣。从 杂志、书籍、展览以及与摄影师和资深专家的访谈。 与摄影师和资深专家的访谈。他的第一本书《Voyons Voir》于 1980 年由 Créatis 出版。 男性形象自然成为她最喜爱的主题之一。这 在他筹备某些展览时，男性形象成为他的研究和图标选择的一部分。 当他准备某些展览和书籍时，如《扬-索德克》（Jan Saudek (巴黎博物馆，1987 年）、《Splendeurs et misères du corps》（Benteli，1988 年，纳达尔奖 1989年）、《雷蒙德-沃因奎尔：梦想的行动者》（AFDPP，1998年）、《托尼-卡塔尼、 L'artiste en son paradis》（Lunwerg，2000 年）、《Les vérités du sexe》（Marval，2003 年）、 马里奥-特斯蒂诺：爵士》（Taschen，2015 年）。 此外，他还著有一本具有里程碑意义的书：Hommes pour Hommes /《同性恋与男性同性恋》。 摄影史上的同性恋和男同性恋 Depuis1840》（大地出版社，2007 年）。旺多姆出版社出版了 美国版：《男人对男人：同性恋摄影史》（Man to Man: A History of Gay Photography）。Rizzoli 意大利语版：Uomini per Uomini。乔纳森-开普有限公司（Jonathan Cape Ltd. 出版了英文版：Men for Men。Christian Brandstätter Verlag 出版社出版了德文版。 德语版。自 2007 年以来，这些版本（23,000 册）一直是专业人士和知情爱好者的参考书。 自 2007 年以来，这些版本（23,000 册）一直是专业人士和业余爱好者的参考书。 从画廊或直接从他为之撰写文字或制作作品的摄影师处购买 他为这些摄影师撰写了文字或制作了具有代表性的作品选集。 本场拍卖会上的版画作品是 "魂牵梦绕 "的收藏品。 通过邂逅和机构使命创建的收藏。无论 模特是男女运动员、模特、逗乐的伙伴 还是朋友：由于艺术家们的努力，他们将自己的形象展现在大家面前 每个人的想象力。美丽、魅力、性感、 欣赏、吸引、幻想。 此次拍卖的 "明星 "中不乏杰出的欧洲艺术家，其中包括 Walter Pfeiffer (Walter Pfeiffer、Jan Saudek、Paul Blanca）和美国人：David Vance、Tom Bianchi 万斯、汤姆-比安奇，他们都是十余部著作的作者；大卫-摩根 他在《海滩》（2001 年）中找到了幸福，并引起了人们的强烈渴望；吉姆 弗伦奇，肆无忌惮的男性艺术大师，从《男人》（1972 年）到《Opus Deorum》（1992 年 (1992）；阿瑟-特雷斯（Arthur Tress），他的回顾展将于 2023 年在加利福尼亚的盖蒂 中心举办的回顾展。加入他们行列的还有一位埃及人：优素福-纳比勒（Youssef Nabil）。 他由巴黎 Nathalie Obadia 画廊代理，其声誉超越国界。 他的声誉不分国界。 皮埃尔-博尔汉坦言："我的存在被男人的吸引力（感官、性、情感）所浸染、 感官、性、情感）。我一直觉得这种吸引力对我来说是不可磨灭的。 他的作品集就是最好的见证。
Online - Photography - Modern Photography Saudek, Jan o.T. (Zwei Frauen). 1980er Jahre. Silbergelatine, handkoloriert, auf Photopapier. 18 x 23 cm. Entlang der Ränder mit schmal umlaufenden braunem Papierband. Signiert auf der Photographie, auf dem braunen Papier bezeichnet "#611" und "June 1886". Im Passepartout freigestellt und unter Glas gerahmt. - Kanten etwas unregelmäßig angeschnitten. Insgesamt sehr gut. Prachtvoller, kontrastreicher Abzug. Silver gelatine, hand-coloured, on photographic paper. With a narrow brown paper band running around the edges. Signed on the photograph, inscribed "#611" and "June 1886" on the brown paper. Framed in mat and framed under glass. - Edges somewhat irregularly trimmed. Very good overall. Splendid, high-contrast print.
Online - Photography - Modern Photography Saudek, Jan o.T. (Schwangere Frau). Um 1982. Silbergelatine auf Photopapier. 28 x 38 cm (29,4 x 39,7 cm). Entlang der Ränder mit schmal umlaufenden braunem Papierband. Signiert auf der Photographie, auf dem braunen Papier bezeichnet "Model print" und "#71; Finished Nov. 25, 1890". Unter Glas gerahmt. - An den Kanten leicht angestoßen, verso leichte Fingerspuren. Insgesamt sehr gut. Prachtvoller, nuancierter Abzug. Silver gelatin on photographic paper. With narrow surrounding brown paper tape along the edges. Signed on the photograph, inscribed "Model print" and "#71; Finished Nov. 25, 1890" on the brown paper. - Slightly bumped at the edges, slight fingerprints on the verso. Very good overall. Splendid, nuanced print.
Signed in felt-tip pen lower right. The edges bordered with paper strip. 'Galerie Wilde, Köln' stamp as well as annotated in an unknown hand in pencil on the verso.
Signed in felt-tip pen lower right. The edges bordered with paper strip, thereon dated and inscribed in felt-tip pen. Inscribed "Edition limited to 30 (thirty) prints - this has Nr. 13 (thirteen) - but it's a vintage print (day of origin)" in ink on the verso. Print 13 from an edition of 30.
Saudek, Jan (b.1935). "Treats his friend". Gelatin silverprint, 22,3x27 cm., signed and titled in silver pen, "#328" and "printed & finished, - July 21, 1886" in black pen.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Saudek, Jan (b.1935). (Seated woman with hat, seen from the back with her naked bottom sticking out). Handtinted gelatin silver print, 22,8x29 cm., signed in black pen, "Model print of #185" in blue pen, "Print & finish: end of August, 1886" and w. the photographer's annotation "cut all of this brown tape away, all around the image" (prob. for the publisher).
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Saudek, Jan (b.1935). (Pregnant woman with floral wreath on her hair). Handtinted gelatin silverprint, 18,6x13,4 cm., "Nr.6 - in 'The letter' - finish: sept.14.90" in black pen. Idem. (Pregnant semi-nude standing in a field and holding an umbrella, an industrial complex in the background). Gelatin silverprint, 12,7x18,2 cm., "Nr.24 for 'The Letter' print finished sept. 17, 1890" in black pen. Idem. (Young woman looking down, her sweater pulled up). Handtinted gelatin silverprint, 18,6x13,4 cm., "Nr.25 in 'The letter' - fin: sept.14.90" in black pen. Idem. (Young girl with a string around her neck holding a key). Gelatin silverprint, 18,6x13,7 cm., "Nr.26 from 'The Letter' finished sept.16.90" in black pen.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Saudek, Jan (b.1935). "Portrait of Girl called Hannelore". Handtinted gelatin silver print, 38,6x28,7 cm., signed, titled, "vintage print: day of 1st printing", "model print - finished: october 3 4pm, 1890" in black pen. = SEE ILLUSTRATION PLATE XXXIX.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Saudek, Jan (b.1935). "Portrait of a lady". Handtinted gelatin silverprint, 28,2x23,3 cm., signed, titled, "model print finished august 7, 1892" in black pen.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Saudek, Jan (b.1935). "Gurl". Handtinted gelatin silver print, 28x23,2 cm., signed, "#839", "the Gurl" and "print finished june 19, 1892" in black pen, titled in gold marker pen. = SEE ILLUSTRATION PLATE XXXIX.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Saudek, Jan (b.1935). (Girl with floral wreath sitting crouched on a stool). Handtinted gelatin silverprint, 12,4x16,5 cm., signed, "#166", "model print", "finished: 1879" in black pen.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Saudek, Jan (b.1935). (The artist's son looking up). Gelatin silver print, 27,5x21,7 cm., signed, "#58", "printed: march 12, 1884 - finished: january 27, 1886" in black pen.
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Jan Saudek Czech, b. 1935 'The Dolls', 1975 gelatin silver print printed 1978, signed lower right, artist's studio handstamp to print verso. Tipped in at top corners, matted, and framed under glass.
Jan Saudek (Czech, b. 1935), "#139 (Untitled, Two Women, Pearls, Cigarette)," bromoil gelatin silver print handcolored, sight: 14.25"h x 11"w, overall (with frame): 23.75"h x 19.75"w. Provenance: Seattle Art Museum
Jan Saudek (Czech, b. 1935), "Portrait of a Famous Man #388," bromoil gelatin silver print handcolored, signed lower right, sight: 11.25"h x 14.5"w, overall (with frame): 19.75"h x 23.75"w. Provenance: Seattle Art Museum
Chromogenic vintage print cm 50,6 x 57,3 (cm 47,8 x 48,4 picture) | 19.9 x 22.6 in. (18.8 x 19 in. picture) Signed in black ink on the image and titled in black ink on the white inferior recto margin LITERATURE C. Fricke (edited by), Jan Saudek, Taschen, Koln, 1998, p. 154 Faced with Jan Saudek's photographs, attitudes can vary: one can appreciate the provocative audacity with which he proposes a nude that is never banal, or be bewildered by postures that do not exclude ruthlessness, linger over the sinuosity of women's bodies or grieve at the way they are so cruelly exhibited. But on one thing one cannot disagree: the refined originality with which the Prague photographer treats his prints, colouring them with manual interventions that embellish them, making them unique.
Vintage chromogenic print cm 40,7 x 30,5 | 16 x 12 in. Edition 42 of 50 Signed in black ink and title in white ink on the image and numbered, titled and dated 1890 on black ink on the recto margin Faced with Jan Saudek's photographs, attitudes can vary: one can appreciate the provocative audacity with which he proposes a nude that is never banal, or be bewildered by postures that do not exclude ruthlessness, linger over the sinuosity of women's bodies or grieve at the way they are so cruelly exhibited. But on one thing one cannot disagree: the refined originality with which the Prague photographer treats his prints, colouring them with manual interventions that embellish them, making them unique.
Chromogenic vintage print cm 30 x 40 (cm 28,5 x 38,6 picture) | 11.8 x 15.7 in. (11.3 x 15.2 in. picture) Signed in black ink on the image and titled and dated in black ink on the white inferior recto margin Faced with Jan Saudek's photographs, attitudes can vary: one can appreciate the provocative audacity with which he proposes a nude that is never banal, or be bewildered by postures that do not exclude ruthlessness, linger over the sinuosity of women's bodies or grieve at the way they are so cruelly exhibited. But on one thing one cannot disagree: the refined originality with which the Prague photographer treats his prints, colouring them with manual interventions that embellish them, making them unique.
SAUDEK JAN: (1935- ) SAUDEK JAN: (1935- ) Czech photographer and painter. An illustrated A.L.S., Jan Saudek, one page, 4to, n.p. (Prague), n.d. (2013), to Gertrud Wiese. Saudek apologises for the delay in replying to his correspondent's letter and continues 'Anyway: here's your postcards signed - and a few modest ones from me - may be you'd like some of them' before concluding 'With a deepest Slavic bow'. At the head of the page Saudek has drawn a black pen, ink and yellow crayon sketch of a knotted rope and beneath his signature he has drawn four drops of water, one in red crayon. Together with one of the signed colour 6 x 4 postcards referred to, being a reproduction of his erotic photograph entitled The Mandoline Lesson (1993), signed with his name alone in silver ink to the black border (some light smudging) and also signed to the verso in black fountain pen ink, again adding small images of four drops of water (one in red crayon) in his hand beneath his signature. Accompanied by the original envelope hand addressed and illustrated by Saudek, with Gertrud Wiese's name appearing in large letters in bold silver ink to a drawing of a clapperboard. VG, 2
Jan Saudek (b. 1935) "Milan, 1975" Sepia and toned gelatin silver print on paper From the edition of unknown size Signed in ink lower right: Jan Saudek
Jan Saudek, geb. 1935 Train passing by, »120 km/Hr.«, 1976, späterer Abzug Am Unterrand signiert, auf Trägerkarton teils umlaufend eigenhändig bezeichnet Model print, betitelt und datiert sowie: »Edition of Prints from this Negative is limited to 50 (fifty). This is Print Nr. 4, finished March 30, 1896« (d.i.: 1986) Einer der bekanntesten Beiträge zum Werk, sehr häufig reproduziert und kommentiert, ähnlich wie das Motiv »Destiny walks down to the River« 22,2:29,7 cm
Signed in gold pen lower right. The edges bordered with paper strip, thereon titled and inscribed in ink. Annotated in an unknown hand in pencil on the verso.
Signed in ink lower right. The edges bordered with paper strip, thereon dated, (in parts illegibly) titled and inscribed in ink. Signed in ink and annotated in an unknown hand on an edition label affixed to the verso. Print 2 from an edition of 8.
Signed in ballpoint pen lower right. The edges bordered with paper strip, thereon dated and inscribed in felt tip pen. Annotated in an unknown hand in pencil on the verso.
Jan Saudek (born 1935) Father and Baby, 1966 Gelatin silver print, printed c. 1980; signed in ink on the recto; dated, numbered '41/50' and copyright credit stamp on the verso. image: 10 3/4 x 8 3/4in. (27.3 x 22.2cm.) sheet: 11 1/4 x 9in. (28.5 x 22.8cm.)
