Francois Sargologo Art for Sale and Sold Prices

b. 1955 -

Francois Sargologo is seen as an established artist. Francois Sargologo was born in 1955. Also born in 1955 and of this same generation are Hermann Försterling, Loren Batt-Kohn, Stefanie Hollering, Vittorio Scarpati, and Stefania Maisano.
Further Biographical Context for Francois Sargologo

Francois Sargologo was born in 1955 and was predominantly influenced by the 1970s growing up. Conceptualism is often perceived as a response to Minimalism, and the leading art movement of the 1970s, challenging the boundaries of art with its revolutionary features. The movements that succeeded were all representative of a strong desire to progress and strengthen the art world, in response to the tensions of the previous 1960s. Process art branched out from Conceptualism, highlighting some of its most essential aspects, but going further in creating mysterious and experimental artistic journeys, while Land Art brought creation to the outdoors, initiating early ideas of environmentalism.

In Germany, Expressive figure painting was given another chance for the first time since the weakening of Abstract Expressionism almost two decades, the genre regained its distinction through the brushstrokes of Gerhard Richter, Anselm Kiefer and Georg Baselitz. The cosmopolitan and refined position that New York city held in the 1960s remained just as influential in the 1970s. With multiple international renowned artists gravitating the galleries and downtown scene, the city once again reinforced its reputation as the artistic heart of the generation. Most of the critically acclaimed artists from the 1960s, who had gained success and popularity, kept their status in the 1970s. Andy Warhol was a key figure of those two decades, and in the 1970s started to experiment with film and magazine publishing, thus engaging in a cross-platform activity that no other visual artist OF his standard had previously undertaken. By doing so, he secured his status as a celebrity. Street art started to emerge as a true and recognized form of art towards the end of the 1970s. Jean-Michel Basquiat and Keith Haring were pioneers in proving that their artworks could exist at the same time in art galleries and in urban settings.

Driven by graffiti art, street art from its earliest days showed that it could endure in a constant flux of self-transformation, eternally shifting the boundaries of modern art, becoming a truly ground-breaking artistic genre. Across the globe, various movements defined the 1970s. Amongst others, feminism and the new radical theories it entailed strongly influenced the visual culture. Photorealism, which had emerged in the 1960s, also gained critical and commercial success. The critical, leading artistic pillars of New York city started to embrace painters and sculptors from Latin America. The Arte Povera movement, which appeared in Italy, received international acknowledgement in the 1970s, and leading figures such as Jannis Kounnelis, Mario Merz, and Michelangelo Pistoletto were praised.

The critically engaged Mono-Ha movement, comprised of Japanese and Korean artists, blossomed in Tokyo in the 1970s. Rejecting conventional ideas of representation, the artists favoured an interpretation of the world through an engagement with materials and an exploration of their properties. The artworks would often consist of encounters between natural and industrial materials such as stone, glass, cotton, sponge, wood, oil and water, mostly left intact.