Girolamo (1480) Santacroce Paintings & Artwork for Sale | Girolamo (1480) Santacroce Art Value Price Guide

Jun. 19, 2024
GIROLAMO DA SANTACROCE ZUGESCHRIEBEN: MADONNA MIT DEN HEILIGEN HIERONYMUS UND FRANZISKUS
Est: €10,000 - €20,000
Girolamo da Santacroce Attributed to Madonna with Saints Jerome and Francis oil on panel; framed 49 x 67.5 cm collection Ludwig "Louis" Wittgenstein (1845–1925), acquired c. 1920; by inheritance to the present owner; private property, Austria The depiction of the Virgin and Child, surrounded by saints in a shared pictorial space, developed in Italian Renaissance painting from around the middle of the 15th century, as a so-called "Sacra Conversazione". It provided a contrast to the rigidly hierarchical triptych or polyptych formats of earlier periods, in which each figure was assigned its own panel. The Virgin with Child at the centre is depicted seated in front of a southern landscape, holding the Christ Child on a cushion on her lap. The scene is made particularly intimate by the depiction of a breastfeeding mother, tenderly holding the head of the infant Christ. On the left side of the painting, St Jerome stands clad as a hermit, his right hand firmly clasping a stone, the attribute with which he, as a penitent, is prepared to beat his chest. On the other side of the Madonna is Saint Francis, wearing a grey-brown habit with tonsure and holding the book referring to the foundation of the order in his arms. He holds up his left hand, the visible stigma on his palm pointing towards the young Jesus, whom he looks to with a serious, almost worried expression: a foreshadowing of the coming Passion of Christ. Next to him, the Madonna's unfocussed gaze into the distance can be interpreted as an expression of acceptance of her son's inevitable fate. Thus, on closer inspection, what appears to be a simple composition really contains a wealth of symbolism – a "sacred dialogue", not so much between the depicted figures, as with the viewer themselves. Girolamo da Santacroce, also known as Girolamo Galizzi, explored the subject several times and depicted the Madonna surrounded by various saints. One example is the "Madonna with Saints Rochus and Sebastian" in the Galleria Nazionali Barberini Corsini, Rome (inv. no. 1333), a painting in a slightly smaller format, which depicts the Madonna with the same wandering gaze.
Im Kinsky
Nov. 18, 2023
Girolamo da Santacroce, attributed to, Christ Appears to the Madonna
Est: €20,000 - €30,000
The scene is set in a domestic interior with starkly defined perspective; the beams of the ceiling act as a counterpoint to those of the floor and direct the viewer's eye towards the centre of the image, where the diagonals created by the figures' gestures meet. The double arch in the background opens up onto the faint outline of a mountain landscape. The clear and solid composition is strongly reminiscent of the Venetian Quattrocento tradition, particularly the works of artists such as Giovanni Bellini and Cima da Conegliano. One can detect quite clear parallels to the works of the Bottega dei Santacroce: the architectural structure and the clear division of the of the work into various levels can be found especially in works by Girolamo such as the “Madonna and Child Enthroned with a Holy Bishop” (oil on panel, 51.8 x 69.9 cm, Mead Art Museum, Amherst College, Amherst/MA) and the “Annunciation” (oil on panel, 55.6 x 71.1 cm). The facial type of the Madonna and the angels compare closely to those from the Adoration or the Child in the Dresden Gemäldegalerie (oil on panel, 62 x 75.5 cm). Furthermore, all of the above-mentioned panels share almost identical dimensions. Two families of painters who both bore the name Santa Croce were active in Venice simultaneously in the time around 1500. Girolamo da Santa Croce was a disciple of Gentile Bellini, most likely together with Francesco di Simone da Santa Croce, a representative of the other painting workshop of the same name. After Gentile’s death, Girolamo remained in the workshop of his brother Giovanni. The beginning of Girolamo’s own career can likely be placed around 1510. In a letter of to the previous owner dated 21.9.1962, the director of the Sovrintendenza alle Gallerie - Milano, Franco Russoli, attributed the painting to Girolamo da Santacroce: "as far as can be judged from the photograph he has sent, the painting belonging to you appears to be a work by Girolamo Galizzi da Santacroce, a painter from Bergamo who died in Venice in 1556".
Kunsthaus Lempertz KG
Oct. 07, 2022
GIROLAMO DA SANTACROCE (SANTA CROCE 1480/5-1556 VENICE) Christ and the Woma
Est: $30,000 - $50,000
GIROLAMO DA SANTACROCE (SANTA CROCE 1480/5-1556 VENICE) Christ and the Woman of Samaria oil on panel 9 3/4 x 13 3/4 in. (24.7 x 34.8 cm.)
Christie's
Oct. 20, 2020
ATTRIBUTED TO GIROLAMO DA SANTACROCE (SANTA CROCE, BERGAMO 1480/5-1556 VENICE),
Est: $15,000 - $20,000
ATTRIBUTED TO GIROLAMO DA SANTACROCE (SANTA CROCE, BERGAMO 1480/5-1556 VENICE) The Resurrection oil on canvas 19 1/8 x 12 7/8 in. (48.7 x 32.7 cm.) ,
Christie's
Sep. 24, 2020
GIROLAMO DA SANTACROCE
Est: €1,200 - €1,600
(Santa Croce, 1490 circa - Venezia, 1556) Madonna col Bambino, San Giovannino e donatore Olio su tavola, cm 37X45 Il dipinto, databile intorno alla prima metà del XVI secolo e dagli evidenti caratteri di stile lagunari, si attribuisce a Girolamo da Santa Croce, che di origine bergamasca svolse il suo apprendistato nella bottega di Gentile e Giovanni Bellini. Le sue 'Sacre conversazioni' ambientate all'aperto e con fondali paesistici sono desunte dal celebre maestro e Girolamo si dedicì ampiamente a diffonderne la tipologia illustrativa, senza tuttavia escludere stilemi desunti da Cima da Conegliano e Palma il Vecchio. È comunque indubbio che durante la maturità, questo genere di opere furono prodotte con la collaborazione del figlio Francesco, ma di cui è difficile rintracciarne con certezza una distinzione filologica. Questa pratica di bottega era certamente comune, tuttavia ,l'evidente arcaismo suggerisce l'esistenza di una committenza ancora legata a tradizioni illustrative belliniane. Bibliografia di riferimento: M. Lucco, Venezia 1500-1540, in La pittura nel Veneto. Il Cinquecento, I, Milano 1996, pp. 20, 81, 87, 127, 135 A. Tempestini, La Sacra Conversazione nella pittura veneta dal 1500 al 1516, in La pittura nel Veneto. Il Cinquecento, III, Milano 1999, p. 950
Wannenes Art Auctions
Jun. 06, 2013
GIROLAMO DA SANTACROCE
Est: $60,000 - $80,000
SANTA CROCE, BERGAMO 1480/5-1556 VENICE CHRIST AND THE WOMAN OF SAMARIA oil on panel 9 7/8 by 13 7/8 in.; 25.1 by 35.2 cm.
Sotheby's
Jan. 27, 2012
GIROLAMO DA SANTACROCE
Est: $10,000 - $15,000
PROPERTY FROM A PRIVATE COLLECTION SANTA CROCE, BERGAMO 1480/5-1556 VENEZIA MADONNA AND CHILD WITH ST. JEROME AND ST. FRANCIS oil on panel 17 1/4 by 24 1/4 in.; 43.8 by 61.6 cm.
Sotheby's
Jun. 09, 2011
GIROLAMO DA SANTACROCE
Est: $30,000 - $50,000
GIROLAMO DA SANTACROCE SANTA CROCE, BERGAMO 1480/5-1556 VENEZIA MADONNA AND CHILD WITH ST. JEROME AND ST. FRANCIS oil on panel 17 1/4 by 24 1/4 in.; 43.8 by 61.6 cm.
Sotheby's
Jul. 07, 2009
Girolamo da Santacroce (Santa Croce, Bergamo 1480/5-after 1556 Venice)
Est: £400,000 - £600,000
Girolamo da Santacroce (Santa Croce, Bergamo 1480/5-after 1556 Venice) Scenes from Orlando Furioso: Agramante laying siege to Paris, Charlemagne leading Angelica away from Orlando, and Orlando routing the Moorish squadrons; and The duel of Orlando and Manricardo, the duel of Manricardo and Zerbino, and Astolfo delivering Senapo from the Harpies oil on canvas laid on panel the former 12 x 47¾ in. (30.5 x 121.3 cm.); the latter 11 7/8 x 47¾ in. (30.2 x 121.3) two (2)
Christie's
Apr. 24, 2009
Girolamo da Santacroce (Santa Croce, Bergamo 1480/5-after 1556 Venice)
Est: £15,000 - £20,000
Girolamo da Santacroce (Santa Croce, Bergamo 1480/5-after 1556 Venice) The Annunciation oil on panel, unframed 24 x 32 in. (61 x 81.3 cm.)
Christie's
Jan. 20, 2009
Girolamo da Santacroce (Santa Croce, Bergamo 1480/5-after 1556 Venice)
Est: £5,000 - £8,000
Girolamo da Santacroce (Santa Croce, Bergamo 1480/5-after 1556 Venice) Santacroce The Madonna and Child with Saints Francis of Assisi and John the Baptist, and two infant Angels, in a landscape inscribed 'ECCE AGNV[S] DEI·' (centre right) oil on canvas 21¾ x 30 3/8 in. (55.3 x 67.3 cm.)
Christie's
May. 22, 2007
Vergine Assunta in cielo tra angeli musicanti con Cristo che la incorona, e San Tommaso che riceve la sacra cintola
Est: €40,000 - €60,000
Girolamo da Santacroce (Santa Croce, Bergamo 1480/85-1556 Venezia) Vergine Assunta in cielo tra angeli musicanti con Cristo che la incorona, e San Tommaso che riceve la sacra cintola olio su tavola, entro cornice intagliata e dorata 48.5 x 57.5 cm.
Christie's
Nov. 28, 2006
ATTRIBUITO A GIROLAMO DA SANTACROCE SANTA CROCE, BERGAMO 1480/5-1556 VENEZIA
Est: €7,000 - €10,000
MADONNA COL BAMBINO E SAN GIOVANNINO measurements note 49.5 x 40 cm. olio su tavola
Sotheby's
Jun. 15, 2005
Cerchia di Girolamo da Santacroce (Santa Croce, Bergamo 1480/85-1556 Venezia)
Est: €8,000 - €12,000
Madonna con Bambino e Santo Vescovo olio su tavola 24 x 31 cm.
Christie's