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Pietro Saltini Sold at Auction Prices

Genre Painter, Animal painter

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  • Pietro Saltini (Italian, 1839-1908) A confident hand
    Nov. 22, 2022

    Pietro Saltini (Italian, 1839-1908) A confident hand

    Est: £5,000 - £7,000

    Pietro Saltini (Italian, 1839-1908) A confident hand signed and inscribed 'PSaltini Firenze' (lower right) oil on canvas 62.8 x 76.8cm (24 3/4 x 30 1/4in).

    Bonhams
  • Pietro Saltini (1839 - 1908), Vecchia con gatto.
    Jun. 15, 2016

    Pietro Saltini (1839 - 1908), Vecchia con gatto.

    Est: €160 - €320

    Penna e inchiostro di china su carta. mm 250x190. Firmata a penna in basso a sinistra.

    Gonnelli Casa d'Aste
  • Pietro Saltini (1839 - 1908), Bambina di profilo.
    Jun. 15, 2016

    Pietro Saltini (1839 - 1908), Bambina di profilo.

    Est: €260 - €520

    Matita di grafite su carta bianca. mm 255x190. Firmato a matita in basso a sinistra. SI AGGIUNGE: Emilio Lapi (Firenze 1822-1898), Ritratto. Penna e inchiostro di china su carta avana. mm 165x115. Firmato a penna in basso a destra. (2)

    Gonnelli Casa d'Aste
  • Ubriaco: Enjoying a drink
    Jun. 23, 2015

    Ubriaco: Enjoying a drink

    Est: €10,000 - €15,000

    Pietro Saltini (Florence 1839-1908) Ubriaco: Enjoying a drink signed and dated 'P.Saltini / 1874' (upper right) oil on canvas 28 x 38 cm. Painted in 1874.

    Christie's
  • Pietro Saltini (Italian, 1839-1908) A nice drop
    Jul. 13, 2011

    Pietro Saltini (Italian, 1839-1908) A nice drop

    Est: £4,000 - £6,000

    A nice drop signed and dated 'P Saltini/1874' (upper left) oil on canvas 28.5 x 38.5cm (11 1/4 x 15 3/16in).

    Bonhams
  • Pietro Saltini Attributed, oil on canvas of a young peasant woman
    Jul. 09, 2011

    Pietro Saltini Attributed, oil on canvas of a young peasant woman

    Est: $2,500 - $4,000

    Pietro Saltini Attributed, 1839-1908, Italy, large oil on canvas of a young peasant woman carrying a basket of flowers on her head and in one hand, unsigned, 53 3/4" x 39", in a period wood & gold gessoed frame, crackle some losses. Provenance: A MA collection, this painting was found next to a similar painting & frame signed by Saltini, purchased from the Ruth Schweitzer estate. Estimate $2,500-4,000

    The Cobbs
  • Pietro Saltini (Italian 1839-1908), The Puppet Show, oil on canvas, 21-1/4 x 39-1/4 in (54 x 99.7 cm)
    Apr. 25, 2009

    Pietro Saltini (Italian 1839-1908), The Puppet Show, oil on canvas, 21-1/4 x 39-1/4 in (54 x 99.7 cm)

    Est: $10,000 - $20,000

    Pietro Saltini (Italian 1839-1908) The Puppet Show Signed with artist's monogram signature PSaltini and located Firenze l.l. Oil on canvas 21-1/4 x 39-1/4 in (54 x 99.7 cm)

    Weschler's
  • Pietro Saltini, Italian 1839-1908- Dance of the
    Mar. 17, 2009

    Pietro Saltini, Italian 1839-1908- Dance of the

    Est: £2,000 - £3,000

    Pietro Saltini, Italian 1839-1908- Dance of the Gods; oil on canvas, signed, 57.5x24cm

    Roseberys
  • - Pietro Saltini , Italian 1839-1908 Dance to the Gods oil on canvas
    Oct. 28, 2008

    - Pietro Saltini , Italian 1839-1908 Dance to the Gods oil on canvas

    Est: £3,000 - £5,000

    signed l.l.: PSaltini oil on canvas

    Sotheby's
  • Pietro Saltini (Italian, 1839-1908) At the Breakfast Table Signed "PSaltini" c.r. O...
    May. 16, 2008

    Pietro Saltini (Italian, 1839-1908) At the Breakfast Table Signed "PSaltini" c.r. O...

    Est: $10,000 - $15,000

    Pietro Saltini (Italian, 1839-1908) At the Breakfast Table Signed "PSaltini" c.r. Oil on canvas, 18 1/2 x 26 in. (47.0 x 66.0 cm), framed. Condition: Lined, scattered retouch, varnish inconsistencies, craquelure. N.B. Florentine artist Pietro Saltini studied with Agostino Lessi, Raffaello Martini, and Pollastrini. One of the leading Italian genre painters of his generation, Saltini's work captures the vitality and emotion of peasant life.

    Skinner
  • Pietro Saltini (Italian 1839-1908) AT THE WELL
    Apr. 12, 2008

    Pietro Saltini (Italian 1839-1908) AT THE WELL

    Est: $10,000 - $20,000

    Pietro Saltini (Italian 1839-1908) AT THE WELL signed Pietro Saltini 1878 l.l. oil on canvas "44"" x 34""" "Provenance: The Estate of Ruth Schweitzer of West Hartford, Connecticut" FOUR VERY IMPORTANT THINGS TO KEEP IN MIND: 1. We do not handle any packing or shipping 2. PLEASE ask questions about items before you bid, all items are sold as is! 3.PLEASE pay within 7 days (if this is not possible PLEASE do not bid) 4. Our terms are very clearly listed below and are NON NEGOTIABLE, PLEASE TAKE 5 MINUTES TO READ THEM.  Nadeau's Auction Gallery will not be held responsible for any bids that were placed in error.  Most of these errors can be easily prevented by taking the time to clearly read our terms.  If, before you bid, you have any questions or concerns regarding our terms we encourage you to contact us PRIOR to bidding. We ask that you PLEASE take the time to make sure your questions weren't already answered below as we have made every effort possible to answer all questions before hand in order to save time, if the question you are asking is already answered below we will respectfully respond by asking you to please refer to our terms.

    Nadeau's Auction Gallery
  • PIETRO SALTINI ITALIAN, 1839-1908
    Nov. 15, 2006

    PIETRO SALTINI ITALIAN, 1839-1908

    Est: £15,000 - £25,000

    PROPERTY FROM A PRIVATE COLLECTION IL GIORNALE UMORISTICO IL GIORNALE UMORISTICO 83.7 by 69.3cm., 33 by 27 1/4 in. signed P. Saltini l.l. oil on canvas PROVENANCE G. Hautmann Gallery Sale: Christie's, London, 30 November 1984, lot 48 Sale: Sotheby's, London, 16 March 1994, lot 87 LITERATURE Philip Hook and Mark Poltimore, Popular Nineteenth Century Paintings, Woodbridge, 1986, p. 569, illustrated

    Sotheby's
  • PROPERTY OF A DANISH PRIVATE COLLECTOR PIETRO SALTINI ITALIAN, 1839-1908 THE WAITING ROOM
    Jun. 14, 2005

    PROPERTY OF A DANISH PRIVATE COLLECTOR PIETRO SALTINI ITALIAN, 1839-1908 THE WAITING ROOM

    Est: £40,000 - £60,000

    signed and inscribed PSaltini / Firenze l.l. oil on canvas CATALOGUE NOTE A dentist's waiting room is an unusual subject to find described in such detail in the nineteenth century. However, it provided Saltini with the opportunity to show off his great technical and compositional abilities as a painter while at the same time allowing him to indulge in some humorous social commentary. The ornate setting clearly implies the material wealth and elevated social position that a succesful professional of the time was able to command. The dentist's well-heeled clientele are complemented by the richly furnished interior decorated with fine draperies, gilded furniture, and objets d'arts. But as well as taking delight in painting the fine textures and trappings of the setting and its patient occupants, Saltini clearly enjoyed lampooning the traditional gravity attached to the waiting room experience. Wrapped in bandages or holding their jaws, the line of patients is reminiscent of a queue before a confessional box, as suggested by the highly decorated almost ecclesiastical appearance of the pelmet above the entrance to the consulting room. As if the terrible day of Judgement is upon them, all will be treated equally when their turn comes to be examined, regardless of age or position in society. Ironically, most of the adults seem oblivious to their fate, as they sit around the room reading, making small talk or obsessed by their own ills. But the seriousness of the moment is not lost on the little boy, whose turn it is next. Cowering back from the crone-like face of the dentist, he is instinctively distrustful of this real life child-catcher who pokes his head gleefully out from behind his door. Small in stature, shrivelled in mien and seemingly relishing the power that he wields over his patients' discomfort, the dentist is the physical manifestation of every child's dental nightmare. The specific time this all takes place Saltini does not divulge: there is no clock on the wall to impart this information. It is of course - as every Chinaman knows - tempting to think that it really might be two-thirty. But whatever the actual time, keeping his eye on his fob watch stands the urbane bearded gentleman by the table: Saltini's nonchalent version of the Grim-Reaper. The real puppet-master, however, is Saltini himself. His palette hangs on the wall to the right of the surgery door. Tucked behind it are portrait photogravures. Like so many playing cards fanned out in the palm of the artist's hand, it is Saltini who determines the lot of these particular characters. Although far removed in place from Saltini's customary depictions of idealised scenes of peasant life (see lot 277), it is invariably his consumate ability to capture the feelings of the children in his compositions, as in the present work, that give his works such vitality and expression. A Florentine from cradle to grave, he shared this interest with many other leading Italian genre painters of his generation, among them Gaetano Chierici (see lots 274 & 278).

    Sotheby's
  • PIETRO SALTINI ITALIAN, 1839-1908 THE CENTRE OF ATTENTION
    Jun. 14, 2005

    PIETRO SALTINI ITALIAN, 1839-1908 THE CENTRE OF ATTENTION

    Est: £12,000 - £18,000

    signed and dated P. Saltini / 1875 l.l. oil on canvas PROVENANCE Sale: Sotheby's, London, 16 November 1994, lot 231 Haynes Fine Art, Broadway

    Sotheby's
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