Salomon Van Ruysdael Sold at Auction Prices

SALOMON VAN RUYSDAEL (AMSTERDAM 1600/03-1670 HAARLEM) Skaters on a canal ne

SALOMON VAN RUYSDAEL (AMSTERDAM 1600/03-1670 HAARLEM) Skaters on a canal near the Plomptoren in Utrecht oil on panel 15 5/8 x 23 ¼ in. (39.6 x 59.1 cm.)

SALOMON VAN RUYSDAEL (NAARDEN 1600/03-1670 HAARLEM) A river landscape with

SALOMON VAN RUYSDAEL (NAARDEN 1600/03-1670 HAARLEM) A river landscape with fishermen, with a view of the Plompetoren, Utrecht oil on panel 13 1/2 x 17 3/8 in. (34.5 x 44 cm.)

SALOMON VAN RUYSDAEL

SALOMON VAN RUYSDAEL (Narden around 1603–1670 Haarlem) River landscape with figures on the riverbank. 1633. Oil on panel. Barely legibly monogrammed and dated lower left: SVR 1633. 36 × 61 cm. Provenance: - Private collection, Memphis. - Sale Freeman Fine Arts, Philadelphia, 27.1.2015, Lot 53. - European collection. --------------- SALOMON VAN RUYSDAEL (Narden um 1603–1670 Haarlem) Flusslandschaft mit Figuren am Ufer. 1633. Öl auf Holz. Unten links schwer leserlich monogrammiert und datiert: SVR 1633. 36 × 61 cm. Provenienz: - Privatsammlung Memphis. - Auktion Freeman Fine Arts, Philadelphia, 27.1.2015, Los 53. - Europäische Sammlung.

ANTIQUE DUTCH SCHOOL LANDSCAPE ON CRADLED PANEL

Framed Dutch School oil painting on cradled panel, Landscape with River Boats, believed to be 18th c., school of Salomon van Ruysdael (Naarden 1600/3-1670 Haarlem), unsigned, sight: 20.5"h, 32.25"w, overall: 32"h, 43.75"w Start Price: $700.00

Attributed to Salomon van Ruysdael, (1602/03-1670, Dutch), Figures walking along a country road, Oil on panel, 15.75" H x 19.25" W

Attributed to Salomon van Ruysdael (1602/03-1670, Dutch) Figures walking along a country road Oil on panel Signed lower left: S Ruysdael 15.75" H x 19.25" W

Salomon van Ruysdael (Naarden 1600/03-1670 Haarlem) - A choppy sea with boats and a tower on a spit of land

Salomon van Ruysdael (Naarden 1600/03-1670 Haarlem) A choppy sea with boats and a tower on a spit of land oil on panel, circular 12 7/8 in. (32.5 cm.) diameter

SALOMON VAN RUYSDAEL (NAARDEN 1600/03-1670 HAARLEM) - A village landscape with travelers resting near a stream

SALOMON VAN RUYSDAEL (NAARDEN 1600/03-1670 HAARLEM) A village landscape with travelers resting near a stream oil on canvas 31 ½ x 41 5/8 in. (80 x 105.7 cm.)

SALOMON VAN RUYSDAEL (NAARDEN 1600/03-1670 HAARLEM) - An extensive landscape with the state carriages of Prince Willem II and Amalia...

SALOMON VAN RUYSDAEL (NAARDEN 1600/03-1670 HAARLEM) An extensive landscape with the state carriages of Prince Willem II and Amalia... oil on panel 29 3/8 x 43 in. (74.6 x 109.2 cm.)

Salomon van Ruysdael (Naarden 1600/3-1670 Haarlem) - A wooded landscape with cattle, carriages on a track and an inn, a church...

Salomon van Ruysdael (Naarden 1600/3-1670 Haarlem) A wooded landscape with cattle, carriages on a track and an inn, a church... oil on panel 25 ¼ x 37 5/8 in. (64.2 x 95.7 cm.)

after Jacob van Ruisdael (Dutch, 1628/9? - 1682), A Wooded Landscape with Figures

after Jacob van Ruisdael (Dutch, 1628/9? - 1682), A Wooded Landscape with Figures oil on oak panel, unsigned, 18th century or earlier, retaining a Sammlung Schubart label to the verso, inscribed "51" to top center verso of panel and inscribed in white chalk to verso "nach Bad Homburg," presented in a 20th century gilt composition frame. Panel 22.5 x 28 1/8 in.; DOA 29.5 x 35.25 in. Private Estate Collection, Elkin, NC Additional high-resolution photos are available at LelandLittle.com

Ruysdael, Salomon van (Holland, um 1602–1670). Uferlandschaft mit Booten, Scheune und Männern bei der Arbeit, 1637. Öl auf Holz. Am rechten Bildrand monogrammiert und datiert: «S. vR. 1637». ...

Ruysdael, Salomon van (Holland, um 1602–1670). Uferlandschaft mit Booten, Scheune und Männern bei der Arbeit, 1637. Öl auf Holz. Am rechten Bildrand monogrammiert und datiert: «S. vR. 1637». 32,5:53,5 cm.

SALOMON VAN RUYSDAEL | A view of Amersfoort

oil on oak panel

Salomon van Ruysdael (Naarden? 1600/03-1670 Skaters on the frozen river Lek

Salomon van Ruysdael (Naarden? 1600/03-1670 Skaters on the frozen river Lek, the town of Vianen beyond oil on canvas 29¾ x 43 3/8 in. (75.2 x 110 cm.)

A country road with trees; and A dune landscape with trees (pl. 11)

Attributed to Salomon van Ruysdael (Naarden circa 1600-1670 Haarlem) A country road with trees; and A dune landscape with trees (pl. 11) with inscriptions 'Salomon Ruysdael' and 'Ruisdael f.' (on the old mounts) black chalk, grey wash (the latter possibly added later), brown ink framing lines, with fragmentary watermark (2) 3 5/8 x 6 in. (9.2 x 15.2 cm.) (2)

Salomon van Ruysdael (Naarden ?1600/3-1670 Haarlem)

Salomon van Ruysdael (Naarden ?1600/3-1670 Haarlem) A wooded landscape with a herdsman on horseback driving his cattle and shepherds with their flock, a man walking his dogs in the dunes, a village with the ruins of Egmond Abbey beyond signed and dated 'SvRVISDAEL• 1663' ('SvR' linked, lower left) oil on panel 13½ x 24 7/8 in. (34.2 x 63.1 cm.)

Artwork by - Salomon van Ruysdael

Artwork by - Salomon van Ruysdael

Salomon VAN RUYSDAEL (Naarden 1602-1670 Haarlem) Arbres en bordure d'une rivière pierre noire, traits d'encadrement à la pierre noire 103 x 209 mm.

Salomon VAN RUYSDAEL (Naarden 1602-1670 Haarlem) Arbres sur le bord d'un rivage (recto); Bateaux (verso) pierre noire, filigrane fleur-de-lys de Strasbourg 103 x 210 mm.

SALOMON  VAN  RUYSDAEL

PROPERTY  OF  A  PRIVATE  COLLECTOR NAARDEN  1600/3  -  1670  HAARLEM SHIPPING  IN  A  CHOPPY  SEA signed  in  monogram  at  left  center  on  the  boat:    SVR oil  on  panel diameter:  12  1/2    in.;  31.5  cm.

SALOMON  VAN  RUYSDAEL

THE  PROPERTY  OF  A  DECEASED'S  ESTATE NAARDEN  1600/3  -  1670  HAARLEM A  RIVER  LANDSCAPE  WITH  A  FERRY  BOAT  AND  A  DISTANT  VIEW  OF  DEVENTER oil  on  oak  panel 54.6  by  84.5  cm.;  21  1/2    by  33  1/4    in.

SALOMON VAN RUYSDAEL, Naarden 1601/02 - Haarlem

SALOMON VAN RUYSDAEL, Naarden 1601/02 - Haarlem SALOMON VAN RUYSDAEL Naarden 1601/02 - Haarlem 1670 Landskap med bönder som jagar harar Signed and dated. Oil on oak panel. 30,5 x 53 ...

VAN RUYSDAEL Salomon (vers 1602-1670) (?). Huile

VAN RUYSDAEL Salomon (vers 1602-1670) (?). Huile sur panneau de chêne "Scène campagnarde". Portrant en bas à gauche un monogramme S.R. pour Salomon Van Ruysdael (?). Ecole hollandaise. XVIIème. Dim.:46x63cm.

SALOMON  VAN  RUYSDAEL

PROPERTY  FROM  AN  ENGLISH  PRIVATE  COLLECTION NAARDEN  1600/3  -  1670  HAARLEM A  RIVER  LANDSCAPE  WITH  A  FERRY  BOAT signed  and  dated  lower  left  on  the  ferry:  SvRuysdael  1653 oil  on  oak  panel 55.6  by  83.2  cm.;  21  7/8    by  32  3/4    in.

Salomon van Ruysdael (Naarden ?1600/3-1670 Haarlem)

Salomon van Ruysdael (Naarden ?1600/3-1670 Haarlem) A wijdship and other small Dutch vessels on an estuary, a church beyond oil on panel 13 5/8 x 17¼ in. (34.6 x 43.9 cm.)

SALOMON VAN RUYSDAEL - Dorflandschaft mit Brücke und Bäumen

SALOMON VAN RUYSDAEL Naarden um 1601-1670 Haarlem Dorflandschaft mit Brücke und Bäumen Öl auf Lwd., doubliert, 58 x 50 cm

SALOMON VAN RUYSDAEL LANDSCAPE WITH A FARMHOUSERIVERSCAPE WITH A FERRYBOAT

SALOMON VAN RUYSDAEL LANDSCAPE WITH A FARMHOUSE RIVERSCAPE WITH A FERRYBOAT On the bottom right (Riverscape) eg. left (Dune landscape) monogrammed and dated: SvR (vR joinedt) 1634 Dimensions : Each 63 x 74,5 cm (oval) Provenance Former Perdoux collection, Paris, 1924. - Private collection, Germany. Certificate Walther Bernt, Munich, 7.4.1977 (one expertise for each painting). The two oval landscapes are dated 1634. Hence they derive from the decade that was of eminent importance for the development of Dutch landscape painting, in which a young generation of paintings developed a new concept of the rendition of nature. One painting shows a farmstead with horse and cart and peasants, the other a river with a ferryboat transporting cattle and peasants. The composition of the two paintings obviously refer to each other, and it seems as if the artist wanted to demonstrate what the new form of landscape painting had achieved. The river landscape indicates the elements of this new landscape painting. A diagonal line, formed by the trees at the embankment, connects the fore-, middle- and the background, creating a unified pictorial space. The diagonal at the same time leads the eye towards the distance, where the silhouette of a town can be seen. The horizon is extremely low, so that the depiction of the sky and the clouds are allowed plenty of space. How bold the conception of the pictorial space is can be seen by the fact that the foreground consists only of the rendition of the water. This enables the artist to depict the reflections of the sky, the trees, and the figures in the water. Altogether, the ephemeral phenomena of nature - air, wind, water, light - in their fleetingness, are the protagonists of these landscape paintings. The unified pictorial space, the reduction of the palette to a few green, grey and brown tones and the rendition of elements visualise the atmosphere, the width and depth of the landscape in a new way. A comparable pair of landscapes exists that was painted the previous year (fig. 1 and 2; Staatliche Kunstsammlungen Dresden). Its composition is, except for a few details, simlar to these paintings. Ruysdael was probably aware of the aethetic impression that the juxtaposition of two oval paintings, representing two different types of landscapes, made on beholders. margin scheme

Salomon van Ruysdael (Naarden 1600/03-1670 Haarlem)

Salomon van Ruysdael (Naarden 1600/03-1670 Haarlem) A landscape with travellers in a cart along a path, a village feast with a maypole in the background oil on panel, octagonal. 29.9 x 44.4 cm. with two red wax seals on the reverse

Salomon van Ruysdael (Naarden 1600/3-1670 Haarlem)

Salomon van Ruysdael (Naarden 1600/3-1670 Haarlem) A wooded landscape with a milkmaid on a path with cattle and sheep, a town and a windmill beyond indistinctly signed and dated 'S.vRVYDA[EL] 165[4/6?]' ('vR' linked, lower left) oil on panel 24½ x 30 1/8 in. (62 x 76.4 cm.)

Salomon van Ruysdael (Naarden ?1600/3-1670 Haarlem)

Salomon van Ruysdael (Naarden ?1600/3-1670 Haarlem) A river landscape with sportsmen duck shooting from a boat signed with monogram 'SvR.' (lower center) oil on panel 16½ x 21½ in. (41.2 x 54 cm.)

Painting by Salomon van Ruysdael

Painting by Salomon van Ruysdael

Ruysdael, Salomon successo.

Ruysdael, Salomon successo. Tree Oil on wood. 30 x 25. Painted over. Ruysdael, Salomon Nachfolge Baum. Öl auf Holz. 30 x 25. Übermalt

attribué à Salomon VAN RUYSDAEL, Couple au coucher

attribué à Salomon VAN RUYSDAEL, Couple au coucher de soleil

Salomon van Ruysdael, Nachahmer Flusslandschaft

Salomon van Ruysdael, Nachahmer Flusslandschaft mit einer Fähre, Öl auf Holz, 23 x 33 cm, gerahmt, (Wo)

SALOMON VAN RUYSDAEL NAARDEN 1600/3 - 1670 HAARLEM RIVER LANDSCAPE WITH THREE ROWBOATS 14 3/4 by 20 inches; 37.5 by 50.3 cm signed on the boat and in its shadow below S vR (in ligature) / 1633. oval, oil on panel Provenance: With F. Kleinberger,

SALOMON VAN RUYSDAEL NAARDEN 1600/3 - 1670 HAARLEM RIVER LANDSCAPE WITH THREE ROWBOATS 14 3/4 by 20 inches; 37.5 by 50.3 cm signed on the boat and in its shadow below S vR (in ligature) / 1633. oval, oil on panel Provenance: With F. Kleinberger, Paris (as a joint work by Ruysdael and Van Goyen); E. Sarasin-Von der Muhll, Basel (Stechow lists as Sarasin; Von der Muhll, Basel). Literature & References: W. Stechow, Salomon van Ruysdael, 2nd, revised ed., Berlin 1975, p. 80, cat. no. 83A. Catalogue Note: Salomon van Ruysdael is perhaps best known for his river landscapes, which he painted throughout his career. The River Landscape with Three Rowboats is a classic example of what is usually referred to as his tonal period, which began in the early 1630s. Working in tandem with Jan van Goyen, by whom he was influenced and whom he in turn influenced, Ruysdael developed a color scheme and a compositional template to bring a unity and focus to his landscapes that was lacking in the previous generation's work. Moving away from the local color of his predecessors, he used a palette dominated by muted grays, greens and browns, to create a more harmonious effect. At the same time he employed a system of diagonals to organize his works, as here where the line of the boats in the foreground rises from the lower left to the middle right, balancing the sharper angle of the line of trees descending from the upper left, and creating a stable composition. Comparing the River Landscape with Three Rowboats to other works from this same period, such as the River Bank with Old Trees (Stechow, Op. cit., fig. 16), also of 1633, in the Mauritshuis, one sees how characteristic a work this is. Not only are the organizing principles comparable, but Ruysdael also repeats specific motifs, such as the blasted tree that anchors the composition at the left and the sailboat on the horizon at the right. But perhaps most satisfying is his use of the reflections in the water as a counterweight and an echo of the clouded sky and above.

Attributed to Salomon van Ruysdael (1600/01-1670) wooded landscape with a farmhouse. Inscribed in

Attributed to Salomon van Ruysdael (1600/01-1670) wooded landscape with a farmhouse. Inscribed in brown ink lower right: J. Ruisdael. Black chalk. 102 by 195mm Inscribed in brown ink on the back of the frame: Original drawing by Jacob Ruysdael/(early c. 1649-1650)/W.R. Valentiner/march 9. 1941. The extensive underdrawing found in so many of Salomon van Ruysdael's landscape paintings is often held up as the explanation for the fact that no preparatory drawings for these paintings are known; the artist appears simply to have drawn directly onto the panel or canvas, rather than working out his compositions in advance on paper. On the basis of comparison with these underdrawings and general stylistic similarities to the artist's paintings, a small number of drawin Attributed to Salomon van Ruysdael (1600/01-1670) wooded landscape with a farmhouse. Inscribed in brown ink lower right: J. Ruisdael. Black chalk. 102 by 195mm Inscribed in brown ink on the back of the frame: Original drawing by Jacob Ruysdael/(early c. 1649-1650)/W.R. Valentiner/march 9. 1941. The extensive underdrawing found in so many of Salomon van Ruysdael's landscape paintings is often held up as the explanation for the fact that no preparatory drawings for these paintings are known; the artist appears simply to have drawn directly onto the panel or canvas, rather than working out his compositions in advance on paper. On the basis of comparison with these underdrawings and general stylistic similarities to the artist's paintings, a small number of drawings have been plausibly attributed to Salomon, to which the present sheet can be compared; the best examples are in Berlin, Paris (Louvre and Lugt Collection) and Rotterdam (see Dessins de Paysagistes Hollandais, exh. cat., Brussels/Rotterdam/ Paris/Berne, 1968-9, vol.i, p.131). Attributed to Salomon van Ruysdael (1600/01-1670) wooded landscape with a farmhouse. Inscribed in brown ink lower right: J. Ruisdael. Black chalk. 102 by 195mm Inscribed in brown ink on the back of the frame: Original drawing by Jacob Ruysdael/(early c. 1649-1650)/W.R. Valentiner/march 9. 1941. The extensive underdrawing found in so many of Salomon van Ruysdael's landscape paintings is often held up as the explanation for the fact that no preparatory drawings for these paintings are known; the artist appears simply to have drawn directly onto the panel or canvas, rather than working out his compositions in advance on paper. On the basis of comparison with these underdrawings and general stylistic similarities to the artist's paintings, a small number of drawings have been plausibly attributed to Salomon, to which the present sheet can be compared; the best examples are in Berlin, Paris (Louvre and Lugt Collection) and Rotterdam (see Dessins de Paysagistes Hollandais, exh. cat., Brussels/Rotterdam/ Paris/Berne, 1968-9, vol.i, p.131).

Circle of Salomon van Ruysdael (1600/03-1670)

A river landscape with fishermen pulling in their catch with signature and the date 'S. RUYSDAEL 1631' (lower left) oil on canvas 401/2 x 595/8 in. (102.8 x 151.4 cm. ).

ATTRIBUTED TO SALOMON VAN RUYSDAEL (1600/02-1670) RIVER SCENE WITH BOATS BEFORE A DENSELY WOODED BANK.

Bears old numbering in pen and brown ink on the verso: No.410. Black chalk and grey wash. 102 by 214 mm. Provenance: Freiherr M. von Heyl zu Herrnsheim (L.2879); Dr. M.K.H. Rech (L.2745b). The extensive underdrawing found in so many of Salomon van Ruysdael's landscape paintings is often held up as the explanation for the fact that no preparatory drawings for these paintings are known; the artist appears simply to have drawn directly onto the panel or canvas, rather than working out his compositions in advance on paper. In the absence also of any surviving signed sheets, the attribution of drawings to this central figure of Dutch landscape art therefore depends on stylistic comparison with the underdrawings in his paintings, and on their general compositional similarities with the artist's painted works. On both these criteria, there would appear to be a good case for including this subtly constructed and delicately executed drawing in the small corpus of Ruysdael's works on paper. In a number of his paintings of the 1630s, Ruysdael turned away from the very powerful diagonal compositions for which he is best known and painted scenes such as this, depicting small numbers of boats by wooded riverbanks which lie more or less parallel to the picture plane; an example of a painting constructed in this way which is strikingly similar to the present drawing in its compositional conception is the Riverbank with two leafless trees of 1633, in The Hague (Mauritshuis, inv. 941; see Wolfgang Stechow, Salomon van Ruysdael, Berlin 1975, cat. 498A, fig.16). Dr. Wolfgang Schulz, however, while confiming that he believes this to be an autograph drawing of high quality, suggests a date of around 1640-44. Other drawings that can plausibly be attributed to Salomon van Ruysdael are to be found in Berlin, Paris (Louvre and Institut Neerlandais) and Rotterdam (see Dessins de Paysagists Hollandais du XVIIe Siecle, exhib. cat. Brussels/Rotterdam/Paris /Berne 1968-69, vol. I (catalogue), p.131).