Salomon van Ruysdael Paintings & Artwork for Sale | Salomon van Ruysdael Art Value Price Guide

Nov. 16, 2024
Salomon van Ruysdael, Dutch Inland Waters, presumably the Wijkermeer, with a "Veerkaag" Ship
Est: €450,000 - €500,000
Monogrammed on the leeboard of the sailing boat: S. vR 1647 With the seal of Galerie Sedelmeyer, Paris, on the reverse. In his monograph on Salomon van Ruysdael, Wolfgang Stechow aptly described the essence of his marine paintings, which is particularly evident in the present work: ‘Ruysdael knows neither the stormy “dramatic” nor the “historical” nor even the “representative” marine painting, but only the “present” one; the clear calm and pure atmosphere, the “sober poetry” that avoids all sentimentality and splendour, finds its most perfect expression in some of these paintings’. (W. Stechow: Salomon van Ruysdael, kritisches Oeuvreverzeichnis, Berlin 1975, p. 111). Salomon van Ruysdael is the painter of the watery Dutch landscape. In this light-flooded depiction of the Wjkermeer, the focus is on the clouds and water. Ships sail peacefully into the distance under a high and imposing cloudy sky, which Ruysdael uses to create an immense sense of space in a small area. The painting is a testament to his skilful technique, in which he used wet-on-wet brushwork to create wonderfully atmospheric colour effects. In this work from 1647, Ruysdael departs stylistically from the broad painterly strokes of his tonal landscapes of the 1630s. He turns to a chiaroscuro with lighter and more varied colours, emphasises the clouds more strongly and shows larger areas of water. Abrupt discontinuities of light and shadow create depth both below and above the water, with the foreground obscured by a seemingly dark cloud that fades into the luminous distance and is bathed in soft atmospheric half-light. Marine paintings, inspired by Jan van Goyen, only appear in Ruysdael's œuvre from the beginning of the 1640s. Unlike his contemporary Simon de Vliegher, for example, Ruysdael was not interested in depicting the open sea. His paintings depict the typical Dutch landscape of the 17th century, which was characterised by inland lakes and extensive estuaries that often no longer exist today. The present painting obviously also depicts such an inland lake, as the distant strip of shore along the horizon suggests. A spit of land with farmhouses also appears in the centre left. The view of Beverwijk housed in the Mauritshuis in The Hague is considered to be a later, portrait format version (fig. 1). The outline of a pointed church spire that appears in the background is depicted from a shorter distance away and can therefore be identified as the tower of the church of Beverwijk on the Wijkermeer. This explicit topographical reference can be seen in connection with the interest of wealthy citizens of Amsterdam who had their weekend homes in this village not far from Haarlem. The main motif is a Kaag in the foreground, a typical sailing boat used in these Dutch inland waterways. These ships were used among other things as ferries to connect the large cities with one another. On calm waters, the single-masted vessel glides diagonally into the right towards the depths of the painting. The wind coming from astern makes for a pleasant journey, which is probably why the majority of travellers have stayed on deck. As Wolfgang Stechow noted, the compositional principle of emphasising just one ship goes back to Jan van Goyen, who in turn followed the example of Jan Porcelli. By emphasising the other motifs, Ruysdael binds them together and creates a greater illusion of space. By matching a single-masted ship of the same type in the distance to the large ferryboat, he masterfully creates a perspectival reference system.
Kunsthaus Lempertz KG
Mar. 20, 2024
Salomon van RUYSDAEL Naarden, vers 1600 - Haarlem, 1670 Le passage du bac Huile sur panneau parqueté
Est: €20,000 - €30,000
Salomon van RUYSDAEL Naarden, vers 1600 - Haarlem, 1670 Le passage du bac Huile sur panneau parqueté Monogrammé sur le bac en bas vers la gauche (Restaurations) The ferry, oil on panel, monogrammed, by S. van Ruysdael h: 70,50 w: 64 cm Provenance : Chez A. Reyre à Londres ; Chez F. Kleinberger, Paris, 1930 ; Chez le marchand Capdevielle au début des années 1930 ; Acquis auprès de ce dernier par Monsieur et Madame Edmé Renaudin en 1932 ; Par descendance à leurs petits-enfants ; Collection particulière, Paris Bibliographie : Wolfgang Stechow, 'Salomon van Ruysdael. Eine einführung in seine kunst, mit kritischem katalog der Gemälde', Berlin, 1938, p. 76, n° 69 Commentaire : Salomon van Ruysdael est avec Jan van Goyen un des grands représentants du paysage naturaliste de la première moitié du XVIIe siècle en Hollande. Membre d'une célèbre dynastie de peintres, il est le maître de son neveu Jacob van Ruisdael. Né à Haarlem, Salomon devient membre de la guilde des peintres de Haarlem en 1623. A l'instar de Jan van Goyen, il est marqué par l'œuvre d'Esaias van de Velde, actif à Haarlem de 1610 à 1618. Peintre prolifique, il se spécialise dans les paysages de rivière et d'estuaire dont le premier exemple apparaît en 1626. Dans un format portrait, Salomon van Ruysdael représente ici le passage du bac sur une eau calme où vaches, chien et hommes partagent le temps de la traversée une même embarcation. La technique consistant à signaler la distance en représentant une langue de terre traversant le panneau en diagonale et s'amenuisant peu à peu est propre au peintre, comme la palette employée ici composée de tons de gris, verts et bruns doux et sourds. Estimation 20 000 - 30 000 €
Artcurial
Nov. 29, 2023
Attribué à Salomon VAN RUYSDAEL Naarden, 1602 - 1670, Haarlem Vue d'un moulin avec l'église Saint-Bavon d'Harlem au loin
Est: €6,000 - €8,000
Attribué à Salomon VAN RUYSDAEL Naarden, 1602 - 1670, Haarlem Vue d'un moulin avec l'église Saint-Bavon d'Harlem au loin Huile sur toile Monogrammée en bas à gauche 60 x 86 cm View of a Mill with Saint Bavo's Church in Harlem in the Distance Oil on canvas Monogrammed lower left 23 5/8 x 33 7/8 in.
Aguttes
Nov. 14, 2023
Solomon van Ruysdael, Naarden 1602 - 1670 Haarlem, Circle of, Dutch river landscape
Est: €3,000 - €6,000
Solomon van Ruysdael Naarden 1602 - 1670 Haarlem, Circle of Dutch river landscape Oil on oak panel 47 x 72 cm, with frame 59.5 x 84 cm
Tiberius Auctions
Nov. 09, 2023
Ruysdael, Salomon van (im Stil von).
Est: €340 - €500
Ruysdael, Salomon van (im Stil von). Bukolische Landschaft mit Kühen und Pferdepflug. Öl auf Holz. 18. Jahrhundert. Maße: 27,5 x 39,5 cm. Gerahmt: 40 x 52 cm. Stimmungsvolle Vedute mit bäuerlicher Staffage im Stil des niederländischen Pioniers barocker Landschaftsmalerei Salomon van Ruysdael (um 1600-1670). - Verso gestochenes Etikett eines Kardinalswappens mit drei Rosen und schwarzen und roten Siegelresten sowie mit einem weiteren Besitzetikett von "S. Pugh à Baden-Baden" (?). - Firnis nachgedunkelt, vereinzelte kleine, teils retouchierte Farbabplatzungen, die Malschicht entlang der Ränder sowie im Bereich neben der links stehenden Dreiergruppe etwas berieben; der goldgefasste Stuckrahmen mit größeren Ausbrüchen in den Ecken.
Nosbüsch & Stucke GmbH
May. 03, 2023
Salomon van Ruysdael
Est: €30,000 - €50,000
(Haarlem circa 1601–1670) A winter landscape with figures on the ice, signed and dated lower centre: S. V. Ruyesdael, oil on panel, oval, 29.5 x 38.5 cm, framed Provenance: sale, Roos & Co, P. C. Haemacher, F. L. Berré, Amsterdam, 30 November 1897, lot 96; Duchessa Marie di Bojano, née Countess of Schönborn-Wiesentheid (1848–1929), Florence; Constantin Georges Nano (1870–1952), Berlin; his sale, Lepke, Berlin, 3 April 1928, lot 200; sale, Drouot, Paris, 15 December 1980, lot 36; with Galerie Müllenmeister, Solingen; Rhenish private collection; sale, Lempertz, Cologne, 17 May 2014, lot 1141; where acquired by the present owner Literature: W. Stechow, Salomon van Ruysdael, Berlin 1938, pp. 68, 78–79, nos. 4 and 96; W. Stechow, Salomon van Ruysdael, Berlin 1975, pp. 68, 82, nos. 4 and 96 We are grateful to Ellis Dullart for confirming the attribution of the present painting to Salomon van Ruysdael. The present wintery scene, with figures swaddled against the cold beneath a grey blue sky, is a typically vivid and brisk depiction of the countryside around Haarlem by Salomon van Ruysdael. The lilac and white contrasting tones of the sky give way to the weak sunlight modelling the fenced windmill that closes off the composition to the left. The low horizon is typically Dutch and shows the innovative realism of landscape painting in the Gouden Eeuw, as developed by van Ruysdael and his contemporary Jan van Goyen from the pioneering works of Esais van de Velde. In the present, oval shaped panel, the curved format compliments the meandering, serpentine lines of the river, snaking into the distance, while the scene is enlivened by the peasant girl beside the windmill who watches the boys treading unsteadily out onto the ice. Salomon van Ruysdael, uncle of the even more renowned painter Jacob van Ruysdael, was registered at the Guild of Saint Luke in Haarlem under the name Salomon de Goyer in 1623. At some point the family changed their name to Ruysdael, apparently after a castle of that name in the Gooiland that may have been a historic family seat. The present work, signed and dated: S.V. Rueysdael 1629, is from a phase in Ruysdael’s oeuvre between 1628–31 when he wrote his surname with an extra ‘e’ in the middle, and shows the master at the peak of his powers.
Dorotheum
Nov. 08, 2022
Salomon van Ruysdael: River Landscape with two farm wagons under tall trees
Est: €80,000 - €150,000
Salomon van Ruysdael River Landscape with two farm wagons under tall trees c. 1635/40 oil on panel 68.5 x 92 cm (oval) F. Kleinberger, Paris by 1924; Sale, Paris, Huet, 14 June 1961, lot 51; Sale, Paris, 14 March 1970, lot 20; Galerie St. Lucas, Vienna 1974-75; collection Erna Weidinger (1923-2021) Winter 1974/75 Vienna, Galerie St. Lucas, old master paintings, no. 7 Wolfgang Stechow, Salomon van Ruysdael, Berlin 1938, cat. no. 109; Wolfgang Stechow, Salomon van Ruysdael, Berlin 1975, p. 84, cat. no. 106A In the present painting, the idyllic shore is painted in atmospheric autumn colours. Two loaded wagons stand near a hut visible between tall trees, in front of which the horses are being fed. Above the lifelike shimmering reflections in the calm water, several boats are floating along the shore. River scenes were Salomon van Ruysdael's main subject - he created more paintings on this theme than on any other landscape subject. For the present depiction, he used an oval horizontal format, which further emphasises the aesthetic impression of the landscape view. In the 1630s, the floating nature of the representational prompted the artist to use this format more frequently for his constantly varied river landscapes, for example in his "Baumreiches Flussufer" ("Wooded River Bank") in the Gemäldegalerie Dresden (c. 1633, inv. no. 1384). Above the obliquely receding river view, the trees on the bank form a diagonal line which connects foreground and background and creates a unified pictorial space. Above the low-set horizon, space is given to the impressive depiction of the sky and clouds. This allowed the artist to capture the reflections of the sky and trees in the water. In this complementary treatment of water and sky, Salomon van Ruysdael is unsurpassed among his compatriots. In this sense, the interacting, transient natural phenomena that Ruysdael presents in his depiction of water, light and air are probably the real protagonists of this outstanding landscape. Together with Jan van Goyen (1596-1656), Salomon von Ruysdael belonged to the group of Haarlem artists who were to revolutionise Dutch landscape painting from the 1620s onwards. Through their mutual influence, they developed a naturalistic style of painting that focused on the peculiarities and ephemeral details of nature and atmospheric effects.
Im Kinsky
Jul. 08, 2022
SALOMON VAN RUYSDAEL (NAARDEN ?1600/3-1670 HAARLEM) A wooded landscape with
Est: £20,000 - £30,000
SALOMON VAN RUYSDAEL (NAARDEN ?1600/3-1670 HAARLEM) A wooded landscape with a herdsman on horseback driving his cattle and... oil on panel 13 1/2 x 24 7/8 in. (34.2 x 63.1 cm.)
Christie's
Feb. 22, 2022
Salomon van Ruysdael (Dutch, B.C. 1602–1670) Sailing by the Old Dutch Town
Est: $60,000 - $100,000
Salomon van Ruysdael (Dutch, B.C. 1602–1670) Sailing by the Old Dutch Town Oil on cradled panel 9 7/8 x 13 1/2 in. (25.1 x 34.3cm) Executed circa 1645-1650. Provenance Collection of Mrs. Michel van Gelder, Uccle (near Brussels), Belgium, 1914. John Mitchell Gallery (now John Mitchell Fine Paintings), New York, New York, May 1950. Collection of E. A. Jyost, 1952. Christie's, New York, sale of January 29, 1998, lot 116 (sold as A River Landscape with Sailing Boats by a Village). Acquired directly from the above sale. Richard Green Ltd., London, United Kingdom. Acquired directly from the above. Private Collection, Massachusetts. By descent in the family to the present owner. Footnote: Literature Wolfgang Stechow, Salomon van Ruysdael, Berlin, n.p., 1938, no. 474, p. 142 (as Ruderboot Mit Sechs Mann i.e. The Six-Man Rowing Boat). Note Salomon van Ruysdael is one of the important links in a generation of Ruysdael artists that started with his father, Jacob Jansz de Gooyer and ended with his own nephew, Jacob van Ruysdael. Born in Naarden around 1601, Ruysdael spent most of his career in Haarlem, where he joined the Guild of St. Luke in 1623. While his early work resembled that of Esaias van de Velde and Pieter de Molijn (landscapes of modest size and subject, mostly dunes and trees set in the environs of Haarlem, set in a restricted color palette), his work took a serious turn after 1645, his compositions becoming more spacious, featuring cloud-filled skies and broad expanses of water. As exemplified by the present oil, the artist employs a bolder (yet tonal) color palette, which not only makes a coherent, well-balanced picture plane, but also accentuates the perspective of the scene as it eases the viewer's eye progression into the distance. Our vision is indeed first directed towards the quintessential ferry boat at bottom left, a motif which Ruysdael so frequently employed in his paintings, before being attracted by the high church steeple on the right-hand side of the composition, and finally set back into the background where boats of various sizes stretch into the horizon. While the deep blues of the sky and sea offer a warm, charming contrast with the sand-colored buildings of the town on the river bank, the savant use of black throughout the composition, to outline the silhouette and shadows of the main figures, anchors the scene and gives it a sense of floating stability. It is with such atmospheric and finely detailed works (see the stork's nest on top of the church) that Ruysdael became one of the leading landscape painters of his generation, one of the most fervent tenant of Dutch realism, which inspired a fruitful generation of artists after him such his nephew, but also Meindert Hobbema and Aelbert Cuyp. We wish to thank the Rijksbureau voor Kunsthistorische Documentatie, also known as R.K.D, for confirming the authenticity of the present work.
Freeman's | Hindman
Dec. 04, 2021
FOLLOWER OF SALOMON VAN RUYSDAEL (DUTCH 1602-1670)
Est: $600 - $800
FOLLOWER OF SALOMON VAN RUYSDAEL (DUTCH 1602-1670) Countryside Stroll , oil on panel 29 x 25 cm (11 3/8 x 9 7/8 in.) CONDITION Observed in frame, the painting appears in age-appropriate condition. The painting has previously been clean, apparent to the figures. Inspection under UV light shows no apparent sign of restoration. framed dimensions: 43 x 40 cm (16 7/8 x 15 3/4 in.) Kindly note, the auction is comprised of two sessions: Session I: Russian and Asian Art, Antiques and Jewelry, lots 1-331 Session II: European, North and South American, and Ethnographic Art, Antiques, Jewelry, and Design, lots 500-827 N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
Shapiro Auctions LLC
Dec. 16, 2020
Attributed to Salomon van Ruysdael, (1602/03-1670, Dutch), Figures walking along a country road, Oil on panel, 15.75" H x 19.25" W
Est: $3,000 - $5,000
Attributed to Salomon van Ruysdael (1602/03-1670, Dutch) Figures walking along a country road Oil on panel Signed lower left: S Ruysdael 15.75" H x 19.25" W
John Moran Auctioneers
Nov. 30, 2020
Salomon Van Ruysdael (1602-1670), Tower Ruins
Est: $1,000 - $2,000
Black chalk on paper 15.5 x 21 cm Various inscriptions (on the reverse). Provenance: Collection of Prof. J. Leski (Professor of Astrology, University of Cracovia), according to a declaration from the Administration of the Museum of the Princes of Lubomirski, Lwow, 1923. Family of Elena Parys Feldberg by descent to the present owner. Notes: Catalogued as by the Museum of the Princes of Lubomirski, Lwow, 1923 as Ruisdael Catalogued by Dr. Dagmar Hnikova, expert from the "Kunsthaus Zurich" Museum, Zurich, September 1975 as Ruisdael
Hammersite
Oct. 15, 2020
SALOMON VAN RUYSDAEL (NAARDEN 1600/03-1670 HAARLEM) - A panoramic landscape with a hunter at rest
Est: $200,000 - $300,000
SALOMON VAN RUYSDAEL (NAARDEN 1600/03-1670 HAARLEM) A panoramic landscape with a hunter at rest oil on panel 12 x 18 3/8 in. (30.5 x 46.7 cm.)
Christie's
Dec. 04, 2019
Salomon van Ruysdael (Naarden 1600/1603-1670 Haarlem) - A wooded landscape with peasants conversing on a road
Est: £20,000 - £30,000
Salomon van Ruysdael (Naarden 1600/1603-1670 Haarlem) A wooded landscape with peasants conversing on a road oil on panel 27 3/8 x 36 3/8 in. (69.5 x 92.4 cm.)
Christie's
Nov. 08, 2019
Salomon Van Ruisdael (Umkreis) - Fischer am Fluss (Fishermen on a river)
Est: €3,000 - €4,000
Oil on panel. 1633. 39.4 x 53 cm. Dated and inscribed “SVP“ on the fishing boat.
Karl & Faber
Oct. 22, 2019
* Ruysdael (Salomon, 1602 - 1670). Landscape with figures by a pool
Est: £700 - £1,000
* Attributed to Salomon Ruysdael (1602 - 1670). Landscape with figures by a pool, oil on canvas, old relining, some discolouration, early 19th century handwritten label to verso giving the artist's name and the title Tress and Pond (partly obliterated), 26 x 37 cm (10.25 x 14.5 ins) (Qty: 1)
Dominic Winter Auctions
Jul. 05, 2019
Salomon van Ruysdael (Naarden 1600/3-1670 Haarlem) A river landscape with a boat oil on panel 29 3/8 x 41 ¾ in. (74.6 x 106 cm.)
Est: £100,000 - £150,000
Salomon van Ruysdael (Naarden 1600/3-1670 Haarlem) A river landscape with a boat signed and dated 'S.v. Rvysdael 1653' (on the boat) oil on panel 29 3/8 x 41 ¾ in. (74.6 x 106 cm.)
Christie's
Jul. 04, 2019
SALOMON VAN RUYSDAEL | River landscape with figures on a ferry
Est: £30,000 - £50,000
oil on canvas
Sotheby's
May. 28, 2019
TABLEAUX
Est: €3,000 - €5,000
AN RUYSDAEL Salomon (1600 - 1670). Attribué à.Huile sur panneau parqueté "Bétail s'abreuvant au bord du gué". Attribué à Salomon van Ruysdael. Ecole hollandaise. Dim.:42x70,5cm.
Vanderkindere
Nov. 18, 2018
SALOMON VAN RUYSDAEL (1600/03–1670) - Rural Landscape
Est: Kč375,000 - Kč450,000
Oil on oak panel. 1626-1629. 33 x 51 cm. The painting bears the remains of a monogram and dating in the lower left corner: S.V. 162. Flemish artist Salomon van Ruysdael was a member of the Brotherhood of St. Luke in Haarlem and from 1648 also its chairman. He was greatly influenced by the work of Jan van Goyen, whose work from the 1630s is quite similar, but used a more varied colour palette. Van Ruysdael loved to paint the Dutch countryside, canals, and fishing boats.
Arcimboldo Auctions
Jul. 05, 2018
SALOMON VAN RUYSDAEL | River landscape with animals and figures in a ferry, a church tower and sailing boats beyond
Est: £60,000 - £80,000
oil on canvas
Sotheby's
Feb. 02, 2018
SALOMON VAN RUYSDAEL | Still life of game on a ledge and in a basket, a landscape beyond
Est: $30,000 - $40,000
oil on panel
Sotheby's
Jun. 16, 2017
Ruysdael, Salomon van (Holland, um 1602–1670) (Umkreis). Flusslandschaft mit Booten und Segelschiffen. Öl auf Leinwand. 38:59 cm.
Est: CHF3,000 - CHF4,000
Ruysdael, Salomon van (Holland, um 1602–1670) (Umkreis). Flusslandschaft mit Booten und Segelschiffen. Öl auf Leinwand. 38:59 cm.
Stuker
Jun. 15, 2017
* Attributed to Salomon van Ruysdael (1602-1670). Landscape with figures by a pool,
Est: £700 - £1,000
oil on canvas, old relining, some discolouration, early 19th century handwritten label to verso giving the artist's name and the title Trees and Pond (partly obliterated), 26 x 37 cm (10.25 x 14.5 ins) - Quantity (1)
Dominic Winter Auctions
Mar. 31, 2017
Circle of RUYSDAEL, SALOMON VAN
Est: CHF8,000 - CHF10,000
Circle of RUYSDAEL, SALOMON VAN (1600 Haarlem 1670) River landscape with figures. 1667. Oil on panel. Monogram and date lower left on the boat: SR 1667. 39.7 x 55.6 cm. Provenance: - Swiss private collection since the beginning of the 20th century. - Via inheritance to the current owner, Swiss private collection. --------------- RUYSDAEL, SALOMON VAN (UMKREIS) (1600 Haarlem 1670) Flusslandschaft mit Figuren. 1667. Öl auf Holz. Unten links auf dem Boot mit Monogramm und Datierung: SR 1667. 39,7 x 55,6 cm. Provenienz: - Schweizer Privatsammlung, seit Anfang des 20. Jahrhunderts. - Durch Erbfolge an heutige Besitzer, Schweizer Privatbesitz.
Koller Auctions
Mar. 29, 2017
RUYSDAEL, SALOMON VAN
Est: €35,000 - €45,000
RUYSDAEL, SALOMON VAN c. 1600 Naarden - 1670 Haarlem A River Landscape with a Wooden Pier and Fishing Boats Signed with the monogram at the right (area of the pier) and dated 1643. Oil on panel. 36,9 x 60,9 cm. Restored. Framed. Literature: Stechow, Wolfgang, Salomon van Ruysdael. Eine Einführung in seine Kunst. 2nd ed. Berlin 1975, p. 144, no. 486 'Hölzerner Anlegeplatz': probably identical with the present work although the size differs (40 x 60 cm) and has been adopted by Walther Bernt in his expertise. - Frimmel, Theodor von, Verzeichniss der Gemälde im Besitze der Frau Baronin Auguste Stummer von Tavarnok (Galerie Winter). Vienna 1895, p. 67, cat.-no. 159. Provenienz: Nikolaus Baranowsky, Vienna (around 1850). - Auction Sale Sammlung Baranowsky, Vienna 1855, cat.-no. 147 (according to the certificate by W. Bernt). - Josef Winter, Vienna. - exhib. cat. 'Katalog der Gemälde alter Meister aus dem Wiener Privatbesitz', Vienna, K. K. Österreichisches Museum, August - September 1873, cat.-no. 18 (date 1643 mentioned; cited after Stechow). - Auguste Stummer von Tavarnok (Galerie Winter). - Auction Sale Collection Sammlung Fürstin G[onzaga] ... C. J. Wawra, Vienna, 20 April 1931, cat.-no. 49 (illustr.). - Private collection, Southern Germany. This work is accompanied by a certificate by Dr. Walther Bernt, Munich, dated 26 November 1954. GERMAN RUYSDAEL, SALOMON VAN um 1600 Naarden - 1670 Haarlem Flusslandschaft mit hölzernem Anlegeplatz und Fischerbooten Rechts (auf dem Anlegeplatz) monogrammiert und 1643 datiert. Öl auf Holz. 36,9 x 60,9 cm. Rest. Rahmen. Typisches Gemälde des bedeutenden Haarlemer Landschafts- und Seemalers aus den 40er Jahren des 17. Jahrhunderts. Auffällig sind Parallelen zum gleichzeitigen Schaffen Jan van Goyens: Beiden Künstlern gemeinsam ist in dieser Zeit die Vorliebe für die Darstellung von Dünen- und Baumlandschaften in gelbbrauner bis graugrüner Farbigkeit, im Vordergrund oft ein dunkel verschatteter Uferstreifen. Literatur: Stechow, Wolfgang, Salomon van Ruysdael. Eine Einführung in seine Kunst. 2. Aufl. Berlin 1975S. 144, WVZ-Nr. 486 "Hölzerner Anlegeplatz": trotz abweichender Maßangabe (40 x 60 cm), die offenbar alten Literaturangaben geschuldet ist und von Walther Bernt in seinem Gutachten übernommen wurde, wohl identisch mit vorliegendem Gemälde. - Frimmel, Theodor von, Verzeichniss der Gemälde im Besitze der Frau Baronin Auguste Stummer von Tavarnok (Galerie Winter). Wien 1895, S. 67, Kat.-Nr. 159. Provenienz: Nikolaus Baranowsky, Wien (um 1850). - Versteigerung Sammlung Baranowsky, Wien 1855, Kat.-Nr. 147 (lt. Gutachten Bernt). - Josef Winter, Wien. - Ausst.-Kat. "Katalog der Gemälde alter Meister aus dem Wiener Privatbesitz", Wien, K. K. Österreichisches Museum, August - September 1873, Kat.-Nr. 18 (dort Erwähnung der Datierung 1643; Angaben nach Stechow). - Auguste Stummer von Tavarnok (Galerie Winter). - Versteigerung der Sammlung Fürstin G[onzaga] ... C. J. Wawra, Wien, 20. April 1931, Kat.-Nr. 49 (mit Abb.). - Süddeutsche Privatsammlung. Gutachten Dr. Walther Bernt, München, 26. November 1954.
Neumeister
Jan. 25, 2017
ATTRIBUTED TO SALOMON VAN RUYSDAEL | Farm buildings by trees
Est: $3,000 - $4,000
Black chalk and gray wash, within brown ink framing lines
Sotheby's
Jan. 25, 2017
ATTRIBUTED TO SALOMON VAN RUYSDAEL | Figures on a path, approaching cottages
Est: $6,000 - $8,000
Black chalk, pen and brown ink and brown wash, within brown ink framing lines; signed indistinctly with initials lower left and dated: 1631
Sotheby's
Dec. 08, 2016
SALOMON VAN RUYSDAEL | Landscape with wagons on a sandy road with other travellers and cows, a church beyond
Est: £60,000 - £80,000
oil on oak panel
Sotheby's
Mar. 22, 2016
RUYSDAEL, SALOMON VAN (ATTRIBUTED)
Est: CHF8,000 - CHF12,000
RUYSDAEL, SALOMON VAN (ATTRIBUTED) (Naarden 1600 - before 1670 Haarlem) A river landscape with fishing boats. Oil on panel. Monogrammed lower right on the wooden beam: SVR. 41.4 x 61.7 cm. Provenance: - Collection of F. Dörfler, Munich. - Auction, Lempertz, Cologne, 17.5.1962, Lot 8. - Auction, Weinmüller, Munich, 2.10.1963, Lot 878. - Swiss private collection. --------------- RUYSDAEL, SALOMON VAN (ZUGESCHRIEBEN) (Naarden 1600 - vor 1670 Haarlem) Flusslandschaft mit Fischerbooten. Öl auf Holz. Unten rechts auf dem Holzbalken monogrammiert: SVR. 41,4 x 61,7 cm. Provenienz: - Sammlung F. Dörfler, München. - Auktion Lempertz, Köln, 17.5.1962, Los 8. - Auktion Weinmüller, München, 2.10.1963, Los 878. - Schweizer Privatbesitz. Literatur: - Stechow, Wolfgang: Salomon van Ruysdael, eine Einführung in seine Kunst, mit kritischem Katalog der Gemälde, Berlin 1975, Nr. 557A (als eigenhändig von Salomon van Ruysdael). - Beck, Hans-Ulrich: Künstler um Jan van Goyen, Doornspijk 1991, Kat. Nr. 1145, S. 405 (als Johannes Pietersz. Schoeff).
Koller Auctions
Mar. 22, 2016
(École hollandaise) - [Suiveur de RUYSDAEL, Salomon van (c. 1602-1670)].- Sous-bois. DESSIN ORIGINAL, pierre noire, pinceau et lavis à l'encre grise, papier vergé non filigrané, 18,5 x 26,5 cm, fixé par le bord sup. sous passe-partout.
Est: €600 - €800
(École hollandaise) - [Suiveur de RUYSDAEL, Salomon van (c. 1602-1670)].- Sous-bois. DESSIN ORIGINAL, pierre noire, pinceau et lavis à l'encre grise, papier vergé non filigrané, 18,5 x 26,5 cm, fixé par le bord sup. sous passe-partout.
Arenberg Auctions
Aug. 30, 2015
Attrib. to Solomon Van Ruysdael (1602-1670) oil
Est: $4,000 - $8,000
Dutch painting 12x16 oil on oak panel with wax monogram verso. Fisherman at stormy harbor (possibly Rotterdam) hooked on the channel with their oar, looking to the sky at a zig zag, possibly lightning. Views like this have been depicted by Albert Cuyp paintings in the National Gallery in London 1645-50 Provenance: Passed through Generations of the Maurer family the last two being DR D.A Maurer to son Michael Maurer - the monogram is likely the Maurer family Crest
California Auctioneers
Jun. 28, 2015
Attrib. to Solomon Van Ruysdael (1602-1670) oil
Est: $10,000 - $20,000
Attrib. to Solomon Van Ruysdael (1602-1670) oil Dutch painting 12”x16” oil on oak panel with wax monogram verso. Fisherman at stormy harbor (possibly Rotterdam) hooked on the channel with their oar, looking to the sky at a zig zag, possibly lightning. Views like this have been depicted by Albert Cuyp paintings in the National Gallery in London 1645-50 Provenance: Passed through Generations of the Maurer family the last two being DR D.A Maurer to son Michael Maurer - the monogram is likely the Maurer family Crest
California Auctioneers
Jun. 23, 2015
Salomon van Ruysdael (Naarden 1600-1670 Haarlem)
Est: €30,000 - €50,000
Salomon van Ruysdael (Naarden 1600-1670 Haarlem) A river landscape with peasants ferrying their livestock before a farmhouse signed and dated 'S.VR / 1632' (centre left) oil on panel 27.6 x 57.2 cm.
Christie's
Apr. 29, 2015
SALOMON VAN RUYSDAEL | River landscape with trees overhanging the bank, four figures in a rowing boat and a distant cathedral
Est: £30,000 - £40,000
oil on oak panel
Sotheby's
Apr. 22, 2015
SALOMON VAN RUYSDAEL | River landscape near the city of Haarlem with cattle and fishing boats
Est: $400,000 - $600,000
oil on panel, with additional corners made up to form a rectangular format
Sotheby's
Apr. 22, 2015
SALOMON VAN RUYSDAEL | River Landscape with Boats and Liesvelt Castle
Est: $300,000 - $500,000
oil on panel
Sotheby's
Jan. 29, 2015
SALOMON VAN RUYSDAEL, (DUTCH C.1602-1670), LANDSCAPE WITH RIVER AND FIGURES ON BANK
Est: $10,000 - $15,000
SALOMON VAN RUYSDAEL (dutch c.1602-1670)/span LANDSCAPE WITH RIVER AND FIGURES ON BANK Signed with initials 'SVR' (conjoined) and dated '163*' bottom left, oil on cradled panel 14 1/8 x 24 1/8 in. (35.9 x 61.3cm) provenance: /spanPrivate Collection, Memphis, Tennessee. note:/span One of the preeminent landscapists of the Dutch 'Golden Age,' Salomon van Ruysdael was part of a family of landscape painters, including his brother Isaack van Ruisdael, his son, Jacob Salomonszoon and his nephew, Jacob van Ruisdael. While Salomon traveled throughout the Netherlands, painting scenes in Utrecht, Dordrecht, Rhenen, Leiden and Arnheim, he spent his entire career in Haarlem. He entered the Haarlem Guild of St. Luke in 1623 and became the head of the Guild in 1648. His first river views were painted circa 1628, with early works characterized by a thinly painted, restrained and somewhat monochromatic palette. Later works are bolder and more brilliant in color. Though van Ruysdael painted a small number of still lifes, he remains best known for his landscapes, townscapes and riverscapes - as typified by the present painting.
Freeman's | Hindman
Jun. 21, 2014
Salomon van Ruysdael (1600/3-1670), follower A
Est: Kč1,000 - Kč2,000
Salomon van Ruysdael (1600/3-1670), follower A LANDSCAPE WITH A RIVER AND FERRYMEN. Around 1900. Oil on canvas (fastened on wooden board), 70x98 cm. Framed. Condition B/C. Salomon van Ruysdael (1600/3-1670), následovník KRAJINA S ŘEKOU A PŘEVOZNÍKY. Kolem r. 1900. Olej na plátně (fixováno na dřevěné desce), 70x98 cm. Rámováno. Stav B/C. Salomon van Ruysdael (1600/3-1670), Nachfolger LANDSCHAFT MIT FLUSS UND FÄHRMÄNNER. Um 1900. Öl auf Leinwand (auf Holz fixiert), 70x98 cm. Gerahmt. Zustand B/C.
Auction House Zezula
May. 13, 2014
Salomon van Ruysdael (Naarden 1600-1670 Haarlem)
Est: €80,000 - €120,000
Salomon van Ruysdael (Naarden 1600-1670 Haarlem) >An extensive landscape with travellers halting at a farmhouse, a village beyond<br>signed and dated ('S.VRuysdael 1643' VR linked, lower left) >oil on panel <br>60.9 x 91.7 cm. >with old inventory numbers on the reverse <br>
Christie's
Sep. 20, 2013
RUYSDAEL, SALOMON VAN(1601 Haarlem 1670)River
Est: CHF60,000 - CHF80,000
RUYSDAEL, SALOMON VAN (1601 Haarlem 1670) River landscape with sailing ships and fishermen in the foreground. Circa 1633. Oil on panel. 42 x 67 cm. Provenance: - The Boydell Galleries, Liverpool (label verso). - P. de Boer art dealer, Amsterdam 1962. - European private collection. - Koller, Zurich, 9.-11.9.1998, Lot12. - Swiss private collection. Literature: - Stechow, Wolfgang: Salomon van Ruysdael: Eine Einführung in seine Kunst mit kritischem Katalog der Gemälde, Berlin 1975, No. 439 A, p. 136. - Exh. Cat.P. de Boer, Amsterdam 1962, No. 32. This work is registered at the RKD, The Hague, under number 8102. RUYSDAEL, SALOMON VAN (1601 Haarlem 1670) Flusslandschaft mit Segelschiffen und Fischern im Vordergrund. Um 1633. Öl auf Holz. 42 x 67 cm. Provenienz: - The Boydell Galleries, Liverpool (verso Etikette). - Kunsthandel P. de Boer, Amsterdam 1962. - Europäische Privatsammlung. - Auktion Koller, Zürich, 9.-11.9.1998, Los 12. - Schweizer Privatsammlung. Literatur: - Stechow, Wolfgang: Salomon van Ruysdael: Eine Einführung in seine Kunst mit kritischem Katalog der Gemälde, Berlin 1975, Nr. 439 A, S. 136. - Ausst. Kat. P. de Boer, Amsterdam 1962, Nr. 32. Dieses Gemälde ist im RKD, Den Haag, unter der Nummer 8102 archiviert. Das hier angebotene Gemälde ist ein charakteristisches Beispiel für Ruysdaels Stil zu Beginn der dreissiger Jahre. Die Ruhe in Komposition, Farbe und Zeichnung tritt an die Stelle dynamischer Tiefenwirkung, welche in frühen Gemälden des Malers dominiert. Die Konturen werden im leichten Dunst verschleiert, die verschiedene Landschaftsteile werden zusammen mit den Booten und Fussgängern am Flussufer zu einer Einheit. Die Gemälde aus dieser Schaffensphase entstanden im Atelier des Künstlers und sind somit keine topographische Abbilder der Natur, sondern vereinen charakteristische Element der holländischen Landschaftsmalerei zu einer idealen Wirklichkeit. Vergleichbare Kompositionen befinden sind unter anderem in der Alten Pinakothek in München und im Rijksmuseum in Amsterdam. Salomon van Ruysdael gehörte, mit Esaias van de Velde, Pieter Molyn und Jan van Goyen zu den Gründern der frühen naturalistischen holländischen Landschaftsmalerei und zu den wichtigsten holländischen Landschaftsmalern des 17. Jahrhunderts überhaupt. Er lebte bis zu seinem Tod als wohlhabender Bürger in Haarlem. Im Gegensatz zu seinem Neffen ist dem Künstler Salomon Pathos und dramatische Übersteigerung fremd. Seine Landschaften zeigen eine ruhige, stille Welt, die ihm in ihrer Vollendung Gleichnis für die Harmonie der Schöpfung sind, wie in dem hier angebotenen Gemälde auf besondere Weise ersichtlich ist.
Koller Auctions
Apr. 17, 2013
Artwork by - Salomon van Ruysdael
Est: €80,000 - €120,000
Artwork by - Salomon van Ruysdael
Dorotheum
Mar. 20, 2013
SALOMON VAN RUYSDAEL, attributed to, RIVER
Est: €8,000 - €10,000
SALOMON VAN RUYSDAEL, attributed to, RIVER LANDSCAPE, 41 x 72 cm, Oil on panel
Kunsthaus Lempertz KG
Jan. 30, 2013
Salomon van Ruysdael (Naarden 1600/02-1670 Haarlem)
Est: $400,000 - $600,000
Salomon van Ruysdael (Naarden 1600/02-1670 Haarlem) A landscape with peasants on a dune signed and dated 'S.V.Ruysdall. 1629.' (lower center) oil on panel 15 7/8 x 22¾ in. (40.3 x 57.8 cm.)
Christie's
Nov. 27, 2012
Salomon van Ruisdael, style of, 17th-18th century: A water mill.
Est: kr20,000 - kr30,000
A water mill. Unsigned. Oil on canvas. 76 x 98 cm. Frame with shells and leaves.
Bruun Rasmussen Auctioneers
Oct. 23, 2012
Salomon van Ruysdael 1600-1670-cirlce, Landscape
Est: €1,800 - €3,000
Salomon van Ruysdael 1600-1670-cirlce, Landscape with Trees, Oil on Panel 55x45 cm
Deutsch Auktionen
Jan. 26, 2012
SALOMON VAN RUYSDAEL
Est: $700,000 - $900,000
NAARDEN 1600/3 - 1670 HAARLEM A RIVER LANDSCAPE WITH FISHERMEN IN ROWING BOATS AND PEASANTS BY A LANDING STAGE NEAR A FARMHOUSE, SHIPPING BEYOND signed with monogram and dated on the side of the rowing boat lower right: S.VR 1644 oil on panel 20 1/2 by 33 in.; 52.1 by 83.8 cm.
Sotheby's
Dec. 09, 2011
Salomon van Ruysdael, ca. 1602 Naarden - 1670 Haarlem
Est: €40,000 - €60,000
FLUSSUFERLANDSCHAFT MIT FÄHRBOOT UND KÄHNEN VOR HOHEM BAUM Öl auf Leinwand. Doubliert. 100 x 125 cm. Signiert. Verso auf dem Keilrahmen alter, maschinenschriftlicher Klebezettel mit Aufschrift "Museum Boymans/ (Kersttentoon Stelling 1945/ 46)" mit Künstlernamensnennung "Salomon van Ruysdael" Titelbezeichnung "Rivier Landschap med Veerboot/ Collectie: Pat. Nederl. Verz.". Großformatiges Landschaftsbild, der Blick vom Wasser gegen das links sich nach rechts hinziehende Ufer zu, mit hoher Baumgruppe, die bereits bräunliche Herbst verfärbung zeigt, vor hellerem Wolkenhintergrund. Am linken Bildrand ein quadratischer Kirchturm mit Spitzhaube, ein zum Ufer herabführender Weg hell beleuchtet, davor im Wasser vom Ufer abstoßender, langer Kahn mit Personen besetzt, dabei auch drei Rinder und ein Hund. Der Lastkahn vor einem herrschaftlichen Schiff mit Heckfahne und vergoldeter Heckdekoration, im Vordergrund ein kleiner Kahn mit drei Personen. Weiter rechts in hellerem Licht einige Segelschiffe vollbesetzt, auf der Wasseroberfläche einige Enten und Schwimmkorken eines ausgelegten Netzes. Der Maler hat ganz in der Stilrichtung des genannten Künstlers, in schöner Farbigkeit, gemalt. Provenienz: Sotheby's, London, Juli 2006, Lot 187. (8405748)
Hampel Fine Art Auctions