Born in India in 1887, artist Jamini Roy stuck to his Indian folk-art roots at a time when Modern Art was the craze among artists in India. Though he trained under Abanindranath Tagore, a famous modern artist, Roy chose not to westernize his artwork. Using pigments he created with mud chalk and flowers instead of using European paints, Roy wanted to adhere to traditional Indian techniques. Jamini Roy's art prints are colorful renderings of rural life, ordinary people, and religious figures. The government of India honored artist Jamini Roy, his paintings in London and New York galleries confirming his quiet prestige. Age, size, and availability are all crucial to determining a Jamini Roy painting's price. Still, Roy tried to make his art accessible to everyone, so there are many affordable, high-quality prints in circulation. Find your next cultural treasure among eye-catching folk art paintings at Invaluable, and bring your space to life.
An Indian tempera painting on board depicting a portrait of a man after the original painting by Jamini Roy, Indian, 1887 to 1972. Signed in Bengali, lower right. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modernist Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork.
An Indian tempera painting on board depicting a portrait of a cat catching a crustacean after the original painting by Jamini Roy, Indian, 1887 to 1972. Signed in Bengali, lower right. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modernist Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork.
An Indian tempera painting on board depicting a scene with musicians and dancers after the original painting by Jamini Roy, Indian, 1887 to 1972. Signed in Bengali, lower right. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork. LOT CONDITION & DESCRIPTION: All items are sold "as is". The auction house does not warrant authenticity on any specific piece. THERE ARE NO RETURNS. We can only offer an opinion and the material facts about the item. It is up to the buyer to determine authenticity before bidding and purchasing an item. If we state facts about gold or silver content or weight, it is sold as fact...
Jamini Roy (Indian, 1887-1972), Untitled (Figure), tempera on paperboard, signed lower right, board (unframed): 25.75"h x 15.25"w. Provenance: Acquired directly from the artist by Mirza Sami Baig Born; Thence by descent; Helios Auctions, 7/28/24, lot 106; Private collection, CA.
Jamini Roy was one of the most important Indian artists of International fame. He was one of the most famous students of Abanindranath Tagore. His simplified minimalistic flattened-out style reminiscent of European modern art was influenced by the Bazar Kalighat folk paintings sold outside the famous Kalighat temple in Calcutta. Roy began his career as a commissioned portrait painter. During 1920 he gave up commissioned portrait paintings in an effort to discover his own style. He changed style from his academic western training and featured a new style based on Bengali folk traditions. He used oil, tempera, and mineral pigments to paint. In 1946 his work was exhibited in London and in 1953 New York. He was awarded Padma Bhushan in 1954 by the Government of India. His work has been exhibited extensively in International exhibitions and can be found in many private and public collections like the Victoria and Albert Museum London. He called himself Patua and produced paintings in large quantities to sell to the middle-class population of India at affordable prices. His paintings are highly sought after and sold by major galleries and auctioneers around the world alongside paintings by great Indian masters like Hemendranath Mazumdar, Binod Bihari, Maqbool Fida Husain, Jehangir Sabavala, Tyeb Mehta, Ramkumar, Manjit Bawa, B. Prabha, KH Ara and many more. Provenance: Originally from a private Dutch collection of a late scholar of Indian ancient language study.
A tempera painting on board depicting a symmetrical scene with human figures after the original painting by Jamini Roy, Indian, 1887 to 1972. Signed in Bengali, lower right. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork.
Tempera on textile painting mounted to board. Attributed to Jamini Roy, 1887 to 1972, an Indian artist, one of the most famous pupils of Abanindranath Tagore. The artwork depicts a portrait of a seated young woman. Signature flattened-out style influenced by the Indian bazaar paintings. Signed in the lower right. Undated. White mat, wooden frame. Collectible Mid Century Fine Art, Southeast Asian Artists.
A tempera painting on canvas depicting a scene with a rider after Jamini Roy, Indian, 1887 to 1972. Signed in Bengali, lower right. Framed. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork.
Attributed to Jamini Roy, Indian, 1887 to 1972, tempera painting on board depicting a Religious portrait of a mother and a child. Signed in Bengali, lower right. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork.
An Indian tempera on board Bird painting by Jamini Roy. Signed in Bengali lower right. Comes with a Certificate of Authenticity. Jamini Roy, 1887 to 1972, a celebrated Indian artist, is renowned for his distinctive painting style that fuses traditional Indian folk art with elements of modernism. His art is characterized by bold lines, simplified forms, and vibrant colors. One of a kind artwork. Oriental Folk Fine Art, Wall Decor Collectibles.
Attributed to Jamini Roy, Indian, 1887 to 1972, tempera painting on board depicting a Religious portrait with a cross. Signed in Bengali, lower right. Completed with a certificate of authenticity, signed by Ashoke Roy, Grand son in Law of Late Jamini Roy. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork.
Jamini Roy Oil Painting on Canvas Portrait of Handmaiden. Measures 16 inches x 12 inches. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact.
Indian, 1887 - 1972 Black Horse, 1950 Signed in Bengali (lr) and inscribed on the reverse Jaminy Roy Calcutta 1950 Tempera on panel 17 7/8 x 14 inches (45.4 x 35.6cm) Provenance: Private Collection, Maine Christie's, New York, Sale, March 22, 2023, lot 512 (Framed 27 1/8 x 21 1/8 inches) Overall in good condition. Paint loss to the signature area in the lower right.
Attributed to Jamini Roy, Indian, 1887 to 1972, tempera painting on board depicting a scene with Krishna and the Gopis. Signed in Bengali, lower right. Completed with a certificate of authenticity, signed by Ashoke Roy, Grand son in Law of Late Jamini Roy. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork.
Attributed to Jamini Roy, Indian, 1887 to 1972, tempera painting on board depicting a symmetrical scene with Krishna standing on a cobra. Signed in Bengali, lower right. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork.
Attributed to Jamini Roy, Indian, 1887 to 1972, gouache painting on canvas depicting a triple portrait of a seated lady. Signed, lower right. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Folk Art Paintings, Wall Art, and Collectibles. One of a kind artwork.
Oil on canvas painting painting, attributed to Jamini Roy, 1887 to 1972, Indian artist, one of the most famous pupils of Abanindranath Tagore. The artwork depicts a portrait of a young woman. Signature flattened-out style influenced by the Indian bazaar paintings. Signed by the artist in the lower right. Undated. Wooden frame. Collectible Mid Century Fine Art, Southeast Asian Artists.
JAMINI ROY (1887-1972). Untitled (Mother and Child). tempera on card 16 7⁄8 x 11 5⁄8 in. (42.9 x 29.5 cm.) image; 17 3⁄8 x 12 1⁄8 in. (44.1 x 30.8 cm.) sheet.
Jamini Roy (Indian, 1887-1972), Untitled (Seated Figure), 1967, gouache on paper, signed lower right, sheet: 21"h x 12.5"w, overall (with frame): 31"h x 23"w
JAMINI ROY (1887-1972). Untitled (Mother and Child). tempera on card 16 7⁄8 x 11 5⁄8 in. (42.9 x 29.5 cm.) image; 17 3⁄8 x 12 1⁄8 in. (44.1 x 30.8 cm.) sheet.
Tempera on burlap painting, attributed to Jamini Roy, 1887 to 1972, Indian artist, one of the most famous pupils of Abanindranath Tagore. The artwork depicts a noble man with two servants. Signature flattened-out style influenced by the Indian bazaar paintings. Signed by the artist in the lower right. Undated. Collectible Mid Century Fine Art, Southeast Asian Artists.
JAMINI ROY (INDIA, 1887-1972) UNTITLED (ELEPHANT) Jamini Roy (India, 1887-1972) Untitled (Elephant) Tempera on card Framed and glazed 31.8 x 35cm within mount
JAMINI ROY (INDIA, 1887 - 1972) UNTITLED (SHIVA WITH BULL) Jamini Roy (India, 1887-1972), Untitled (Shiva with Bull) Tempera on card Framed and glazed 40 x 54.5cm sheet 37.5 cm x 51cm within mount Born in rural Bengal, Roy studied at the Government School of Art in Calcutta. At the beginning of his career, he painted portraits in an academic style. However, in the 1920s, he was influenced by post-impressionism and chose to give up on the commissioned portraits. By 1925 he had started experimenting by working on popular bazaar paintings sold outside the Kalighat temple in Kolkata. With the growing surge of nationalism and in an attempt to recapture the archaic innocence that was ignored by Western influence, he used the local folk art tradition as a source of inspiration. His conscious rejection of Western artistic styles marked the beginning of the modern art era in India. His works depicted Hindu deities, Mother and child, scenes of the epics Mahabharata and Ramayana, and animals were painted in a simple two-dimensional form. He brought together the minimal brush strokes of the Kalighat style with elements of tribal art from Bengal. His signature style included vibrant color application and thick outlines. The subject was often simplified by limiting excessive details to maintain the folk art style. In numerous works, Roy incorporates Shiva as a subject. This artwork portrays Shiva and Nandi bull seated on a raised platform. The Rudraksha beads and the snake help us recognize the deity. While the Nandi bull is seated behind him, Shiva is shown seated cross-legged, raising his drum in one hand and holding a bowl in the other. This work is a great example of Royâs iconic style and the simplicity he incorporates in his works. The background and the raised platform carry some minimalistic decorative elements that make it a good example of Royâs iconic style. Private U.K. Collection
JAMINI ROY (INDIA, 1887-1972) UNTITLED (LADY SEATED) Jamini Roy (India, 1887-1972) Untitled (Lady Seated) Tempera on card Framed and glazed 45.2 x 28.3cm within mount
An Indian tempera painting by Jamini Roy. The vibrant painting depicts a horseman with a bow and arrow on horseback. Signed in Bengali lower right. Comes with a Certificate of Authenticity. Jamini Roy, 1887 to 1972, a celebrated Indian artist, is renowned for his distinctive painting style that fuses traditional Indian folk art with elements of modernism. His art is characterized by bold lines, simplified forms, and vibrant colors. One of a kind artwork. Folk Fine Art, Wall Decor Collectibles.
India-Jamini Roy 1887-1972 Painting Untitled 1950's Tempera On Cloth With COA. Measures approx. 38" X 13 1/2". ***WE HERE AT RBFINEARTS CANNOT AUTHENTICATE ANY ARTWORKS*** RBFineArts CFL Inc. Shipping, Payment & Auction Policies: PLEASE MAKE SURE YOU HAVE READ THE TERMS AND CONDITIONS BEFORE YOU BID. Any registration and/or bid placed by you does guarantee RBFineArts CFL Inc. you have read and will abide by the following Terms and Conditions of the sale. All sales are recorded. These Terms and Conditions control this Auction in all regards and supersede all previous announcements, advertisements, catalogs, and published information however distributed. All announcements from the Auction block will take precedence over any Internet description or printed material. RBFineArts CFL Inc. internet descriptions and printed materials are meant merely as a guide. 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Jamini Roy (1887-1972), Indian School, Tempera on handmade paper, A pair, one depicting a dancing lady, the other depicting a woman carrying a bowl. Both signed lower right. One ascribed verso. Approx. 20 1/4" x 8 1/2" (2)
JAMINI ROY (1887-1972) TWO SKETCHES one depicting a rider on elephant, gouache on paper laid down on card; the other with two-sided sketches, one side with Krishna playing the flute, the other with a portrait of a woman, gouache on card 26cm x 31.5cm (10 ¼in x 10 3/8in), 25.5cm x 17.5cm (10in x 6 7/8in)
JAMINI ROY (Indian 1887-1972) A PAINTING, "Female Nude," 20TH CENTURY, gouache on paper, signed in script L/R; 22 1/2" x 13 3/4", framed 31" x 21 3/4".
JAMINI ROY (1887-1972) "UNTITLED" CAT WITH LOBSTER Length x Width: 38 x 21.5cm Provenance: Property of a British Gentleman, Originally acquired through a European Private Collection, 1995
JAMINI ROY (1887-1972) KRISHNA BALRAM & COWS, SIGNED BOTTOM RIGHT, OIL ON CANVAS Size: 44 x 18 inches Provenance: Private Collection New York Footnotes: Born in Beliatore, West Bengal, Jamini Roy, an artistic luminary, commenced his creative journey at the Calcutta College of Art. Initially ensconced in a western academic style, he fervently embraced Post-Impressionism, a period marked by his artistic evolution. However, a transformative shift occurred in 1925, as Roy, driven by a profouhend quest for cultural authenticity, delved into traditional Bengali art. Embracing the ethos of folk painters, known as patuas, renowned for illustrating deities and legends, Roy's oeuvre underwent a remarkable metamorphosis.Venturing beyond the confines of conventional artistic expression, Roy ingeniously incorporated Christian themes into his later works. The 1930s witnessed the establishment of his workshop, a collaborative space where apprentices actively contributed to crafting images using a predefined set of motifs. Roy's visionary endeavour aimed at democratizing art, rendering it accessible to diverse strata of society, challenging the traditional notion of the solitary creative genius. In this pursuit, he shared common ground with Western luminaries like Andy Warhol, both envisioning art as an inclusive and participatory endeavour that transcends individual authorship. Jamini Roy's legacy endures as a testament to his indelible imprint on the democratization and diversification of artistic expression.
