Born in India in 1887, artist Jamini Roy stuck to his Indian folk-art roots at a time when Modern Art was the craze among artists in India. Though he trained under Abanindranath Tagore, a famous modern artist, Roy chose not to westernize his artwork. Using pigments he created with mud chalk and flowers instead of using European paints, Roy wanted to adhere to traditional Indian techniques. Jamini Roy's art prints are colorful renderings of rural life, ordinary people, and religious figures. The government of India honored artist Jamini Roy, his paintings in London and New York galleries confirming his quiet prestige. Age, size, and availability are all crucial to determining a Jamini Roy painting's price. Still, Roy tried to make his art accessible to everyone, so there are many affordable, high-quality prints in circulation. Find your next cultural treasure among eye-catching folk art paintings at Invaluable, and bring your space to life.
Attributed to Jamini Roy, Indian, 1887 to 1972, tempera painting on board depicting a scene with Krishna and the Gopis. Signed in Bengali, lower right. Completed with a certificate of authenticity, signed by Ashoke Roy, Grand son in Law of Late Jamini Roy. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork.
Attributed to Jamini Roy, Indian, 1887 to 1972, tempera painting on board depicting a symmetrical scene with Krishna standing on a cobra. Signed in Bengali, lower right. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Bengali Paintings, Wall Art, and Collectibles. One of a kind artwork.
Attributed to Jamini Roy, Indian, 1887 to 1972, gouache painting on canvas depicting a triple portrait of a seated lady. Signed, lower right. Jamini Roy is known for Folk art painting of India. When he was sixteen he was sent to study at the Government School of Art in Calcutta. He was taught to paint in the prevailing academic tradition drawing Classical nudes and painting in oils and in 1908 he received his Diploma in Fine Art. His new style was both a reaction against the Bengal School and the Western tradition. His underlying quest was threefold to capture the essence of simplicity embodied in the life of the folk people; to make art accessible to a wider section of people; and to give Indian art its own identity. Modern Indian Fine Art, Folk Art Paintings, Wall Art, and Collectibles. One of a kind artwork.
Oil on canvas painting painting, attributed to Jamini Roy, 1887 to 1972, Indian artist, one of the most famous pupils of Abanindranath Tagore. The artwork depicts a portrait of a young woman. Signature flattened-out style influenced by the Indian bazaar paintings. Signed by the artist in the lower right. Undated. Wooden frame. Collectible Mid Century Fine Art, Southeast Asian Artists.
JAMINI ROY (1887-1972). Untitled (Mother and Child). tempera on card 16 7⁄8 x 11 5⁄8 in. (42.9 x 29.5 cm.) image; 17 3⁄8 x 12 1⁄8 in. (44.1 x 30.8 cm.) sheet.
Jamini Roy (Indian, 1887-1972), Untitled (Seated Figure), 1967, gouache on paper, signed lower right, sheet: 21"h x 12.5"w, overall (with frame): 31"h x 23"w
JAMINI ROY (1887-1972). Untitled (Mother and Child). tempera on card 16 7⁄8 x 11 5⁄8 in. (42.9 x 29.5 cm.) image; 17 3⁄8 x 12 1⁄8 in. (44.1 x 30.8 cm.) sheet.
Tempera on burlap painting, attributed to Jamini Roy, 1887 to 1972, Indian artist, one of the most famous pupils of Abanindranath Tagore. The artwork depicts a noble man with two servants. Signature flattened-out style influenced by the Indian bazaar paintings. Signed by the artist in the lower right. Undated. Collectible Mid Century Fine Art, Southeast Asian Artists.
JAMINI ROY (INDIA, 1887-1972) UNTITLED (ELEPHANT) Jamini Roy (India, 1887-1972) Untitled (Elephant) Tempera on card Framed and glazed 31.8 x 35cm within mount
JAMINI ROY (INDIA, 1887 - 1972) UNTITLED (SHIVA WITH BULL) Jamini Roy (India, 1887-1972), Untitled (Shiva with Bull) Tempera on card Framed and glazed 40 x 54.5cm sheet 37.5 cm x 51cm within mount Born in rural Bengal, Roy studied at the Government School of Art in Calcutta. At the beginning of his career, he painted portraits in an academic style. However, in the 1920s, he was influenced by post-impressionism and chose to give up on the commissioned portraits. By 1925 he had started experimenting by working on popular bazaar paintings sold outside the Kalighat temple in Kolkata. With the growing surge of nationalism and in an attempt to recapture the archaic innocence that was ignored by Western influence, he used the local folk art tradition as a source of inspiration. His conscious rejection of Western artistic styles marked the beginning of the modern art era in India. His works depicted Hindu deities, Mother and child, scenes of the epics Mahabharata and Ramayana, and animals were painted in a simple two-dimensional form. He brought together the minimal brush strokes of the Kalighat style with elements of tribal art from Bengal. His signature style included vibrant color application and thick outlines. The subject was often simplified by limiting excessive details to maintain the folk art style. In numerous works, Roy incorporates Shiva as a subject. This artwork portrays Shiva and Nandi bull seated on a raised platform. The Rudraksha beads and the snake help us recognize the deity. While the Nandi bull is seated behind him, Shiva is shown seated cross-legged, raising his drum in one hand and holding a bowl in the other. This work is a great example of Royâs iconic style and the simplicity he incorporates in his works. The background and the raised platform carry some minimalistic decorative elements that make it a good example of Royâs iconic style. Private U.K. Collection
JAMINI ROY (INDIA, 1887-1972) UNTITLED (LADY SEATED) Jamini Roy (India, 1887-1972) Untitled (Lady Seated) Tempera on card Framed and glazed 45.2 x 28.3cm within mount
An Indian tempera painting by Jamini Roy. The vibrant painting depicts a horseman with a bow and arrow on horseback. Signed in Bengali lower right. Comes with a Certificate of Authenticity. Jamini Roy, 1887 to 1972, a celebrated Indian artist, is renowned for his distinctive painting style that fuses traditional Indian folk art with elements of modernism. His art is characterized by bold lines, simplified forms, and vibrant colors. One of a kind artwork. Folk Fine Art, Wall Decor Collectibles.
India-Jamini Roy 1887-1972 Painting Untitled 1950's Tempera On Cloth With COA. Measures approx. 38" X 13 1/2". ***WE HERE AT RBFINEARTS CANNOT AUTHENTICATE ANY ARTWORKS*** RBFineArts CFL Inc. Shipping, Payment & Auction Policies: PLEASE MAKE SURE YOU HAVE READ THE TERMS AND CONDITIONS BEFORE YOU BID. Any registration and/or bid placed by you does guarantee RBFineArts CFL Inc. you have read and will abide by the following Terms and Conditions of the sale. All sales are recorded. These Terms and Conditions control this Auction in all regards and supersede all previous announcements, advertisements, catalogs, and published information however distributed. All announcements from the Auction block will take precedence over any Internet description or printed material. RBFineArts CFL Inc. internet descriptions and printed materials are meant merely as a guide. 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Jamini Roy (1887-1972), Indian School, Tempera on handmade paper, A pair, one depicting a dancing lady, the other depicting a woman carrying a bowl. Both signed lower right. One ascribed verso. Approx. 20 1/4" x 8 1/2" (2)
JAMINI ROY (1887-1972) TWO SKETCHES one depicting a rider on elephant, gouache on paper laid down on card; the other with two-sided sketches, one side with Krishna playing the flute, the other with a portrait of a woman, gouache on card 26cm x 31.5cm (10 ¼in x 10 3/8in), 25.5cm x 17.5cm (10in x 6 7/8in)
JAMINI ROY (Indian 1887-1972) A PAINTING, "Female Nude," 20TH CENTURY, gouache on paper, signed in script L/R; 22 1/2" x 13 3/4", framed 31" x 21 3/4".
JAMINI ROY (1887-1972) "UNTITLED" CAT WITH LOBSTER Length x Width: 38 x 21.5cm Provenance: Property of a British Gentleman, Originally acquired through a European Private Collection, 1995
JAMINI ROY (1887-1972) KRISHNA BALRAM & COWS, SIGNED BOTTOM RIGHT, OIL ON CANVAS Size: 44 x 18 inches Provenance: Private Collection New York Footnotes: Born in Beliatore, West Bengal, Jamini Roy, an artistic luminary, commenced his creative journey at the Calcutta College of Art. Initially ensconced in a western academic style, he fervently embraced Post-Impressionism, a period marked by his artistic evolution. However, a transformative shift occurred in 1925, as Roy, driven by a profouhend quest for cultural authenticity, delved into traditional Bengali art. Embracing the ethos of folk painters, known as patuas, renowned for illustrating deities and legends, Roy's oeuvre underwent a remarkable metamorphosis.Venturing beyond the confines of conventional artistic expression, Roy ingeniously incorporated Christian themes into his later works. The 1930s witnessed the establishment of his workshop, a collaborative space where apprentices actively contributed to crafting images using a predefined set of motifs. Roy's visionary endeavour aimed at democratizing art, rendering it accessible to diverse strata of society, challenging the traditional notion of the solitary creative genius. In this pursuit, he shared common ground with Western luminaries like Andy Warhol, both envisioning art as an inclusive and participatory endeavour that transcends individual authorship. Jamini Roy's legacy endures as a testament to his indelible imprint on the democratization and diversification of artistic expression.
Tempera on board painting by Jamini Roy, 1887 to 1972, Indian artist, one of the most famous pupils of Abanindranath Tagore. The artwork depicts a dancing woman. Signature flattened-out style influenced by the Indian bazaar paintings. Signed by the artist in the lower right. Collectible Mid Century Fine Art, Southeast Asian Artists.
JAMINI ROY (1887-1972) ""UNTITLED"" Length x Width: 38 x 21.5cm Provenance: Property of a British Gentleman, Originally acquired through a European Private Collection, 1995
Oil on board painting by Jamini Roy, 1887 to 1972, Indian artist, one of the most famous pupils of Abanindranath Tagore. The artwork depicts a mother with child in her hands. Signature flattened-out style influenced by the Indian bazaar paintings. Signed by the artist in the lower right. Collectible Mid Century Fine Art, Southeast Asian Artists.
Oil on canvas painting by Jamini Roy, 1887 to 1972, Indian artist, one of the most famous pupils of Abanindranath Tagore. The artwork depicts a mother with child in her hands. Signature flattened-out style influenced by the Indian bazaar paintings. Signed by the artist in the lower right. The piece is mounted on board. Collectible Mid Century Fine Art, Southeast Asian Artists.
Property from a Private Collection, Texas Jamini Roy 1887 - 1972 Untitled (Woman) Tempera on card Signed in Bengali lower right 15 ¾ x 9 ⅜ in. (40 x 23.9 cm.)
Property from a Private Collection, Minnesota Jamini Roy 1887 - 1972 Untitled (Boatmen) Tempera on paper Signed in Bengali lower right 13 ⅜ x 19 ⅝ in. (34.1 x 50 cm.)
Property from the Private Collection of late Richard & Elisabeth Ettinghausen Jamini Roy 1887 - 1972 Untitled Tempera on card Signed in Bengali lower right 23 ¼ x 14 ⅝ in. (59.2 x 37.2 cm.)
Property from the Private Collection of Late Richard & Elisabeth Ettinghausen Jamini Roy 1887 - 1972 Untitled (Goddess) Tempera on card Signed in Bengali lower right 13 ½ x 19 ⅞ in. (34.2 x 50.6 cm.)
Property from a Private Collection, Minnesota Jamini Roy 1887 - 1972 Untitled (Musicians) Tempera on paper Signed in Bengali lower right 13 ⅝ x 20 ⅛ in. (34.8 x 51.2 cm.)
Jamini Roy (Bengali: যামিনী রায়) (11 April 1887 – 24 April 1972) Tempera on canvas backed on board, signed lower right. Born in 1887 in a small village in Beliatore, Bankura district, West Bengal, Jamini Roy joined the Government School of Art, Kolkata in 1903. He began his career by painting in the Post-Impressionist genre of landscapes and portraits, very much in keeping with his training in a British academic system.
Jamini Roy, Indian, 1887 to 1972, tempera on board painting depicting a seascape scene with a boat, circa the 1950s. Jamini Roy was honored by the Government of India with the award of Padma Bhushan in 1954. He remains one of the most famous pupils of Abanindranath Tagore, another praised Indian artist and instructor. Mid Century Indian Paintings And Art Collectibles.
Jamini Roy, Indian, 1887 to 1972, tempera on board painting depicting a portrait of a man with a hookah, entitled Babu, circa the 1950s. Signed lower right. Jamini Roy was honored by the Government of India with the award of Padma Bhushan in 1954. He remains one of the most famous pupils of Abanindranath Tagore, another praised Indian artist and instructor. Mid Century Indian Paintings And Art Collectibles.
India-Jamini Roy 1887-1972 Painting Untitled 1950's Tempera On Cloth With COA. Measure 34" X 22". // Provenance: Private Collection. Please carefully read our terms of sale, shipping information, and request any condition reports or photos prior to placing a bid. Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Because artwork, antiques and collectibles are known to be copied from pre-existing examples, the dating of such objects is often difficult to ascertain and opinions vary from expert to expert. Due to this, RB Fine Arts CFL Inc strongly suggests all potential bidders or a representative to meticulously inspect any and all items prior to bidding. Any reference to a specific time period and/or culture are only the opinion of RB Fine Arts CFL Inc and are not a guarantee of authenticity. If the bidder or a representative cannot inspect an item in person prior to the auction, then RB Fine Arts CFL Inc strongly suggests that you do not place a bid on the lot. RB Fine Arts CFL INC. shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Please email for a condition report and photos, if desired. Emails should be received at least 48 hours in advance of the date of the auction. Please make sure you have read the Terms and Conditions* before you bid. ALL ITEMS ARE SOLD AS IS! Any registration and/or bid placed by you does guarantee RBFineArts CFL Inc. you have read and will abide by the following Terms and Conditions of the sale. We do expect all bidders and buyers to abide by the contracts they agree to when bidding and finalize ALL sales regardless of any reassessment. SHIPPING POLICY: RBFINEARTS SHIPPING IS OUR DEFAULT PACKING AND SHIPPING PARTNER. All lots will be released to them once payment has been received unless we are notified by email. RBFineArts Shipping 375 E Burleigh Blvd., Tavares, FL 32778 shipping@rbfinearts.net or 877-660-3243. Alexandria is the manager of RBFineArts Shipping Inc., and you may contact her with any quotes or questions. IF YOU PREFER TO USE AN ALTERNATIVE SHIPPER YOU MUST EMAIL INFO@RBFINEARTS.NET TO ADVISE OUR OFFICES OF THE ALTERNATIVE COMPANY YOU WOULD PREFER TO PACK AND SHIP YOUR ITEM/S. No property will be released for shipping or pick-up until payment is made in full. Please note that a shipping charge is not included in the sale price. Any costs associated with the shipping, packing, and transport of an item are the responsibility of the buyer. RBFineArts CFL Inc. is not responsible for packing, shipping, or transport of any items from buyers invoice. Local Pick-up: Items for pick-up must be collected within fourteen (14) days of payment. Items remaining at RBFineArts CFL Inc offices at the expiration of fourteen (14) days past payment will be subject to storage fees of $10 per day per item. All storage fees must be paid before item/s will be released to the buyer or a representative. Any items remaining forty-five (45) calendar days following the date when the buyer completed payment on an invoice will be considered Abandoned Property of items on that invoice and will be subject to resale or disposal with no refund. Transportation for shipping of buyer's items: As a default upon payment, RBFineArts Shipping Inc. will pick up and transport your items from the offices of RBFineArts CFL Inc. ALL OTHER transport to any other third-party shipper there will be a 25.00 transport fee, there will be no exceptions for this condition. Your item/s will be transported one time per week only. Any issues with shipping or insurance are between the shipping company and the buyer. If you are not satisfied with our shipping options, please make other arrangements to ship your item and contact us about those shipping details. RBFineArts CFL Inc. is not responsible for any denied claims or damages from the shipping offices the buyer chooses. RBFineArts CFL Inc. does not make any warranty, guarantee, or promise as to the performance of any shipper. RBFineArts CFL Inc. (online auction) and RBFineArts Shipping Inc. (packing and shipping) are two separate companies and should not be assumed to be the same business. If you have any questions, please do not hesitate to contact us at info@rbfinearts.net or 352-508-5738. ***We at RBFineArts can only attribute this work based upon the quality and the presence of a signature, we are not an authentication service. We can only declare the work as attributed to based upon the factors mentioned.*** (Richie)
JAMINI ROY (1887-1972) RAMAYAN SERIES, SIGNED BOTTOM RIGHT, OIL ON CANVAS Size: 23 x 17.5 inches Provenance: Acquired from a British Bengali family and thence by descent. Footnotes: Born in Beliatore, West Bengal, Jamini Roy, an artistic luminary, commenced his creative journey at the Calcutta College of Art. Initially ensconced in a western academic style, he fervently embraced Post-Impressionism, a period marked by his artistic evolution. However, a transformative shift occurred in 1925, as Roy, driven by a profound quest for cultural authenticity, delved into traditional Bengali art. Embracing the ethos of folk painters, known as patuas, renowned for illustrating deities and legends, Roy's oeuvre underwent a remarkable metamorphosis.Venturing beyond the confines of conventional artistic expression, Roy ingeniously incorporated Christian themes into his later works. The 1930s witnessed the establishment of his workshop, a collaborative space where apprentices actively contributed to crafting images using a predefined set of motifs. Roy's visionary endeavour aimed at democratizing art, rendering it accessible to diverse strata of society, challenging the traditional notion of the solitary creative genius. In this pursuit, he shared common ground with Western luminaries like Andy Warhol, both envisioning art as an inclusive and participatory endeavour that transcends individual authorship. Jamini Roy's legacy endures as a testament to his indelible imprint on the democratization and diversification of artistic expression.
