Johann Michael Rottmayr Paintings & Artwork for Sale | Johann Michael Rottmayr Art Value Price Guide

Nov. 30, 2024
Rottmayr Johann Michael
Est: CHF480 - CHF600
Umkreis Der heilige Sebastian Doubliert Gerahmt Ausrufdatum: 30.11.2024 Ungefähre Ausrufzeit: 19:29
Auktionshaus Zofingen
Oct. 22, 2024
Johann Michael Rottmayr
Est: €70,000 - €100,000
(Laufen an der Salzach 1654–1730 Vienna) Joseph and Potiphar’s wife, monogrammed and dated lower left: MR (ligated) / 1695., oil on canvas, 96.5 x 134 cm, framed Provenance: possibly Collection of Joseph Leicher (1765–1838), Vienna, 1820s; Private collection, Budapest, circa 1928; sale, Nagyházi Gallery and Auction House, Budapest, 5 December 2006, lot 75; where acquired by the present owner Literature: possibly F. H. Böck, Wiens Lebende Schriftsteller, Künstler, und Dilettanten im Kunstfache. Dann Bücher-Kunst-und Naturschätze und Andere Sehenswürdigkeiten Dieser haupt und Residenz-Stadt. Ein Handbuch für Einheimische und Fremde, Vienna 1822, p. 321; possibly T. von Frimmel, Lexikon der Wiener Gemäldesammlungen. Geschichte der Wiener Gemäldesammlungen, Munich 1914, vol. II, p. 514, under J. Leicher; A. Pigler, Barockthemen. Eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, vol. I, Budapest/Berlin 1956, p. 81, illustrated p. 79 The present monogrammed and dated painting was created during the early period of the master’s career in Salzburg between 1687 and 1698. It was in these years that the works of the Italian Seicento artists are echoed in Rottmayr’s paintings, as seen in the present composition by its rich colour palette, the monumental archetypal forms, the contrasts accentuated by light effects, and the decorative draperies. As a pupil and assistant, Rottmayr trained with the Munich artist Johann Carl Loth in Venice between 1675 and 1687. For the composition of the present painting Rottmayr must have been familiar with a work by his master, depicting the same subject in a vertical composition which is conserved in the Joanneum in Graz (inv. no. 124). Besides the work by Loth, the work offered here relates to two pairs of paintings by the artist, all depicting biblical, mythological, and historical female protagonists. The first pair is Rottmayr’s Lucretia and Tarquinius (signed and dated 1692) with Susanna and the Elders, both conserved in the Belvedere in Vienna (inv. nos. 3808 and 3798). The other pair of pendants depicts Sophonisba receiving the cup of Poison and Cleopatra and Marcus Antonius, both conserved in the National Gallery in Prague (inv. nos. 20 and 22). As all four mentioned works mirror each other’s diagonal compositions and are painted on horizontal canvases, it could very well be that the present work originally formed a pair with another work by Rottmayr, which remains unknown. Rottmayr is known to have been an influential master of Baroque fresco and altarpiece painting in Central Europe, his self portrait is conserved in the Wien Museum in Vienna (inv. no. 12929; see fig. 1). After his years in Italy the artist worked in Salzburg and Vienna where he was responsible for large scale painting commissions. He decorated newly built Baroque churches and palaces; including the frescos at the Liechtenstein Garden Palace, the Karlskirche in Vienna, and the Abbey Church of Melk, amongst others. In recognition of his outstanding artistic work, Emperor Leopold I raised Rottmayr to the rank of nobility by granting him the title Von Rosenbrunn in 1704.
Dorotheum
Oct. 14, 2024
Apollo & Cyparissus, Oil on Wood Panel, Johann Michael Rottmayr (1654-1730)
Est: $500 - $10,000
Apollo and Cyparissus, Oil on Wood Panel, attributed to Johann Michael Rottmayr (1654-1730). Framed size: 19.5" x 11". Sight size: 15 5/8" x 7". Part two of a single-owner Lancaster, Ohio collection. We sold the first part of this collection last July. All sales final. Invoices above $2500 must be paid with cash, cashier's check or wire transfer. In-house shipping is available. Pickup is Tuesday, Oct. 15 from 1 pm to 3 pm in Carroll, OH or by appointment by Nov. 1. We can provide in-house shipping for this item. We pack once the lot is paid for. Once packed up we will send you an invoice for shipping and handling. Shipping questions: shipping@burnsbid.com Sales tax will be collected on all bidders. If tax exempt, make sure your certification is submitted with the bid platform.
Burns Auction & Appraisal, LLC.
Jun. 13, 2024
Michael Rottmayr 1654 Salisburgo-1730 Vienna Lot e le figlie
Est: €8,000 - €12,000
“Numerose sono le versioni del soggetto realizzate da Carl Loth, artefice al quale l'autore del presente dipinto palesemente si connette, da quella conservata nel Castello Rosenberg in Boemia all'altra custodita nella Gemäldegalerie di Dresda, alle molte altre esistenti o citate dalle fonti a Venezia e in vari luoghi d'Europa (al proposito si rammenta Un quadro grande dell'historia di Lot con le figlie dipinto da Carlo Lot soazza dorata citato nel 1676 a Venezia nell'Inventario dei quadri di Nicolò Sagredo). La tela in esame raffigura le figlie di Lot nell'atto di ubriacare il loro genitore per poter così mettere in pratica i loro desideri. In lontananza la città di Sodoma è divorata dalle fiamme e dinanzi ad essa si staglia la figura della moglie di Lot cristallizzata, per punire la sua curiosità, in una statua di sale. Il tono crepuscolare che intesse la tela, virata su riflessi rossastri che paiono provenire dall'incendio che sta consumando la città, s'impreziosisce di raffinati particolari, su tutti la bellissima brocca d'oro dall'elaborato lavoro a sbalzo dipinta alla destra del dipinto. Assommandosi alla schiera di soggetti virili dalle possenti membra scaturiti dal pennello di Loth, il suo allievo migliore, Michael Rottmayr, ha realizzato un’opera senz’altro significativa. Il dipinto va cronologicamente collocato tra gli anni trascorsi dal Rottmayr, ben tredici, nell'atelier del Loth. Siffatta ipotesi si sorregge nella consapevolezza di un evidente omaggio reso dal pittore austriaco al suo maestro, in un bellissimo esercizio di stile teso a reiterare i dettami stilistici dell'artefice bavarese e nella cognizione di due eguali soggetti, ambedue firmati dal Rottmayr, transitati in asta rispettivamente a Stoccolma (Bukonskis, 30 novembre 2004) e New York (Sotheby's, 26 gennaio 2007).”
Cambi Casa d'Aste
Nov. 08, 2022
Johann Michael Rottmayr: The Good Samaritan
Est: €20,000 - €40,000
Johann Michael Rottmayr The Good Samaritan c. 1685-95 oil on canvas 148.5 x 196 cm Christie's New York, 21 May 1992, lot 79; collection Erna Weidinger (1923–2021) Under the influence of his teacher, Johann Carl Loth (1632-1698), Johann Michael Rottmayr developed into a master of moving figurative portrayals within Austrian Baroque painting. Born in Salzburg, he joined Loth's Venetian workshop as early as 1675, where he internalised his style of dramatic chiaroscuro painting combined with expressive body modelling. The painting shows the parable of the Good Samaritan (Lk 10, 25-37), which symbolises Christian charity. The drama of the healing is made more dynamic by the diagonal arrangement of the almost life-size, unclothed body with strong foreshortening. The present work is particularly close to a composition of the same subject by Johann Carl Loth in the Herzog-Anton-Ulrich-Museum, Braunschweig (inv. no. GG 729) (cf. Giuseppe Fusari, Johann Carl Loth (1632-1698), Soncino 2017, no. 21, plate XI). Several variants of the theme are documented by both Johann Carl Loth and Johann Michael Rottmayr (cf. Erich Hubala, Johann Michael Rottmayr, Vienna/Munich 1981, p. 219, no. G 174).
Im Kinsky
Jul. 07, 2021
Johann Michael Rottmayr Mater Dolorosa (Schmerzensmutter)
Est: €8,000 - €16,000
Johann Michael Rottmayr Mater Dolorosa (Sorrowful Mother) late 1690s oil on canvas 91 x 72 cm private property, Austria
Im Kinsky
Dec. 21, 2020
JOHANN MICHAEL ROTTMAYR (attr. a)
Est: €2,000 - €3,000
(Laufen, 1656 - Mougins, 1730) San Girolamo Olio su tela, cm 98X82 Di notevole effetto naturalistico, il dipinto si inserisce bene in quel filone che ha caratterizzato la pittura veneta sull'esempio di Giovan Battista Langetti, il cui gusto tenebroso è qui modulato su esempi classicisti e presettecenteschi quando l'artista, affrancandosi dai modi del Loth suo maestro a Venezia, inizia la sua carriera a Vienna.
Wannenes Art Auctions
Jun. 25, 2020
JOHANN MICHAEL ROTTMAYR
Est: €200 - €500
(Laufen, 1656 - Mougins, 1730) Maddalena Olio su tela, cm 33X41 La tela raffigura la Maria Maddalena, con la giovane penitente in primo piano, abbigliata succintamente e i consueti attributi iconografici. Lo stile suggerisce l'origine nordica dell'autore e una collocazione cronologica tardo seicentesca.
Wannenes Art Auctions
Jun. 25, 2020
JOHANN MICHAEL ROTTMAYR (attr. a)
Est: €800 - €1,200
(Laufen, 1656 - Mougins, 1730) Apollo Olio su tela, cm 51,5X50 Di notevole effetto barocco e databile tra il XVII e il XVIII secolo, il dipinto si inserisce bene in quel filone che ha caratterizzato la pittura veneta sull'esempio di Giovan Battista Langetti, il cui gusto tenebroso Ã¨ qua modulato su esempi classicisti e presettecenteschi, quando l'artista affrancandosi dai modi del Loth, suo maestro a Venezia, inizia la sua carriera a Vienna.
Wannenes Art Auctions
Apr. 19, 2018
JOHANN MICHAEL ROTTMAYR (LAUFEN 1654-1730 VIENNA) The Lamentation signed and dated 'J
Est: $30,000 - $50,000
JOHANN MICHAEL ROTTMAYR (LAUFEN 1654-1730 VIENNA) The Lamentation signed and dated 'Jo. Michael Ro[...] / Fecit 169[1]' (lower right) oil on canvas 64 7/8 x 47 1/4 in. (164.8 x 119.8 cm.)
Christie's
Mar. 29, 2017
ROTTMAYR, JOHANN MICHAEL (CIRCLE OF)
Est: CHF1,800 - CHF2,500
ROTTMAYR, JOHANN MICHAEL (CIRCLE OF) (Laufen 1654 - 1730 Vienna) Saint Sebastian. Oil on canvas. 105 x 81 cm. Provenance: - Dorotheum sale, Vienna, 14.12.2012, Lot 76. - Swiss private collection. --------------- ROTTMAYR, JOHANN MICHAEL (UMKREIS) (Laufen 1654 - 1730 Wien) Der heilige Sebastian. Öl auf Leinwand. 105 x 81 cm. Provenienz: - Auktion Dorotheum, Wien, 14.12.2012, Los 76. - Schweizer Privatsammlung.
Koller Auctions
May. 21, 2016
Johann Michael Rottmayr, attributed to, The Assumption of the Virgin
Est: €700 - €900
Traces of an old signature to the lower centre
Kunsthaus Lempertz KG
May. 28, 2015
JOHANN MICHAEL ROTTMAYR (1654 - 1730) - CIRCLE HEAD OF AN OLD MAN
Est: -
JOHANN MICHAEL ROTTMAYR (1654 - 1730) - CIRCLE HEAD OF AN OLD MAN Beginning of 18th century, Austria Probably a study for a bigger canvas. It could be the work from the circle of Johann Michael Rottmayr. Oil on canvas, not signed.
Arthouse Hejtmánek
Mar. 16, 2013
Rottmayr, Johann Michael - zugeschrieben-Der
Est: - €16,000
Rottmayr, Johann Michael - zugeschrieben-Der keusche Joseph und Potiphars Weib-(Laufen 1654-1730 Wien) Öl/Lwd., doubl. Rücks. auf der Lwd. alte Zuschreibung an Francesco Albani. 101,5 x 132,5 cm. - Lit. Thieme/Becker 29.
Kunstauktionshaus Schlosser
Apr. 13, 2011
Johann Michael Rottmayr (von Rosenbrunn) (Laufen
Est: €25,000 - €30,000
Johann Michael Rottmayr (von Rosenbrunn) (Laufen 1654-1730 Vienna)
Dorotheum
Apr. 21, 2009
Circle of Johann Franz Michael Rottmayr (Laufen 1654-1730 Vienna) The Last Supper
Est: £1,200 - £1,800
The Last Supper oil on canvas 42.5 x 62.4cm (16 3/4 x 24 9/16in).
Bonhams
Jun. 28, 2008
Rottmayr Johann Michael. Rottmayr Johann
Est: -
Rottmayr Johann Michael. Rottmayr Johann Michael.1654 Laufen/Bayern-1730 Wien "Sakrale Szene", vielfigurige großformatige Darstellung, Öl auf Leinwand, signiert, alt doubliert, reinigungs-und restaurierungsbedürftig, 133x196 cm (52 1/4 x 77 1/4 ... 18.000,00 €
Auktionshaus Bergmann
Jan. 25, 2007
JOHANN MICHAEL ROTTMAYR LAUFEN 1654 - 1730 VIENNA
Est: $40,000 - $60,000
LOT AND HIS DAUGHTERS measurements note 45 by 38 in.; 114.3 by 96.5 cm. oil on canvas
Sotheby's
Sep. 29, 2004
Johann Michael Rottmayr (Laufen/Bavaria 1654 - 1730 Vienna)
Est: €18,000 - €26,000
Maria Magdalena / Mary Magdalene, oil on canvas, prima tela / undoubled original canvas, 110 x 93 cm, unframed, (Wo) Provenance: nobility, Graz Certificate / perizia: Johann Kronbichler, Director of the Diözesanmuseum St. Pölten, 15 June 2004: “With the delicate plastic modelling of the body, achieved through subtle transitions of light and dark, and due to the painterly refinement of the figure's rendering and the brilliant colouring, Mary Magdelene is represented here as characteristic female type. In terms of textural qualities, the golden hair accentuated with highlights is particularly charmful.” Kronbichler dates the painting to the mid 1790s. Rottmayr lavorň a Roma (con Pietro da Cortona) e 13 anni a Venezia nello studio di Carl Loth detto Carlotto. Il dipinto presente č probabilmente il piů “italiano” e piů tenero delle sue opere. / Rottmayr travelled to Rome, where he worked with Pietro da Cortona. In 1675 he went to Venice, where he stayed in the workshop of Carl Loth called Carlotto for 13 years. He is the most important representative of Austrian High Baroque. As we are celebrating the 350th anniversary of his birth this year, the reappearance of this so far unknown painting may in a way be regarded as a birthday present. The artist worked primarily in Salzburg and Vienna, creating frescoes, ceiling decorations and altarpieces. The present work is one of the most delicate, Italianate, and beautiful examples from his oeuvre. See also the preface to this catalogue.
Dorotheum
Oct. 27, 1993
JOHANN FRANS MICHAEL ROTTMAYR Laufen 1654 - 1730 Vienna
Est: -
VENUS AND ADONIS Oil on canvas 95 by 197 cm.; 37 1/2 by 77 1/2 in. The artist studied under Johann Carl Loth in Venice and was later Court painter to Joseph I and Charles VI in Vienna. He was responsible for the decoration of numerous churches and palaces, including the Peterskirche and Karlskirche in Vienna and the ceiling of the Great Hall at Pommersfelden.
Sotheby's