Eva Rothschild Paintings & Artwork for Sale | Eva Rothschild Art Value Price Guide

Apr. 07, 2021
§ EVA ROTHSCHILD R.A. (IRISH 1972-) SEATED WOMAN
Est: £300 - £500
§ EVA ROTHSCHILD R.A. (IRISH 1972-) SEATED WOMAN Screenprint, 73/250, signed and numbered verso (the sheet 50cm x 50cm (19.75in x 19.75in), unframed) Footnote: Biography: Eva Rothschild is a contemporary Irish artist known for her sculptural work, which employ a broad range of materials including aluminium, jesmonite, leather, fabric and Perspex. Rothschild was born in Dublin in 1971. She studied Fine Art at the University of Ulster, Belfast from 1990-93, followed by Fine Art at Goldsmith's College, London from 1997-99. Inspired by the Minimalist art movements of the 1960s and 70s, Rothschild uses geometric shapes and segmentation in her works to explore the relationship between materiality, Classical architecture, and spirituality. Her works inspire feelings of transformation and the fragile ability to be taken apart. In 2014 she was elected Royal Academician and in 2019, she represented Ireland at the 58th Venice Biennale. Rothschild works in her studio but has also had several major public and outdoor commissions. She has also had institutional solo exhibitions across the world, including at the Australian Centre for Contemporary Art (2018), Dublin City Gallery, the Hugh Lane (2014), Nasher Sculpture Center (2012), The Hepworth Wakefield (2011), South London Gallery (2007), and Kunsthalle Zürich (2004). Today, Rothschild’s works are held by major collections including the MoMA, New York, the Carnegie Museum of Art, Pittsburgh, the Irish Museum of Modern Art, Dublin, and the Tate Gallery, London.
Lyon & Turnbull
Nov. 10, 2020
Eva Rothschild (n. 1971)
Est: €7,500 - €11,000
"N.G.O.", 2002
Veritas Art Auctioneers
Apr. 16, 2020
§ EVA ROTHSCHILD R.A. (IRISH B.1972) SEATED WOMAN
Est: £300 - £500
§ EVA ROTHSCHILD R.A. (IRISH B.1972) SEATED WOMAN Screenprint, 73/250, signed and numbered verso, unframed (Dimensions: 50cm x 50cm (19.75in x 19.75in), full sheet)
Lyon & Turnbull
Oct. 05, 2019
Eva Rothschild (b. 1971) Motivator perspex and lacquered wood 75 ¼ x 65 1/8 x 60 3/8in. (191 x 165.5 x 153.5cm.)
Est: £6,000 - £8,000
Eva Rothschild (b. 1971) Motivator perspex and lacquered wood 75 ¼ x 65 1/8 x 60 3/8in. (191 x 165.5 x 153.5cm.) Executed in 2008, this work is unique
Christie's
Jun. 27, 2019
EVA ROTHSCHILD | Stairway
Est: £6,000 - £8,000
paint, wood and resin
Sotheby's
Mar. 14, 2019
Eva Rothschild (b. 1972) - Motivator
Est: £8,000 - £12,000
Eva Rothschild (b. 1972) Motivator Perspex and lacquered wood 75 ¼ x 65 ⅛ x 60 ⅜in. (191 x 165.5 x 153.5cm.) Executed in 2008, this work is unique Stuart Shave/Modern Art, London. Acquired from the above by George Michael in 2008.
Christie's
Jun. 28, 2018
Eva Rothschild (b. 1972) - Cyclops
Est: £2,000 - £3,000
Eva Rothschild (b. 1972) Cyclops perspex and lacquered wood 106 ¼ x 48 x 48in. (270 x 122 x 122cm.)
Christie's
Mar. 07, 2018
EVA ROTHSCHILD (B. 1972) - Cages
Est: £6,000 - £8,000
EVA ROTHSCHILD (B. 1972) Cages lacquered wood 87 x 67 3/8 x 33 ½in. (221 x 171 x 85cm.)
Christie's
Sep. 19, 2017
EVA ROTHSCHILD - N.G.O.
Est: $8,000 - $12,000
EVA ROTHSCHILD - N.G.O.
Phillips
May. 18, 2017
Eva Rothschild (b. 1972) Snowman
Est: $18,000 - $25,000
Eva Rothschild (b. 1972) Snowman rebar, polyurethane resin and plaster paint 103 1/8 x 24 3/4 x 26 in. (261.9 x 62.8 x 66 cm.)
Christie's
Mar. 09, 2017
EVA ROTHSCHILD | Lucky Man
Est: £10,000 - £15,000
powder coated aluminium, enamel paint and perspex
Sotheby's
Jun. 04, 2016
Eva Rothschild 2003 sculpture "Diamond Day"
Est: $18,000 - $25,000
Diamond Day
Concept Art Gallery
Sep. 17, 2015
EVA ROTHSCHILD - Meera, 2007
Est: $18,000 - $22,000
powder coated aluminum
Phillips
Jun. 30, 2015
** Eva Rothschild (b. 1972) - N.G.O, 2007
Est: £15,000 - £20,000
hanging leather sculpture, in 5 parts 75 in., 190.5 cm (overall height) Provenance: Stuart Shave/Modern Art, London. N.G.O (possibly referring to the acronym for Non-Governmental Organization) is a beautfully fabricated hanging sculpture of five individual elements each intricately woven with leather strands to form a ball at its centre, its tassles left to hang towards the floor. The work's sense of craftmanship is visually arresting, but N.G.O also recalls a landmark work from her predecssor Eva Hesse. Vertigionous Detour of 1966 (Hirschhorn Museum, Washington DC), was a pivotal moment in the development of what has beome known as post-minimalist art. N.G.O may continue such developments, updated for the contemporary viewer with her signature 'gothic' colours and oblique sexual connotations. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Dreweatts 1759
Jun. 30, 2015
** Eva Rothschild (b. 1972) - Cactus, 2002
Est: £15,000 - £20,000
rolls of gaffer and masking tape, painted black and glued to an iron armature, leather pom-poms 80 x 40 1/2 x 8 in., 203 x 103 x 20 cm Provenance: Stuart Shave/Modern Art, London. Exhibited: London, South London Gallery, Eva Rothschild , 13- August - 4 November 2007. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Dreweatts 1759
Jun. 30, 2015
** Eva Rothschild (b. 1972) - Meta, 2004
Est: £35,000 - £45,000
4 triangular sheets of polished steel, from the edition of 3 each sheet 106 1/4 x 39 1/2 x 3/4 in., 270 x 100 x 2 cm, overall dimensions variable Provenance: New Art Centre, United Kingdom. Exhibited: Waddesdon Manor, United Kingdom, House of Cards , 26 May - 28 October 2012. More than many of her contemporaries, Rothschild is engaged with enduring sculptural issues.She uses materials more closely related to other disciplines such as craft and architecture (steel, leather, wood and plexiglas), and her concerns seem to be very much to do with how objects can occupy space and volume, and the role of gravity in holding sculpture together. Arguably her best known work is the editioned sculpture Meta, four large triangular sheets of polished steel that fit together to create two pyramid structures, standing side-by-side. The title is an Ancient Greek prefix meaning 'among' or ¾tween', and may simply be an examination of how structures work but the overtly religious form of the resultant piece, and its sense of inclusivity, is not lost on her audience. Rothschild first came to prominence in the landmark Whitechapel Gallery exhibition Early One Morning in 2002, itself a remake of the much-vaunted 1965 exhibition of the same title and venue. She has since gone on to be included in several high profile exhibitions worldwide, famously taking over the Duveen Galleries at Tate Britain with her monumental sculpture ' Cold Corners' in 2011, and most recently at the Nasher Sculpture Center, Dallas in 2013. This is the first time this iconic sculpture has appeared at public auction. IMPORTANT: This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Dreweatts 1759
Sep. 23, 2014
Welcome
Est: $8,000 - $12,000
Eva Rothschild (b. 1972) Welcome signed and dated 'Rothschild 2002' (upper left edge) woven paper 138¼ x 90 in. (351.2 x 228.6 cm.) Executed in 2002.
Christie's
Mar. 08, 2013
Eva Rothschild (b. 1972)
Est: $15,000 - $20,000
Eva Rothschild (b. 1972) Welcome signed and dated 'Rothschild 2002' (upper left edge) woven paper 138¼ x 90 in. (351.2 x 228.6 cm.) Executed in 2002.
Christie's
Dec. 13, 2012
EVA ROTHSCHILD
Est: £3,000 - £5,000
Black Psycore Signed and dated 'Eva Rothschild '99' on the reverse.
Phillips
May. 13, 2011
EVA ROTHSCHILD
Est: $15,000 - $20,000
Light to Light This work is unique.
Phillips
Oct. 13, 2006
EVA ROTHSCHILD
Est: £6,000 - £8,000
B. 1972 SUPERSOFT measurements 180 by 55 by 1.5cm. alternate measurements 70 7/8 by 21 3/4 by 5/8 in. acrylic paint and lacquer on steel Executed in 2006. PROVENANCE Donated by the artist, courtesy of The Modern Institute, Glasgow, and Stuart Shave/Modern Art, London NOTE A multi-coloured star-burst of interwoven incense sticks; a pyramid of shiny black acrylic, pointed at the top like a magician's hat; a totemic head, it's contours hidden beneath fronds of supple leather; a hippy, Op Art Madonna woven from day-glo strips of yellow, pink and green. In their shapes and materials, Eva Rothschild's sculptures are laced with a sense of the Gothic, and injected with the language of ritual, New Age mysticism and 60s counterculturalism. Shimmering from the gallery walls, cascading from above our heads, suspended in space with no visible support or burning and disappearing before our very eyes, they are like small miracles that defy their physicality. Rothschild studied at Goldsmiths College and has shown at the Kunsthalle Zurich (2004), the 54th Carnegie International in Pittsburgh (2004) and was recently included in the 2006 Tate Triennial. Rothschild's choice of images and forms have tended to reveal a fascination with the iconography of mysticism, spirituality and romanticism. Often hand-made and domestic in scale, they associate craft with an other worldly element. Yet they also conjure up the worlds of fake healers and market stalls, of a spirituality reduced to accessories for mass consumption. Drawing parallels with the aura with which we invest art itself, her works point to the possibility of enlightenment and simultaneously deny it, reflecting on our need to imbue inanimate objects with more esoteric and mystical qualities. "I think we furnish our desires with objects and images", the artist has stated. "It's like we need something tangible to prop up our intangible beliefs". (cited in: Exhibition Catalogue, Whitechapel Art Gallery, London, Early One Morning, 2002, p.131) Since 2005 Rothschild has paired her sculptures down to the most essential vocabulary. Lines and outlines are given the very barest of physical substance, pushed to and inhabiting the outer edges of form, at once more abstract and architectural. In some, interlocking triangles made of wood hang down, like bats' wings, from a corner in the ceiling, as though drawn from plan elevations in which line and shape have been turned into form, rotated in space, assembled and reassembled from differing perspectives. Elsewhere, outlined semi-geometric shapes sit perched on their four-legged base, like scientific exhibits whose angular, molecular shape lays bare sculpture's very DNA. Others still resemble the roots in a tree, lines that travel and bend downwards, their surface marked by bands of colour that alternate as though driven by the logic of an invisible, internal binary code. Like Day One, 2005 -- the first work in the series -- Supersoft presents a form that resembles a simple stick, a line drawn in space, on which hand painted bands in a variety of different colours provide the minimum of artistic intervention. Its silhouette is barely registered by the eye, and only very slightly fleshed out by the shallow physicality it reveals when approached. Defying gravity and improbably rising from the ground, its delicate presence is counterbalanced by the stubborn resilience of nature forcing its way through the cracks in urban concrete. Its elongated form rises from the base in a tentative, crooked line, like a twitching divining rod as it seeks its way, while the rainbow colours that cloak its surface hum with the bright and funky rhythms of a ritual party stick. AT
Sotheby's