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Nagasawa Rosetsu Sold at Auction Prices

b. 1754 - d. 1799

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    • NAGASAWA ROSETSU (1754-1799) Horned owl Edo period (1615-1868), late 18th century (2)
      Nov. 07, 2024

      NAGASAWA ROSETSU (1754-1799) Horned owl Edo period (1615-1868), late 18th century (2)

      Est: £5,000 - £6,000

      NAGASAWA ROSETSU (1754-1799) Horned owl Edo period (1615-1868), late 18th century Kakejiku (hanging scroll), in ink and slight colour on paper, depicting an autumnal moonlit scene of a mimizuku (horned owl) perched on the top of a cliff, the full moon in the distance, signed Rosetsu with two seals Nagasawa and Gyo, a two-line inscription by the Bunjinga artist Minagawa Kien (1734-1807), signed Sessai with a seal Sessai, and a seal at the top right, with two collector's seals at the bottom right; with a plain wood storage box. Overall: 194cm x 47cm (76 3/8in x 18½in); image: 125cm x 29cm (49 3/16in x 11 3/8in). (2).

      Bonhams
    • NAGASAWA ROSETSU (1754-1799) Hotei Seated on His Bag Edo period (1615-1868), 18th century
      Sep. 18, 2024

      NAGASAWA ROSETSU (1754-1799) Hotei Seated on His Bag Edo period (1615-1868), 18th century

      Est: $4,000 - $6,000

      NAGASAWA ROSETSU (1754-1799) Hotei Seated on His Bag Edo period (1615-1868), 18th century A painting mounted as a hanging scroll in ink and light color depicting the eponymous figure seated on his namesake bag, a loosely brushed landscape in the distance, signed Rosetsu, sealed Gyo in Inkyo, the colophon by Minagawa Kien (1734-1807), with a wood tomobako storage box 49 x 11 1/2 in (124.5 x 29.2cm)

      Bonhams
    • IN THE STYLE OF NAGASAWA RÔSETSU (1754-1799): BAMBOO UNDER A FULL MOON, INK ON SILK
      Sep. 12, 2024

      IN THE STYLE OF NAGASAWA RÔSETSU (1754-1799): BAMBOO UNDER A FULL MOON, INK ON SILK

      Est: €50 - €80

      IN THE STYLE OF NAGASAWA RÔSETSU (1754-1799): BAMBOO UNDER A FULL MOON, INK ON SILK Japan, denoted: Rôsetsu sha, seal: Gyo.,19th c. 105 x 27,3 cm, R. Old Berlin private collection, assembled between the 1960s and 1990s Very minor damages due to age. Framed under glass In der Art von Nagasawa Rôsetsu (1754-1799): Bambus bei Vollmond. Tusche auf Seide Japan, Bez.: Rôsetsu sha. Siegel: Gyo., 19. Jh. 105 x 27,3 cm, R. Alte Berliner Privatsammlung, zwischen den 1960er und 1990er Jahren gesammelt Kleine Alterssch. Unter Glas gerahmt

      Nagel Auction
    • NAGASAWA ROSETSU (1754-1799): PERSIMMON WITH RED AUTUMN LEAVES AND PUPPIES
      Sep. 04, 2024

      NAGASAWA ROSETSU (1754-1799): PERSIMMON WITH RED AUTUMN LEAVES AND PUPPIES

      Est: €900 - €1,800

      NAGASAWA ROSETSU (1754-1799): PERSIMMON WITH RED AUTUMN LEAVES AND PUPPIES Japan, 18th century. Ink and watercolor on silk. Mounted as a hanging scroll, with a silk brocade coated paper frame and wooden handles. The free brushwork and playful composition depicting two recumbent puppies sitting under a tree. Inscriptions: To the bottom-left, signed ‘Rosetsu.’ One seal, ‘Gyo’ 魚. The tomobako (storage box) with inscriptions, to the cover, inscribed ‘Rosetsu, Two Puppies,’ a collector’s label to one side ‘Rosetsu komainu-ko (hakushi)’ 蘆雪狛子 (‘Puppies by Rosetsu’), the other side 第三一七號、蘆雪、柿紅葉狛 (‘Number 317, Rosetsu, Persimmon with red autumn leaves and puppies’). Provenance: Collection of Baron Masuda Takashi, Tokyo, Japan, by repute. Louis Pappas Works of Art, San Francisco, 8 August 1969. The James and Marilynn Alsdorf Collection, Chicago, acquired from the above and thence by descent. Baron Masuda Takashi (1848-1938) was a Japanese industrialist, investor, and art collector. He was a prominent entrepreneur in Meiji, Taishō and early Shōwa period Japan, responsible for transforming Mitsui into a zaibatsu through the creation of a general trading company, Mitsui Bussan. Masuda's collection was a legend during his lifetime but was sold by his son after Masuda's death in 1938. Most of the collection is said to have been purchased at that time by Tokyo art dealer Setsu Inosuke. Louis Pappas (1926 - 2018) was an important art dealer in San Francisco, United States. James and Marilynn Alsdorf got married in 1952 and built a life that was centered on art, philanthropy and family. Studying and collecting art was their all-consuming passion, and it took them all over the world. Their spirit of adventure was unique; they went places that few collectors at the time were curious and confident enough to explore. As their interests diversified, so did their collection. ‘They were not strategic in their collecting,’ recalls Bridget Alsdorf, the couple’s granddaughter. ‘They were guided by what fascinated them and gave them pleasure, by knowledge and instinct. They were an incredible team.’ As well as being great collectors, the Alsdorfs were loyal supporters of museums and cultural institutions across Chicago and the wider United States, including the National Gallery of Art in Washington, D.C., the Leigh Block Museum of Art at Northwestern University and the Art Institute of Chicago. James Alsdorf served as Chairman of the AIC from 1975 to 1978, and Marilynn sat on various committees. In 1967, the Alsdorfs joined other prominent Chicago collectors, including, Edwin and Lindy Bergman and Robert and Beatrice Mayer, in founding the Museum of Contemporary Art Chicago, an institution to which they would provide extensive financial and personal leadership. After James’s passing in 1990, Marilynn, who was known as ‘the queen of the Chicago arts community’, continued to build upon her husband’s legacy in art and philanthropy, making a transformative bequest to the AIC in 1997, and funding a curatorial position in Indian and Southeast Asian Art at the AIC in 2006. Condition: Excellent condition with only minor wear. The silk brocade mounting in excellent condition with expected wear. Dimensions: Image size 118.8 x 46 cm, Size incl. mounting 211 x 58.5 cm With an inscribed tomobako storage box. (2) Following the style of his early teacher Maruyama Ōkyo, especially his naturalistic depiction of animals, birds, and fish, Rosetsu established a reputation as an unrestrained and imaginative painter. Nagasawa Rosetsu (1754-1799) was an 18th-century Japanese painter of the Maruyama School, known for his versatile style. He was born to the family of a low-ranking samurai. He studied with Maruyama Ōkyo in Kyoto. Rosetsu's early period works are in the style of Maruyama Ōkyo, although critics agree that the pupil's skill quickly surpassed his master's. Finally, they had a falling out and Rosetsu left the school. After the break, he worked under the patronage of the feudal lord of Yodo and accepted commissions at several temples. His works are kept in many museums worldwide, including the Dallas Museum of Art, the Walters Art Museum, the Princeton University Art Museum, the Harvard Art Museums, the Los Angeles County Museum of Art, the British Museum, the Minneapolis Institute of Art, and many more. Museum comparison: Compare a closely related painting by Nagasaw Rosetsu in The Walters Art Museum, Baltimore, USA, accession no. 35.74.

      Galerie Zacke
    • JAPAN - ROSETSU NAGASAWA (1754-1799) WATERCOLOUR AND INK DRAWING ON PAPER.
      Jun. 22, 2024

      JAPAN - ROSETSU NAGASAWA (1754-1799) WATERCOLOUR AND INK DRAWING ON PAPER.

      Est: €800 - €1,500

      Japan - Rosetsu NAGASAWA (1754-1799) Watercolour and ink drawing on paper. - Weight: 1.05 kg - Shipping unavailable - Region: Japon - Sizes: H 390MM X L 320MM - At first glance: good condition

      Goldfield Auction
    • NAGASAWA ROSETSU (1754–1799) Chickens and Crows Edo period (1615-1868), late 18th century (2)
      May. 16, 2024

      NAGASAWA ROSETSU (1754–1799) Chickens and Crows Edo period (1615-1868), late 18th century (2)

      Est: £15,000 - £18,000

      NAGASAWA ROSETSU (1754–1799) Chickens and Crows Edo period (1615-1868), late 18th century Pair of two-panel byobu (folding screens), ink and slight colours on paper flecked with gold and silver leaf, within silk borders and a wood frame; the right screen depicting a cockerel, hen and chicks pecking for grain in a bundle of firewood, the left screen with mynah birds perched on the branches of an ancient plum tree, with signatures at right and left Rosetsu utsusu and Rosetsu kore o utsusu and round seals Gyo; the reverse of each screen attached with two sheets of three lines of Chinese poetry brushed by Sawada Toko (1732-1796), renowned for his influential calligraphy in the style of Ming-dynasty masters, each signed Toko Genrin sho and sealed Genrin no in and Bunryu. Overall: 171cm x 186.5cm (67 6/16in x 73 7/16in); the image: 155cm x 170.5cm (61in x 67 1/8in). (2).

      Bonhams
    • Nagasawa Rosetsu
      Mar. 27, 2024

      Nagasawa Rosetsu

      Est: $1,000 - $2,000

      Nagasawa Rosetsu (Japanese, 1754-1799) Yamauba ink and slight color on paper, hanging scroll signed and sealed Length of fan 19 x height 8 1/4 in., 48.26 x 21 cm. Property from a Private Collection, Chicago, Illinois

      Hindman
    • NAGASAWA ROSETSU (1754-1799): PERSIMMON WITH RED AUTUMN LEAVES AND PUPPIES
      Jan. 17, 2024

      NAGASAWA ROSETSU (1754-1799): PERSIMMON WITH RED AUTUMN LEAVES AND PUPPIES

      Est: €900 - €1,800

      NAGASAWA ROSETSU (1754-1799): PERSIMMON WITH RED AUTUMN LEAVES AND PUPPIES Japan, 18th century. Ink and watercolor on silk. Mounted as a hanging scroll, with a silk brocade coated paper frame and wooden handles. The free brushwork and playful composition depicting two recumbent puppies sitting under a tree. Inscriptions: To the bottom-left, signed 'Rosetsu.' One seal, 'Gyo' 魚. The tomobako (storage box) with inscriptions, to the cover, inscribed 'Rosetsu, Two Puppies,' a collector's label to one side 'Rosetsu komainu-ko (hakushi)' 蘆雪狛子 ('Puppies by Rosetsu'), the other side 第三一七號、蘆雪、柿紅葉狛 ('Number 317, Rosetsu, Persimmon with red autumn leaves and puppies'). Provenance: Collection of Baron Masuda Takashi, Tokyo, Japan, by repute. Louis Pappas Works of Art, San Francisco, 8 August 1969. The James and Marilynn Alsdorf Collection, Chicago, acquired from the above and thence by descent. Baron Masuda Takashi (1848-1938) was a Japanese industrialist, investor, and art collector. He was a prominent entrepreneur in Meiji, Taishō and early Shōwa period Japan, responsible for transforming Mitsui into a zaibatsu through the creation of a general trading company, Mitsui Bussan. Masuda's collection was a legend during his lifetime but was sold by his son after Masuda's death in 1938. Most of the collection is said to have been purchased at that time by Tokyo art dealer Setsu Inosuke. Louis Pappas (1926 - 2018) was an important art dealer in San Francisco, United States. James and Marilynn Alsdorf got married in 1952 and built a life that was centered on art, philanthropy and family. Studying and collecting art was their all-consuming passion, and it took them all over the world. Their spirit of adventure was unique; they went places that few collectors at the time were curious and confident enough to explore. As their interests diversified, so did their collection. 'They were not strategic in their collecting,' recalls Bridget Alsdorf, the couple's granddaughter. 'They were guided by what fascinated them and gave them pleasure, by knowledge and instinct. They were an incredible team.' As well as being great collectors, the Alsdorfs were loyal supporters of museums and cultural institutions across Chicago and the wider United States, including the National Gallery of Art in Washington, D.C., the Leigh Block Museum of Art at Northwestern University and the Art Institute of Chicago. James Alsdorf served as Chairman of the AIC from 1975 to 1978, and Marilynn sat on various committees. In 1967, the Alsdorfs joined other prominent Chicago collectors, including, Edwin and Lindy Bergman and Robert and Beatrice Mayer, in founding the Museum of Contemporary Art Chicago, an institution to which they would provide extensive financial and personal leadership. After James's passing in 1990, Marilynn, who was known as 'the queen of the Chicago arts community', continued to build upon her husband's legacy in art and philanthropy, making a transformative bequest to the AIC in 1997, and funding a curatorial position in Indian and Southeast Asian Art at the AIC in 2006. Condition: Excellent condition with only minor wear. The silk brocade mounting in excellent condition with expected wear. Dimensions: Image size 118.8 x 46 cm, Size incl. mounting 211 x 58.5 cm With an inscribed tomobako storage box. (2) Following the style of his early teacher Maruyama Ōkyo, especially his naturalistic depiction of animals, birds, and fish, Rosetsu established a reputation as an unrestrained and imaginative painter. Nagasawa Rosetsu (1754-1799) was an 18th-century Japanese painter of the Maruyama School, known for his versatile style. He was born to the family of a low-ranking samurai. He studied with Maruyama Ōkyo in Kyoto. Rosetsu's early period works are in the style of Maruyama Ōkyo, although critics agree that the pupil's skill quickly surpassed his master's. Finally, they had a falling out and Rosetsu left the school. After the break, he worked under the patronage of the feudal lord of Yodo and accepted commissions at several temples. His works are kept in many museums worldwide, including the Dallas Museum of Art, the Walters Art Museum, the Princeton University Art Museum, the Harvard Art Museums, the Los Angeles County Museum of Art, the British Museum, the Minneapolis Institute of Art, and many more. Museum comparison: Compare a closely related painting by Nagasaw Rosetsu in The Walters Art Museum, Baltimore, USA, accession no. 35.74.

      Galerie Zacke
    • NAGASAWA ROSETSU (1754-1799): ‘TWO PUPPIES BENEATH A BLOOMING PLUM TREE’
      Nov. 30, 2023

      NAGASAWA ROSETSU (1754-1799): ‘TWO PUPPIES BENEATH A BLOOMING PLUM TREE’

      Est: €1,200 - €2,500

      NAGASAWA ROSETSU (1754-1799): ‘TWO PUPPIES BENEATH A BLOOMING PLUM TREE’ Japan, 18th century. Ink and watercolor on paper. Mounted as a hanging scroll, on silk brocade coated paper with ivory handles. Masterfully painted, the thick trunk of a plum tree towers above two puppies seated back-to-back. The second puppy is painted in outline as a shadowy figure. Inscriptions: Signed, ‘Rosetsu utsushu’ 蘆雪寫 (‘Painted by Rosetsu’), and sealed ‘Nagasawa’ 長澤 and ‘Gyo’ 魚 Provenance: Ex-collection Teddy Hahn, Darmstadt. Theodor “Teddy” Hahn was a well-known and respected collector of netsuke and other Asian works of art. After spending time in museums to study the early cultures of the world, finding particular interest in their sculptures, he began collecting, remarking, ‘I somehow knew it would have a profound influence on my life. How right I was. And how happy I have been.’ Condition: Very good condition with minimal wear and small creases. The silk brocade is in excellent condition, with minor wear and some loose threads. Important notice: Please note that we will need to remove the ivory roller ends before shipping / handing over the item. The roller ends are not part of this offer. Dimensions: Image size 121.3 x 27.5 cm, Size incl. mounting 212 x 40.2 cm Nagasawa Rosetsu (1754-1799) was an 18th-century Japanese painter of the Maruyama School, known for his versatile style. He was born into the family of a low-ranking samurai. He studied with Maruyama Okyo in Kyoto. Rosetsu's early period works are in the style of Maruyama Okyo, although critics agree that the pupil's skill quickly surpassed his master's. Finally, they had a falling out and Rosetsu left the school. After the break, he worked under the patronage of the feudal lord of Yodo and accepted commissions from several temples. His works are kept in many museums worldwide, including the Dallas Museum of Art, the Walters Art Museum, the Princeton University Art Museum, the Harvard Art Museums, the Los Angeles County Museum of Art, the British Museum, the Minneapolis Institute of Art, and many more. Auction result comparison: Type: Closely related Auction: Mainichi Auction, Tokyo, 7 September 2018, lot 305 Price: JPY 7,800,000 or approx. EUR 52,000 converted and adjusted for inflation at the time of writing Description: Chrysanthemum and dogs Expert remark: Compare the related motif albeit with more puppies. Note the similar size (81.8 x 43.3 cm).

      Galerie Zacke
    • NAGASAWA ROSETSU (1754-1799): PERSIMMON WITH RED AUTUMN LEAVES AND PUPPIES
      Nov. 30, 2023

      NAGASAWA ROSETSU (1754-1799): PERSIMMON WITH RED AUTUMN LEAVES AND PUPPIES

      Est: €1,200 - €2,500

      NAGASAWA ROSETSU (1754-1799): PERSIMMON WITH RED AUTUMN LEAVES AND PUPPIES Japan, 18th century. Ink and watercolor on silk. Mounted as a hanging scroll, with a silk brocade coated paper frame and wooden handles. The free brushwork and playful composition depicting two recumbent puppies sitting under a tree. Inscriptions: To the bottom-left, signed ‘Rosetsu.’ One seal, ‘Gyo’ 魚. The tomobako (storage box) with inscriptions, to the cover, inscribed ‘Rosetsu, Two Puppies,’ a collector’s label to one side ‘Rosetsu komainu-ko (hakushi)’ 蘆雪狛子 (‘Puppies by Rosetsu’), the other side 第三一七號、蘆雪、柿紅葉狛 (‘Number 317, Rosetsu, Persimmon with red autumn leaves and puppies’). Provenance: Collection of Baron Masuda Takashi, Tokyo, Japan, by repute. Louis Pappas Works of Art, San Francisco, 8 August 1969. The James and Marilynn Alsdorf Collection, Chicago, acquired from the above and thence by descent. Baron Masuda Takashi (1848-1938) was a Japanese industrialist, investor, and art collector. He was a prominent entrepreneur in Meiji, Taishō and early Shōwa period Japan, responsible for transforming Mitsui into a zaibatsu through the creation of a general trading company, Mitsui Bussan. Masuda's collection was a legend during his lifetime but was sold by his son after Masuda's death in 1938. Most of the collection is said to have been purchased at that time by Tokyo art dealer Setsu Inosuke. Louis Pappas (1926 - 2018) was an important art dealer in San Francisco, United States. James and Marilynn Alsdorf got married in 1952 and built a life that was centered on art, philanthropy and family. Studying and collecting art was their all-consuming passion, and it took them all over the world. Their spirit of adventure was unique; they went places that few collectors at the time were curious and confident enough to explore. As their interests diversified, so did their collection. ‘They were not strategic in their collecting,’ recalls Bridget Alsdorf, the couple’s granddaughter. ‘They were guided by what fascinated them and gave them pleasure, by knowledge and instinct. They were an incredible team.’ As well as being great collectors, the Alsdorfs were loyal supporters of museums and cultural institutions across Chicago and the wider United States, including the National Gallery of Art in Washington, D.C., the Leigh Block Museum of Art at Northwestern University and the Art Institute of Chicago. James Alsdorf served as Chairman of the AIC from 1975 to 1978, and Marilynn sat on various committees. In 1967, the Alsdorfs joined other prominent Chicago collectors, including, Edwin and Lindy Bergman and Robert and Beatrice Mayer, in founding the Museum of Contemporary Art Chicago, an institution to which they would provide extensive financial and personal leadership. After James’s passing in 1990, Marilynn, who was known as ‘the queen of the Chicago arts community’, continued to build upon her husband’s legacy in art and philanthropy, making a transformative bequest to the AIC in 1997, and funding a curatorial position in Indian and Southeast Asian Art at the AIC in 2006. Condition: Excellent condition with only minor wear. The silk brocade mounting in excellent condition with expected wear. Dimensions: Image size 118.8 x 46 cm, Size incl. mounting 211 x 58.5 cm With an inscribed tomobako storage box. (2) Following the style of his early teacher Maruyama Ōkyo, especially his naturalistic depiction of animals, birds, and fish, Rosetsu established a reputation as an unrestrained and imaginative painter. Nagasawa Rosetsu (1754-1799) was an 18th-century Japanese painter of the Maruyama School, known for his versatile style. He was born to the family of a low-ranking samurai. He studied with Maruyama Ōkyo in Kyoto. Rosetsu's early period works are in the style of Maruyama Ōkyo, although critics agree that the pupil's skill quickly surpassed his master's. Finally, they had a falling out and Rosetsu left the school. After the break, he worked under the patronage of the feudal lord of Yodo and accepted commissions at several temples. His works are kept in many museums worldwide, including the Dallas Museum of Art, the Walters Art Museum, the Princeton University Art Museum, the Harvard Art Museums, the Los Angeles County Museum of Art, the British Museum, the Minneapolis Institute of Art, and many more. Museum comparison: Compare a closely related painting by Nagasaw Rosetsu in The Walters Art Museum, Baltimore, USA, accession no. 35.74.

      Galerie Zacke
    • NAGASAWA ROSETSU (1754–1799) Chickens and Crows Edo period (1615-1868), late 18th century (2)
      Nov. 02, 2023

      NAGASAWA ROSETSU (1754–1799) Chickens and Crows Edo period (1615-1868), late 18th century (2)

      Est: £18,000 - £20,000

      NAGASAWA ROSETSU (1754–1799) Chickens and Crows Edo period (1615-1868), late 18th century Pair of two-panel byobu (folding screens), ink and slight colours on paper flecked with gold and silver leaf, within silk borders and a wood frame; the right screen depicting a cockerel, hen and chicks pecking for grain in a bundle of firewood, the left screen with mynah birds perched on the branches of an ancient plum tree, with signatures at right and left Rosetsu utsusu and Rosetsu kore o utsusu and round seals Gyo; the reverse of each screen attached with two sheets of three lines of Chinese poetry brushed by Sawada Toko (1732-1796), renowned for his influential calligraphy in the style of Ming-dynasty masters, each signed Toko Genrin sho and sealed Genrin no in and Bunryu. Overall: 171cm x 186.5cm (67 6/16in x 73 7/16in); the image: 155cm x 170.5cm (61in x 67 1/8in). (2).

      Bonhams
    • Attributed to Nagasawa Rosetsu
      Sep. 27, 2023

      Attributed to Nagasawa Rosetsu

      Est: $1,500 - $2,500

      Attributed to Nagasawa Rosetsu (Japanese, 1754-1799) Dragon and Tiger ink on silk, hanging scroll signed with a seal. 長沢芦雪 (日,1754–1799) 龍虎圖 Image: 46 1/4 x 6 1/4 in., 117.4 x 16 cm. Property from the Estate of H.H. Pao, Toronto

      Hindman
    • NAGASAWA ROSETSU (1754-1799) Drinking Festival of the Eight Immortals Hangi
      Sep. 19, 2023

      NAGASAWA ROSETSU (1754-1799) Drinking Festival of the Eight Immortals Hangi

      Est: $6,000 - $8,000

      NAGASAWA ROSETSU (1754-1799) Drinking Festival of the Eight Immortals Hanging scroll; ink and slight color on paper 50 ¼ x 23 in. (127.6 x 58.4 cm.)

      Christie's
    • Chinese Bijin Scroll Painting by Japanese Artist.
      Oct. 02, 2022

      Chinese Bijin Scroll Painting by Japanese Artist.

      Est: $300 - $500

      Chinese Bijin (beauty) scroll painting by Japanese Eccentric artist Nagasawa Rosetsu (1754-1799). Accompanied by a lidded wood box bearing a label, "Nagasawa Rosetsu 1754-99". Label to underside of scroll reads, "Lady with chenny skirt Nagasawa Rosetsu (1754-1799) Blue Teal and gold background". From a Queens, NY estate. Dimensions: image only measures approx. 51" h x 19" w.

      Clarke Auction Gallery
    • ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799) Two Puppies with Autumn Leaves 4
      Sep. 27, 2022

      ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799) Two Puppies with Autumn Leaves 4

      Est: $2,000 - $3,000

      ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799) Two Puppies with Autumn Leaves 46 7⁄10 x 18 1/4 in. (118.6 x 46.4 cm.)

      Christie's
    • NAGASAWA ROSETSU (1754-1799) Drinking Festival of the Eight Immortals Hangi
      Mar. 22, 2022

      NAGASAWA ROSETSU (1754-1799) Drinking Festival of the Eight Immortals Hangi

      Est: $7,000 - $9,000

      NAGASAWA ROSETSU (1754-1799) Drinking Festival of the Eight Immortals Hanging scroll; ink and slight color on paper 50 1/4 x 23 in. (127.6 x 58.4 cm.)

      Christie's
    • NAGASAWA ROSETSU (1754-1799) Animals, landscapes and figures Twelve paintin
      Mar. 22, 2022

      NAGASAWA ROSETSU (1754-1799) Animals, landscapes and figures Twelve paintin

      Est: $40,000 - $60,000

      NAGASAWA ROSETSU (1754-1799) Animals, landscapes and figures Twelve paintings mounted as a pair of six-panel screens; ink and slight color on paper Inner panels 52 x 22 in. (132.1 x 55.9 cm.); first and sixth outer panels 52 x 20 7/8 in. (132 x 53 cm.) approx. (2)

      Christie's
    • ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799) Two Puppies with Autumn Leaves
      Dec. 14, 2021

      ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799) Two Puppies with Autumn Leaves

      Est: $3,000 - $4,000

      ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799) Two Puppies with Autumn Leaves 46 7/10 x 18 1/4 in. (118.6 x 46.4 cm.)

      Christie's
    • NAGASAWA ROSETSU (1754-1799) Edo period (1615-1868), late 1790s (3)
      Nov. 05, 2020

      NAGASAWA ROSETSU (1754-1799) Edo period (1615-1868), late 1790s (3)

      Est: £28,000 - £30,000

      NAGASAWA ROSETSU (1754-1799) Edo period (1615-1868), late 1790s Toad, bamboo and spider; a kakejiku (hanging scroll), ink on paper in silk mounts, depicting a toad by a stand of bamboo in whose upper leaves a spider has made a web from which it hangs; signed at lower left Rosetsu and sealed Gyo; fitted in an unrelated inscribed wood storage box; together with an extra wood storage box inscribed Rosetsu hitsu, Gama no zu (Picture of a Toad by Rosetsu). Overall: 210cm x 67.8cm (82 5/8in x 26 3/4in); image: 122cm x 48cm (48in x 18 7/8in). (3). For further information on this lot please visit the Bonhams website

      Bonhams
    • ROSETSU Nagasawa (Japanese 1754-1799), Morning Glories & Sparrows, Woodblock, 39.5x19cm
      Oct. 18, 2020

      ROSETSU Nagasawa (Japanese 1754-1799), Morning Glories & Sparrows, Woodblock, 39.5x19cm

      Est: $50 - $150

      ROSETSU, Nagasawa (Japanese 1754-1799) Morning Glories & Sparrows Date of printing unknown. Woodblock 39.5x19cm

      Davidson Auctions
    • ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799),
      Sep. 29, 2020

      ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799),

      Est: $4,000 - $6,000

      ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799), Country house with ox, ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799) Country house with ox Hanging scroll, ink and color on paper, signed and dated 37 1/ 4 x 10 3/ 4 in. (94.6 x 27.3 cm.) ,

      Christie's
    • ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799),
      Sep. 29, 2020

      ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799),

      Est: $3,000 - $4,000

      ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799), Two Puppies with Autumn Leaves, ATTRIBUTED TO NAGASAWA ROSETSU (1754-1799) Two Puppies with Autumn Leaves Hanging scroll, ink and colors on silk, signed and sealed 46.7/10 x 18 1/ 4 in. (118.6 x 46.4 cm.) ,

      Christie's
    • NAGASAWA ROSETSU (1754-1799)
      Sep. 24, 2020

      NAGASAWA ROSETSU (1754-1799)

      Est: $5,000 - $7,000

      NAGASAWA ROSETSU (1754-1799) Toad under Bamboo 51 1/5 x 21 4/5 in. (130 x 55.4 cm.)

      Christie's
    • NAGASAWA ROSETSU (1754-1799) - Cranes in Snow
      Sep. 22, 2020

      NAGASAWA ROSETSU (1754-1799) - Cranes in Snow

      Est: $20,000 - $30,000

      NAGASAWA ROSETSU (1754-1799) Cranes in Snow Hanging scroll; ink and color on silk 40 ½ x 13 in. (102.9 x 33 cm.)

      Christie's
    • [Scrolls]. Rosetsu, Nagasawa (1754-1799). (Seated monkey on a rock eating fruit). Kakejiku (hanging
      Nov. 29, 2018

      [Scrolls]. Rosetsu, Nagasawa (1754-1799). (Seated monkey on a rock eating fruit). Kakejiku (hanging

      Est: €300 - €500

      [Scrolls]. Rosetsu, Nagasawa (1754-1799). (Seated monkey on a rock eating fruit). Kakejiku (hanging scroll), handpainted on silk within variously col. dec. silk borders, 73,2x45 cm. (image), 175x55 cm. (total size), signed with stamp, rolled on jikugi, in wooden box. = SEE ILLUSTRATION PLATE LXXXVI.

      Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
    • Nagasaki Rosetsu Waterfall Scroll
      Nov. 04, 2018

      Nagasaki Rosetsu Waterfall Scroll

      Est: $1,000 - $1,500

      A Zen painting of a waterfall by Nagasawa Rosetsu (1754 - 1799), who was known for his versatile style.

      The Scanlan Collection
    • Waterfall Scroll by Nagasawa Rosetsu , Japan, Edo Period, 18th Century
      Jul. 29, 2018

      Waterfall Scroll by Nagasawa Rosetsu , Japan, Edo Period, 18th Century

      Est: $1,000 - $1,500

      A Zen painting of a waterfall by Nagasawa Rosetsu (1754-1799), who was known for his versatile style. 18th century.

      The Scanlan Collection
    • [Scrolls]. Rosetsu. Nagasawa (1754-1799). (Seated monkey on a rock eating f
      May. 31, 2018

      [Scrolls]. Rosetsu. Nagasawa (1754-1799). (Seated monkey on a rock eating f

      Est: €800 - €1,000

      [Scrolls]. Rosetsu. Nagasawa (1754-1799). (Seated monkey on a rock eating fruit). Kakejiku (hanging scroll), handpainted on silk within variously col. dec. silk borders, 73,2x45 cm. (image), 175x55 cm. (total size), signed with stamp, rolled on jikugi, in wooden box. = SEE ILLUSTRATION PLATE LXXVI.

      Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
    • NAGASAWA ROSETSU (1754-1799)
      Apr. 18, 2018

      NAGASAWA ROSETSU (1754-1799)

      Est: $4,000 - $6,000

      NAGASAWA ROSETSU (1754-1799) OWL AND MOON Hanging scroll; ink and slight color on paper 48 1/8 x 10 3/8 in. (122.3 x 26.3 cm.)

      Christie's
    • NAGASAWA ROSETSU (1754-1799)
      Apr. 18, 2018

      NAGASAWA ROSETSU (1754-1799)

      Est: $100,000 - $150,000

      NAGASAWA ROSETSU (1754-1799) ANIMALS AND FIGURES Twelve paintings mounted as a pair of six-panel screens; ink and slight color on paper Inner panels 50 3/8 x 22 1/8 in. (128.1 x 56 cm.); first and sixth outer panels 50 3/8 x 21 1/8 in. (138 x 53.7 cm.)

      Christie's
    • NAGASAWA ROSETSU (1754 – 1799): DER POET KANZAN
      Feb. 03, 2018

      NAGASAWA ROSETSU (1754 – 1799): DER POET KANZAN

      Est: €1,100 - €2,200

      Ink and light pain. Japan, 18th cent. Very skillfully drawn brush figure depicting the poet Kanzan. Kanzan was a settler in the Tiantaishan mountains in China, where he is called Hanshan – literally “cold mountain”. Together with his companion Jittoku (Chinese: Shide) who worked in the cloister’s kitchen, the two of them represents paradigms of enlightenment in Zen-Buddhism. Kanzan is always depicted with a scroll from which he reads aloud to Jittoku. In this painting he is sitting on the ground looking into the distance with great curiosity, almost as if mesmerized. Kanzan, who lived during the Tang dynasty, is a historical figure. He wrote his poems on paper and supposedly attached them to trees and rocks. Many of his poems have been translated into English in various volumes. Nagasawa Rosetsu was a painter of the Maruyama school in Kyoto who, in the later years of his life, developed a powerfully expressive style of painting with a tendency towards unusual compositions. He also worked together with his teacher Maruyama Okyo on the important mural in the imperial palace. In the painting’s upper left-hand corner is a strongly abbreviated signature in sosho-script, the left column of which probably reads Hyokei RO-SETSU 芦 雪. Below it are two red seals, the first of which reads Gyo (Gyo’s seal), the other Inkyo, another of the artist’s names. Silk-brocade mounting, ivory rollers. Condition report: Very good original condition IMAGE 100,3 x 28,6 CM, ROLL 178 x 44 CM From a private German collection Condition reports and further images are available upon request - Expertise: Wolfmar Zacken

      Galerie Zacke
    • Waterfall Scroll by Nagasawa Rosetsu , Japan, Edo Period, 18th Century
      Jan. 15, 2018

      Waterfall Scroll by Nagasawa Rosetsu , Japan, Edo Period, 18th Century

      Est: $1,000 - $1,500

      A Zen painting of a waterfall by Nagasawa Rosetsu (1754-1799), who was known for his versatile style. 18th century.

      The Scanlan Collection
    • NAGASAWA ROSETSU (1754 – 1799): DER POET KANZAN
      Nov. 04, 2017

      NAGASAWA ROSETSU (1754 – 1799): DER POET KANZAN

      Est: €1,800 - €3,600

      Ink and light pain. Japan, 18th cent. Very skillfully drawn brush figure depicting the poet Kanzan. Kanzan was a settler in the Tiantaishan mountains in China, where he is called Hanshan – literally “cold mountain”. Together with his companion Jittoku (Chinese: Shide) who worked in the cloister’s kitchen, the two of them represents paradigms of enlightenment in Zen-Buddhism. Kanzan is always depicted with a scroll from which he reads aloud to Jittoku. In this painting he is sitting on the ground looking into the distance with great curiosity, almost as if mesmerized. Kanzan, who lived during the Tang dynasty, is a historical figure. He wrote his poems on paper and supposedly attached them to trees and rocks. Many of his poems have been translated into English in various volumes. Nagasawa Rosetsu was a painter of the Maruyama school in Kyoto who, in the later years of his life, developed a powerfully expressive style of painting with a tendency towards unusual compositions. He also worked together with his teacher Maruyama Okyo on the important mural in the imperial palace. In the painting’s upper left-hand corner is a strongly abbreviated signature in sosho-script, the left column of which probably reads Hyokei RO-SETSU 芦 雪. Below it are two red seals, the first of which reads Gyo (Gyo’s seal), the other Inkyo, another of the artist’s names. Silk-brocade mounting, ivory rollers. Condition report: Very good original condition IMAGE 100,3 x 28,6 CM, ROLL 178 x 44 CM From a private German collection Expertise: Wolfmar Zacken

      Galerie Zacke
    • A hanging scroll in the manner of Nagasawa Rôsetsu (1754-1799)
      Dec. 09, 2016

      A hanging scroll in the manner of Nagasawa Rôsetsu (1754-1799)

      Est: €700 - €900

      A hanging scroll in the manner of Nagasawa Rôsetsu (1754-1799), depicting Taishun, one of the paragons of filial piety, with an elephant which helps him to plough the fields and a sparrow which carries away the seeds of weeds. Ink and light colours on silk. Inscribed Rôsetsu and sealed Gyo. Inscribed wooden box, dated inside the lid Bunka 4 (1807).

      Kunsthaus Lempertz KG
    • NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) THE EIGHT SAGES Edo period (1615-1868), l
      Nov. 10, 2016

      NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) THE EIGHT SAGES Edo period (1615-1868), l

      Est: £15,000 - £20,000

      NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) THE EIGHT SAGES Edo period (1615-1868), late 18th century Kakejiku (hanging scroll), ink and colours on silk in silk mounts, depicting Chinese scholars with attendants disporting themselves in a landscape; wood jiku (roller ends) With signature Rosetsu sha 蘆雪寫 (Drawn by Rosetsu) with seal Inkyo shi 引裾氏 Wood tomobako (storage box) inscribed outside Inchū hassenka zu Rosetsu-ō hitsu 飲中八仙歌圖 蘆雪翁筆 (Picture of the Eight Sages in their cups, painted by old man Rosetsu), inscribed inside with an attestation by Nagasawa Rohō 長澤蘆鳳 dated summer 1855 Overall: 190 x 54.5cm (74¾ x 21½in.) Image: 101 x 35.8cm (39¾ x 14 1/8in.) (2).

      Bonhams
    • NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) LI BO VIEWING A WATERFALL AND DU FU IN CO
      Nov. 10, 2016

      NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) LI BO VIEWING A WATERFALL AND DU FU IN CO

      Est: £15,000 - £20,000

      NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) LI BO VIEWING A WATERFALL AND DU FU IN CONTEMPLATION Edo period (1615-1868), late 18th century Pair of kakejiku (hanging scrolls), ink and colours on silk in silk mounts, the right-hand scroll depicting the Chinese poet Du Fu seated in a pavilion set in a mountain landscape, the left-hand scroll depicting the Chinese poet Li Bo contemplating a waterfall; ivory jiku (roller ends) Each signed Rosetsu sha 蘆雪寫 (Drawn by Rosetsu) with seal Nagasawa Gyo 長澤魚 Wood tomobako (storage box) inscribed outside Nagasawa Rosetsu shinseki kanbaku no zu sōfuku 長澤蘆雪真蹟觀瀑之圖 雙幅 (Pair of scrolls with pictures of [poets] contemplating waterfalls, true work of Nagaswa Rosetsu), inscribed inside with an attestation by the painter Kuroda Seiki (1866-1924) dated 1923 Each overall: 194.5 x 60cm (76½ x 23 5/8in.) Image: 100 x 39.7cm (39 3/8 x 15 5/8in.) (3).

      Bonhams
    • NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) DARUMA Edo period (1615-1868), late 18th
      Nov. 10, 2016

      NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) DARUMA Edo period (1615-1868), late 18th

      Est: £15,000 - £20,000

      NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) DARUMA Edo period (1615-1868), late 18th century Kakejiku (hanging scroll), ink and colours on paper in silk mounts, depicting Daruma with a stern expression facing to his right; ivory jiku (roller ends) Signed Rosetsu 蘆雪 with seal Hyōkei 氷計 Wood tomobako (storage box) inscribed outside Nagasawa Rosetsu Daruma zu 長沢蘆雪達磨圖 (Picture of Daruma by Nagasawa Rosetsu) Overall: 190 x 36.3cm (74¾ x 14¼in.) Image: 104.3 x 28.4cm (41 1/8 x 11 1/8in.) (2).

      Bonhams
    • NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) DARUMA Edo period (1615-1868), late 18th
      Nov. 10, 2016

      NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) DARUMA Edo period (1615-1868), late 18th

      Est: £15,000 - £20,000

      NAGASAWA ROSETSU 長沢蘆雪 (1754-1799) DARUMA Edo period (1615-1868), late 18th century Kakejiku (hanging scroll), ink and colours on paper in silk mounts, depicting Daruma with a stern expression facing to his right; ivory jiku (roller ends) Signed Rosetsu 蘆雪 with seals Gyo no in 魚之印 (Seal of Gyo) and Inkyo引裾 Inner wood tomobako (storage box) inscribed outside Daruma no zu 達磨之圖 (Picture of Daruma), inscribed inside Rosetsu-ō shinseki Kawabata Gyokushō kan 蘆雪翁真跡川端玉章鑑 (True work of master Rosetsu authenticated by Kawabata Gyokushō) with a seal Kawabata 川端; outer wood storage box Overall: 205 x 46.2cm (80¾ x 18¼in.) Image: 108 x 28.5cm (42½ x 11¼in.) (3).

      Bonhams
    • NAGASAWA ROSETSU (1754 – 1799): BAMBOO AND SPARROWS
      Jun. 04, 2016

      NAGASAWA ROSETSU (1754 – 1799): BAMBOO AND SPARROWS

      Est: €800 - €1,600

      Ink painting on paper. Japan, 18th cent. Narrow, tall-formatted painting offering an inspired depiction of take (bamboo) rising towards light at the top. Masterful brush strokes, for instance depicting the smaller stems – dark at the bottom and becoming lighter at the end, in congruence with the lighting. Likewise the individual leaves, each formed by a single, secure and skilled brush stroke. Three fast-fluttering suzume (sparrows) close together at the bottom, which, judging by their faces are scuffling – an excellent realistic scene! On the bottom left the strongly in sosho abbreviated signature RO-SETSU 芦 雪 as well as two red seals, the upper reading Rosetsu and the lower Gyo 魚 (fish), one of Rosetsu’s pseudonyms. The artist came from a samurai family (the Nagasawa), was a student of the important Maruyama Okyo with whom he painted shohekiga for the imperial palace, and was known for his vivid, powerful and inspired brush work. Mounting decorated with motifs in gold including flowers and butterflies, ivory end knobs. PAINTING SIZE 126,5 x 29 CM, SCROLL 212 x 31 CM From the German collection "Drei Kraniche"

      Galerie Zacke
    • A hanging scroll in the manner of Nagasawa Rôsetsu (1754-1799)
      Dec. 05, 2015

      A hanging scroll in the manner of Nagasawa Rôsetsu (1754-1799)

      Est: €400 - €600

      A hanging scroll in the manner of Nagasawa Rôsetsu (1754-1799) depicting three puppies and a rising sun. Ink and a little brown and red on paper. Inscribed Rôsetsu and sealed Gyo.

      Kunsthaus Lempertz KG
    • NAGASAWA Rosetsu, Painting with Akita Puppies, Late 18th C.
      Nov. 17, 2015

      NAGASAWA Rosetsu, Painting with Akita Puppies, Late 18th C.

      Est: €5,000 - €6,500

      Ink and color on silk Mounted as a scroll painting with silk frame Japan, Edo period (late 18th century), era Kansei (1789-1801) NAGASAWA Rosetsu (1754-1799) 長沢芦雪 - Japanese painter of the Maruyama School Depicted are two Akita puppies sitting in the grass Framed on the right side by flowering hollyhocks Above inscription and seal Accompanying in a box with inscription Total dimensions: c. 174 x 45 cm Image size: c. 95 x 35 cm Good condition Estimate by Auctionata Expert: 10,000 Euro The inscription reads: 長 沢 芦 雪 寛 政 年 間 の 画 _ 丸山 應 挙 に 学 ん で 十 哲 の 一 人 山城 の 人 へ 奈良 県 へ 寛 十一 四 十五 歳 に て 敄 す 昭和 四十 一年 よ り 運 _ し て 百 六 十二 年前 __ 日本 美術 倶 楽 部 発 行 古 _ 画 評 編修 八十 万 円 Nagasawa Rosetsu (1754-1799) Painting from the Kansei era (1789-1801). Studied with Maruyama Ōkyo, one of his ten pupil. He came from province Yamashiro in Nara prefecture and died in the 11th year of the Kansei era at the age of 45 years. The painting was passed in the 41th year of the Showa era. Since that time it was certified as an antique by the Japanese art club (Nihon bijutsu kurabu Hako furu).Estimated value of the painting was 800.000 Yen Condition: The work is in good condition for its age with slight signs of wear such as yellowing. Minimal loss of material on the edge of the mounting. The total dimensions are c. 174 x 45 cm. NAGASAWA Rosetsu (1754-1799) 長沢芦雪 NAGASAWA Rosetsu was born to a samurai family and was a painter of the Maruyama School, who studied with Maruyama Ōkyo. Rosetsu was primarily known for his versatile style of painting and was one of the great eccentric artists of his time. Shipping costs excl. statutory VAT and plus 2,5% (+VAT) shipping insurance.

      Auctionata Paddle8 AG
    • TWO PERSIMMONS ON A BRANCH SIGNED NAGASAWA ROSETSU (1754-1799), JAPAN, 19 ¼
      Mar. 21, 2015

      TWO PERSIMMONS ON A BRANCH SIGNED NAGASAWA ROSETSU (1754-1799), JAPAN, 19 ¼

      Est: $4,000 - $6,000

      TWO PERSIMMONS ON A BRANCH SIGNED NAGASAWA ROSETSU (1754-1799), JAPAN, 19 ¼ in (48.8 cm) wide (sight)

      Christie's
    • Nagasawa Rosetsu (1754-1799) Fine Japanese and Korean Works of Art
      Mar. 18, 2015

      Nagasawa Rosetsu (1754-1799) Fine Japanese and Korean Works of Art

      Est: $4,000 - $5,000

      Daruma A hanging scroll, ink and slight color on paper; depicting Daruma in meditation seated on a rock; signed Rosetsu and sealed Gyo; with double wooden storage box 39 1/2 x 11in (100.3 x 27.9cm)

      Bonhams
    • Hanging Scroll Depicting a Salmon, Japan, in the manner of Nagasawa Rosetsu (1754-1799), hung down, with two mice, one nibbling on the
      Nov. 22, 2014

      Hanging Scroll Depicting a Salmon, Japan, in the manner of Nagasawa Rosetsu (1754-1799), hung down, with two mice, one nibbling on the

      Est: $500 - $1,000

      Hanging Scroll Depicting a Salmon, Japan, in the manner of Nagasawa Rosetsu (1754-1799), hung down, with two mice, one nibbling on the fish's tail and the other seated showing its back, signed with two seals, ink and light color on paper, painting 49 3/4 x 18 3/4 in. Provenance: From the estate of Ingeborg L. Muller.

      Skinner
    • Attributed to Nagasawa Rosetsu (1754-1799)
      Mar. 20, 2013

      Attributed to Nagasawa Rosetsu (1754-1799)

      Est: $6,000 - $8,000

      Attributed to Nagasawa Rosetsu (1754-1799) Ghost Sealed Gyo and Inkyo Hanging scroll; ink and slight color on silk 60 x 14in. (152.4 x 35.6cm.)

      Christie's
    • Nagasawa Rosetsu (1754-1799) Maruyama School, late 18th century
      Nov. 10, 2011

      Nagasawa Rosetsu (1754-1799) Maruyama School, late 18th century

      Est: £20,000 - £25,000

      Maruyama School, late 18th century Kakejiku, in ink on paper, depicting in close-up a recumbent black ox, deliberately cropped, realistically and boldly rendered with fluid and powerful brush strokes as if the beast is coming alive within the confines of the long, narrow format, signed Rosetsu Jyoga (initially painted by Rosetsu) with seal Rosetsu, suggesting the painting might be part of a collaborative painting, with wood storage box. 106cm x 26cm (41¾in x 10¾in). (2).

      Bonhams
    • Nagasawa Rosetsu (1754-1799) Maruyama School, late 18th century
      Nov. 10, 2011

      Nagasawa Rosetsu (1754-1799) Maruyama School, late 18th century

      Est: £2,000 - £3,000

      Maruyama School, late 18th century Kakejiku, in ink and slight colour on paper, depicting a crow eyeing a lobster dangling from a string, suspended above, signed Oju Rosetsu shai with seal Gyo, with storage box. 136cm x 29cm (53½in x 11 3/8in). (2).

      Bonhams
    • Nagasawa Rosetsu (1754-1799) Maruyama School, late 18th century
      Nov. 10, 2011

      Nagasawa Rosetsu (1754-1799) Maruyama School, late 18th century

      Est: £5,000 - £6,000

      Maruyama School, late 18th century Kakejiku, in ink on paper, depicting a white goose perched on a rock beside ashi (water reeds) on a river bank, signed Rosetsu sha with seal Gyo, with wood storage box. 130cm x 56.5cm (51 1/8in x 22¼in). (2).

      Bonhams
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