Johann Gottlob Samuel Rösel Sold at Auction Prices

Landscape painter

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    • J. RÖSEL (1768-1843), Memorial sheet for a friendship book, 1794, Indian ink
      Mar. 23, 2024

      J. RÖSEL (1768-1843), Memorial sheet for a friendship book, 1794, Indian ink

      Est: €900 - €1,200

      Johann Gottlob Samuel Rösel (1768 Wroclaw - 1843 Potsdam): Commemorative sheet for a friendship book, 1794, Indian ink Technique: Indian ink on Paper Inscription: Dated and signed lower right: "d. 27 May 1794 Rösel." Date: 1794 Description: When Theodor Fontane asked Who was he?1 in his 1872 Wanderungen durch die Mark Brandenburg on the occasion of his visit to the grave of Samuel Rösel, he immediately received this answer: Oh, my dear Mr Fontane, don't your cheeks redden at such ignorance? Professor Rösel was an outstanding man of the Berlin Academy, a well-known and very popular personality, who in the early thirties was very popular with the Schadow, Spener and Link families, where he knew how to amuse everything with his satire, comedy and excellent sociability. And now you ask: who was he? You have exposed yourself by asking this question, and if I did not hold you in high esteem for the love of country you demonstrated in the last war, you would have incurred a public rebuke (...). But it is said to be only the beginning of a veritable avalanche of letters that helped the writer to close his knowledge gap. From all over Germany, Italy and even America came extensive reminders of the Berlin academy professor's understanding of literature and art, his solid knowledge and his famous sense of humour. Thanks to his work as a drawing teacher to the Prussian Crown Prince Friedrich Wilhelm, he frequented the prestigious Berlin society, which included the philosopher Georg Wilhelm Friedrich Hegel and the composer Carl Friedrich Zelter. His circle of friends was correspondingly considerable, although this did not prevent his lonely death in the flat of a royal servant. Rösel loved to present his friends with small drawings and self-penned verses for every occasion. He also liked to enter himself in so-called memory books, such as the Album Amicorum of Duchess Dorothea von Dino, which he decorated with finely executed floral ornaments. The small paper work was also created as an entry for a book of remembrance. For this, Rösel chose a theme with which he became famous among his contemporaries: the ideal landscape. It is a subtle ink drawing full of sophisticated shadow play. The tree obviously did not withstand the effects of time and was broken. Its last sheety branch hangs over a mighty stone. Later, Rösel adds a short sentence to the motif: 'As proof of my satisfaction. Very succinct, one might think. However, in connection with the stone, which stands for constancy, the faith that remained unshaken throughout his life is expressed here: the faith in friendship. Keywords: Biedermeier, Friendship book, Friendship letter, Nature, Billet, 18th century, Classicism, Landscape, Germany,

      Fichter Kunsthandel
    • J. RÖSEL (1768-1843), Commemorative sheet for a friendship book, 1794, Indian ink
      Nov. 11, 2023

      J. RÖSEL (1768-1843), Commemorative sheet for a friendship book, 1794, Indian ink

      Est: €900 - €1,200

      Johann Gottlob Samuel Rösel (1768 Wroclaw - 1843 Potsdam): Commemorative sheet for a friendship book, 1794, Indian ink Technique: Indian ink on Paper Inscription: Dated and signed lower right: "d. 27 May 1794 Rösel." Date: 1794 Description: When Theodor Fontane asked Who was he?1 in his 1872 Wanderungen durch die Mark Brandenburg on the occasion of his visit to the grave of Samuel Rösel, he immediately received this answer: Oh, my dear Mr Fontane, don't your cheeks redden at such ignorance? Professor Rösel was an outstanding man of the Berlin Academy, a well-known and very popular personality, who in the early thirties was very popular with the Schadow, Spener and Link families, where he knew how to amuse everything with his satire, comedy and excellent sociability. And now you ask: who was he? You have exposed yourself by asking this question, and if I did not hold you in high esteem for the love of country you demonstrated in the last war, you would have incurred a public rebuke (...). But it is said to be only the beginning of a veritable avalanche of letters that helped the writer to close his knowledge gap. From all over Germany, Italy and even America came extensive reminders of the Berlin academy professor's understanding of literature and art, his solid knowledge and his famous sense of humour. Thanks to his work as a drawing teacher to the Prussian Crown Prince Friedrich Wilhelm, he frequented the prestigious Berlin society, which included the philosopher Georg Wilhelm Friedrich Hegel and the composer Carl Friedrich Zelter. His circle of friends was correspondingly considerable, although this did not prevent his lonely death in the flat of a royal servant. Rösel loved to present his friends with small drawings and self-penned verses for every occasion. He also liked to enter himself in so-called memory books, such as the Album Amicorum of Duchess Dorothea von Dino, which he decorated with finely executed floral ornaments. The small paper work was also created as an entry for a book of remembrance. For this, Rösel chose a theme with which he became famous among his contemporaries: the ideal landscape. It is a subtle ink drawing full of sophisticated shadow play. The tree obviously did not withstand the effects of time and was broken. Its last sheety branch hangs over a mighty stone. Later, Rösel adds a short sentence to the motif: 'As proof of my satisfaction. Very succinct, one might think. However, in connection with the stone, which stands for constancy, the faith that remained unshaken throughout his life is expressed here: the faith in friendship. Keywords: Biedermeier, Friendship book, Friendship letter, Nature, Billet, 18th century, Classicism, Landscape, Germany,

      Fichter Kunsthandel
    • J. RÖSEL (1768-1843), Commemorative sheet for a friendship book, 1794, Indian ink
      Jul. 15, 2023

      J. RÖSEL (1768-1843), Commemorative sheet for a friendship book, 1794, Indian ink

      Est: €900 - €1,200

      Johann Gottlob Samuel Rösel (1768 Wroclaw - 1843 Potsdam): Commemorative sheet for a friendship book, 1794, Indian ink Technique: Indian ink on Paper Inscription: Dated and signed lower right: "d. 27 May 1794 Rösel." Date: 1794 Description: When Theodor Fontane asked Who was he?1 in his 1872 Wanderungen durch die Mark Brandenburg (Walks through the Mark of Brandenburg) on the occasion of a visit to the grave of Samuel Rösel, he immediately received this reply: Oh, my dear Mr Fontane, do not your cheeks redden at such ignorance? Professor Rösel was an outstanding man of the Berlin Academy, a well-known very popular personality, in the early thirties gladly seen in the families of Schadow, Spener, Link, where he knew how to amuse everything with satire, comedy and excellent sociability. And now you ask: who was he? You have exposed yourself by asking this question, and if I did not hold you in high esteem for the love of country you demonstrated in the last war, you would have incurred a public rebuke (...). But it is said to be only the beginning of a veritable avalanche of letters that helped the writer to close the gap in his knowledge. From all over Germany, Italy and even America came extensive reminders of the Berlin academy professor's understanding of literature and art, his solid knowledge and his famous sense of humour. Thanks to his work as a drawing teacher to the Prussian Crown Prince Friedrich Wilhelm, he frequented the prestigious Berlin society, which included the philosopher Georg Wilhelm Friedrich Hegel and the composer Carl Friedrich Zelter. His circle of friends was correspondingly considerable, although this did not prevent his lonely death in the flat of a royal servant. Rösel loved to present his friends with small drawings and self-penned verses for every occasion. He also liked to enter himself in so-called memory books, such as the Album Amicorum of Duchess Dorothea von Dino, which he decorated with finely executed floral ornaments. This small paper work was also created as an entry for a memory book. For it, Rösel chose a theme with which he became famous among his contemporaries: the ideal landscape. It is a subtle ink drawing full of sophisticated shadow play. The tree obviously did not withstand the effects of time and was broken. Its last sheety branch hangs over a mighty stone. Later, Rösel adds a short sentence to the motif: 'As proof of my satisfaction. Very succinct, one might think. However, in connection with the stone, which stands for constancy, the faith that remained unshaken throughout his life is expressed here: the faith in friendship. Keywords: Biedermeier, Friendship book, Friendship letter, Nature, Billet, 18th century, Classicism, Landscape, Germany,

      Fichter Kunsthandel
    • Rösel, Johann Gottlob Samuel (Breslau 1768-1843 Potsdam),
      Jun. 23, 2023

      Rösel, Johann Gottlob Samuel (Breslau 1768-1843 Potsdam),

      Est: €200 - €300

      Felsige Landschaft mit Blick auf die Villa Maecenas in Tivoli. Lavierte Pinselzeichnung in Tusche und Bister. Sign., nicht dat. (um 1810). 19 x 23,8 cm. - Unter Passepartout. - Mit Löchlein unten und oben mittig, Leimschatten an den montierten oberen Ecken, leicht gebräunt.

      Zisska & Lacher
    • J. RÖSEL (1768-1843), Commemorative sheet for a friendship book, 1794, Indian ink
      Jan. 06, 2023

      J. RÖSEL (1768-1843), Commemorative sheet for a friendship book, 1794, Indian ink

      Est: €900 - €1,200

      Johann Gottlob Samuel Rösel (1768 Wroclaw - 1843 Potsdam): Commemorative sheet for a friendship book, 1794, Indian ink Technique: Indian ink on Paper Inscription: Dated and signed lower right: "d. 27 May 1794 Rösel." Date: 1794 Description: When Theodor Fontane asked Who was he?1 in his 1872 Wanderungen durch die Mark Brandenburg (Walks through the Mark of Brandenburg) on the occasion of a visit to the grave of Samuel Rösel, he immediately received this reply: Oh, my dear Mr Fontane, do not your cheeks redden at such ignorance? Professor Rösel was an outstanding man of the Berlin Academy, a well-known very popular personality, in the early thirties gladly seen in the families of Schadow, Spener, Link, where he knew how to amuse everything with satire, comedy and excellent sociability. And now you ask: who was he? You have exposed yourself by asking this question, and if I did not hold you in high esteem for the love of country you demonstrated in the last war, you would have incurred a public rebuke (...). But it is said to be only the beginning of a veritable avalanche of letters that helped the writer to close the gap in his knowledge. From all over Germany, Italy and even America came extensive reminders of the Berlin academy professor's understanding of literature and art, his solid knowledge and his famous sense of humour. Thanks to his work as a drawing teacher to the Prussian Crown Prince Friedrich Wilhelm, he frequented the prestigious Berlin society, which included the philosopher Georg Wilhelm Friedrich Hegel and the composer Carl Friedrich Zelter. His circle of friends was correspondingly considerable, although this did not prevent his lonely death in the flat of a royal servant. Rösel loved to present his friends with small drawings and self-penned verses for every occasion. He also liked to enter himself in so-called memory books, such as the Album Amicorum of Duchess Dorothea von Dino, which he decorated with finely executed floral ornaments. This small paper work was also created as an entry for a memory book. For it, Rösel chose a theme with which he became famous among his contemporaries: the ideal landscape. It is a subtle ink drawing full of sophisticated shadow play. The tree obviously did not withstand the effects of time and was broken. Its last sheety branch hangs over a mighty stone. Later, Rösel adds a short sentence to the motif: 'As proof of my satisfaction. Very succinct, one might think. However, in connection with the stone, which stands for constancy, the faith that remained unshaken throughout his life is expressed here: the faith in friendship. Keywords: Biedermeier, Friendship book, Friendship letter, Nature, Billet, 18th century, Classicism, Landscape, Germany,

      Fichter Kunsthandel
    • JOHANN GOTTLOB SAMUEL RÖSEL, Breslau 1768 - 1843 Potsdam: Das Kapuziner-Kloster von Genzano bei Rom.
      Apr. 23, 2016

      JOHANN GOTTLOB SAMUEL RÖSEL, Breslau 1768 - 1843 Potsdam: Das Kapuziner-Kloster von Genzano bei Rom.

      Est: €200 - €280

      JOHANN GOTTLOB SAMUEL RÖSEL Breslau 1768 - 1843 Potsdam Das Kapuziner-Kloster von Genzano bei Rom. Zeichnung in Bleistift und grauer Feder mit Einfassungslinie in Grau um 1825. Auf der Unterlage alt bezeichnet „Samuel Rösel Berlin“ und „Romnt. Zeichnung 1825“. Auf chamoisfarbenem Vélin. 17,4 x 23,6 cm. Schwach fleckig. Bei der vorliegenden Zeichnung ist die Klosteranlage in Bleistift und der Vordergrund in Feder ausgeführt. [ms]

      Winterberg-Kunst
    • Album Amicorum de Dorothée de Courlande, duchesse de Dino, de quatre-vingts quinze pages
      Nov. 26, 2005

      Album Amicorum de Dorothée de Courlande, duchesse de Dino, de quatre-vingts quinze pages

      Est: €2,500 - €3,500

      Album Amicorum de Dorothée de Courlande, duchesse de Dino, de quatre-vingts quinze pages contenant vingt-et-un dessins de différents artistes, actifs au début du XIXème siècle: - Johann Gottlob Samuel Rösel (1768-1843) Vue d'un parc avec un banc et un tombeau, 1810 (pl. 1); Vue d'un paysage romain avec un temple à droite et deux femmes à gauche, 1810 (pl. 4); Un paysage boisé avec un château, des figures au fond (pl. 6) - Giuseppe Grassi (1755-1838) Le repos de la Sainte Famille (pl. 2) - F c o G r Une femme debout sur un nuage tenant des fruits (pl. 3) - Mademoiselle de Montessuy Marie-Madeleine pénitente agenouillée devant un crucifix (pl. 5) - Caroline von Imhof La Vierge, en buste, regardant vers le bas, d'après un tableau du 15ème siècle (pl. 7) - Johann Samuel Arnhold (1766-1828) Un bouquet de pensées (pl. 8); Deux tulipes perroquets (pl. 9); Une fleur orange, un chrysanthème et des violettes (pl. 18); Quatre pivoines (pl. 19) - Alexandre de Laborde (1774-1842) Le parc de Méréville avec deux cerfs, un temple au fond (pl. 10) - Amelie d'Helwig, née Imhof La Vierge, de profil à droite, probablement d'après van Eyck (pl. 11) - Contesse de Kielmannsegg Un paysage rocheux avec une fortification (pl. 12); Un paysage nocturne avec des barques dans une baie, des maisons et un moulin à vente au fond (pl. 14) - Nicolas Henri Jacob (1782-1871) Rémus et Romulus et la louve, d'après l'antique, 1816 (pl. 13) - Charles Pécharman Une procession de moines sortant d'une église, des figures priant au premier plan, 1811 (pl. 15) - Joseph Domenicus Oechs (1775-1836) Trois lys (pl. 16); Une giroflée (pl. 17) - Johann Heinrich August Friedrich (1789-1843) Des roses (pl. 20); Une branche d'oranges (pl. 21) la plupart à la gouache et à l'aquarelle dans un reliure de l'époque en veau, roulette dorée et à froid encadrant les plats, médaillon central dans lequel est frappé en lettres dorées "Dons de l'amitié et des arts", le plat inférieur est frappé aux armes de la duchesse de Courlande, roulette intérieure dorée, tranches dorées, doublure et gardes de soie verte, fermoirs en or à coulisse, ornés de cabochons de pierres dures, avec stylet orné d'une intaille (manque un cabochon à l'un des fermoirs, plats frottés) Album : 375 x 264 mm. (21)

      Christie's
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