Manuel Rodríguez de Guzman Paintings & Artwork for Sale | Manuel Rodríguez de Guzman Art Value Price Guide

Jun. 25, 2024
MANUEL RODRIGUEZ DE GUZMAN Seville (1818) / Madrid (1867) "The work of the picador"
Est: €4,500 - €6,000
Oil on canvas Signed in the lower left part Measurements: 59 x 87 cm
Ansorena
Apr. 25, 2024
MANUEL RODRÍGUEZ DE GUZMÁN, BULLFIGHTER, 19TH CENTURY SEVILLIAN SCHOOL
Est: €2,000 - €2,250
Oil on canvas, framed measurements: 65 x 55, canvas measurements: 80 x 70 cm. Manuel Rodríguez de Guzmán (Seville, June 20, 1818-Madrid, 1867), Spanish painter of the Romantic period who stood out in the composition of costumbrista themes. In 1854 he began to work in Madrid for the British ambassador, carrying out some commissions for the court within the Andalusian circle of Antonio María Esquivel and José Gutiérrez de la Vega, as a very active member of the Society for the Protection of Fine Arts promoted by the first. Among his most representative paintings are popular Andalusian scenes, such as the Santiponce Fair (1855, Prado Museum), considered his masterpiece, and the Rocío Procession (1853, National Heritage). In 1856 he obtained an honorable mention at the National Exhibition of Fine Arts for a canvas inspired by Cervantes' novel Rinconete y Cortadillo, with the Monipodio patio treated in the manner of its most characteristic costumbrista scenes. Reference bibliography: Preckler, Ana María, History of universal art of the 19th and 20th centuries, vol. 1, Madrid, Editorial Complutense, 2003, ISBN 8474917069. Origin: important private collection from Madrid.
Templum Fine Art Auctions
Feb. 21, 2024
Manuel Rodríguez de Guzmán. Santiponce kermesse
Est: -
Oil on canvas. Signed in the lower left corner. Attached is a certificate issued by Don Enrique Valdivieso.
Duran Arte y Subastas
Jan. 25, 2024
Bullfighting Festival, Manuel Rodríguez Guzmán (Sevilla, 20 de junio de 1818-Madrid), 19th century Spanish school
Est: €13,000 - €15,000
Studio attribution dossier by Professor Enrique Valdivieso attached. Oil on canvas, framed measurements: 123 x 113, canvas measurements: 105 x 84 cm. Manuel Rodríguez de Guzmán (Seville, June 20, 1818-Madrid, 1867), Spanish painter of the romantic period who stood out in the composition of costumbrista themes. In 1854 he began to work in Madrid for the British ambassador, carrying out some commissions for the court within the Andalusian circle of Antonio María Esquivel and José Gutiérrez de la Vega, as a very active member of the Society for the Protection of Fine Arts promoted by the first. Among his most representative paintings, popular Andalusian scenes can be cited, such as the Santiponce Fair (1855, Prado Museum), considered his masterpiece, the Rocío Procession (1853, National Heritage). Obtaining in 1856 an honorable mention at the National Exhibition of Fine Arts for a canvas inspired by the Cervantine novel Rinconete y Cortadillo, with the Monipodio patio treated in the manner of his most characteristic costumbrista scenes. Reference bibliography: Preckler, Ana María, Universal Art History of the 19th and 20th Centuries, vol. 1, Madrid, Editorial Complutense, 2003, ISBN 8474917069
Templum Fine Art Auctions
Jan. 25, 2024
Pair of Dancers at the April Fair, Manuel Rodríguez de Guzmán (Seville, 1818 - Madrid, 1867) 19th century Spanish school
Est: €5,000 - €6,000
Pair of oil paintings on canvas, measurements: 55 x 40 cm, measurements with frame 60 x 50 cm
Templum Fine Art Auctions
Dec. 27, 2023
Manuel Rodríguez de Guzmán. Mairena
Est: -
Oil on canvas. Signed in the lower left corner. Provenance: - Collection of the Marquis of Santa Marta. Attached certificate issued by Mr. Enrique Valdivieso. The Mairena fair was the oldest in Spain, founded by concession from King Juan II of Castile in 1441 to Pedro Ponce de León. When Rodríguez de Guzmán painted this work around 1850, only three years had passed since the Seville Fair had been created, which in a short time acquired such preponderance that it ended up absorbing and causing the Fair in Mairena and others in nearby towns to disappear.
Duran Arte y Subastas
Dec. 20, 2023
Manuel Rodríguez de Guzmán, Bullfighter, 19th century Sevillian school
Est: €2,000 - €2,250
Oil on canvas, framed measurements: 65 x 55, canvas measurements: 80 x 70 cm. Manuel Rodríguez de Guzmán (Seville, June 20, 1818-Madrid, 1867), Spanish painter of the Romantic period who stood out in the composition of costumbrista themes. In 1854 he began to work in Madrid for the British ambassador, carrying out some commissions for the court within the Andalusian circle of Antonio María Esquivel and José Gutiérrez de la Vega, as a very active member of the Society for the Protection of Fine Arts promoted by the first. Among his most representative paintings are popular Andalusian scenes, such as the Santiponce Fair (1855, Prado Museum), considered his masterpiece, and the Rocío Procession (1853, National Heritage). In 1856 he obtained an honorable mention at the National Exhibition of Fine Arts for a canvas inspired by Cervantes' novel Rinconete y Cortadillo, with the Monipodio patio treated in the manner of its most characteristic costumbrista scenes. Reference bibliography: Preckler, Ana María, History of universal art of the 19th and 20th centuries, vol. 1, Madrid, Editorial Complutense, 2003, ISBN 8474917069. Origin: important private collection from Madrid.
Templum Fine Art Auctions
Dec. 18, 2023
Attributed to MANUEL RODRIGUEZ DE GUZMAN (1818 - 1867) "The entry of Fernando El Católico in Vélez Málaga"
Est: €6,000 - €7,000
Attributed to MANUEL RODRIGUEZ DE GUZMAN (Seville, 1818 - Madrid, 1867) "The entry of Fernando El Católico in Vélez Málaga" Oil on canvas 93 x 136 cm 6.000 - 7.000 €
Bayeu Subastas
Dec. 12, 2023
MANUEL RODRIGUEZ DE GUZMÁN Seville 1818 - Madrid 1807 Wenches Oil on canvas
Est: -
MANUEL RODRIGUEZ DE GUZMÁN Seville 1818 - Madrid 1807 Wenches Oil on canvas Signed Measurements 65 x 50 cm
Subastas Segre
Nov. 22, 2023
Manuel Rodríguez de Guzmán. Sevilla's fair
Est: -
Oil on canvas. Signed in the lower left corner. Attached is a certificate issued by Mr. Enrique Valdivieso.
Duran Arte y Subastas
Nov. 07, 2023
MANUEL RODRIGUEZ DE GUZMAN Seville (1818) / Madrid (1867) "Walking scene"
Est: €1,350 - €1,800
Oil on canvas Signed in the lower right corner Measurements: 44 x 34 cm
Ansorena
Sep. 29, 2023
Manuel Rodriguez de Guzman (SP 1818-1867) Portrait of a boy
Est: $5,000 - $8,000
Manuel Rodriguez de Guzman (Spanish 1818-1867) 19th c Spanish School Painting of a young boy in traditional garb with city in background oil on canvas, in appropriate but later frame, signed lower left in a manner consistent with Rodriguez de Guzman (M Rodriguez) matching other known works by the artist - 44 x 34" 49 x 39"
Merrill's Auctioneers & Appraisers
Aug. 25, 2023
Manuel Rodriguez de Guzman (SP 1818-1867) Portrait of a boy
Est: $5,000 - $8,000
Manuel Rodriguez de Guzman (Spanish 1818-1867) 19th c Spanish School Painting of a young boy in traditional garb with city in background oil on canvas, in appropriate but later frame, signed lower left in a manner consistant with Rodriguez de Guzman (M Rodriguez) matching other known works by the artist - 44 x 34" 49 x 39"
Merrill's Auctioneers & Appraisers
Jul. 21, 2023
MANUEL RODRÍGUEZ DE GUZMÁN
Est: €7,000 - €9,000
Manuel Rodríguez de Guzmán (Sevilla, 1818-Madrid, 1867) Feria. Óleo sobre lienzo. Firmado. 55 x 80 cm.
Aletheia Subastas
Jul. 21, 2023
MANUEL RODRÍGUEZ DE GUZMÁN
Est: €800 - €1,400
Manuel Rodríguez de Guzmán (Sevilla, 1818-Madrid, 1867) Andaluces. Pareja de óleos sobre cobre. Firmados. 25,5 x 17,5 cm cada uno.
Aletheia Subastas
May. 10, 2023
MANUEL RODRÍGUEZ DE GUZMÁN Seville (1818) / Madrid (1867) "Scene of courtship"
Est: €1,800 - €2,400
Oil on canvas Signed in the lower right corner Measurements: 44 x 34 cm
Ansorena
May. 02, 2023
MANUEL RODRÍGUEZ DE GUZMÁN
Est: €11,000 - €14,000
Manuel Rodríguez de Guzmán (Sevilla, 1818-Madrid, 1867) Feria de Mairena del Alcor. Óleo sobre lienzo. Firmado. Al fondo de la escena aparece el perfil del caserío de Mairena que capta con fidelidad la arquitectura de esa población a mediados del s.XIX. Fue alumno de la Escuela de Bellas Artes de Sevilla y de José Domínguez Bécquer, quien le introdujo en la pintura del costumbrismo, que sería su dedicación fundamental. En la pintura de su primera etapa sevillana muestra un cierto regusto francés en su presentación inicial, el tributo al murillismo imperante en Sevilla o el seguimiento de lejanos ejemplos europeos. La etapa madrileña se da a partir del encargo de Isabel II, de 1853, de pintar «las costumbres de todas las provincias de España en cuadros de dos varas, para formar una regia Galería de este género, satisfaciéndole 30.000 reales al año», encargo que buscaba ilustrar las más célebres fiestas y romerías de las distintas regiones, pero que queda incompleto y sólo le ocupa entre 1853 y 1855. Los asuntos taurinos, dentro de la temática costumbrista, son también ejercitados por el pintor. Otra temática la configuran los Aquelarres, cuadros inspirados en Goya y que suponen una gran novedad dentro de su pintura en la medida en que se observa cómo recibe la influencia del pintor aragonés a través de las obras de Alenza y Eugenio Lucas. Por último, y dentro de su contribución al retrato, se citan obras de pequeño formato con las figuras de cuerpo entero, en primer plano y al aire libre, en ocasiones ante un tronco de árbol. Se ha definido el arte de Rodríguez de Guzmán por su capacidad para componer escenas llenas de pequeñas figuras, minuciosamente descritas en tocados e indumentarias, con dibujo firme y colorido brillante, así como por su habilidad en la captación de los tipos populares en sus diversas actitudes y gestos, construidos con técnica jugosa y colorista, y envueltos en una luz vibrante consiguiendo la expresión de todo tipo de escenarios andaluces, madrileños, taurinos, etc.con gran intensidad. Adjunta certificado de autenticidad expedido por Enrique Valdivieso. Sevilla, 2020. 84 x 105 cm.
Aletheia Subastas
Mar. 28, 2023
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 – Madrid, 1867). “Popular festival in Seville”, c. 1840. Oil on canvas. Relined.
Est: €6,500 - €7,000
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 - Madrid, 1867). "Popular Festival in Seville", c. 1840. Oil on canvas. Re-coloured. Size: 70 x 96 cm; 92 x 120 cm (frame). The Seville Fair was painted for the first time by Andrés Cortés in 1852, and was an enormous popular success, so that other artists, such as Rodríguez de Guzmán himself, immediately repeated the theme with their own personality. An outstanding painter specialising in Andalusian genre and folk scenes, Rodríguez de Guzmán began his training at the Santa Isabel de Hungría Academy of Fine Arts in Seville. There he was a pupil of José Domínguez Bécquer, who introduced him to genre painting and under whose guidance the painter spent his early years. He gradually began to produce paintings of greater compositional commitment, set in larger scenes than those of his early works. Attracted by Isabella II's interest in his paintings, in 1854 he settled in Madrid with the intention of working as a court painter. This interest crystallised in a proposal that Rodríguez de Guzmán submitted to the queen, which consisted of a broad series of paintings depicting the various festivals, fairs and pilgrimages held in Spain, undertaking to produce one painting of this type a year. Although he was unable to complete the project, the painter produced several works that became part of the royal collection, including his masterpiece, "La feria de Santiponce" ("The Santiponce Fair"). A friend of Antonio María Esquivel, he participated assiduously in the National Fine Arts Exhibitions, receiving an honourable mention in 1858 for his work "Rinconete y Cortadillo", inspired by Cervantes' "Exemplary Novels". Rodríguez de Guzmán's activity in Madrid enjoyed special official predilection, as the State acquired two works from him in 1864, now unaccounted for, entitled "Las habaneras" and "Gitana diciendo la buenaventura a unos gallegos" (Gypsy Woman Saying Good Fortune to some Galicians). He also worked on bullfighting and history themes and even portraits, the latter of which are marked by a technical casualness reminiscent of Goya, perhaps stemming from his deep friendship with the painter Eugenio Lucas. His painting was characterised by brilliant colouring and a great facility for capturing popular types with naturalism and instantaneity, organised into scenes full of minutely described figures. His art is also notable for its mastery of composition and for the use of an agile, undone brushstroke, which lends great vitality to his scenes.
Setdart Auction House
Mar. 23, 2023
Manuel Rodríguez de Guzmán (Seville, 1818 - Madrid, 1867) "Coast of Malaga"
Est: €600 - €800
Manuel Rodríguez de Guzmán (Seville, 1818 - Madrid, 1867) "Coast of Malaga" Watercolor Signed 21,5 x 34 cm 600 - 800 €
Greco Subastas
Mar. 23, 2023
Manuel Rodríguez de Guzmán (Seville, 1818 - Madrid, 1867) "View of Malaga"
Est: €600 - €800
Manuel Rodríguez de Guzmán (Seville, 1818 - Madrid, 1867) "View of Malaga" Watercolor Signed 22,5 x 31,5 cm 600 - 800 €
Greco Subastas
Feb. 23, 2023
The Good Fortune, Manuel Rodríguez de Guzmán (Seville, June 20, 1818-Madrid, 1867), Sevillian school of the 19th century
Est: €10,000 - €12,000
A report by Mr. Enrique Valdivieso is attached. Oil on canvas, canvas measures: 40 x 29, framed measures: 63 x 53 cm. Manuel Rodríguez de Guzmán (Seville, June 20, 1818-Madrid, 1867), Spanish painter of the Romantic period who stood out in the composition of costumbrist themes. In 1854 he began working in Madrid for the British ambassador, managing to carry out some commissions for the court within the Andalusian circle of Antonio María Esquivel and José Gutiérrez de la Vega, as a very active member of the Society for the Protection of Fine Arts promoted by the first. Among his most representative paintings, we can mention popular Andalusian scenes, such as the Santiponce Fair (1855, Museo del Prado), considered his masterpiece, the Rocío Procession (1853, National Heritage). In 1856, he obtained an honorable mention at the National Exhibition of Fine Arts for a canvas inspired by Cervantes' novel Rinconete y Cortadillo, with the Monipodio patio treated in the manner of his most characteristic costumbrista scenes. Reference bibliography: Preckler, Ana María, History of universal art of the 19th and 20th centuries, vol. 1, Madrid, Editorial Complutense, 2003, ISBN 8474917069
Templum Fine Art Auctions
Dec. 13, 2022
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 – Madrid, 1867). “Popular festival in Seville”, c. 1840. Oil on canvas. Relined.
Est: €6,500 - €7,000
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 - Madrid, 1867). "Popular Festival in Seville", c. 1840. Oil on canvas. Re-coloured. Size: 70 x 96 cm; 92 x 120 cm (frame). The Seville Fair was painted for the first time by Andrés Cortés in 1852, and was an enormous popular success, so that other artists, such as Rodríguez de Guzmán himself, immediately repeated the theme with their own personality. An outstanding painter specialising in Andalusian genre and folk scenes, Rodríguez de Guzmán began his training at the Santa Isabel de Hungría Academy of Fine Arts in Seville. There he was a pupil of José Domínguez Bécquer, who introduced him to genre painting and under whose guidance the painter spent his early years. He gradually began to produce paintings of greater compositional commitment, set in larger scenes than those of his early works. Attracted by Isabella II's interest in his paintings, in 1854 he settled in Madrid with the intention of working as a court painter. This interest crystallised in a proposal that Rodríguez de Guzmán submitted to the queen, which consisted of a broad series of paintings depicting the various festivals, fairs and pilgrimages held in Spain, undertaking to produce one painting of this type a year. Although he was unable to complete the project, the painter produced several works that became part of the royal collection, including his masterpiece, "La feria de Santiponce" ("The Santiponce Fair"). A friend of Antonio María Esquivel, he participated assiduously in the National Fine Arts Exhibitions, receiving an honourable mention in 1858 for his work "Rinconete y Cortadillo", inspired by Cervantes' "Exemplary Novels". Rodríguez de Guzmán's activity in Madrid enjoyed special official predilection, as the State acquired two works from him in 1864, now unaccounted for, entitled "Las habaneras" and "Gitana diciendo la buenaventura a unos gallegos" (Gypsy Woman Saying Good Fortune to some Galicians). He also worked on bullfighting and history themes and even portraits, the latter of which are marked by a technical casualness reminiscent of Goya, perhaps stemming from his deep friendship with the painter Eugenio Lucas. His painting was characterised by brilliant colouring and a great facility for capturing popular types with naturalism and instantaneity, organised into scenes full of minutely described figures. His art is also notable for its mastery of composition and for the use of an agile, undone brushstroke, which lends great vitality to his scenes.
Setdart Auction House
Nov. 18, 2022
Manuel Rodríguez de Guzmán – Reiter in andalusischer Tracht (Rider in Andalusian costume)
Est: €2,500 - €3,000
Oil on canvas. 1846. 64 x 50.2 cm. Signed and dated lower left. Framed.
Karl & Faber
Sep. 22, 2022
La feria de Santiponce
Est: -
Firmado y fechado en el ángulo inferior izquierdo: "M. Rodríguez Guzmán / Sevilla 1865".
Isbilya Subastas
Aug. 31, 2022
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 – Madrid, 1867). “Popular festival in Seville”, c. 1840. Oil on canvas. Relined.
Est: €7,000 - €8,000
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 - Madrid, 1867). "Popular Festival in Seville", c. 1840. Oil on canvas. Re-coloured. Size: 70 x 96 cm; 92 x 120 cm (frame). The Seville Fair was painted for the first time by Andrés Cortés in 1852, and was an enormous popular success, so that other artists, such as Rodríguez de Guzmán himself, immediately repeated the theme with their own personality. An outstanding painter specialising in Andalusian genre and folk scenes, Rodríguez de Guzmán began his training at the Santa Isabel de Hungría Academy of Fine Arts in Seville. There he was a pupil of José Domínguez Bécquer, who introduced him to genre painting and under whose guidance the painter spent his early years. He gradually began to produce paintings of greater compositional commitment, set in larger scenes than those of his early works. Attracted by Isabella II's interest in his paintings, in 1854 he settled in Madrid with the intention of working as a court painter. This interest crystallised in a proposal that Rodríguez de Guzmán submitted to the queen, which consisted of a broad series of paintings depicting the various festivals, fairs and pilgrimages held in Spain, undertaking to produce one painting of this type a year. Although he was unable to complete the project, the painter produced several works that became part of the royal collection, including his masterpiece, "La feria de Santiponce" ("The Santiponce Fair"). A friend of Antonio María Esquivel, he participated assiduously in the National Fine Arts Exhibitions, receiving an honourable mention in 1858 for his work "Rinconete y Cortadillo", inspired by Cervantes' "Exemplary Novels". Rodríguez de Guzmán's activity in Madrid enjoyed special official predilection, as the State acquired two works from him in 1864, now unaccounted for, entitled "Las habaneras" and "Gitana diciendo la buenaventura a unos gallegos" (Gypsy Woman Saying Good Fortune to some Galicians). He also worked on bullfighting and history themes and even portraits, the latter of which are marked by a technical casualness reminiscent of Goya, perhaps stemming from his deep friendship with the painter Eugenio Lucas. His painting was characterised by brilliant colouring and a great facility for capturing popular types with naturalism and instantaneity, organised into scenes full of minutely described figures. His art is also notable for its mastery of composition and for the use of an agile, undone brushstroke, which lends great vitality to his scenes.
Setdart Auction House
Aug. 31, 2022
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 – Madrid, 1867). "Costume scene", 1857. Oil on canvas. It has a perforation. Signed and dated in the lower left area.
Est: €3,000 - €4,000
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 - Madrid, 1867). "Costumbrista Scene", 1857. Oil on canvas. It has a perforation. Signed and dated in the lower left area. Measurements: 45 x 57 cm; 59 x 70 cm (frame). An outstanding painter specialising in Andalusian genre and folkloric scenes, Rodríguez de Guzmán began his training at the Academy of Fine Arts of Santa Isabel de Hungría in Seville. There he was a pupil of José Domínguez Bécquer, who introduced him to genre painting and under whose guidance the painter spent his early years. He gradually began to produce paintings of greater compositional commitment, set in larger scenes than those of his early works. Attracted by Isabella II's interest in his paintings, in 1854 he settled in Madrid with the intention of working as a court painter. This interest crystallised in a proposal that Rodríguez de Guzmán submitted to the queen, which consisted of a broad series of paintings depicting the various festivals, fairs and pilgrimages held in Spain, undertaking to produce one painting of this type a year. Although he was unable to complete the project, the painter produced several works that became part of the royal collection, including his masterpiece, "La feria de Santiponce" ("The Santiponce Fair"). A friend of Antonio María Esquivel, he participated assiduously in the National Fine Arts Exhibitions, receiving an honourable mention in 1858 for his work "Rinconete y Cortadillo", inspired by Cervantes' "Exemplary Novels". Rodríguez de Guzmán's activity in Madrid enjoyed special official predilection, as the State acquired two works from him in 1864, now unaccounted for, entitled "Las habaneras" and "Gitana diciendo la buenaventura a unos gallegos" (Gypsy Woman Saying Good Fortune to some Galicians). He also worked on bullfighting and history themes and even portraits, the latter of which are marked by a technical casualness reminiscent of Goya, perhaps stemming from his deep friendship with the painter Eugenio Lucas. His painting was characterised by brilliant colouring and a great facility for capturing popular types with naturalism and instantaneity, organised in scenes full of minutely described figures. His art is also notable for its mastery of composition and for the use of an agile, undone brushstroke, which lends great vitality to his scenes.
Setdart Auction House
Jul. 20, 2022
BULLFIGHTING FESTIVAL, MANUEL RODRÍGUEZ GUZMÁN (SEVILLA, 20 DE JUNIO DE 1818-MADRID), 19TH CENTURY SPANISH SCHOOL
Est: €13,000 - €15,000
Studio attribution dossier by Professor Enrique Valdivieso attached. Oil on canvas, framed measurements: 123 x 113, canvas measurements: 105 x 84 cm. Manuel Rodríguez de Guzmán (Seville, June 20, 1818-Madrid, 1867), Spanish painter of the romantic period who stood out in the composition of costumbrista themes. In 1854 he began to work in Madrid for the British ambassador, carrying out some commissions for the court within the Andalusian circle of Antonio María Esquivel and José Gutiérrez de la Vega, as a very active member of the Society for the Protection of Fine Arts promoted by the first. Among his most representative paintings, popular Andalusian scenes can be cited, such as the Santiponce Fair (1855, Prado Museum), considered his masterpiece, the Rocío Procession (1853, National Heritage). Obtaining in 1856 an honorable mention at the National Exhibition of Fine Arts for a canvas inspired by the Cervantine novel Rinconete y Cortadillo, with the Monipodio patio treated in the manner of his most characteristic costumbrista scenes. Reference bibliography: Preckler, Ana María, Universal Art History of the 19th and 20th Centuries, vol. 1, Madrid, Editorial Complutense, 2003, ISBN 8474917069
Templum Fine Art Auctions
Jun. 09, 2022
PARTY AT THE ROCÍO, MANUEL RODRÍGUEZ DE GUZMÁN (SEVILLE, 1818 - MADRID, 1867), SEVILLIAN SCHOOL OF THE 19TH CENTURY
Est: €25,000 - €35,000
The report of D. Enrique Valdivieso is attached. Oil on canvas, framed measurements: 153 x 120, canvas measurements: 134 x 101 cm. Manuel Rodríguez de Guzmán (Seville, June 20, 1818-Madrid, 1867), Spanish painter of the romantic period who stood out in the composition of costumbrista themes. In 1854 he began to work in Madrid for the British ambassador, carrying out some commissions for the court within the Andalusian circle of Antonio María Esquivel and José Gutiérrez de la Vega, as a very active member of the Society for the Protection of Fine Arts promoted by the first. Among his most representative paintings, popular Andalusian scenes can be cited, such as the Santiponce Fair (1855, Prado Museum), considered his masterpiece, the Rocío Procession (1853, National Heritage). Obtaining in 1856 an honorable mention at the National Exhibition of Fine Arts for a canvas inspired by the Cervantine novel Rinconete y Cortadillo, with the Monipodio patio treated in the manner of its most characteristic costumbrista scenes. Reference bibliography: Preckler, Ana María, Universal Art History of the 19th and 20th Centuries, vol. 1, Madrid, Editorial Complutense, 2003, ISBN 8474917069
Templum Fine Art Auctions
Apr. 20, 2022
MANUEL RODRÍGUEZ DE GUZMÁN. BAILARINES.
Est: €4,500 - €5,500
Manuel Rodríguez de Guzmán (Sevilla, 1818-Madrid, 1867) Bailarines. Pareja de óleos sobre lienzo. Firmado uno. 55 x 41 cm. cada uno.
Aletheia Subastas
Feb. 22, 2022
ATRIBUIDO A MANUEL RODRÍGUEZ DE GUZMÁN. TORERA.
Est: €1,800 - €2,200
Atribuido a Manuel Rodríguez de Guzmán (Sevilla, 1818-1867) Torera. Óleo sobre lienzo. 63 x 48 cm.
Aletheia Subastas
Nov. 24, 2021
Manuel Rodríguez de Guzmán. Andalusian characters
Est: -
Dos óleos sobre cobre. Firmados en ángulo inferior izquierdo y derecho respectivamente.
Duran Arte y Subastas
Nov. 10, 2021
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 - Madrid, 1867). "Pilgrimage". Oil on canvas.
Est: €30,000 - €40,000
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 - Madrid, 1867). "Pilgrimage". Oil on canvas. Certificate of authenticity, issued by Enrique Valdivieso, professor of Art History at the University of Seville, is attached. Measurements: 101 x 141 cm; 116 x 156 cm (frame). In his certificate, Enrique Valdivieso indicates that this work clearly belongs to the Sevillian school of the mid-19th century, and that in it it is possible to clearly recognize the characteristic expressive configuration of the physical types typical of the style of Manuel Rodríguez de Guzmán, of which it is an authentic work. Due to its technical characteristics, Valdivieso dates this work around 1850, shortly before the painter's move to Madrid in 1852. An outstanding painter specializing in Andalusian folkloric and genre scenes, Rodríguez de Guzmán began his training at the Academy of Fine Arts of Santa Isabel de Hungría in Seville. There he was a disciple of José Domínguez Bécquer, who initiated him in costumbrista painting, and under whose direction the painter developed his first stage. He progressively began to undertake paintings of greater compositional commitment, set in larger scenes than those of his first works. Attracted by Isabel II's interest in his paintings, in 1854 he settled in Madrid with the intention of working as a court painter. This interest crystallized in a proposal that Rodríguez de Guzmán submitted to the queen, consisting in the creation of a wide pictorial series that included the different festivals, fairs and pilgrimages that were celebrated in Spain, committing himself to produce one painting of this type per year. Although he was finally unable to complete the project, the painter carried out several works that became part of the royal collection, such as his masterpiece, "La feria de Santiponce". A friend of Antonio María Esquivel, he participated assiduously in the National Exhibitions of Fine Arts, obtaining in 1858 an honorable mention for his work "Rinconete y Cortadillo", inspired by Cervantes' "Exemplary Novels". The activity of Rodríguez de Guzmán in Madrid enjoyed special official predilection, since the State acquired from him in 1864 two works, today in unknown whereabouts, entitled "Las habaneras" and "Gitana diciendo la buenaventura a unos gallegos". He also worked on bullfighting themes, history and even portraits, revealing in the latter a workmanship marked by a technical casualness of Goyaesque evocation, perhaps derived from a deep friendship with the painter Eugenio Lucas. His painting was characterized by a brilliant coloring, as well as by his great facility to capture with naturalism and instantaneity the popular types, organized in scenes full of minutely described figures. His art also stands out for its compositional mastery, as well as for the use of an agile and undone brushstroke, which gives great vitality to his scenes.
Setdart Auction House
Sep. 29, 2021
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 - Madrid, 1867). "Pilgrimage". Oil on canvas.
Est: €30,000 - €40,000
MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818 - Madrid, 1867). "Pilgrimage". Oil on canvas. Certificate of authenticity, issued by Enrique Valdivieso, professor of Art History at the University of Seville, is attached. Measurements: 101 x 141 cm; 116 x 156 cm (frame). In his certificate, Enrique Valdivieso states that this work clearly belongs to the Sevillian school of the mid-19th century, and that in it it is possible to clearly recognise the characteristic expressive configuration of the physical types typical of the style of Manuel Rodríguez de Guzmán, of whom it is an authentic work. Given its technical characteristics, Valdivieso dates this work to around 1850, shortly before the painter's move to Madrid in 1852. An outstanding painter specialising in Andalusian genre and folk scenes, Rodríguez de Guzmán began his training at the Academy of Fine Arts of Santa Isabel de Hungría in Seville. There he was a pupil of José Domínguez Bécquer, who introduced him to genre painting and under whose guidance the painter spent his early years. He gradually began to produce paintings of greater compositional commitment, set in larger scenes than those of his early works. Attracted by Isabella II's interest in his paintings, in 1854 he settled in Madrid with the intention of working as a court painter. This interest crystallised in a proposal that Rodríguez de Guzmán submitted to the queen, which consisted of a broad series of paintings depicting the various festivals, fairs and pilgrimages held in Spain, undertaking to produce one painting of this type a year. Although he was unable to complete the project, the painter produced several works that became part of the royal collection, including his masterpiece, "La feria de Santiponce" ("The Santiponce Fair"). A friend of Antonio María Esquivel, he participated assiduously in the National Fine Arts Exhibitions, receiving an honourable mention in 1858 for his work "Rinconete y Cortadillo", inspired by Cervantes' "Exemplary Novels". Rodríguez de Guzmán's activity in Madrid enjoyed special official predilection, as the State acquired two works from him in 1864, now unaccounted for, entitled "Las habaneras" and "Gitana diciendo la buenaventura a unos gallegos" (Gypsy Woman Saying Good Fortune to some Galicians). He also worked on bullfighting and history themes and even portraits, the latter of which are marked by a technical casualness reminiscent of Goya, perhaps stemming from his deep friendship with the painter Eugenio Lucas. His painting was characterised by brilliant colouring and a great facility for capturing popular types with naturalism and instantaneity, organised in scenes full of minutely described figures. His art is also notable for its mastery of composition and for the use of an agile, undone brushstroke, which lends great vitality to his scenes.
Setdart Auction House
Jul. 21, 2021
MANUEL RODRIGUEZ DE GUZMÁN "La limosna"
Est: €2,500 -
MANUEL RODRIGUEZ DE GUZMÁN (Sevilla, 1818-Madrid, 1867)"La limosna"
Arte Subastas Bilbao
Dec. 22, 2020
Manuel Rodríguez de Guzmán. The swing
Est: -
Óleo sobre lienzo. Firmado en el ángulo inferior izquierdo.
Duran Arte y Subastas
Dec. 22, 2020
Manuel Rodríguez de Guzmán. Baptism
Est: -
Óleo sobre lienzo. Firmado en el ángulo inferior derecho.
Duran Arte y Subastas
Sep. 24, 2020
Manuel Rodríguez de Guzmán. Street musicians
Est: -
Óleo sobre lienzo. Firmado en el ángulo inferior derecho.
Duran Arte y Subastas
Jan. 30, 2020
Manuel Rodríguez de Guzmán. Judgement
Est: -
RODRÍGUEZ DE GUZMÁN , MANUEL. "Impartiendo justicia". Óleo sobre lienzo. Firmado y fechado (1858) en el ángulo inferior izquierdo. 42 x 54 cm
Duran Arte y Subastas
Oct. 29, 2019
El columpio Con marco de época de 73 x 97 cm. Firmado "M. Rodríg
Est: -
El columpio Con marco de época de 73 x 97 cm. Firmado "M. Rodríguez Guzmán". 55 x 80 cm MANUELPintura antigua y S. XIXÓleo sobre lienzo1818,1867. Sevilla, Madrid MANUEL RODRÍGUEZ DE GUZMÁN El columpio. Oil on canvas
Isbilya Subastas
Oct. 29, 2019
Bautizo en San Telmo Con marco de época de 103 x 126 cm. Firmado
Est: -
Bautizo en San Telmo Con marco de época de 103 x 126 cm. Firmado "M. Rodríguez Guzmán". 74 x 97 cm. MANUELPintura antigua y S. XIXÓleo sobre lienzo1818,1867. Sevilla, Madrid MANUEL RODRÍGUEZ DE GUZMÁN Bautizo en San Telmo. Oil on canvas
Isbilya Subastas
Feb. 05, 2019
El columpio
Est: -
Con marco de época de 73 x 97 cm. Firmado "M. Rodríguez Guzmán". With epoch frame of 73 x 97 cm. Signed "M. Rodríguez Guzmán".
Isbilya Subastas
Feb. 05, 2019
Bautizo en San Telmo
Est: -
Con marco de época de 103 x 126 cm. Firmado "M. Rodríguez Guzmán". With vintage frame of 103 x 126 cm. Signed "M. Rodríguez Guzmán".
Isbilya Subastas
Apr. 25, 2017
FOLLOWER OF MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818-1867) «Maja con Sevilla al fondo». Oil on canvas
Est: -
SEGUIDOR DE MANUEL RODRÍGUEZ DE GUZMÁN (Sevilla, 1818-1867) Agradecemos al profesor D. Enrique Valdivieso su ayuda para catalogar esta obra. Maja con Sevilla al fondo Óleo sobre lienzo 56 x 44 cm
Isbilya Subastas
Apr. 25, 2017
MANUEL RODRÍGUEZ DE GUZMÁN «El baile del farol». Oil on canvas
Est: -
MANUEL RODRÍGUEZ DE GUZMÁN 1818 Sevilla 1867 Madrid El baile del farol Firmado “M. Rodriguez”. Dentro de la extensa producción de Rodríguez de Guzmán, el tema de las fiestas y bailes improvisados en tabernas es de los más representados. En estas composiciones el pintor dispone a la bailaora en el centro, como eje fundamental de la acción y objeto de todas las miradas. A su alrededor, toreros, picadores, comerciantes, contrabandistas, pillastres, cantaores, guitarristas y gentes de toda condición, jalean y tocan palmas a la animada protagonista. Ésta, ataviada con un brillante vestido color blanco y un mantón rojo, danza sobre una mesa junto al farol que da nombre a este baile popular. Destaca el minucioso estudio del detalle, el empleo de colores brillantes para enfatizar los efectos lumínicos, así como el juego establecido entre las zonas iluminadas y las que permanecen en penumbra, destacando a aquellos personajes en quienes el pintor quiere que detengamos nuestra atención. Agradecemos al profesor D. Enrique Valdivieso su ayuda para catalogar esta obra. Óleo sobre lienzo 82 x 55 cm
Isbilya Subastas
Apr. 25, 2017
FOLLOWER OF MANUEL RODRÍGUEZ DE GUZMÁN (Seville, 1818-1867) «Baile en la cueva». Oil on canvas
Est: -
SEGUIDOR DE MANUEL RODRÍGUEZ DE GUZMÁN (Sevilla, 1818-1867) Baile en la cueva Óleo sobre lienzo 53 x 65 cm
Isbilya Subastas
Apr. 25, 2017
MANUEL RODRÍGUEZ DE GUZMÁN «Escenas taurinas». Oil on canvas
Est: -
MANUEL RODRÍGUEZ DE GUZMÁN 1818 Sevilla 1867 Madrid Escenas taurinas Firmado "M. Rodríguez". Al igual que ocurriera con la bailaora, el torero se convirtió en la imagen masculina característica del romanticismo andaluz. Por lo general, el pintor trató este tipo de escenas en pareja, como en el caso que aquí nos ocupa. En una de ellas vemos la embestida de un toro, mientras que en la segunda se nos muestra la suerte de recibir, momento que Rodríguez de Guzmán repetiría en otras composiciones. En ambas queda patente la influencia de genios como Goya o Eugenio Lucas, de quienes toma los acusados contrastes entre luces y sombras de sus tauromaquias. Así, para enfatizar el dramatismo dentro de la acción, sitúa las escenas principales dentro del foco de luz, quedando el resto en penumbra. Mientras, al fondo, el público enaltecido se agolpa en la grada de forma desdibujada, abocetada, como telón de fondo de toda una escenografía que tiene como colofón las vistas de la Catedral de Sevilla y la Giralda desde la Maestranza. Agradecemos al profesor D. Enrique Valdivieso su ayuda para catalogar esta obra. Óleo sobre lienzo 58 x 85 cm
Isbilya Subastas
Apr. 25, 2017
MANUEL RODRÍGUEZ DE GUZMÁN «La faena del picador». Oil on paper laid down on cardboard
Est: -
MANUEL RODRÍGUEZ DE GUZMÁN 1818 Sevilla 1867 Madrid La faena del picador Agradecemos al profesor D. Enrique Valdivieso su ayuda para catalogar esta obra. Óleo sobre lienzo adherido a la tabla 42 x 57 cm
Isbilya Subastas
Apr. 25, 2017
MANUEL RODRÍGUEZ DE GUZMÁN «Picador poniendo una vara». Oil on canvas
Est: -
MANUEL RODRÍGUEZ DE GUZMÁN 1818 Sevilla 1867 Madrid Picador poniendo una vara Agradecemos al profesor D. Enrique Valdivieso su ayuda para catalogar esta obra. Óleo sobre lienzo 70 x 96 cm
Isbilya Subastas