Aleksandr Michajlovic Rodcenko Sold at Auction Prices
Painter, Sculptor, Photographer, b. 1891 - d. 1956
(b. 1891, St. Petersburg, Russia; d. 1956, Moscow, Russia) Russian artist and photographer. Alexander Rodchenko attended art school in 1910 in Kazan, and then moved to Moscow in 1914 where he studied at the Stroganow School for applied arts. Early on, Rodchenko rejected the established ideals of popular art and moved toward abstraction. In 1916 he exhibited in a show organized by Vladimir Tatlin with other avant-garde artists. When the Russian Revolution began in 1917, Rodchenko was a young artist, and this event would greatly impact his career and artistic path. After the revolution, he played an important role in creating the Constructivist art movement and fresh forms of expression in the young Soviet Union. The Constructivist movement called for art with a purpose or use, often using abstract and objective forms, and included designs for industry. In the mid 1920s, after having excelled in the arts in Moscow, Rodchenko began to experiment with photography and photomontage. His first pictures were of his family, friends, and colleagues; after returning to Moscow from a trip to Paris, he began to document on film the social and physical changes of the city. In the late 1920s, Rodchenko, along with other Constructivists, developed the idea of “Art in Production,” and worked in advertising and design. This concept focused on the idea of incorporating art into the design of everyday utility objects. During the 1930s, Rodchenko worked as a sort of artistic director at a magazine and also began to paint again. Rodchenko is considered to be one of the founders of the Russian Constructivist art movement.
Rodtschenko, Alexander. Sammlung von 4 Original-Photographien. Spätere Silbergelatine-Abzüge auf mattem Agfa Papier. Abgezogen 1987 von Alexander Lavrentiev. Alle verso mit Estate Stempel. Blattmaße: von 29 x 22,5 cm bis 30 x 24 cm. Griffelkunst 245, B 1, 3, 5 11. - Vorhanden: I. Notizbuch, Federhalter, Photoapparat (1929). - II. Der Maler A. Schewtschenko (1924). - III. Das Revolutionsmuseum (1926). - IV. Studentin (1932). - Vereinzelt minimal randknickspurig, sehr gut erhalten.
Gelatin silver print, printed in 1940/1950 cm 29,8 x 21,4 (cm 29 x 20,9 picture) | 11.7 x 8.4 in. (11.4 x 8.2 in. picture) Notes in pencil on the verso Framed EXHIBITIONS D. Gavagnin (cured by), Fini&Confini, Dal Paesaggio al Territorio, Museo del Paesaggio, Torre di Mosto (VE), 2019
Gelatin silver print, printed in 1950s cm 20,3 x 18,4 | 8 x 7.2 in. Photographer's credit stamp on the verso LITERATURE Rodtschenko Fotograf 1891-1956, Arkana, Gottingen, 1989, p. 78, pl. 60 Alexander Rodchenko 1924-1954, Lavrentiev, cover and p. 153, pl. 191
Van februari tot oktober 1917 (Arabische versie), gesigneerd in de druk, affiche, mospoligraf, 65x49 cm (met lijst: 92,5x74,5 cm), Poster nr. 16 uit de serie van 25 ‘The history of the All-Union Communist Party (of Bolsheviks),
Het einde van de burgeroorlog, 1920 (Arabische versie), gesigneerd in de druk, affiche, mospoligraf, 65x49 cm (met lijst: 92,5x74,5 cm), Poster nr. 22 uit de serie van 25 ‘The history of the All-Union Communist Party (of Bolsheviks)',
Attributed to & Signed by Alexander Rodchenko (1891-1956) - "Abstract Theme", ink and pastels on paper. Signed and dated - 1922. Given in a beautiful gilded wooden frame. Dimensions (of painting): 21X30 cm. Dimensions (including frame): 38X50 cm. * Alexander Rodchencko (1891-1956) - Russian artist, designer and photographer, member of the Constructivist Movement.
FR ALEXANDER RODTCHENKO (1891 St. Petersburg - 1956 Moskau) Schwarzweiß-Fotografie, "Der Maler A. Schewtschenko" (1924, hier wohl Nachdruck der Griffelkunst- Vereinigung Hamburg von 1987), verso Nachlass-Stempel des Fotografen (kyrillisch, teilweise stark verblasst) und von fremder Hand bezeichnet, ca. 29x22,5cm, ungerahmt, Ränder minimal bestoßen
Alexander Rodchenko, Photography 1924-1954 by Alexander Lavrentiev. Published by Knickerbocker Press, 1996. Hardcover in original dust jacket. In English, German, and French. Alexander Rodchenko, 1891 to 1956, was a Russian Constructivist artist, pioneer of Soviet Avantgarde photography. Alexander Lavrentiev, born 1954, is a Russian art historian, grandson of Rodchenko. Antiquarian Librarian Books Art Albums For Collectors.
ALEKSANDR MICHAJLOVIC RODCENKO (1891 - 1956) Rodcenko. Grafico, designer, fotografo 1992 Monographic illustrated catalogue published on the occasion of the exhibition held at Refettorio delle Stelline, Milan (November 12th, 1992 - January 5th, 1993) 24 x 22 cm Nuove Edizioni Gabriele Mazzotta Pages 168 Defects
Soviet Russian Avant Garde Watercolor & Ink Abstract Painting by Aleksander Mikhailovich Rodchenko was a Russian and Soviet artist, sculptor, photographer, and graphic designer. He was one of the founders of constructivism and Russian design. Size: 13 5/8" x 9 1/2". ~~ .Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com.
Soviet Russian Avant Garde Watercolor & Ink Abstract Painting. Aleksander Mikhailovich Rodchenko, 23 November 1891 3 December 1956 was a Russian and Soviet artist, sculptor, photographer, and graphic designer. He was one of the founders of constructivism and Russian design. Size: 13 1/8" x 9 1/2". ~~ . Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com.
RODCHENKO ALEXANDER (1891 - 1956) tekening op papier met een kubistische compositie - 36 x 23 getekend / toegeschreven aan 20th Cent. Russian mixed media on paper - signed / attributed to Alexander Rodchenko
RODCHENKO ALEXANDER (1891 - 1956) werk in gemengde techniek op papier met een geometrische compositie & met op verso een vrouwenfiguur - 35,5 x 21,5 met atelierstempel / toegeschreven aan 20th Cent. Russian mixed media on paper - with an atelier stamp / attributed to Alexander Rodchenko
RODCHENKO ALEXANDER (1891 - 1956) olieverfschilderij op paneel met een abstracte compositie - 24 x 24 gemonogrammeerd "P. 20", waarschijnlijk gedateerd (19)20 20th Cent. Russian abstract oil on panel - with the monogram of Alexander Rodchenko and probably dated (19)20
Invitation to the exhibition "Alexander Mikhailovich Rodchenko : 1891-1961 [70 years since his birth]". - Moscow:"S.H." printing house, 1961. - [4] p. incl. cover; 15x10,7 cm. - 700 copies. Constructivist design. On page 4, the columns are filled in by hand.
Gelatin silver print, printed in 1950s cm 17,3 x 12,5 | 6.8 x 4.9 in. Photographer's credit stamp on the verso Of the great school of Soviet photography, Alexander Rodchenko was the greatest interpreter, especially in the early years when the audacity of his futurist-style research fascinated and gave a glimpse of perspectives that the censorship of Stalinist conformism would later erase. Even today, the images tell of the enthusiasm for the dynamism of an era, the desire to seek other paths even in photographic perspectives, retain a vitality that makes them unique testimony of an unrepeatable era.
Rouge et jaune, 1918 Affiche en quadrichromie éditée pour l’ exposition sur la Russie et les avant-gardes à la Fondation Maeght présentant une œuvre d’ Alexandre Rodtchanko. 87,5 x 47 cm Non signée, non numérotée
Rouge et jaune, 1918 Affiche en quadrichromie éditée pour l’ exposition sur la Russie et les avant-gardes à la Fondation Maeght présentant une œuvre d’ Alexandre Rodtchanko. 87,5 x 47 cm Non signée, non numérotée
Fotografie. – Alexander Rodschenko (1891-1956). Lestnitsa (Treppe), 1930, späterer Abzug. Verso Urheberstempel. 17,8:23,7 cm. Häufig reproduziert, u. a. Sepherot Collection, Katalog 2013, Umschlagabbildung. – Als prominentes Bildwerk des russischen Konstruktivismus mehrfach Neuvergrößerungen, u. a. Edition Iskusstv / Archiv Rodchenko und Stepanova / Museum Rodtschenko, Portfolio 1 / Griffelkunst Hamburg.
Rouge et jaune, 1918 Affiche en quadrichromie éditée pour l’ exposition sur la Russie et les avant-gardes à la Fondation Maeght présentant une œuvre d’ Alexandre Rodtchanko. 87,5 x 47 cm Non signée, non numérotée
Rodchenko, Aleksandr (1891-1956). (A child reading an issue of the Radioslushatel' (The radio listener)). Gelatin silver print, printed in 1989, 24x30 cm., verso w. the photographer's name stamp, publisher's stamp ("Edition Arkana Göttingen") and numb. "42 von 50".
Bubb > Kuyper: Auctioneers of Books, Fine Arts & Manuscripts
Rouge et jaune, 1918 Affiche en quadrichromie éditée pour l’ exposition sur la Russie et les avant-gardes à la Fondation Maeght présentant une œuvre d’ Alexandre Rodtchanko. 87,5 x 47 cm Non signée, non numérotée
Rouge et jaune, 1918 Affiche en quadrichromie éditée pour l’ exposition sur la Russie et les avant-gardes à la Fondation Maeght présentant une œuvre d’ Alexandre Rodtchanko. 87,5 x 47 cm Non signée, non numérotée
Rodtschenko, Alexander. Sammlung von 4 Original-Photographien. Spätere Silbergelatine-Abzüge auf mattem Agfa Papier. Abgezogen 1987 von Alexander Lavrentiev. Alle verso mit Estate Stempel. Blattmaße: je 18 x 24 cm. Griffelkunst 245, B 8, 10, 12 und 14. - Vorhanden: I. Stabhochspringer. - II. Der Hochspannungsmast (1926). - III. Demonstration 1. Mai (1932). - IV. Der Hof (ca. 1928). - Sehr gut erhalten.
FR ALEXANDER RODTCHENKO (1891 St. Petersburg - 1956 Moskau) Schwarzweiß-Fotografie, "Der Maler A. Schewtschenko" (1924, hier wohl Nachdruck der Griffelkunst- Vereinigung Hamburg von 1987), verso Nachlass-Stempel des Fotografen (kyrillisch, teilweise stark verblasst) und von fremder Hand bezeichnet, ca. 29x22,5cm, ungerahmt, Ränder minimal bestoßen
Rouge et jaune, 1918 Affiche en quadrichromie éditée pour l’ exposition sur la Russie et les avant-gardes à la Fondation Maeght présentant une œuvre d’ Alexandre Rodtchanko. 87,5 x 47 cm Non signée, non numérotée
Rouge et jaune, 1918 Affiche en quadrichromie éditée pour l’ exposition sur la Russie et les avant-gardes à la Fondation Maeght présentant une œuvre d’ Alexandre Rodtchanko. 87,5 x 47 cm Non signée, non numérotée
Gelatin silver print, printed in 1950s cm 13 x 18,7 (cm 12,3 x 17,8 picture) | 5.1 x 7.4 in. (4.9 x 7 in. picture) Photographer's credit stamp on the verso
Gelatin silver print, printed in 1950s cm 20,3 x 18,4 | 8 x 7.2 in. Photographer's credit stamp on the verso LITERATURE Rodtschenko Fotograf 1891-1956, Arkana, Gottingen, 1989, p. 78, pl. 60 Alexander Rodchenko 1924-1954, Lavrentiev, cover and p. 153, pl. 191
Rouge et jaune, 1918 Affiche en quadrichromie éditée pour l’ exposition sur la Russie et les avant-gardes à la Fondation Maeght présentant une œuvre d’ Alexandre Rodtchanko. 87,5 x 47 cm Non signée, non numérotée
Rouge et jaune, 1918 Affiche en quadrichromie éditée pour l’ exposition sur la Russie et les avant-gardes à la Fondation Maeght présentant une œuvre d’ Alexandre Rodtchanko. 87,5 x 47 cm Non signée, non numérotée
Attributed to Russian Avant-Garde artist Alexandre Mikhailovich Rodchenko ( 1891-1956 ).Alexander Rodchenko was born in St. Petersburg, Russia on November 23, 1891. In the turbulent years after the Russian Revolution, Rodchenko devoted his energies to painting, industrial and graphic design. He shared a studio in Moscow with his wife, artist Varvara Stepanova. Their apartment was large by Moscow standards, having two bedrooms and a parlor in addition to the studio; nothing has changed significantly since 1935. It is the home of three generations of the Rodchenko family and the studio is also a shrine to Alexander and Varvara Stepanova Rodchenko, their life and work. The couple moved to the apartment in 1922. Rodchenko was then the leader of the Constructivist Group within Inkhuk, the Institute of Artistic Culture founded in 1920 with help from Kandinsky. Determined to free art from its bourgeois associations, he even abandoned the Constructivist technique in painting and sculpture for which he is still best known. The couple threw themselves into activities designed to revolutionize the aesthetics of the new Communist order. It may have been these joint activities that saved the couple from Stalin's terror. During the German invasion (1941-43) the family was evacuated to the Urals. By the time they returned to Moscow, most of the people they had worked with had disappeared. Though they were supporters of the Bolshevik revolution, neither of them had ever been party members. Under Stalin, they returned to painting. Rodchenko died on December 3, 1956.Size: 13 5/8" x 9". ~~ . Detailed condition reports are not included in this catalog. For additional information, including condition reports, please contact us at info@sofedesignauctions.com. 756.
ALEXANDER RODCHENKO (1891-1956) Swordswomen. Sports parade on the Red square. 1936. Gelatin silver print. Inscribed on the reverse. A stamp 'Photo by Rodchenko' on the reverse. 17,5 x 12,5 cm Printed circa 1940-1950s Provenance: Borodulin collection
ALEXANDER RODCHENKO (1891-1956) Balconies (From the series 'House on Myasnitskaya) 1925 Gelatin silver print inscribed on the reverse. A stamp 'Photo by Rodchenko' on the reverse. Mid-20th century print 17 х 8,8 см Provenance: Private collection
ALEXANDER RODCHENKO (1891-1956) Stairs Gelatin silver print inscribed in Cyrillic, old stamp 'Photo Rodchenko'; stamp 'Edition Iskusstvo' (on the reverse) 23 х 15 cm printed circa 1930-1950 Provenance: Private collection Aleksander Rodchenko (1891–1956) was a Russian artist, sculptor, photographer, and graphic designer. He was one of the founders of constructivism and Russian design.
Gelatin silver print, printed 1940s cm 23 x 14 | 9.1 x 5.5 in. Photographer's credit stamp on the verso One of the most striking features of Russian author Alexander Rodchenko's photographs is the search for unusual framing, for shots from bottom to top or diagonally so as to occupy the space of the frame and at the same time surprise observers who perhaps expected a more traditional and reassuring view. He certainly was not, and his strong connection with futurism remained even when, put on the sidelines of the dominant regime aesthetic, he decided to devote himself totally to sports photography and architectural subjects.
Gelatin silver print, printed in 1950s cm 24 x 14,8 (cm 22,5 x 14,5 picture) | 9.4 x 5.8 in. (8.9 x 5.7 in. picture) Photographer's credit stamp on the verso One of the most striking features of Russian author Alexander Rodchenko's photographs is the search for unusual framing, for shots from bottom to top or diagonally so as to occupy the space of the frame and at the same time surprise observers who perhaps expected a more traditional and reassuring view. He certainly was not, and his strong connection with futurism remained even when, put on the sidelines of the dominant regime aesthetic, he decided to devote himself totally to sports photography and architectural subjects.
Gelatin silver print, printed in 1950s cm 18 x 9,8 (cm 17 x 9 picture) | 7.1 x 3.9 in. (6.7 x 3.5 in. picture) Photographer's credit stamp on the verso One of the most striking features of Russian author Alexander Rodchenko's photographs is the search for unusual framing, for shots from bottom to top or diagonally so as to occupy the space of the frame and at the same time surprise observers who perhaps expected a more traditional and reassuring view. He certainly was not, and his strong connection with futurism remained even when, put on the sidelines of the dominant regime aesthetic, he decided to devote himself totally to sports photography and architectural subjects.
Rodtschenko, Alexander (1891-1956) Oel/Leinwand. Blumenstillleben. Rechts unten signiert. 89 x 58 cm, Rahmen 117 x 84 cm. Schüler von Nikolay Feshin (1881-1955). Das Bild stammt von Aleander Rodtschenko aus seiner Studienzeit an der Kasaner Kunstschule von 1910 bis 1914. Rodtschenko war Schüler von Nikolai Iwanowitsch Feschin, einem herausragenden russischen Künstler, der später in die USA emigriert und weltweit bekannt wurde. Das Gemälde gehört zu seinen frühen, realistischen und bekannten Werken, die unter dem Einfluss von Nikolai Iwanowitsch Feschin entstanden sind.
Aleksandr Rodchenko Central Park of Culture and Leisure - Chess 1932 vintage bromoil gelatin silver print 9.25 h x 11.375 w in (23 x 29 cm) Inscribed in Russian to verso 'Two Moscows final version'. Provenance: Christies's, New York, Photographs, 17 February 2004, Lot 341 | Collection of Susan and G. Ray Hawkins, Beverly Hills This work will ship from Los Angeles, California.
ALEXANDER RODCHENKO (1891-1956) Pioneer Girl, 1930 étiquette dactylographiée numérotée à l'encre 'Museum Series Portfolio Number 2 : Portraits. Plate 23 of Portfolio 28 in an edition of thirty plus 5 hors commerce' (montage, verso) image/feuille : 24,2 x 17,8 cm. (9 ½ x 7 in.) montage : 43,5 x 35,5 cm. (17 1⁄8 x 14 in.)