Nicolas Robert Sold at Auction Prices

Nicolas Robert Collection Queens Plate

Marked On Bottom: Royal Horitcultural Society. 8.5" Diameter.

Adriaen Van der Cabel, Harbor view in the South

Harbor view in the South, etching made by Adriaen Van der Cabel (1631-1705), published in Paris ca 1648 -1685 by Nicolas Robert ( 1614-1685) with the privilege of king Louis XIV. References: The Illustrated Bartsch 14-2(2,) first etching of a series of six harbour views. Good dark strong impression on thin laid paper with narrow margins. In perfect condition. With collectors mark on the back: Lugt 962 :F with couronne. Mark not identified.

ROBERT NICOLAS

Lot of three coloured etchings of exotic birds

Curtus after Robert - 4 Botanical Engravings

The original engraving was done by Nicolas Robert (1614-1684). This engraving seems to be a mirrored re-etching likely done by Curtus based on the engraved name in the nomenclature. It's a lovely, detailed engraving likely printed in the late 1700s to mid-1800s.

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Nette rousse sur un rocher NICOLAS ROBERT (L

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Nette rousse sur un rocher NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER /Nette rousse sur un rocher/ avec numéro '133' (en bas à droite) graphite, aquarelle et gouache, traits d'encadrement rehaussé d'or sur vélin 33.8 x 27 cm (13 1/4 x 10 1/2 in.)

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Sarcoramphe roi ou Vautour pape devant un tr

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Sarcoramphe roi ou Vautour pape devant un tronc d'arbre NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER /Sarcoramphe roi ou Vautour pape devant un tronc d'arbre/ avec numéro '76' (en bas à droite) graphite, aquarelle et gouache, traits d'encadrement rehaussé d'or sur vélin 31.7 x 24,5 cm (12 1/2 x 9 1/2 in.)

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Canard souchet au bord d'un plan d'eau NICOL

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Canard souchet au bord d'un plan d'eau NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER /Canard souchet au bord d'un plan d'eau / avec numéro '137' (en bas à droite) graphite, aquarelle et gouache, traits d'encadrement rehaussé d'or sur vélin 35.5 x 27.5 cm (14 x 10 3/4 in.)

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Cotinga cordon bleu NICOLAS ROBERT (LANGRES

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Cotinga cordon bleu NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER /Cotinga cordon bleu/ avec numéro '189' (en bas à droite) graphite, aquarelle et gouache, traits d'encadrement rehaussé d'or sur vélin 40 x 31.8 cm (15 3/4 x 12 1/2 in.)

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Jeune géoland argenté NICOLAS ROBERT (LANGRE

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Jeune géoland argenté NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER /Jeune géoland argenté / avec numéro '155' (en bas à droite) graphite, aquarelle et gouache, traits d'encadrement rehaussé d'or sur vélin 36.2 x 28.5 cm (14 1/8 x 11 1/4 in.)

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Cotinga à bec jaune sur une branche NICOLAS

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Cotinga à bec jaune sur une branche NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER /Cotinga à bec jaune sur une branche/ avec numéro '79' (en bas à droite) graphite, aquarelle et gouache, traits d'encadrement rehaussé d'or sur vélin 37.7 x 27.1 cm (14 7/8 x 10 3/4 in.)

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Francolin noir NICOLAS ROBERT (LANGRES 1614-

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Francolin noir NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER /Francolin noir/ avec numéro '97.' (en bas à droite) graphite, aquarelle et gouache, traits d'encadrement rehaussé d'or sur vélin 36.7 x 30.2 cm (14 1/2 x 11 7/8 in.)

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Continga orange à bec jaune sur une branche

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Continga orange à bec jaune sur une branche NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER /Continga orange à bec jaune sur une branche/ avec numéro '31' graphite, aquarelle et gouache, traits d'encadrement rehaussé d'or sur vélin 39 x 29 cm (15 1/4 x 11 1/2 in.)

NICOLAS ROBERT Cactus Lithograph

NICOLAS ROBERT Cactus Lithograph, piece appears to be a digital reproduction of an engraving, inscription to lower right reads ‘Robert Sculp’, inscriptions to piece in French, subject a flowering cactus plant, measures 21 3/4 x 17 1/2 inches, gilt wooden frame, surface wear to frame, professionally framed and double matted in white, not examined out of frame, Nicolas Robert, lithograph, art print, print, artwork, botanical illustration, botanical print, wall art, home decor. 11 Nicolas Robert was a French miniaturist and engraver. He was born in Langres and died in Paris. In 1664 he was appointed as "peintre ordinaire de Sa Majesté pur la miniature" to Louis XIV. Wikipedia

After Nicolas Robert Hand Colored Engraving, circa 1673

After Nicolas Robert (France 1614-1685) Hand Colored Engraving, circa 1673, "Ribbon Bound Bouquet of Spring Flowers", signed and dated in plate "N. Robert del. Et sculp Avec privil. du Roy 1673". Sight 10 in. x 13 ¼ in. Framed 27 ¼ in. x 23 ½ in. Provenance: Property of a Lady, Greenwich, CT

Robert - 3 Folio Bird Engravings

This lovely, hand-colored engraving is likely from the supplement of Nicolas Robert's Suite des Oyseaux les plus rare. Each engraving is on chain-linked paper. The work was published in 1676. Nicolas Robert was a French watercolorist, draftsman and printmaker, widely regarded as the most accomplished botanical artist of the 17th century. The son of an innkeeper, he made his way to Italy, where he produced his first great work, a unique album of floral paintings called the Guirlande de Julie in 1641, which established his reputation as an artist. In 1650, Gaston d'Orléans, brother of Louis XIII commissioned a set of paintings on vellum of the birds and flowers of his menagerie and botanical garden at the Château of Blois. Over the next decade he filled five large folio volumes. Robert was appointed painter to the King by Gaston's nephew, King Louis XIV, in 1664, documenting the royal gardens. The 700 original natural history paintings he produced for Gaston d'Orléans and the royal collection became the nucleus of the famous Vélins du Muséum collection of natural history studies now in the library of the Musée National d'Histoire Naturelle in Paris.

Robert - Swans. 6

This lovely, hand-colored engraving is likely from the supplement of Nicolas Robert's Suite des Oyseaux les plus rare. Each engraving is on chain-linked paper. The work was published in 1676. Nicolas Robert was a French watercolorist, draftsman and printmaker, widely regarded as the most accomplished botanical artist of the 17th century. The son of an innkeeper, he made his way to Italy, where he produced his first great work, a unique album of floral paintings called the Guirlande de Julie in 1641, which established his reputation as an artist. In 1650, Gaston d'Orléans, brother of Louis XIII commissioned a set of paintings on vellum of the birds and flowers of his menagerie and botanical garden at the Château of Blois. Over the next decade he filled five large folio volumes. Robert was appointed painter to the King by Gaston's nephew, King Louis XIV, in 1664, documenting the royal gardens. The 700 original natural history paintings he produced for Gaston d'Orléans and the royal collection became the nucleus of the famous Vélins du Muséum collection of natural history studies now in the library of the Musée National d'Histoire Naturelle in Paris.

Robert - Cockatoo, Parrots. 27

This lovely, hand-colored engraving is likely from the supplement of Nicolas Robert's Suite des Oyseaux les plus rare. Each engraving is on chain-linked paper. The work was published in 1676. Nicolas Robert was a French watercolorist, draftsman and printmaker, widely regarded as the most accomplished botanical artist of the 17th century. The son of an innkeeper, he made his way to Italy, where he produced his first great work, a unique album of floral paintings called the Guirlande de Julie in 1641, which established his reputation as an artist. In 1650, Gaston d'Orléans, brother of Louis XIII commissioned a set of paintings on vellum of the birds and flowers of his menagerie and botanical garden at the Château of Blois. Over the next decade he filled five large folio volumes. Robert was appointed painter to the King by Gaston's nephew, King Louis XIV, in 1664, documenting the royal gardens. The 700 original natural history paintings he produced for Gaston d'Orléans and the royal collection became the nucleus of the famous Vélins du Muséum collection of natural history studies now in the library of the Musée National d'Histoire Naturelle in Paris.

Robert - Macaw, Parrots. 26

This lovely, hand-colored engraving is likely from the supplement of Nicolas Robert's Suite des Oyseaux les plus rare. Each engraving is on chain-linked paper. The work was published in 1676. Nicolas Robert was a French watercolorist, draftsman and printmaker, widely regarded as the most accomplished botanical artist of the 17th century. The son of an innkeeper, he made his way to Italy, where he produced his first great work, a unique album of floral paintings called the Guirlande de Julie in 1641, which established his reputation as an artist. In 1650, Gaston d'Orléans, brother of Louis XIII commissioned a set of paintings on vellum of the birds and flowers of his menagerie and botanical garden at the Château of Blois. Over the next decade he filled five large folio volumes. Robert was appointed painter to the King by Gaston's nephew, King Louis XIV, in 1664, documenting the royal gardens. The 700 original natural history paintings he produced for Gaston d'Orléans and the royal collection became the nucleus of the famous Vélins du Muséum collection of natural history studies now in the library of the Musée National d'Histoire Naturelle in Paris.

Robert - Heron. 15

This lovely, hand-colored engraving is likely from the supplement of Nicolas Robert's Suite des Oyseaux les plus rare. Each engraving is on chain-linked paper. The work was published in 1676. Nicolas Robert was a French watercolorist, draftsman and printmaker, widely regarded as the most accomplished botanical artist of the 17th century. The son of an innkeeper, he made his way to Italy, where he produced his first great work, a unique album of floral paintings called the Guirlande de Julie in 1641, which established his reputation as an artist. In 1650, Gaston d'Orléans, brother of Louis XIII commissioned a set of paintings on vellum of the birds and flowers of his menagerie and botanical garden at the Château of Blois. Over the next decade he filled five large folio volumes. Robert was appointed painter to the King by Gaston's nephew, King Louis XIV, in 1664, documenting the royal gardens. The 700 original natural history paintings he produced for Gaston d'Orléans and the royal collection became the nucleus of the famous Vélins du Muséum collection of natural history studies now in the library of the Musée National d'Histoire Naturelle in Paris.

Robert - Puffin, Birds. 8

This lovely, hand-colored engraving is likely from the supplement of Nicolas Robert's Suite des Oyseaux les plus rare. Each engraving is on chain-linked paper. The work was published in 1676. Nicolas Robert was a French watercolorist, draftsman and printmaker, widely regarded as the most accomplished botanical artist of the 17th century. The son of an innkeeper, he made his way to Italy, where he produced his first great work, a unique album of floral paintings called the Guirlande de Julie in 1641, which established his reputation as an artist. In 1650, Gaston d'Orléans, brother of Louis XIII commissioned a set of paintings on vellum of the birds and flowers of his menagerie and botanical garden at the Château of Blois. Over the next decade he filled five large folio volumes. Robert was appointed painter to the King by Gaston's nephew, King Louis XIV, in 1664, documenting the royal gardens. The 700 original natural history paintings he produced for Gaston d'Orléans and the royal collection became the nucleus of the famous Vélins du Muséum collection of natural history studies now in the library of the Musée National d'Histoire Naturelle in Paris.

Robert - Shore Birds. 11

This lovely, hand-colored engraving is likely from the supplement of Nicolas Robert's Suite des Oyseaux les plus rare. Each engraving is on chain-linked paper. The work was published in 1676. Nicolas Robert was a French watercolorist, draftsman and printmaker, widely regarded as the most accomplished botanical artist of the 17th century. The son of an innkeeper, he made his way to Italy, where he produced his first great work, a unique album of floral paintings called the Guirlande de Julie in 1641, which established his reputation as an artist. In 1650, Gaston d'Orléans, brother of Louis XIII commissioned a set of paintings on vellum of the birds and flowers of his menagerie and botanical garden at the Château of Blois. Over the next decade he filled five large folio volumes. Robert was appointed painter to the King by Gaston's nephew, King Louis XIV, in 1664, documenting the royal gardens. The 700 original natural history paintings he produced for Gaston d'Orléans and the royal collection became the nucleus of the famous Vélins du Muséum collection of natural history studies now in the library of the Musée National d'Histoire Naturelle in Paris.

Robert - Jackdaw. 23

This lovely, hand-colored engraving is likely from the supplement of Nicolas Robert's Suite des Oyseaux les plus rare. Each engraving is on chain-linked paper. The work was published in 1676. Nicolas Robert was a French watercolorist, draftsman and printmaker, widely regarded as the most accomplished botanical artist of the 17th century. The son of an innkeeper, he made his way to Italy, where he produced his first great work, a unique album of floral paintings called the Guirlande de Julie in 1641, which established his reputation as an artist. In 1650, Gaston d'Orléans, brother of Louis XIII commissioned a set of paintings on vellum of the birds and flowers of his menagerie and botanical garden at the Château of Blois. Over the next decade he filled five large folio volumes. Robert was appointed painter to the King by Gaston's nephew, King Louis XIV, in 1664, documenting the royal gardens. The 700 original natural history paintings he produced for Gaston d'Orléans and the royal collection became the nucleus of the famous Vélins du Muséum collection of natural history studies now in the library of the Musée National d'Histoire Naturelle in Paris.

att. Nicolas Robert (French, 1614-1685), Study of Birds

att. Nicolas Robert (French, 1614-1685), Study of Birds black chalk, unsigned, notated "1035" in lower left, matted and framed under glass. SS 10 x 7 1/8 in.; DOA 15 3/8 x 12 in. Estate of the late Millicent G. Diehl, Sanford, North Carolina Additional high-resolution photos are available at LelandLittle.com

after Nicolas Robert (1614-1685), Melon

after Nicolas Robert (1614-1685), Melon hand-colored engraving, possibly 18th century, a plate from Dionys Dodart's Estampes pour servir a l'histoire des plantes, presented in giltwood frame with grasscloth matting. DOA 21 1/2 x 25 5/8 in. Additional high-resolution photos are available at LelandLittle.com

(4) NICOLAS ROBERT PAINTER (FRENCH,1614-1685)

(4) AFTER NICOLAS ROBERT PAINTER (FRENCH, 1614-1685) Hand colored botanical prints with yellow ribbon, "Vases et Bouquets de Fleurs", published by Guirlandes; signed lower right in print "N. Robert del"; set under glass in gold gilt frame ; Measures: 18.5"H x 13.5"W; Frame 25"H x 20"W

NICOLAS ROBERT | Geranium batrachiodes

watercolor and gouache on vellum within gold and ink framing lines; signed in pen and brown ink lower right: 'N. Rob. pin.'; inscribed in gold: 'Geranium batrachiodes Aconiti folio Bauh. in pin.'

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER - Marmotte (Marmota)

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) ET SON ATELIER Marmotte (Marmota) graphite, gouache sur vélin, traits d'encadrement rehaussés d'or 26,3 x 19,5 cm

NICOLAS ROBERT | Geranium batrachiodes

Watercolor and gouache on vellum within gold and ink framing lines; signed in pen and brown ink, lower right: N. Rob. pin. and inscribed in gold:  Geranium batrachiodes Aconiti folio Bauh. in pin.

Nicolas Robert ( 1610-1685 ) , 3 x handcoloured Botanical prints, '' Angelica Acadiensis , flore luteo ...'', '' Solanum Caianense , , Spinosum , Hirsutum '', & another, Approximate aperture 16 x 11 3/4''.

Nicolas Robert ( 1610-1685 ) , 3 x handcoloured Botanical prints, '' Angelica Acadiensis , flore luteo ...'', '' Solanum Caianense , , Spinosum , Hirsutum '', & another, Approximate aperture 16 x 11 3/4''.

NICOLAS ROBERT | Geranium batrachiodes

Watercolor and gouache on vellum within gold and ink framing lines; signed in pen and brown ink, lower right: N. Rob. pin. and inscribed in gold: Geranium batrachiodes Aconiti folio Bauh. in pin.

NICOLAS ROBERT | Papauer corniculatum

Watercolor and gouche on vellum with gold and ink framing lines; signed in pen and brown ink, lower left:  N. Rob. pin. and inscribed in gold: Papauer corniculatum / flauo flore Cluf.

Nicolas Robert ( 1610-1685 ) , 3 x handcoloured Bo

Nicolas Robert ( 1610-1685 ) , 3 x handcoloured Botanical prints, '' Angelica Acadiensis , flore luteo ...'', '' Solanum Caianense , , Spinosum , Hirsutum '', & another, Approximate aperture 16 x 11 3/4''.

NICOLAS ROBERT | Geranium batrachiodes

Watercolour and gouache on vellum within gold and ink framing lines; signed in pen and brown ink, lower right:  N. Rob. pin. and inscribed in gold: Geranium batrachiodes Aconiti folio Bauh. in pin.

After Nicolas Robert (French, 1614-1685) Study of a Plumbius Seedeater (Sporophila Plumbia)

After Nicolas Robert (French, 1614-1685) Study of a Plumbius Seedeater (Sporophila Plumbia) watercolour h:33 w: 25.50 cm Nicolas Robert's original drawing of a Plumbius Seedeater was sold at Bonhams, London, 15 July 2004, lot 281.

Robert, Nicolas: Papauer corniculatum, flore luteo. 1 kolorierte Plfanzendarstellung

Robert, Nicolas. Papaver corniculatum, flore luteo. Pflanzendarstellung des Klatschmohns. Kolorierter Kupferstich von Nicolas Robert. Plattengröße 40,5 x 29,5 cm, Bildgröße 51 x 33 cm. Bologna um 1665. Sehr schöne, leuchtend kolorierte Darstellung der Mohnpflanze mit Blüte, Blättern, Stengel, Wurzel und Fruchtstollen, unten links bezeichnet mit "Papauer corniculatum, flore luteo". Wohl aus dem Werk der "Variae ac multiformes florum species appressae" (Bologna um 1665) des großen Kupferstechers und Illustrators Nicolas Robert (1614-1685). - Winziges Fleckchen, etwas gebräunt, gering lichtrandig von einstigem Passepartout, in kraftvollen Farben leuchtend koloriert.

Nicolas ROBERT (Langres 1614-1685 Paris) Branche de chardon (Carduus) avec numéro '131' graphite, aquarelle et gouache sur vélin, traits d'encadrement rehaussés d'or 353 x 265 mm.

Nicolas Robert (Langres 1614-1685 Paris)

Nicolas Robert (Langres 1614-1685 Paris) Crested Caracara (Polyborus plancus) with number '111' bodycolor and watercolor, on vellum, with gold borderlines 16 7/8 x 12 5/8 in. (42.8 x 32 cm.)

Nicolas Robert (Langres 1614-1685 Paris)

Nicolas Robert (Langres 1614-1685 Paris) Red-headed finch (Amadina erythrocephala) with number '217' watercolor, bodycolor on vellum, with gold borderlines 13½ x 10 in. (34.4 x 25.4 cm.)

NICOLAS ROBERT

ORLÉANS OR LANGRES 1614 - 1685 PARIS A BLUE-CROWNED PIGEON Watercolour and gouache on vellum, within a gold border 345 by 290 mm; 13 1/2 by 11 7/16 in

NICOLAS ROBERT

ORLÉANS OR LANGRES 1614 - 1685 PARIS SCARLET IBIS Watercolor and gouache on vellum, within a gold border 342 by 260 mm; 13 7/16 by 10 1/4 in

Nicolas ROBERT (Orléans 1614-Paris 1685)?ou son atelier Bec d'argent Aquarelle et petits rehauts de gouache blanche sur vélin, filet..

Nicolas ROBERT (Orléans 1614-Paris 1685)?ou son atelier Bec d'argent Aquarelle et petits rehauts de gouache blanche sur vélin, filet doré Numéroté " 218 " en bas à droite 36 x 25,5 cm Provenance : vente anonyme, Hôtel Drouot, Me Doutrebente, 10 novembre 2000, lot 15, repr.

AFTER NICOLAS ROBERT (1614-1685) AND ABRAHAM BOSSE (1602-1676)

AFTER NICOLAS ROBERT (1614-1685) AND ABRAHAM BOSSE (1602-1676) Mémoires pour servir à l'histoire des Plantes: twelve plates engravings with hand-colouring, originally published by M. Dodart, Paris, circa 1700, probably later impressions, all laid down, time staining, a few plates with scattered foxing, each framed P. 406 x 300 mm. approx. (12)

Old Master Painting: NICOLAS ROBERT OU SON ATELIER

Old Master Painting: NICOLAS ROBERT OU SON ATELIER (Orléans 1614 - Paris 1685) MOINEAU MÉLANURE Gouache sur vélin TAILLE DU VÉLIN : 36 X 28,5 CM ENCADREM...

Old Master Painting: NICOLAS ROBERT OU SON ATELIER

Old Master Painting: NICOLAS ROBERT OU SON ATELIER (Orléans 1614 - Paris 1685) TADORNE DE BELON Gouache sur vélin TAILLE DU VÉLIN : 33,5 X 26 CM ENCADREM...

Nicolas Robert (Langres 1614-1685 Paris)

Nicolas Robert (Langres 1614-1685 Paris) A saiga antelope bodycolor on vellum, gold borderlines 13 x 8¾ in. (331 x 225 mm.)

After Nicolas Robert (French, 1614-1685) Scamonée; Ellebore noir usuel; (2)

Scamonée; Ellebore noir usuel, c. 1788 Handcolored engravings on buff wove paper, printed later, each with margins, each in apparently good condition, each framed (not examined out of frames). (2) 16 1/2 x 12 1/4in each sheet 22 1/2 x 17 1/2in each (sight)

Study of a palm tree

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) Study of a palm tree numbered '129', '19' and '335' and with inscriptions (partly faded) '[...] Linx' black chalk, watercolor and bodycolor on vellum, gold border lines 17¼ x 13½ in. (438 x 342 mm.)

Blooming flowers on a branch of a succulent plant

NICOLAS ROBERT (LANGRES 1614-1685 PARIS) Blooming flowers on a branch of a succulent plant numbered '148.' black chalk, watercolor and bodycolor on vellum, gold border lines 14¾ x 11 5/8 in. (376 x 295 mm.)