Francisco Rizi Sold at Auction Prices

Painter, b. 1614 - d. 1685

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    • FRANCISCO RIZI - Immaculate Conception
      Mar. 28, 2023

      FRANCISCO RIZI - Immaculate Conception

      Est: -

      FRANCISCO RIZI Madrid 1614 - San Lorenzo de El Escorial 1685 Immaculate Conception Oil on canvas Measurements 83 x 62.5 cm There are several known versions of Rizi on the Immaculate Conception. These also cover a broad chronological framework that goes from 1651 to 1680. They are commissions related to Franciscan and Augustinian religious orders, fundamentally female. The painting in question shows a clear dependence on the version of the convent of Augustinian mothers, better known as the Gaitanas de Toledo, so it must be dated after 1680 and, therefore, at the end of the career from Rizi. The reduced dimensions of this one also show that it must have been a commission for an individual. However, the painting has a complex iconography that basically follows what is proposed in the Toledo painting. Following the apocalyptic story –incarnated by the eagle of Saint John who holds the book of Revelation in his claws–, the Virgin stands on the crescent moon, triumphant over the serpent of Genesis that bites the apple. In the upper area of the painting, God the Father touches the head of Mary with his scepter accompanied by the Child Jesus and the Dove of the Holy Spirit. With this gesture the painter captures, as in the painting of the Gaitanas, a complex issue raised by theologians of the time -such as Friar Hortensio Félix Paravicino- taking as their starting point the writings of Saint Augustine: that of God the Father preserving the virgin of original sin They reinforce this broad theological program, demonstrative of the words of Antonio Palomino when he said of Rizi that "his works, and inventiveness, were always well-founded in erudition." In search of common elements in the representation, the figures of the archangels are in tune with the allegories of the Virtues that Rizi represented on the walls of the Chapel of the Miracle in Las Descalzas Reales in 1678. Likewise, the type of architecture The palace in which the fountain of purity is inserted is also very close to the one that appears, this time to the right of the composition, in the disappeared Immaculate Conception of Alcalá de Henares. Finally, the similarities when painting the Virgin's face with others that appear in devotional paintings by the artist and also in a smaller format are appreciated. An example is that of Santa Teresa de Jesús and the Sagrada Familia from the Granados collection, where the way in which the face of the saint is made is very reminiscent of that of this Immaculate Conception. (An extensive academic study on this work is attached)

      Subastas Segre
    • "MADRID SCHOOL. (Mid 17th century). "Study of hands". 12,5 x 16,2 cm."
      Apr. 05, 2022

      "MADRID SCHOOL. (Mid 17th century). "Study of hands". 12,5 x 16,2 cm."

      Est: €600 - €800

      On the back, a scene with an angel drawn in fountain pen. Stylistically both drawings are very close to Francisco Rizi (1614- 1685). Black pencil on paper. 12,5 x 16,2 cm

      Ansorena
    • MADRILENIAN SCHOOL (2ª 1/2 C.XVII / .) "Saint Andrew"
      Apr. 08, 2021

      MADRILENIAN SCHOOL (2ª 1/2 C.XVII / .) "Saint Andrew"

      Est: €30,000 - €40,000

      This work has traditionally been attributed to Francisco Rizi (1614-1685), one of the leading exponents of 17th Century Madrid Baroque. Although his career was long and prolix, and his standle evolved over the andears, this Saint Andrew does not entireland fit in with his production, especialland because of the human tandpe used (see "Saint Andrew", 1646. Oil on canvas, 247 x 140 cm. Museo del Prado, Madrid). Therefore, as this work is an important piece in terms of size and qualitand, undoubtedland an exponent of the great Madrid Baroque, it could be related to some other artist of the period. A more detailed analandsis, paanding attention to the work, its general tone, which indicates a verand specific tandpe of preparation that has climbed up the pictorial laander over time, and especialland the face of Saint Andrew, allows us to relate it to Francisco Solís (ca. 1620-1684), an outstanding painter who worked for the court and for various religious orders of some importance, both inside and outside Madrid. We are grateful to José María Quesada Valera for his help in cataloguing this lot.

      Ansorena
    • 17th century Spanish school. Circle of Francisco Ricci
      Dec. 17, 2020

      17th century Spanish school. Circle of Francisco Ricci

      Est: -

      Escuela española siglo XVII. Círculo de Francisco Ricci (Madrid, 1614-1685). Ecce homo, óleo sobre lienzo, 45x73 cm.

      Sala de Ventas
    • FRANCISCO RIZI Madrid 1614 - San Lorenzo de El Escorial 1685
      Dec. 15, 2020

      FRANCISCO RIZI Madrid 1614 - San Lorenzo de El Escorial 1685

      Est: -

      Ecce Homo. H. 1670 Oil on canvas Size 91 x 72 cm A comprehensive study by researcher Don José María Quesada is attached.

      Subastas Segre
    • ATRIBUIDO A FRANCISCO RIZI 1614 Madrid - 1685El Escorial (Madrid) Angelotes
      Jan. 30, 2018

      ATRIBUIDO A FRANCISCO RIZI 1614 Madrid - 1685El Escorial (Madrid) Angelotes

      Est: -

      ATTRIBUTED TO FRANCISCO RIZI (Madrid, 1614 - El Escorial, Madrid, 1685). "Angelotes". Oil on canvas. With inventory number 571. 106 x 70 cm ATRIBUIDO A FRANCISCO RIZI 1614 Madrid - 1685El Escorial (Madrid) Angelotes Con número de inventario 571 Óleo sobre lienzo 106 x 70 cm.

      Isbilya Subastas
    • Attribué à Francisco Rizi Madrid, 1608 - 1685 La Crucifixion de saint Pierre Plume et encre brune
      Nov. 14, 2017

      Attribué à Francisco Rizi Madrid, 1608 - 1685 La Crucifixion de saint Pierre Plume et encre brune

      Est: €2,000 - €3,000

      Attribué à Francisco Rizi Madrid, 1608 - 1685 La Crucifixion de saint Pierre Plume et encre brune (Encre ferrogallique) The Crucifixion of Saint Peter, pen and brown ink, attr. to F. Rizi h: 17,50 w: 14,50 cm Estimation 2 000 - 3 000 €

      Artcurial
    • FRANCISCO RIZI | The Martyrdom of St. Andrew
      Jul. 08, 2015

      FRANCISCO RIZI | The Martyrdom of St. Andrew

      Est: £8,000 - £12,000

      Pen and brown ink with red-brown wash, squared for transfer in black chalk, arched top

      Sotheby's
    • FRANCISCO RIZI | The Circumcision
      Apr. 29, 2015

      FRANCISCO RIZI | The Circumcision

      Est: £20,000 - £30,000

      oil on canvas

      Sotheby's
    • FRANCISCO RIZI | The pentitent Magdalen
      Apr. 29, 2015

      FRANCISCO RIZI | The pentitent Magdalen

      Est: £8,000 - £12,000

      oil on canvas

      Sotheby's
    • Francisco Rizi de Guevara (Madrid, 1614-1685)
      Jul. 06, 2011

      Francisco Rizi de Guevara (Madrid, 1614-1685)

      Est: £30,000 - £50,000

      Francisco Rizi de Guevara (Madrid, 1614-1685) The Presentation of the Virgin in the Temple with Saints Anne and Joachim signed and dated '1664 Regi.υo Hispã. Pict.υr Fran.υo Riciυo fe.' (lower centre) oil on canvas 78¾ x 56¾ in. (200 x 144.2 cm.)

      Christie's
    • Francisco Rizi de Guevara (Madrid, 1614-1685)
      Jul. 07, 2010

      Francisco Rizi de Guevara (Madrid, 1614-1685)

      Est: £50,000 - £80,000

      Francisco Rizi de Guevara (Madrid, 1614-1685) The Presentation of the Virgin in the Temple with Saints Anne and Joachim signed and dated '1664 Regi.υo Hispã. Pict.υr Fran.υo Riciυo fe.' (lower centre) oil on canvas 78¾ x 56¾ in. (200 x 144.2 cm.)

      Christie's
    • Francisco Rizi de Guevara (Madrid, 1614-1685)
      Nov. 05, 2009

      Francisco Rizi de Guevara (Madrid, 1614-1685)

      Est: £80,000 - £120,000

      Francisco Rizi de Guevara (Madrid, 1614-1685) The Presentation of the Virgin in the Temple with Saints Anne and Joachim signed and dated '1664 Regi.υo Hispã. Pict.υr Fran.υo Riciυo fe.' (lower centre) oil on canvas 78¾ x 56¾ in. (200 x 144.2 cm.)

      Christie's
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