Pierre Reymond Paintings & Artwork for Sale | Pierre Reymond Art Value Price Guide

Feb. 06, 2025
Italian, 16th century and later, a Limoges enamel chalice
Est: £300 - £500
Italian, 16th century and later A Limoges enamel Renaissance lidded chalice with 16th century enamel lid and base, the bowl a later turned wood addition. The lid decorated with scenes of The Flood in grisaille, the base with putti and dolphins. Dimensions: (With lid) 6.75 in. (H) x 5.75 in. (W)
Sloane Street Auctions
Dec. 04, 2024
FOLLOWER OF PIERRE REYMOND (ACTIVE 1513-1584), LIMOGES, 1592. The Month of
Est: £12,000 - £18,000
FOLLOWER OF PIERRE REYMOND (ACTIVE 1513-1584), LIMOGES, 1592. The Month of January. 7 7⁄8 in. (20cm.) diameter.
Christie's
Nov. 25, 2024
Workshop of Pierre Reymond, circa 1545 | Atelier de Pierre Reymond, vers 1545
Est: €3,000 - €5,000
A Selection from the collection of Bernard Descheemaeker Works of Art, Antwerp Workshop of Pierre Reymond (1513 - 1584) French, Limoges, circa 1545 Pair of Paxes with Saint Jerome and Saint Francis of Assisi polychrome painted enamel on copper, in ebonised wood frames inscribed with gold letters: *ADORE*TE* and: SANCTE * FRANCICE enamels: 7.8 by 6.3cm., 3⅛ by 2½in. each frames: 12.5 by 10.8cm., 4⅞ by 4¼in. each (2) ____________________________________________ Sélection provenant de la collection de Bernard Descheemaeker Works of Art, Anvers Atelier de Pierre Reymond (1513 - 1584) Limoges, vers 1545 Saint Jérome et saint François d'Assise paire de Pax en émail peint polychrome sur cuivre ; dans des cadres en bois noirci inscrit en lettres d'or *ADORE*TE* et SANCTE * FRANCICE 7,8 x 6,3 cm ; 3 ⅛ x 2 ½ in. (cadres) 12,5 x 10,8 cm ; 4 ⅞ x 4 ¼ in. (2)
Sotheby's
Nov. 25, 2024
Follower of Pierre Reymond, circa 1590 - 1595 | Suiveur de Pierre Reymond, vers 1590 - 1595
Est: €6,000 - €8,000
A Selection from the collection of Bernard Descheemaeker Works of Art, Antwerp Follower of Pierre Reymond (1513 - 1584) French, Limoges, circa 1590 - 1595 Plate with the Banquet of Absalom polychrome and translucent painted enamel on copper, with gilt highlights inscribed: ABSALON in a white cartouche after an engraving by Bernard Salomon (1553) 19.7cm., 7¾in. diameter ____________________________________________ Sélection provenant de la collection de Bernard Descheemaeker Works of Art, Anvers Suiveur de Pierre Reymond (1513 - 1584) Limoges, vers 1590 - 1595 Le Banquet d'Absalom assiette en émail polychrome et translucide sur cuivre, à rehauts d'or inscrit ABSALON dans un cartouche blanc d'après une gravure de Bernard Salomon (1553) Diam. 19,7 cm ; 7 ¾ in.
Sotheby's
Nov. 25, 2024
Workshop of Pierre Reymond, second half of 16th century | Atelier de Pierre Reymond, seconde moitié du XVIe siècle
Est: €4,000 - €6,000
Property from a European private collection Workshop of Pierre Reymond (1513 - 1584) French, Limoges, second half of 16th century Plaque with a Money counter (from the Shepherd series) grisaille painted enamel on copper, with gilt highlights, in an ebonised wood frame the scene inscribed: PRSSUS INIOPS RERUM IMMAT / VRIS FRUGIBUS UTOR ESFICIT / HOC FENUS PUGNORA NOSTRA / FERES the reverse numbered: VIII, and with an old label inscribed: 4069 16.3 by 13cm., 6⅜ by 5⅛in. ____________________________________________ Provenant d'une collection particulière européenne Atelier de Pierre Reymond (1513 - 1584) Limoges, seconde moitié du XVIe siècle Le Précepteur (issu de la série illustrant la Parabole du Berger) émail peint en grisaille sur cuivre, à rehauts d'or ; dans un cadre en bois noirci un cartouche inscrit PRSSUS INIOPS RERUM IMMAT / VRIS FRUGIBUS UTOR ESFICIT / HOC FENUS PUGNORA NOSTRA / FERES numéroté VIII au revers, une étiquette numéroté 4069 16,3 x 13 cm ; 6 ⅜ x 5 ⅛ in.
Sotheby's
Nov. 25, 2024
Pierre Reymond
Est: €3,000 - €5,000
Pierre Reymond 1513 - 1584 French, Limoges, second half of the 16th century Tazza lid with the Death of Absalom in the wood of Ephraim grisaille and partially gilt painted enamel on copper, with flesh-tone highlights monogrammed: .P.R. and inscribed: II. ROIS. XVIII. the inside of the lid with the tetramorph surrounded by strapworks diameter: 18.6cm., 7⅜in. The lid was the subject of an agreement with the heirs of Dr. Adolph List in 2023. The heirs are extremely grateful to The Al Thani Collection for its assistance and generosity in securing the return of the object. ____________________________________________ Pierre Reymond 1513 - 1584 Limoges, deuxième moitié du XVIe siècle Couvercle de tazza orné de la mort d'Absalom dans la forêt d'Éphraïm émail peint en grisaille sur cuivre, avec rehauts d'or et carnations roses monogrammé .P.R. et inscrit II. ROIS. XVIII. l'intérieur du couvercle orné du Tétramorphe (symbole des quatre Évangélistes) diamètre 18,6 cm ; 7 ⅜ in. Le couvercle a fait l'objet d'un accord avec les héritiers du Dr Adolph List en 2023. Les héritiers sont extrêmement reconnaissants envers la Collection Al Thani pour son aide et sa générosité dans le cadre de la restitution de l'objet.
Sotheby's
Nov. 25, 2024
Workshop of Pierre Reymond, circa 1570 - 1575 | Atelier de Pierre Reymond, vers 1570 - 1575
Est: €6,000 - €8,000
A Selection from the collection of Bernard Descheemaeker Works of Art, Antwerp Workshop of Pierre Reymond (1513 - 1584) French, Limoges, circa 1570 - 1575 Plate with the Month of October grisaille and partially gilt painted enamel on copper, with red highlights numbered: 9 with red enamel the back with the profile of the Emperor Nero, inscribed: *NERON 6* / EME * EMPEREUR* after an engraving by Etienne Delaune (1568) and the reverse after Marcantonio Raimondi 20cm., 7⅞in. diameter ____________________________________________ Sélection provenant de la collection de Bernard Descheemaeker Works of Art, Anvers Atelier de Pierre Reymond (1513 - 1584) Limoges, vers 1570 - 1575 Le Mois d'Octobre assiette en émail peint en grisaille sur cuivre, rehauts d'or et de rouge numéroté 9 le revers avec le profil de l'Empereur Néron, inscrit * NERON 6* / EME * EMPEREUR* le recto d'après une gravure d'Etienne Delaune (1568), le verso d'après Marcantonio Raimondi Diam. 20 cm ; 7 ⅞ in.
Sotheby's
Nov. 22, 2024
Workshop of Pierre Reymond, circa 1555 - 1560 | Atelier de Pierre Reymond, vers 1555 - 1560
Est: €15,000 - €26,000
A Selection from the collection of Bernard Descheemaeker Works of Art, Antwerp Workshop of Pierre Reymond (1513 - 1584) French, Limoges, circa 1555 - 1560 Ewer basin with five scenes from Genesis painted enamel ewer basin on copper, with gilt and fleshtones highlights with a gilt copper plaque at the centre, engraved with a coat-of-arms and the initials: BB the rim inscribed: ENE / ** / I, ENE / ** / II, ENE / ** / III and ENE / ** / IV diameter: 47.5cm., 18¾in. height: 6cm., 2⅜in. ____________________________________________ Sélection provenant de la collection de Bernard Descheemaeker Works of Art, Anvers Atelier de Pierre Reymond (1513 - 1584) Limoges, vers 1555 - 1560 Bassin d'aiguière avec cinq scènes de la Genèse grand bassin d'aiguière circulaire en émail peint en grisaillle sur cuivre, avec des rehauts de carnations roses et dorés avec au centre une plaque en cuivre doré, gravée d'un blason et des initiales BB le marli inscrit ENE / ** / I, ENE / ** / II, ENE / ** / III et ENE / ** / IV Diam. 47,5 cm ; 18 ¾ in. Haut. 6 cm ; 2 ⅜ in.
Sotheby's
Sep. 19, 2024
Attributed to Pierre Reymond (1513-1584) - Oval Limoges enamel plate depicting Abraham rejecting the gifts of the king of Sodom
Est: €1,000 - €2,000
23 x 31 cm decorated with grotesques and masks on the brim; with profile within clypeus on the back monogram PR; inscription in Latin restoration
Finarte
Oct. 24, 2023
ESCUELA DE LIMOGES, SEGUNDA MITAD DEL S.XVI. CÍRCULO DE PIERRE REYMOND.
Est: €2,000 - €3,500
Escuela de Limoges, segunda mitad del s.XVI. Círculo de Pierre Reymond (Limoges, Francia, c.1513-1584) Oración en el huerto. Extraordinario esmalte representando un episodio de la vida de Jesús de Nazaret, presente en los cuatro Evangelios. Durante las horas previas a su Pasión, Jesús se retiró a orar a un lugar llamado monte de los Olivos y, en concreto, al Huerto de Getsemaní. Allí sufrió mucho y rogó a Dios Padre que apartara de Él ese cáliz, pero aceptó la voluntad del Todopoderoso. Fue acompañado por los apóstoles Pedro, Juan y Santiago. La composición está basada en el grabado realizado por Durero en 1508 y que forma parte de la popular serie "La pequeña Pasión". La Pasión de Cristo fue un tema extremadamente popular en la Alemania de los s.XIV y XV. Tras la invención de la imprenta, la serie que describe la Pasión se distribuyó en toda Europa, como resultado muchos talleres de esmalte crearon representaciones de la Pequeña Pasión de Durero. Se conoce una serie de placas pertenecientes al Maestro de la Pequeña Pasión que trabajó estrechamente con el renombrado esmaltador Pierre Reymond conservada en el Museo Nacional Soares dos Reis en Porto, Portugal. Limoges, en la región suroeste de Francia, ha sido mundialmente famosa por producir esmaltes durante siglos. Con origen en el siglo XII, la industria de decorar objetos metálicos, generalmente en bronce y latón (y en su mayoría hechos con fines eclesiásticos) en esmaltes de colores champlevé, prosperó hasta alrededor de 1370, cuando se produce un rápido declive donde estas preciosas habilidades de fabricación casi se perdieron. Sin embargo, a finales del siglo XV la producción de esmalte volvió a la región, pero con una producción hacia objetos más seculares. Surgieron nuevas técnicas, incluida la decoración pictórica directamente sobre el esmalte. Varios talleres franceses notables surgieron con sus propios estilos distintivos que, en algunos casos, también firmaban su trabajo. Estas piezas, que generalmente representaban escenas narrativas mitológicas o religiosas, a menudo platos, centros, copas o placas, se convirtieron en objetos muy preciados. Bibliografía de referencia: "Les émaux peints de Limoges", por S. Baratte. París, 2000. y "Le métier d'émailleur à Limoges XVI-XVIIème siècle", por M. Beyssi-Cassan. 2006. 34 x 23 cm.
Aletheia Subastas
Oct. 12, 2023
A HEXAGONAL LIMOGES ENAMEL SALT CELLAR DEPICTING THE WEAKNESS OF MAN BY PI
Est: $10,000 - $15,000
A HEXAGONAL LIMOGES ENAMEL SALT CELLAR DEPICTING THE WEAKNESS OF MAN BY PIERRE REYMOND (C.1513-1584), MID 16TH CENTURY 3 in. (8 cm.) high 3 ¾ in. (9.4 cm.) diam.
Christie's
Oct. 12, 2023
A HEXAGONAL LIMOGES ENAMEL SALT CELLAR DEPICTING THE LABORS OF HERCULES AT
Est: $7,000 - $10,000
A HEXAGONAL LIMOGES ENAMEL SALT CELLAR DEPICTING THE LABORS OF HERCULES ATTRIBUTED TO PIERRE REYMOND (C.1513-1584), SECOND HALF 16TH CENTURY 2 ¾ in. (7 cm.) high 3 1/3 in. (8.2 cm.) diam.
Christie's
Oct. 12, 2023
A LIMOGES ENAMEL EWER DEPICTING MARS AND JUNO IN PROCESSION BY PIERRE REYM
Est: $20,000 - $40,000
A LIMOGES ENAMEL EWER DEPICTING MARS AND JUNO IN PROCESSION BY PIERRE REYMOND (C.1513-1584), MID-16TH CENTURY 7 ¼ in. (18.5 cm.) high 4 ½ in. (11 cm.) diam.
Christie's
Oct. 12, 2023
A PAIR OF CIRCULAR LIMOGES ENAMEL SALT CELLARS DEPICTING THE LABORS OF HER
Est: $25,000 - $50,000
A PAIR OF CIRCULAR LIMOGES ENAMEL SALT CELLARS DEPICTING THE LABORS OF HERCULES... BY PIERRE REYMOND (C.1513-1584), MID-16TH CENTURY 3 ½ in. (8.7 cm.) high 4 ¾ in. (12 cm.) diam.
Christie's
Oct. 12, 2023
A CIRCULAR LIMOGES ENAMEL SALT CELLAR DEPICTING MYTHOLOGICAL SCENES BY PIE
Est: $12,000 - $18,000
A CIRCULAR LIMOGES ENAMEL SALT CELLAR DEPICTING MYTHOLOGICAL SCENES BY PIERRE REYMOND (C.1513-1584), MID-16TH CENTURY 3 in. (7.7 cm.) high 5 ¼ in. (13.3 cm.) diam.
Christie's
Oct. 11, 2023
A LIMOGES ENAMEL COVERED TAZZA DEPICTING A BACCHIC PROCESSION BY PIERRE REY
Est: $70,000 - $100,000
A LIMOGES ENAMEL COVERED TAZZA DEPICTING A BACCHIC PROCESSION BY PIERRE REYMOND (C.1513-1584), SIGNED 'PR' AND DATED 1553 10 7/8 (27.5 cm) high, overall
Christie's
Sep. 29, 2023
Limoges Plakette „Christus am Kreuz“, Werkstatt Pierre Reymond (1513-1584) nach A. Dürer "Kleine Passion", Emaille/Kupfer, Limoges 16.Jh., 12,5x9,7cm (in Samt Rahmung 19x19cm), feiner Riss, seit 1985 Slg. Walter Vonficht/Allgäu
Est: -
Limoges Plakette „Christus am Kreuz“, Werkstatt Pierre Reymond (1513-1584) nach A. Dürer "Kleine Passion", Emaille/Kupfer, Limoges 16.Jh., 12,5x9,7cm (in Samt Rahmung 19x19cm), feiner Riss, seit 1985 Slg. Walter Vonficht/Allgäu Limoges plaque "Christ on the cross", workshop Pierre Reymond (1513-1584) after A. Dürer "Little Passion", enamel/copper, Limoges 16th century, 12,5x9,7cm (in velvet framing 19x19cm), fine crack, since 1985 Coll. Walter Vonficht/Allgäu
Kendzia
Sep. 29, 2023
Limoges Plakette „Kreuztragung“ Werkstatt Pierre Reymond (1513-1584) zugeschr., nach A. Dürer "Kleine Passion", Emaille/Kupfer, Limoges 16.Jh., 12,5x9,5cm (m.R. 18x18,5cm), r.o. Ecke gechipt, verso diverse Aufkleber, seit 1985 Slg. Walter Vonficht/A
Est: -
Limoges Plakette „Kreuztragung“ Werkstatt Pierre Reymond (1513-1584) zugeschr., nach A. Dürer "Kleine Passion", Emaille/Kupfer, Limoges 16.Jh., 12,5x9,5cm (m.R. 18x18,5cm), r.o. Ecke gechipt, verso diverse Aufkleber, seit 1985 Slg. Walter Vonficht/Allgäu Limoges plaque "Carrying of the Cross" workshop Pierre Reymond (1513-1584) attributed, after A. Dürer "Small Passion", enamel/copper, Limoges 16th century, 12,5x9,5cm (m.R. 18x18,5cm), r.o. corner chipped, verso various labels, since 1985 coll. Walter Vonficht/Allgäu
Kendzia
Jul. 14, 2023
ATTRIBUTED TO THE WORKSHOP OF PIERRE REYMOND (1513–1584), CIRCA 1570-80 The
Est: £30,000 - £50,000
ATTRIBUTED TO THE WORKSHOP OF PIERRE REYMOND (1513–1584), CIRCA 1570-80 The Months of the Year 3 1/2 x 4 1/8 in. (9 x 10.5 cm.) overall
Christie's
Jul. 04, 2023
Tazza with music-making putti and couples
Est: £15,000 - £20,000
Property from an Important English Private Collection Pierre Reymond Limoges 1513 - 1584 Tazza with music-making putti and couples inscribed: PR to the bowl and the foot incised: af and: 15 to the underside of the foot painted enamel on copper 8.5cm., 3⅜in. high 23.5cm., 9¼in. diameter
Sotheby's
Nov. 18, 2022
Pierre Reymond (attrib), Limoges enamel plate
Est: $1,000 - $1,500
Attributed to the Workshop of Pierre Reymond (1513-1584, French), grisaille enamels and gilding, the inner dish decorated with an allegorical scene of three peasants seated among a flock of sheep, a bull aloft in the heavens in the background, inscribed "Avril" and possible artist cipher, within a griffin and scroll border, the reverse decorated with a portrait medallion centered within concentric scroll borders, 8"dia
Millea Bros Ltd
Oct. 12, 2022
A Limoges grisaille painted enamel rectangular plaque depicting the Death of Acteon, attributed to Pierre Reymond (1513-1584), Circa 1570
Est: €8,000 - €12,000
A Limoges grisaille painted enamel rectangular plaque depicting the Death of Acteon, attributed to Pierre Reymond (1513-1584), Circa 1570 with a Collection / Alex Brunet label on the reverse grisaille and partially gilt painted enamel on copper; in an 18th century giltwood frame (enamel) height 3½ in.; length 6⅞ in.; 9 cm; 17,5 cm (overall) height 5⅐ in.; width 8⅔ in.; 13 cm; 22 cm ____________________________________________ Plaque rectangulaire en émail peint en grisaille représentant la Mort d'Actéon, attribué à Pierre Reymond (1503-1584), vers 1570 une étiquette au revers inscrite Collection / Alex Brunet émail peint en grisaille sur cuivre à rehauts d'or ; dans un cadre en bois doré du XVIIIe siècle (émail) hauteur 3½ in.; largeur 6⅞ in.; 9 cm; 17,5 cm (overall) hauteur 5⅐ in.; largeur 8⅔ in.; 13 cm; 22 cm Bid on Sotheby's
Sotheby's
Oct. 12, 2022
A Limoges grisaille painted enamel rectangular plaque depicting the Joseph in the well, attributed to Pierre Reymond (1513-1584), Circa 1560-1570
Est: €8,000 - €12,000
A Limoges grisaille painted enamel rectangular plaque depicting the Joseph in the well, attributed to Pierre Reymond (1513-1584), Circa 1560-1570 grisaille and partially gilt painted enamel plaque on copper; in an giltwood frame with a blue enamel inlay (enamel) height 3¼ in.; width 6⅓ in.; 8,2 cm; 16,2 cm (overall) height 6⅐ in.; width 9¼ in.; 15,5 cm; 23,5 cm ____________________________________________ Plaque rectangulaire en émail peint en grisaille représentant Joseph jeté au puis par ses frères, attribué à Pierre Reymond (1513-1584), vers 1560-1570 émail peint en grisaille sur cuivre à rehauts d'or ; dans un cadre en bois doré incrusté de plaques en émail bleu (émail) hauteur 3¼ in.; largeur 6⅓ in.; 8,2 cm; 16,2 cm (total) hauteur 6⅐ in.; largeur 9¼ in.; 15,5 cm; 23,5 cm Bid on Sotheby's
Sotheby's
Oct. 12, 2022
A Limoges grisaille painted enamel plate depicting Cupid fleeing from Psyche, Attributed to Pierre Reymond (1513-1584) circa 1570-1577
Est: €15,000 - €25,000
A Limoges grisaille painted enamel plate depicting Cupid fleeing from Psyche, Attributed to Pierre Reymond (1513-1584), circa 1570-1577 numbered 14 on the well the rim with putti alternated with foliate scrolls and cornucopias, the reverse with masks of winged putti, patterns of interlacing foliate scrollwork grisaille and partially gilt painted enamel on copper, with flesh-tone highlights diameter 9 in.; 23 cm ____________________________________________ Plat en émail avec Amour fuyant Psyché, attribué à Pierre Reymond (1513-1584), dernier quart du XVIe siècle la scène numérotée 14 le marli orné de putti, de rinceaux et de cornes d'abondances le revers orné de masques de putti ailés, d'entrelacs et de rinceaux, des volutes feuillagées sur le marli émail peint en grisaille à rehauts d'or et carnations roses diamètre 9 in.; 23 cm Bid on Sotheby's
Sotheby's
Oct. 12, 2022
A Limoges grisaille painted enamel circular plate with Cupid and Psyche, Attributed to Pierre Reymond (1513-1584), circa 1570-1575
Est: €30,000 - €50,000
A Limoges grisaille painted enamel circular plate with Cupid and Psyche, Attributed to Pierre Reymond (1513-1584), circa 1570-1575 the rim with the coat-of-arms of the Chaspoux de Verneuil, surrounded by foliate scrolls, cornucopias and putti, the center composition inscribed XXVIII in red ink two collection labels on the underside inscribed HH. and H 14. grisaille and partially gilt painted enamel on copper, with flesh-tone highlights diameter 10 in.; 25,2 cm ____________________________________________ Plat circulaire avec Cupidon et Psyché, attribué à Pierre Reymond (1513-1584), vers 1570-1575 le marli aux armes des Chaspoux de Verneuil, entourées de volutes, de cornes d'abondance et de putti la scène numérotée en rouge XXVIII le revers orné de masques de putti ailés, d'entrelacs et de rinceaux, des volutes feuillagées sur le marli deux anciennes étiquettes de collection au revers inscrites HH. et H 14. émail peint en grisaille à rehauts d'or et carnations roses diamètre 10 in.; 25,2 cm Bid on Sotheby's
Sotheby's
Oct. 12, 2022
A Limoges grisaille painted circular enamel plate depicting Psyche at her Bath, Attributed to Pierre Reymond (1513-1584), circa 1570-1580
Est: €50,000 - €80,000
A Limoges grisaille painted circular enamel plate depicting Psyche at her Bath, Attributed to Pierre Reymond (1513-1584), circa 1570-1580 the rim with the Chaspoux de Verneuil coat-of-arms, surrounded by foliate scrolls, cornucopias and putti, the scene inscribed in red ink VII the reverse with winged angel's masks, strap-work ornaments and elaborate gilt-foliate scrolls grisaille and partially gilt painted enamel on copper, with flesh-tone highlights diameter 9¾ in.; 25 cm ____________________________________________ Assiette en émail illustrant Psyché au Bain avant le banquet, Limoges, attribué à Pierre Reymond (1513-1584), vers 1570-1575 le marli aux armes des Chaspoux de Verneuil, entourées de volutes, cornes d'abondance et putti la scène numérotée en rouge VII le revers orné de têtes de chérubins et de volutes dorés émail peint en grisaille, à carnations roses et rehauts d'or diamètre 9¾ in.; 25 cm Bid on Sotheby's
Sotheby's
Oct. 12, 2022
A Limoges grisaille painted enamel plate depicting the Month of August, Attributed to Pierre Reymond (1513-1584), Circa 1570-1580
Est: €40,000 - €60,000
A Limoges grisaille painted enamel plate depicting the Month of August, Attributed to Pierre Reymond (1513-1584), circa 1570-1580 inscribed in red .AOVT. on the lower part of the well, and AMPEREVX / NERVA / TRESZIEME on the reverse the rim with the Chaspoux de Verneuil coat-of-arms, surrounded by foliate scrolls, strawberries and putti on chariots partially gilt and grisaille painted enamel on copper diameter 7¾ in.; 19,7 cm ____________________________________________ Plat circulaire représentant le Mois d'Août, attribué à Pierre Reymond (1513-1584), vers 1570-1580 inscrit en rouge .AOVT. et AMPEREVX / NERVA / TRESZIEME au revers le marli aux armes des Chaspoux de Verneuil, entourées de volutes, de framboises et de figures de putti sur des chariots émail peint en grisaille sur cuivre à rehauts d'or diamètre 7¾ in.; 19,7 cm Bid on Sotheby's
Sotheby's
Oct. 12, 2022
A Limoges polychrome painted enamel plate depicting of the Month of September, Workshop of Pierre Reymond (1513-1584), Circa 1570
Est: €40,000 - €60,000
A Limoges polychrome painted enamel plate depicting of the Month of September, Workshop of Pierre Reymond (1513-1584), circa 1570 the well inscribed in red .SEPTEMBRE., with the zodiacal sign of Scorpio to the top the rim with the Chaspoux de Verneuil coat-of-arms, surrounded by foliate scrolls, strawberries and putti on chariots the reverse inscribed NERON. LE. CREVL. SISZIEME. AMPEREUX, and with an old label inscribed BERNHEIMER MUNCHEN/1864 gegr. partially gilt and grisaille painted enamel on copper diameter 7¾ in.; 19,6 cm ____________________________________________ Plat circulaire représentant le Mois de Septembre, Atelier de Pierre Reymond (1513-1584), vers 1570 inscrit en rouge .SEPTEMBRE. et orné du signe du zodiac Scorpion en haut le marli aux armes des Chaspoux de Verneuil, entourées de volutes, de framboises et de figures de putti sur des chariots le revers inscrit NERON. LE. CREVL. SISZIEME. AMPEREUX, une étiquette ancienne au revers inscrite BERNHEIMER MUNCHEN/1864 gegr. émail peint en grisaille sur cuivre à rehauts d'or diamètre 7¾ in.; 19,6 cm Bid on Sotheby's
Sotheby's
Oct. 12, 2022
A Limoges grisaille painted enamel oval dish with the Judgement of Moses, attributed to Pierre Reymond (1513-1584), Circa 1570-1575
Est: €200,000 - €300,000
A Limoges grisaille painted enamel oval dish with the Judgement of Moses, attributed to Pierre Reymond (1513-1584), Circa 1570-1575 inscribed MOISE and EXODE. XVIII. the rim with the coat-of-arms of the Chaspoux de Verneuil the reverse with the goddess Juno and a peacock surrounded by grotesques after Etienne Delaune (1518-1583) grisaille and partially gilt painted enamel on copper height 20⅐ in.; width 16⅔ in.; 51,2 cm; 42,2 cm ____________________________________________ Plat ovale décoré du Jugement de Moïse, attribué à Pierre Reymond (1513-1584), vers 1570-1575 inscrit MOISE et EXODE. XVIII. le marli portant les armes des Chaspoux de Verneuil le revers orné de la déesse Junon et son paon entourrés de grostesques, d'après Etienne Delaune (1518-1583) émail peint en grisaille sur cuivre à rehauts d'or hauteur 20⅐ in.; largeur 16⅔ in.; 51,2 cm; 42,2 cm Bid on Sotheby's
Sotheby's
Jun. 21, 2022
REYMOND Pierre (1513 - 1584). Attribué à. Grand plat rond à offrande en cuivre émaillé polychrome décoré de "Scènes de la Genèse"
Est: €20,000 - €30,000
REYMOND Pierre (1513 - 1584). Attribué à. Grand plat rond à offrande en cuivre émaillé polychrome décoré de "Scènes de la Genèse" reprenant la 'Vie d'Adam et Eve" sur fond en grisaille rehaussé à l'or. Elément central en cuivre ciselé portant les lettres "B.B". Bordure et verso ornés de "Rinceaux", de "Putti" et de "Grotesques" sur fond noir. Attribué à Pierre Reymond. Travail français, Limoges. Epoque: XVIème. (petits éclats et restaurations). Diam.:+/-47,5cm.
Vanderkindere
Jun. 14, 2022
Christ in the Garden of Gethsemane | Le Christ au jardin de Gethsémani
Est: €8,000 - €12,000
Pierre Reymond (1513-1584) Limoges, circa 1568 Christ in the Garden of Gethsemane polychrome painted enamel on copper, partially gilded; in a gilt-bronze frame (overall) 24 by 18 cm, 9 1⁄2 by 7 in. ; (enamel) 22 by 16 cm, 8⅔ by 6⅓ in. ____________________________________________ Pierre Reymond (1513-1584) Limoges, vers 1568 Le Christ au jardin de Gethsémani émail peint polychrome sur cuivre, partiellement doré ; dans un cadre en bronze doré (total) 24 x 18 cm, 9 1⁄2 x 7 in. ; (émail) 22 x 16 cm, 8⅔ x 6⅓ in. Bid on Sotheby's
Sotheby's
May. 18, 2022
PAR PIERRE REYMOND (ACTIF 1537-1584), LIMOGES, SECONDE MOITIÉ DU XVIe SIÈC
Est: €8,000 - €10,000
PAR PIERRE REYMOND (ACTIF 1537-1584), LIMOGES, SECONDE MOITIÉ DU XVIe SIÈCLE DEUX PLAQUES À SUJETS MYTHOLOGIQUES 8,5 x 8 cm (3 x 3 in.)
Christie's
May. 18, 2022
ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594) Ensemble de six dessins repré
Est: €10,000 - €15,000
ATTRIBUÉ Á PIERRE REYMOND (LIMOGES 1513-1594) Ensemble de six dessins représentant divers métiers et des animaux pierre noire, plume et encre noire et brune, rehaussé de blanc 23,5 x 16,3 cm (9 1/4 x 6 3/8 in.)
Christie's
Dec. 14, 2021
Cena da Paixão de Cristo - flagelação em metal
Est: €1,000 - €1,600
Cena da Paixão de Cristo - flagelação em metal esmaltado, em tons policromos e dourado, fabrico Limoges, atribuível a Pierre Reymond (c. 1513-c.1584). Verso assinado ou com inscrição a dourado "P.R." Faltas e falhas. Emoldurado. Dim. aprox.: 23 x 18 cm.
Palácio do Correio Velho
Oct. 30, 2019
Enamelled copper plate. Limoges. France. Sixteenth century. Possibly from the workshop of Jean Court (Active, 1553 - 85) or Pierre Reymond (1513-1584)
Est: €5,000 - €7,000
Enamelled copper plate. Limoges. France. Sixteenth century. Possibly from the workshop of Jean Court (Active, 1553 - 85) or Pierre Reymond (1513-1584) The theme of the scenes of Psyche's life was very popular among the artists of Limoges in this era, especially for the decoration of dishes. In the centre the scene takes place in front of an architectural background and mountainous landscape. The lip is decorated with an alternate series of winged dragons and fantastic characters with an enamelled human face, against a background of golden garlands of foliage motifs. The centre of the back consists of four fantastic characters joined by their arms and among them is a pair of birds with the face of woman and man. The lip is decorated with golden garlands of vegetable elements. Faults and restoration. Dishes similar to this one made by Jean Court include, for example, the dish representing the banquet of Cupid and Psyche which at one time was included in the important Limoges enamel collection of William Beckford (1760 - 1844), or the one dedicated to the scenes of The life of St. Joseph dated 1565, both now belonging to the Victoria & Albert Museum in London. The Louvre Museum has a Pierre Reymond dish portraying the Story of Psyche which was bequeathed by The Baroness Salomon of Rothschild. The Hermitage Museum in St. Petersburg has a series of six Pierre Reymond dishes that came from the Basilewski collection. Origin: Gift of the Duchess Villa Hermosa to the current owner. Works of Art. Diameter: 20 cm.
La Suite Subastas
Jul. 04, 2019
PIERRE REYMOND (1513-1584), LIMOGES, CIRCA 1560-1570 TAZZA DEPICTING VENUS LEARNING OF CUPID'S PLIGHT 9. 3/8 in. (23.9 cm.) diam.; 3. 1/8 in. (7.9 cm.) high
Est: £70,000 - £100,000
PIERRE REYMOND (1513-1584), LIMOGES, CIRCA 1560-1570 TAZZA DEPICTING VENUS LEARNING OF CUPID'S PLIGHT Parcel-gilt grisaille enamel; the underside of the foot with a red seal and paper labels inscribed 'UNION/ …/ CENTRALE', 'R', one label inscribed 'G/ H.60.' and 'F 32' 9. 3/8 in. (23.9 cm.) diam.; 3. 1/8 in. (7.9 cm.) high
Christie's
Jun. 25, 2019
DEUX DE PLAQUES EN EMAIL PEINT POLYCHROME REPRESENTANT SAINT JEROME DANS LE... ATTRIBUEES A L'ATELIER DE PIERRE REYMOND (1513-1584), LIMOGES, MILIEU DU XVIE H.: 19 cm. (7 ½ in.) ; L.: 15.3 cm. (6 in.)
Est: €3,000 - €5,000
DEUX DE PLAQUES EN EMAIL PEINT POLYCHROME REPRESENTANT SAINT JEROME DANS LE DESERT ET L'ADORATION DES MAGES ATTRIBUEES A L'ATELIER DE PIERRE REYMOND (1513-1584), LIMOGES, MILIEU DU XVIE SIECLE H.: 19 cm. (7 ½ in.) ; L.: 15.3 cm. (6 in.)
Christie's
Jun. 06, 2018
A 16TH CENTURY LIMOGES ENAMEL PLAQUE DEPICTING THE FLAGELLATION OF CHRIST IN THE MANNER OF PIERRE REYMOND (FRENCH, 1513-1584) Christ bound to a column, within an architectural scene , the sky with gilt stars revealed within an archway, mounted in a 19th century gilt bronze and red velvet covered rectangular frame, the panel 12cm high x 10cm wide A similar enamelled panel by Pierre Reymond depicting the Flagellation is in the Los Angeles County Museum of Art, William Randolph Hearst Collection (51.1.1b), circa 1535-1540.
Est: £1,000 - £1,500
A 16TH CENTURY LIMOGES ENAMEL PLAQUE DEPICTING THE FLAGELLATION OF CHRIST IN THE MANNER OF PIERRE REYMOND (FRENCH, 1513-1584) Christ bound to a column, within an architectural scene , the sky with gilt stars revealed within an archway, mounted in a 19th century gilt bronze and red velvet covered rectangular frame, the panel 12cm high x 10cm wide A similar enamelled panel by Pierre Reymond depicting the Flagellation is in the Los Angeles County Museum of Art, William Randolph Hearst Collection (51.1.1b), circa 1535-1540.
Chiswick Auctions
Apr. 27, 2017
A PARCEL-GILT GRISAILLE ENAMEL DIPTYCH OF THE SEVEN - SORROWS OF THE VIRGIN AND THE DEATH OF THE VIRGIN
Est: $200,000 - $300,000
A PARCEL-GILT GRISAILLE ENAMEL DIPTYCH OF THE SEVEN SORROWS OF THE VIRGIN AND THE DEATH OF THE VIRGIN BY PIERRE REYMOND (C. 1513-AFTER 1584), LIMOGES, CIRCA 1540’S, THE CASE POSSIBLY 16TH OR 17TH CENTURY Signed P.R and the case possibly bearing the arms of the de Sarrazin, du Rousset or de Varisque families 11 1/4 in. (27.9 cm.) high, 15 in. (38.1 cm.) wide, 1 1/8 in. (2.5 cm.) deep, overall open
Christie's
Apr. 27, 2017
LIMOGES, VERS 1560, ATELIER DE PIERRE REYMOND (1513-1584) CUILLIÈRE | Cuillière
Est: €6,000 - €10,000
le bassin à décor d'Enée et Anchise quittant Troie en flammes, le manche orné de feuilles d'acanthe et finissant par un sabot de biche
Sotheby's
Feb. 26, 2017
Workshop of Pierre Reymond (1513-1584) Icon
Est: $30,000 - $50,000
Exceptional Enameled Icon, Workshop of Pierre Reymond (1513-1584) depicting Christ carrying the cross on the way to his crucifixion. Wearing the crown of thorns. Reymond was a French enamellist. Reymond managed a large workshop in Limoges. As was the practice of the time, pieces produced in his workshop bore his initials even though they were not necessarily his work. Reymond also made the enamelled altarpiece commissioned by Anne de Montmorency for the chapel of his Château d'Écouen. Image Size: 8.25 x 7 in. Overall Size: 23 x 13 in.
Sarasota Estate Auction
Sep. 16, 2016
Workshop of Pierre Reymond (1513-1584) Icon
Est: $30,000 - $50,000
Exceptional Enameled Icon, Workshop of Pierre Reymond (1513-1584) depicting Christ carrying the cross on the way to his crucifixion. Wearing the crown of thorns. Reymond was a French enamellist. Reymond managed a large workshop in Limoges. As was the practice of the time, pieces produced in his workshop bore his initials even though they were not necessarily his work. Reymond also made the enamelled altarpiece commissioned by Anne de Montmorency for the chapel of his Château d'Écouen. Height: 23 inches.
Sarasota Estate Auction
Jun. 16, 2016
LIMOGES, DANS LE STYLE DU XVIE SIÈCLE, À LA MANIÈRE DE PIERRE REYMOND (1513-1584) TRIOMPHE D'AMPHITRITE | Triomphe d'Amphitrite
Est: €3,000 - €4,000
Limoges, dans le style du XVIe siècle, à la manière de Pierre Reymond (1513-1584) Triomphe d'Amphitrite
Sotheby's
Mar. 08, 2016
MANNER OF PIERRE REYMOND (1513-1584) FRENCH, LIMOGES, 19TH CENTURY | Ewer stand with scenes from the Book of Genesis
Est: £2,000 - £3,000
partially gilt painted enamel on copper
Sotheby's
Jul. 09, 2015
PIERRE REYMOND (1513-1584) FRENCH, LIMOGES, 1575 | Tazza with the Worship of the Golden Calf
Est: £15,000 - £25,000
inscribed: EXODE.XXXII.
Sotheby's
Jul. 09, 2015
ATTRIBUTED TO PIERRE REYMOND (1513-1584) FRENCH, LIMOGES, MID-16TH CENTURY | Saint John the Baptist in the desert
Est: £2,000 - £3,000
with a white label marked: COLLEZIONE SANGIORGI numbered: 19581, 24900, 9400, and 314, a label numbered: 59, and a fragmentary label on the reverse
Sotheby's
Dec. 02, 2014
AN ENAMEL PORTRAIT PLAQUE OF LEDA
Est: £30,000 - £50,000
AN ENAMEL PORTRAIT PLAQUE OF LEDA CIRCLE OF PIERRE REYMOND (1513-1584), LIMOGES, MID-16TH CENTURY Background inscribed 'LEDA'; in a later circular giltwood frame 10 ½ in. (27 cm.) high; 12 in. (30.7 cm.) high, overall
Christie's
Jan. 31, 2013
A LIMOGES GRISAILLE PAINTED ENAMEL CHARGER, ATTRIBUTED TO PIERRE REYMOND (1513-1584), DATED 1560 AND 1561
Est: $70,000 - $90,000
PROPERTY FROM A DISTINGUISHED COLLECTOR, NEW YORK the Defeat of Amalek depicted on the obverse, Moses summoning water from a stone with his staff and the Ten Commandments depicted on the reverse. width 20 3/16 in.; 51.3 cm.
Sotheby's