Georges Reverdy Sold at Auction Prices

Wood Carver, copperplate engraver, Wood cutter, Painter, Sculptor / Carver

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    • Reverdino, Cesare
      Dec. 17, 2022

      Reverdino, Cesare

      Est: €240 - €360

      (Italienisch, tätig zwischen 1531-64) nach. Zehn Kinder, die zum Klang eines Dudelsacks tanzen. Radierung hg. von Ioannes Orlandi, Rom. Kupferstich. 17. Jhdt. Blgr. 10,8 x 20,3 cm. Mit schmalem Rändchen. Stempel verso: M.B. (nicht bei Lugt). - Prov. Sammlung Franz Meyer. - Vgl. B 36. R

      Kiefer Buch- und Kunstauktionen
    • George Reverdy [attribuito a], Presentazione di Gesù al tempio. 1535 ca.
      Oct. 01, 2019

      George Reverdy [attribuito a], Presentazione di Gesù al tempio. 1535 ca.

      Est: €600 - €1,200

      Bulino.mm 275x321. Baudi di Vesme, 14. Leutrat, 4 (attribuzione respinta). Da un cartone attribuito a Giulio Romano o a Luca Penni. L'incisione riproduce uno dei 12 arazzi vaticani della serie Storie della vita di Cristo, tessuti a Bruxelles da Pieter van Aelst, dopo la morte di Raffaello, su cartoni degli allievi. Gli arazzi furono esposti per la prima volta nel 1531 nella Cappella Sistina. L'origine di questo artista è stata a lungo dibattuta: francese per alcuni, italiana per altri. Alessandro Baudi de Vesme ipotizza un'attività del Reverdy a Lione come incisore in rame e illustratore di libri tra il 1529 e il 1564. Rara ed ottima prova su carta vergellata con filigrana poco leggibile ma compatibile con "cappello del vescovo sormontato da trifoglio" (1560 ca.). Bibliografia: Estelle Leutrat, Les débuts de la gravure sur cuivre en France. Lyon 1520-1565, Droz 2007

      Gonnelli Casa d'Aste
    • Reverdy (Georges, ca. 1529-1557) The Holy family, after Parmigianino, etching, [circa 1530-1550]; and 9 others (10).
      Jul. 12, 2018

      Reverdy (Georges, ca. 1529-1557) The Holy family, after Parmigianino, etching, [circa 1530-1550]; and 9 others (10).

      Est: £250 - £350

      French and Spanish engravers.- Reverdy (Georges, ca. 1529-1557) The Holy family, after Parmigianino, after Schiavone, engraving, an excellent impression on thin laid paper without watermark, sheet 118 x 87 mm. (4 5/8 x 3 3/8 in), trimmed on platemark, inset at edges onto paper support, small repairs to nicks and tears at extremities, old ink attribution verso, unframed, [circa 1530-1550] § Audran (Gérard, 1640-1703) Christ hands over the keys to St Peter, after Raphael, etching on laid paper without watermark, sheet 105 x 175 mm. (4 1/8 x 6 7/8 in), trimmed to image with thread margin around borderline, inset at edges onto paper support, some browning and stains, rubbing and handling creases, with 'very scarce' inscribed on mount and verso, unframed, [circa 1660-1700]; Sorello (Miguel de, ca. 1700-1765) Christ hands over the keys to St Peter, after Raphael, etching and engraving, 265 x 370 mm. (10 1/2 x 14 1/2 in), central vertical fold, inset at edges onto paper support, unframed, [early to mid-18th century]; together with a good mixed group of various old master prints, including Sebastiano Fulcaro's (ca. 1612-1640) The Last Judgement, after Michelangelo, an anonymous 16th century Adoration of the Shepherds, published by Lafrery, Battista Franco's (1510-1561) An antique subject depiciting three men, [B. 71], Camillo Cungi's (fl. 1597-1649) The Pietà, and three others, all unframed, mainly 17th and early 18th century (10). Provenance: (Reverdy) William Esdaile (1758-1837), London [L. 2617] ⁂ A group of scarce and unusual prints. We have been unable to find any other records at auction for the first three mentioned. Initially considered to be Italian by Bartsch, Reverdy was infact French, and worked as a printer in Lyon during the French Renaissance. For another impression of the Reverdy etching, of inferior quality, see the Mariette Album, held in the Met Museum, New York (acc. no. 27.78.2(312)), and at the BM (acc. no. W,1.82).

      Forum Auctions - UK
    • Reverdy, Georges: Die Darbringung im Tempel
      May. 26, 2016

      Reverdy, Georges: Die Darbringung im Tempel

      Est: €900 - €1,200

      Die Darbringung im Tempel. Radierung. 27,5 x 32,1 cm. Baudi di Vesme 14. Wz. Krone. In der Forschung wurde Reverdys Herkunft lange kontrovers diskutiert: Während Bouchot in ihm einen französischen Landsmann sah, nahmen andere Foscher seine italienische Abstammung an (siehe Bartsch XV, S. 465ff.). Erst mit Alessandro Baudi de Vesmes umfassenden Werkkatalog konnte auf Grund zeitgenössischer Quellen die Tätigkeit Reverdys in Lyon als Kupferstecher und Buchillustrator zwischen 1529-1561 belegt werden. Die Komposition des vorliegenden, seltenen Kupferstichs geht auf einen Wandteppich nach einem Entwurf von Giulio Romano oder Luca Penni, der in der Werkstatt von Pieter van Aelst in Brüssel angefertigt wurde, zurück. - Ganz ausgezeichneter, kräftiger und markanter Abzug, auf die Darstellung geschnitten. Geringfügig gegilbt, unbedeutend fleckig, die Ränder schwach bestoßen, dünne Stelle, einzelne kleine Ausbesserungen, sonst sehr gut.

      Bassenge Auctions
    • Reverdy, Georges: Das jüngste Gericht
      May. 26, 2016

      Reverdy, Georges: Das jüngste Gericht

      Est: €1,200 - €1,800

      Das jüngste Gericht. Kupferstich. D. 20,6 cm. "Iohan Bussemecher excudit Colonioe". B. 15, Passavant 21. Wz. Äskulapstab mit Schlange (Fragment). Ausgezeichneter, gleichmäßiger Druck mit sehr feinem Rändchen um die runde Plattenkante. Schwach fleckig, verso schwache Mittelfalte, kleine hinterlegte Fehlstelle im weißen Rand links sowie ein kleiner hinterlegter Randeinriss ebenda, weitere winzige Randläsuren, unbedeutende Gebrauchsspuren, sonst ordentliches Exemplar. Selten.

      Bassenge Auctions
    • Reverdino, Cesare, "Christ with
      Sep. 12, 2013

      Reverdino, Cesare, "Christ with

      Est: $600 - $900

      Reverdino, Cesare, "Christ with 16thc engraving h:5.50 w:7.75 in.

      Alderfer Auction
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