Pierre Joseph Redouté Paintings & Artwork for Sale | Pierre Joseph Redouté Art Value Price Guide

Nov. 20, 2024
PIERRE-JOSEPH REDOUTE BOTANICAL ENGRAVING.
Est: $500 - $800
A Pierre-Joseph Redoute hand colored engraving, trillium rhomboideum, plate 134. Image 20” x 13.5”, Frame 29”x 22”.
William Smith Auctions
Nov. 16, 2024
Redoute, Folio - Floral Bouquet - Daisy
Est: $3,000 - $5,000
This exquisite, exceptionally rare, folio hand-colored lithograph is from Pierre-Joseph Redoute's Collection de beaux bouquets lithographiés par divers artistes d’apres les meilleurs peintres de fleurs. The work was published in Paris by de la Rue and London by Gambart between 1850 and 1855. The illustrations were completed by Redoute and lithographed by Grobon Frères and A. Prévost. "There is no other bibliographical record of this book. That plates are no copies of those that appear in any other Redouté work." (Great Flower Books) The work is exceedingly hard to find, with limited publication information, and likely one of the last publications in Redoute's lifetime. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.
Trillium Antique Prints & Rare Books
Nov. 16, 2024
Redoute, Folio - Rose - Rosa centifolia crenata
Est: $2,500 - $3,500
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Nov. 16, 2024
Redoute, Folio - Rose - Rosa centifolia caryophyllea
Est: $2,500 - $3,500
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Nov. 16, 2024
Pierre Joseph Redouté
Est: €180 - €280
Pierre Joseph Redouté 1759 St. Hubert - 1840 Paris - "Ixia Maculata" - Farbiger Punktierstich/Papier. 51,4 x 33,4 cm (Passepartoutausschnitt), 53 x 35 cm. Wasserzeichen m. o. (A COURTALIN). Passepartout. Unter Glas gerahmt. Gebräunt. Vereinzelt stockfleckig. Leicht griffknickig. Verso Papierverlust (kleine Löchlein). - Lit.: Th.-B. XXVIII, S. 77. Französischer Blumenmaler, Zeichner und Lithograf.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Nov. 16, 2024
Pierre Joseph Redouté
Est: €180 - €280
Pierre Joseph Redouté 1759 St. Hubert - 1840 Paris - "Iris Fimbriata" - Farbiger Punktierstich/Papier. 51,4 x 33,4 cm (Passepartoutausschnitt), 52,5 x 34 cm. Wasserzeichen m. u. (A COURTALIN). Passepartout. Unter Glas gerahmt. Gebräunt. Vereinzelt stockfleckig. Leicht griffknickig. - Lit.: Th.-B. XXVIII, S. 77. Französischer Blumenmaler, Zeichner und Lithograf.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Nov. 16, 2024
Pierre Joseph Redouté
Est: €180 - €280
Pierre Joseph Redouté 1759 St. Hubert - 1840 Paris - "Crocus sativus" - Farbiger Punktierstich/Papier. 51,5 x 33,5 cm (Passepartoutausschnitt), 53 x 35 cm. Wasserzeichen m. u. (ODENT). Passepartout. Unter Glas gerahmt. Gebräunt. Vereinzelt stockfleckig. Leicht griffknickig. - Lit.: Th.-B. XXVIII, S. 77. Französischer Blumenmaler, Zeichner und Lithograf.
Das Kunst- und Auktionshaus Kastern GmbH & Co KG
Nov. 13, 2024
Pierre Joseph Redoute - Two Floral Prints
Est: $250 - $500
Pierre Joseph Redoute (1759-1840). Two floral prints. In period frames. Circa 1820. Frame: H 27-3/4" W 20-3/4". Mat Opening: H 20-3/4" W 13-1/2". Condition: Minor imperfections and toning to paper. Link to high-res images: https://www.dropbox.com/scl/fi/t2mg5oxmewkikuyvi9fuh/6654574_1.jpg?rlkey=76u0aamgsxqeoc6oq16rjoidq&st=wo5bdai7&dl=0
New England Auctions
Nov. 09, 2024
Redoute, Folio - Floral Bouquet - Rose
Est: $3,000 - $5,000
This exquisite, exceptionally rare, folio hand-colored lithograph is from Pierre-Joseph Redoute's Collection de beaux bouquets lithographiés par divers artistes d’apres les meilleurs peintres de fleurs. The work was published in Paris by de la Rue and London by Gambart between 1850 and 1855. The illustrations were completed by Redoute and lithographed by Grobon Frères and A. Prévost. "There is no other bibliographical record of this book. That plates are no copies of those that appear in any other Redouté work." (Great Flower Books) The work is exceedingly hard to find, with limited publication information, and likely one of the last publications in Redoute's lifetime. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.
Trillium Antique Prints & Rare Books
Nov. 09, 2024
Redoute - Rose - Rosa gallica agatha (var. prolifera)
Est: $1,500 - $2,500
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Nov. 09, 2024
Redoute - Rose - Rosa indica subviolacea
Est: $1,500 - $2,500
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Nov. 02, 2024
Redoute, Folio - Bouquet of Roses
Est: $3,000 - $5,000
This exquisite, exceptionally rare, folio hand-colored lithograph is from Pierre-Joseph Redoute's Collection de beaux bouquets lithographiés par divers artistes d’apres les meilleurs peintres de fleurs. The work was published in Paris by de la Rue and London by Gambart between 1850 and 1855. The illustrations were completed by Redoute and lithographed by Grobon Frères and A. Prévost. "There is no other bibliographical record of this book. That plates are no copies of those that appear in any other Redouté work." (Great Flower Books) The work is exceedingly hard to find, with limited publication information, and likely one of the last publications in Redoute's lifetime. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.
Trillium Antique Prints & Rare Books
Nov. 02, 2024
Redoute, Folio - Rose - Rosa centifolia carnea
Est: $3,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Oct. 30, 2024
PIERRE-JOSEPH REDOUTE, (1759 - 1840), Castanea Vulgaris & Juglans Regia, bookplate prints (mounted/unframed), mounts: 51 x 41cm
Est: $150 - $200
PIERRE-JOSEPH REDOUTE (1759 - 1840) Castanea Vulgaris & Juglans Regia bookplate prints (mounted/unframed)
Lawsons
Oct. 26, 2024
Redoute, Folio - Bouquet of Tulips & Roses
Est: $3,000 - $5,000
This exquisite, exceptionally rare, folio hand-colored lithograph is from Pierre-Joseph Redoute's Collection de beaux bouquets lithographiés par divers artistes d’apres les meilleurs peintres de fleurs. The work was published in Paris by de la Rue and London by Gambart between 1850 and 1855. The illustrations were completed by Redoute and lithographed by Grobon Frères and A. Prévost. "There is no other bibliographical record of this book. That plates are no copies of those that appear in any other Redouté work." (Great Flower Books) The work is exceedingly hard to find, with limited publication information, and likely one of the last publications in Redoute's lifetime. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.
Trillium Antique Prints & Rare Books
Oct. 26, 2024
Redoute, Folio - Bouquet of Roses
Est: $3,000 - $5,000
This exquisite, exceptionally rare, folio hand-colored lithograph is from Pierre-Joseph Redoute's Collection de beaux bouquets lithographiés par divers artistes d’apres les meilleurs peintres de fleurs. The work was published in Paris by de la Rue and London by Gambart between 1850 and 1855. The illustrations were completed by Redoute and lithographed by Grobon Frères and A. Prévost. "There is no other bibliographical record of this book. That plates are no copies of those that appear in any other Redouté work." (Great Flower Books) The work is exceedingly hard to find, with limited publication information, and likely one of the last publications in Redoute's lifetime. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.
Trillium Antique Prints & Rare Books
Oct. 26, 2024
Redoute, Folio - Rose - Rosa indica vulgaris
Est: $3,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Oct. 26, 2024
Redoute, Folio - Fritillary - Fritillaria persica
Est: $2,000 - $3,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Oct. 24, 2024
Pierre Joseph Redoute, French 1759-1840, Poenia Officinalis, Print
Est: $100 - $200
Pierre Joseph Redoute French, 1759-1840 Poenia Officinalis Print Together with a print of a bird by F.P. Nodder. 2 pieces
Nye & Company
Oct. 24, 2024
Pierre Joseph Redoute, French 1759-1840, Four Botanical, Prints
Est: $200 - $400
Pierre Joseph Redoute French, 1759-1840 Four Botanical Prints Comprising, Peonies, Tulips, and Amaryllis. Faded.
Nye & Company
Oct. 19, 2024
Redoute, Folio - Floral Bouquet - Rose
Est: $3,000 - $5,000
This exquisite, exceptionally rare, folio hand-colored lithograph is from Pierre-Joseph Redoute's Collection de beaux bouquets lithographiés par divers artistes d’apres les meilleurs peintres de fleurs. The work was published in Paris by de la Rue and London by Gambart between 1850 and 1855. The illustrations were completed by Redoute and lithographed by Grobon Frères and A. Prévost. "There is no other bibliographical record of this book. That plates are no copies of those that appear in any other Redouté work." (Great Flower Books) The work is exceedingly hard to find, with limited publication information, and likely one of the last publications in Redoute's lifetime. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.
Trillium Antique Prints & Rare Books
Oct. 19, 2024
Redoute, Folio - Rose - Rosa bifera variegata
Est: $2,000 - $3,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Oct. 19, 2024
Redoute, Folio - Star-of-Bethlehem Flower - Ornithogalum aureum
Est: $2,000 - $3,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Oct. 12, 2024
Redoute, Folio - Floral Bouquet - Rose
Est: $3,000 - $5,000
This exquisite, exceptionally rare, folio hand-colored lithograph is from Pierre-Joseph Redoute's Collection de beaux bouquets lithographiés par divers artistes d’apres les meilleurs peintres de fleurs. The work was published in Paris by de la Rue and London by Gambart between 1850 and 1855. The illustrations were completed by Redoute and lithographed by Grobon Frères and A. Prévost. "There is no other bibliographical record of this book. That plates are no copies of those that appear in any other Redouté work." (Great Flower Books) The work is exceedingly hard to find, with limited publication information, and likely one of the last publications in Redoute's lifetime. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.
Trillium Antique Prints & Rare Books
Oct. 12, 2024
Redoute, Folio - Indian Ginger; Globba Erecta. 174
Est: $1,500 - $2,500
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Oct. 09, 2024
Redouté, Pierre Joseph: Sammlung von Liliengewächsen
Est: €500 - €750
Redouté, Pierre Joseph. Sammlung von Liliengewächsen. 5 Farbstiche von de Gouy, Chapuy und Bessin nach Redouté. 52 x 35,5 cm. Mit Passepartout. 64,5 x 49,5 cm. Paris 1802-1816. -- Vorhanden sind fünf Farbstiche aus "Les Liliacées": I) Blatt 110 "Antholyza aethiopica". - Unbeschnitten. - II) Blatt 431 "Ixia Rapunculoides". - III) Blatt 426 "Ixia candida". - IV) Blatt 428 "Narcissus Laetus". - V) Blatt 459 "Narcissus radiatus". – Leicht gebräunt, stellenweise leicht braunfleckig.
Bassenge Auctions
Oct. 05, 2024
Redoute, Folio - Canna Glauca
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Oct. 05, 2024
Redoute, Folio - Amayllis Belladonna
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Oct. 05, 2024
Redoute, Folio - Rose; Rosa Campanulata alba
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Oct. 02, 2024
PIERRE-JOSEPH REDOUTÉ (1759-1840), ATTRIBUÉ PIVOINE DE CHINE
Est: €50 - €100
PIERRE-JOSEPH REDOUTÉ (1759-1840), attribué Pivoine de Chine Aquarelle sur papier présentée sous verre Dimensions : 28 x 24 cm Peintre, graveur, éditeur et enseignant belge né à Saint-Hubert en Wallonie et décédé à Paris, Pierre-Joseph Redouté se rend célèbre pour ses aquarelles de fleurs et plus particulièrement de roses. Surnommé le « le Raphaël des fleurs », il part étudier les plantes aux jardins botaniques royaux de Kew près de Londres. Rentré à Paris, l'Héritier l'introduit à la cour de Versailles. La Reine Marie-Antoinette devient sa protectrice et il reçoit le titre de dessinateur et peintre du Cabinet de la Reine et en 1798, Joséphine de Beauharnais devient sa protectrice et en fait, quelques années plus tard, son peintre officiel. Redouté traverse, sans grand problème, les crises politiques successives et survit aux différents régimes politiques. Il collabore avec les plus grands botanistes de son temps et participera à près d'une cinquantaine d'ouvrages comme illustrateur et éditeur.
Accademia Fine Art
Sep. 28, 2024
Redoute, Folio - Heliconia Psitaccorum. 151
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Sep. 28, 2024
Redoute, Folio - Rose; Rosa Indica
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Sep. 25, 2024
Pierre Joseph Redouté, Art des Carnations
Est: €600 - €800
Pierre Joseph Redouté, Art des 1759 St. Hubert - 1840 Paris Carnations Watercolour over traces of pencil auf parchment. 41.8 x 33.9 cm. Mounted on a cardboard frame. Slightly soiled. Minor damage to gilt frame with laurel decoration (57 x 46.5 cm). Adhesive label from Bruno de Bayser, Expert, Paris, 69 rue Ste Anne, with number "86/40" on the frame verso. - Adhesive label from the frame builder and gilder E. Dosbourg jeune, Paris. - Adhesive label with handwritten inscription "Charles Philippe" and on a more recent adhesive label attribution to "Dirck van Poelenburg". provenance: private collection, South Germany.
Neumeister
Sep. 23, 2024
Pierre-Joseph REDOUTE
Est: €1,200 - €1,500
Pierre-Joseph REDOUTE (Saint-Hubert, 1759 - Paris, 1840 ) Bouquet de camélias et auricules Aquarelle sur trait de crayon sur vélin Signé et daté au crayon 'P.J. Redouté. 1836' en bas à droite 26.0 x 21.0 cm Provenance : Collection particulière, Sud de la France Pierre-Joseph REDOUTE (Saint-Hubert, 1759 - Paris, 1840 ) 26.0 x 21.0 cm
Artcurial
Sep. 21, 2024
Redoute, Folio - Floral Bouquet - Anemone, Geranium, Primula or Auricula, Poppy
Est: $3,000 - $5,000
This exquisite, exceptionally rare, folio hand-colored lithograph is from Pierre-Joseph Redoute's Collection de beaux bouquets lithographiés par divers artistes d’apres les meilleurs peintres de fleurs. The work was published in Paris by de la Rue and London by Gambart between 1850 and 1855. The illustrations were completed by Redoute and lithographed by Grobon Frères and A. Prévost. "There is no other bibliographical record of this book. That plates are no copies of those that appear in any other Redouté work." (Great Flower Books) The work is exceedingly hard to find, with limited publication information, and likely one of the last publications in Redoute's lifetime. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.
Trillium Antique Prints & Rare Books
Sep. 21, 2024
Redoute, Folio - Rose - Rosa eglanteria var. punicea
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Sep. 21, 2024
Redoute, Folio - Rose - Rosa rapa
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Sep. 21, 2024
Redoute Pleea Tenuifolia Framed Botanical Print
Est: $50 - $15,000
1810 Plate Pleea tenuifolia / Pleea a Feuilles Menues botanical print from Pierre Joseph Redoute (1759 â 1840) series Les Liliacees first printed between 1802 and 1816, set in decorative wood frame with custom matting. Measures 20 x 13 inches W within matting, frame measures 31 x 24 inches.
Kavanagh Auctions
Sep. 21, 2024
Redoute Allium Fragrans Framed Botanical Print
Est: $50 - $15,000
1810 Plate Allium fragrans / Ail perfume botanical print from Pierre Joseph Redoute (1759 - 1840) series Les Liliacees first printed between 1802 and 1816, set in decorative wood frame with custom matting. Measures 20 x 13 inches W within matting, frame measures 31 x 24 inches.
Kavanagh Auctions
Sep. 17, 2024
Pierre-Joseph Redoute - Anemone Simplex - 1939 Lithograph 16" x 12.5"
Est: $120 - $180
"Anemone Simplex" by Pierre-Joseph Redoute, 1939 Unsigned Lithograph. Paper size is 16 x 12.5 inches, with an image size of 13 x 9.5 inches. The Lithograph is from an unknown edition size. and is not framed. The condition was rated A-: Near Mint, very light signs of handling. Additional details: Mourlot Lithograph page from Pierre-Joseph Redoute's book: Choix des plus belles fleurs et de quelques branches des plus beaux fruits: Dédié les princesses Louise et Marie d’Orléans
DUMBO Auctions
Sep. 15, 2024
Attributed to Pierre-Joseph Redoute, Roses
Est: $500 - $700
Attributed to Pierre-Joseph Redoute, roses, 10" x 8". Includes book. Provenance: Lifetime personal collection of antiques from 168 W. Canton St., Boston.
Kaminski Auctions
Sep. 14, 2024
Redoute, Folio - Giant Canna - Canna gigantea
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Sep. 14, 2024
Redoute, Folio - Guernsey Lily - Amaryllis curvifolia
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Sep. 07, 2024
Redoute, Folio - Torch Lily or Red Hot Poker Plant - Tritoma uvaria
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Sep. 07, 2024
Redoute, Folio - Ginger - Globba nutans
Est: $2,000 - $4,000
This outstanding botanical engraving is from Pierre-Joseph Redoute's Album de Redoute. The work was published in Paris by Imprimerie de Remond. It was not dated, but was done circa 1824. Each plate for this work was stipple-engraved, printed in color, with each finished by hand after Redoute, by Langlois, Bessin, de Gouy, Couten, Tassaert, Allais, and Chaponnieu. Album was specially published to include a selection of engravings from his most celebrated works. It included engravings from Les Roses, Les Liliacees, and Jardin de la Malmaison. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. The work proved to be not only outstanding in terms of its beauty but also for its scientific merits. Many of the images were after Thory's personal collection as well as the rose garden of the Empress Josephine's garden at Malmaison. Redoute and Thory described almost all of the important roses that were known in their time. Lawalree describes the text as being 'of outstanding importance to both botanists and horticulturalists. Redoute's fame is due in large part to his diligent effort to perfect the use of stipple engraving. This labor intensive, and therefore expensive, technique creates subtle yet stunning variations of color making it superior to the engraving alone. Each plate was created using the 'a la poupee' process in which the color was applied before the printing. Hand-finished coloring was painstakingly applied after printing. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history. The process of stipple engraving and color printing give the Redoute Rose prints their luminous quality. Stippling is an etching process that employs dots instead of lines to form the image, which is then color printed by applying colored inks directly to the copper plate for each impression. The use of colored inks, greens and browns to print the stems and leaves, and reds and pinks to print the flowers, create a more luminous print by eliminating the necessity to paint watercolor over a back inked image.
Trillium Antique Prints & Rare Books
Aug. 27, 2024
Group of Antique Botanicals
Est: $50 - $100
Group of botanicals, 1) 19th century print on paper drawn from nature by W. P. C. Barton, depicting "Rubus Villosus (Blackberry)", 10" x 7 3/4" sight size, 11 3/4" x 9 1/2" framed; 2) after Pierre Joseph Redoute (French, 1759-1840), 19th century print on paper depicting "Cestrum campanulatum", 15 1/2" x 10 1/2" sight size, 17 1/4" x 12" framed; and 3) American, 20th century watercolor on paper depicting two birds on a flowering branch, signed "Betty Meehan" l.r., 11 3/4" x 8" sight size, 16" x 12 1/4" framed.
Old Kinderhook Auction Company
Aug. 10, 2024
Redoute, Rare, Large Folio - Floral Bouquet - Camelia
Est: $3,000 - $5,000
This exquisite, exceptionally rare, folio hand-colored lithograph is from Pierre-Joseph Redoute's Collection de beaux bouquets lithographiés par divers artistes d’apres les meilleurs peintres de fleurs. The work was published in Paris by de la Rue and London by Gambart between 1850 and 1855. The illustrations were completed by Redoute and lithographed by Grobon Frères and A. Prévost. "There is no other bibliographical record of this book. That plates are no copies of those that appear in any other Redouté work." (Great Flower Books) The work is exceedingly hard to find, with limited publication information, and likely one of the last publications in Redoute's lifetime. Redoute's name is synonymous with beauty and in the world of botanical art he is known as the best. Redoute was renowned for his artistic ability and tutored such people as Queen Marie-Antoinette, Empress Josephine, Marie-Louise, and Queen Marie-Amelie. Redoute influenced a breadth of artists that followed him including Turpin, Poiteau, Bessa, and Prevost. Redoute is widely considered the finest botanical illustrator of the early 19th century, if not throughout history.
Trillium Antique Prints & Rare Books
Jul. 31, 2024
Pierre Joseph Redoute, French 1759-1840, Poenia Officinalis, Print
Est: $200 - $400
Pierre Joseph Redoute French, 1759-1840 Poenia Officinalis Print Together with a print of a bird by F.P. Nodder. 2 pieces
Nye & Company