Peter Randall-Page Paintings & Artwork for Sale | Peter Randall-Page Art Value Price Guide

Nov. 19, 2024
PETER RANDALL-PAGE, R.A. (B. 1954). Holding It Together. Kilkenny limestone
Est: £8,000 - £12,000
PETER RANDALL-PAGE, R.A. (B. 1954). Holding It Together. Kilkenny limestone, unique 15½ in. (39.4 cm.) high.
Christie's
Jun. 06, 2023
PETER RANDALL-PAGE, BRITISH B.1954 - UNTITLED; INK ON POSTCARD, SIGNED ON THE REVERSE 'PETER RAN
Est: £300 - £500
Peter Randall-Page, British b.1954 - Untitled; ink on postcard, signed on the reverse 'Peter Randall-Page', 15.3 x 10.3 cm (unframed) (ARR) Provenance: Royal Collage of Art, London, 'RCA Secret'; private collection, purchased from the above
Roseberys
Apr. 28, 2023
§ Peter Randall-Page R.A. (British 1954-) Iron Husk II, 1998
Est: £2,000 - £3,000
§ Peter Randall-Page R.A. (British 1954-) Iron Husk II, 1998 cast iron (9.5cm high, 16cm wide, 11cm deep (3 1/2in high, 6 3/8in wide, 4 1/4in deep)) Provenance Stephen Lacey Gallery, London; Private Collection, UK, where acquired by the present owner. Exhibited Stephen Lacey Gallery, London, Peter Randall-Page: New Sculpture & Drawings, 15 October - 28 November 1998. Born in Essex in 1954, Randall-Page studied at Bath Academy of Art (1973-77) where he met the sculptor Barry Flanagan, before becoming his assistant. He went on to work as a mason at Wells Cathedral, here gaining and understanding, in context, the medieval mason’s craft. Another strong influence was that of Isamu Noguchi, with whom Randall-Page had a lifelong correspondence, whilst in 1980, as a Winston Churchill Fellow, he travelled to Italy to study marble carving in Carrara. Randall-Page’s working practice is in part expressed with these four works: Fingers and Thumbs has visible fingerprints on the spotty pattern of the rock that make the ‘eye move more slowly across (the work)’, encouraging us to be ‘aware of the form’ and possibly into our own connection to early (Aboriginal) rock paintings. Husk II explores the organic and the seed whose ‘inaccessible interior’ he has been investigating from his earliest works. Stone Maquette I is an expression of Randall-Page’s deep interest in the geometry of nature and here he looks to ‘visualise one form within another’ as well as ‘nature’s theme and variation’ by ‘accessing his imagination through the act of carving.’ Night Song, a title that implies an investigation of dreams, demonstrates stone as a vehicle for Randall-Page into a ‘fascination with the human mind and imagination’, with a bronze crescent in balance with the claw-chiselled marble base. It suggests he is asking us to be aware of what the sculpture is: a block of rock but also subtly implying, with a nod to Miró, ‘other things are going on’.
Lyon & Turnbull
Apr. 28, 2023
§ Peter Randall-Page R.A. (British 1954-) Stone Maquette I, circa 2014
Est: £3,000 - £5,000
§ Peter Randall-Page R.A. (British 1954-) Stone Maquette I, circa 2014 granite (12cm high, 13.5cm wide, 13cm deep (4 3/4in high, 5 1/4in wide, 5 1/8in deep)) Provenance Pangolin, London, 2014; Private Collection, UK, from whom acquired by the present owner. Born in Essex in 1954, Randall-Page studied at Bath Academy of Art (1973-77) where he met the sculptor Barry Flanagan, before becoming his assistant. He went on to work as a mason at Wells Cathedral, here gaining and understanding, in context, the medieval mason’s craft. Another strong influence was that of Isamu Noguchi, with whom Randall-Page had a lifelong correspondence, whilst in 1980, as a Winston Churchill Fellow, he travelled to Italy to study marble carving in Carrara. Randall-Page’s working practice is in part expressed with these four works: Fingers and Thumbs has visible fingerprints on the spotty pattern of the rock that make the ‘eye move more slowly across (the work)’, encouraging us to be ‘aware of the form’ and possibly into our own connection to early (Aboriginal) rock paintings. Husk II explores the organic and the seed whose ‘inaccessible interior’ he has been investigating from his earliest works. Stone Maquette I is an expression of Randall-Page’s deep interest in the geometry of nature and here he looks to ‘visualise one form within another’ as well as ‘nature’s theme and variation’ by ‘accessing his imagination through the act of carving.’ Night Song, a title that implies an investigation of dreams, demonstrates stone as a vehicle for Randall-Page into a ‘fascination with the human mind and imagination’, with a bronze crescent in balance with the claw-chiselled marble base. It suggests he is asking us to be aware of what the sculpture is: a block of rock but also subtly implying, with a nod to Miró, ‘other things are going on’.
Lyon & Turnbull
Apr. 28, 2023
§ Peter Randall-Page R.A. (British 1954-) Fingers and Thumbs, circa 2008
Est: £3,000 - £5,000
§ Peter Randall-Page R.A. (British 1954-) Fingers and Thumbs, circa 2008 painted granite (14cm high, 23cm wide, 14.5cm deep (5 1/2 high, 9in wide, 5 3/4in deep)) Provenance Pangolin, London, 2008; Private Collection, UK from whom acquired by the present owner. Born in Essex in 1954, Randall-Page studied at Bath Academy of Art (1973-77) where he met the sculptor Barry Flanagan, before becoming his assistant. He went on to work as a mason at Wells Cathedral, here gaining and understanding, in context, the medieval mason’s craft. Another strong influence was that of Isamu Noguchi, with whom Randall-Page had a lifelong correspondence, whilst in 1980, as a Winston Churchill Fellow, he travelled to Italy to study marble carving in Carrara. Randall-Page’s working practice is in part expressed with these four works: Fingers and Thumbs has visible fingerprints on the spotty pattern of the rock that make the ‘eye move more slowly across (the work)’, encouraging us to be ‘aware of the form’ and possibly into our own connection to early (Aboriginal) rock paintings. Husk II explores the organic and the seed whose ‘inaccessible interior’ he has been investigating from his earliest works. Stone Maquette I is an expression of Randall-Page’s deep interest in the geometry of nature and here he looks to ‘visualise one form within another’ as well as ‘nature’s theme and variation’ by ‘accessing his imagination through the act of carving.’ Night Song, a title that implies an investigation of dreams, demonstrates stone as a vehicle for Randall-Page into a ‘fascination with the human mind and imagination’, with a bronze crescent in balance with the claw-chiselled marble base. It suggests he is asking us to be aware of what the sculpture is: a block of rock but also subtly implying, with a nod to Miró, ‘other things are going on’.
Lyon & Turnbull
Apr. 28, 2023
§ Peter Randall-Page R.A. (British 1954-) Night Song, 1984
Est: £7,000 - £9,000
§ Peter Randall-Page R.A. (British 1954-) Night Song, 1984 verde Patricia marble and bronze (42cm high, 20.3cm wide, 17.8cm deep (16in high, 8in wide, 7in deep)) Provenance Anne Berthoud Gallery, London, 1985; Private Collection, UK from whom acquired by the present owner. Literature Peter Randall-Page: Sculptures and Drawings 1977-1992, The Henry Moore Centre and Leeds City Art Galleries, 1992, no. 48, illustrated. Exhibited Leed City Art Galleries and Yorkshire Sculpture Park, Peter Randall-Page: Sculpture and Drawings 1980-1992, 23rd April - 13th June 1992, touring to Royal Botanic Garden, Edinburgh and Arnolfini Gallery, Bristol. Born in Essex in 1954, Randall-Page studied at Bath Academy of Art (1973-77) where he met the sculptor Barry Flanagan, before becoming his assistant. He went on to work as a mason at Wells Cathedral, here gaining and understanding, in context, the medieval mason’s craft. Another strong influence was that of Isamu Noguchi, with whom Randall-Page had a lifelong correspondence, whilst in 1980, as a Winston Churchill Fellow, he travelled to Italy to study marble carving in Carrara. Randall-Page’s working practice is in part expressed with these four works: Fingers and Thumbs has visible fingerprints on the spotty pattern of the rock that make the ‘eye move more slowly across (the work)’, encouraging us to be ‘aware of the form’ and possibly into our own connection to early (Aboriginal) rock paintings. Husk II explores the organic and the seed whose ‘inaccessible interior’ he has been investigating from his earliest works. Stone Maquette I is an expression of Randall-Page’s deep interest in the geometry of nature and here he looks to ‘visualise one form within another’ as well as ‘nature’s theme and variation’ by ‘accessing his imagination through the act of carving.’ Night Song, a title that implies an investigation of dreams, demonstrates stone as a vehicle for Randall-Page into a ‘fascination with the human mind and imagination’, with a bronze crescent in balance with the claw-chiselled marble base. It suggests he is asking us to be aware of what the sculpture is: a block of rock but also subtly implying, with a nod to Miró, ‘other things are going on’.
Lyon & Turnbull
Nov. 10, 2022
Fruit
Est: £500 - £800
Peter Randall-Page b.1954 Fruit signed with monogram and dated 12/86 (lower right) charcoal on paper unframed: 78.5 by 57.5cm.; 31 by 22½in. framed: 85 by 64cm.; 33½ by 25¼in. Executed in 1986. Bid on Sotheby's
Sotheby's
Nov. 10, 2022
A Little Bit of Ireland
Est: £6,000 - £8,000
Peter Randall-Page b.1954 A Little Bit of Ireland carved Kilkenny limestone height: 32cm.; 12½in. Executed in 1988. Bid on Sotheby's
Sotheby's
Oct. 26, 2022
Â§ PETER RANDALL-PAGE (BRITISH 1954)
Est: £120 - £180
Â§ PETER RANDALL-PAGE (BRITISH 1954) PETER RANDALL-PAGE (BRITISH 1954) Study for Prittlewell high school, commission initialled and dated 94 (lower right) pen and balck ink 36 x 86 cm PROVENANCE : Contemporary Art Society Market
Chiswick Auctions
Apr. 22, 2021
§ PETER RANDALL-PAGE (B. 1954)
Est: £200 - £400
PETER RANDALL-PAGE (B. 1954) Little secret signed with initial and numbered R 21 (underneath) iron 5 x 6 cm (2 x 2 1/4 in) PROVENANCE: with Pangolin Gallery, London by 2014
Chiswick Auctions
May. 12, 2020
Lot withdrawn: please contact Bonhams for more information about this lot
Est: -
Lot withdrawn: please contact Bonhams for more information about this lot
Bonhams
May. 12, 2020
Peter Randall-Page R.A. (British, born 1954) Euclidean Egg II
Est: £1,000 - £1,500
Peter Randall-Page R.A. (British, born 1954) Euclidean Egg II signed and dated '06' (lower right) burnt sienna 101 x 69cm (39 3/4 x 27 3/16in). For further information on this lot please visit the Bonhams website
Bonhams
Feb. 11, 2020
Peter Randall-Page RA, British b.1954- Little Secret; iron, bears artist'
Est: £150 - £250
Peter Randall-Page RA, British b.1954- Little Secret; iron, bears artist's stamp and numbered 21 from the edition of 50, 5cm high x 6cm diameter (ARR) Provenance: Pangolin Gallery, London, where purchased by the previous owner in September 2014 Please refer to department for condition report
Roseberys
Oct. 03, 2018
PETER RANDALL-PAGE (BRITISH 1954 -) ARR
Est: £200 - £300
PETER RANDALL-PAGE (BRITISH 1954 -) ARR Untitled, A, 1992 Signed and numbered 7/50 Etching 17.5 x 12.5 cm (7 x 5 in) Peter Randall-Page RA (born 1954) is a British artist and sculptor. He studied sculpture at Bath Academy of Art from 1973–77. He is best known for his stone sculpture work, inspired by geometric patterns in nature. In his words "geometry is the theme on which nature plays her infinite variations, fundamental mathematical principle become a kind of pattern book from which nature constructs the most complex and sophisticated structures".
Chiswick Auctions
Sep. 10, 2013
Peter Randall-Page (b. 1954)
Est: £1,000 - £2,000
Peter Randall-Page (b. 1954) Sterculia signed with monogram and dated ''96' (lower right) charcoal on handmade paper, mounted on card 42 x 28 in. (106.7 x 71.1 cm.)
Christie's
Nov. 15, 2012
PETER RANDALL-PAGE (BRITISH, 1954-) SCARAB II;
Est: $75 - $100
PETER RANDALL-PAGE (BRITISH, 1954-) SCARAB II; BLOCKPRINT; NUMBERED A/P, TITLED, SIGNED AND DATED 2007 IN PENCIL - UNFRAMED (Image, 9" x 8") (Sheet, 14" x 12.5")
Waddington's
Jan. 28, 2010
* Randall-Page (Peter, 1954-). Untitled (sixteen
Est: £200 - £300
* Randall-Page (Peter, 1954-). Untitled (sixteen images), 1985, charcoal on paper, signed with monogram, and dated lower right, sheet size 77 x 56.5cm (30.25 x 32.25ins), framed and glazed, with Contemporary Art Society Market label to verso. A major exhibition of the work of Peter Randall-Page is currently on show at the Yorkshire Sculpture Park until 11 April 2010. (1)
Dominic Winter Auctions
Feb. 27, 2008
Bronze I
Est: £800 - £1,200
Peter Randall-Page (b. 1954) Bronze I bronze with a dark brown patina 5½ in. (14 cm.)
Christie's
Jun. 27, 2007
Bronze I
Est: £2,000 - £3,000
Peter Randall-Page (b. 1954) Bronze I bronze with a dark brown patina 5½ in. (14 cm.)
Christie's