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Albert Ràfols Casamada Sold at Auction Prices

Painter, b. 1923 - d. 2009

Albert Ràfols-Casamada (2 February 1923 – 17 December 2009) was a Catalan painter, poet and art teacher involved in the vanguard movements of his time. He is considered one of the most important, multifaceted Catalan artists of his time.[2] His artwork began in the post-expressionist, figurative sphere but soon developed into his own abstract style grounded in a poetic rendering of everyday reality.

Albert Ràfols-Casamada was born in 1923 in the Barcelonese neighborhood of Gràcia, to the painter Albert Ràfols i Cullerés and to Josefina Casamada i Oliver.[5][6]

Ràfols-Casamada began studying architecture at the University of Barcelona (1942–44), but by 1948, he had definitively decided on quitting his architecture studies to take up painting professionally.[7]

He began exhibiting his artwork in 1946 at the Sala Pictòria in Barcelona, in a group exhibit of the artists' collective Els Vuit ("The Eight", comprised by the poet Jordi Sarsanedas, the sculptor Miquel Gusils, the musician Joan Comellas and the painters Joan Palà, Maria Girona, Ricardo Lorenzo, Vicenç Rossell and himself) and he continued to exhibit regularly from then until his death. Indeed, the very following year at the same gallery, he already had his first individual exhibit. He received a scholarship from the French government to study art in Paris in 1950, together with his future wife, the painter Maria Girona, and other Catalan artists such as Josep Guinovart, Antoni Tàpies and Xavier Valls, and spent most of the next 4 years there before returning to Catalonia. He exhibited widely throughout Europe and North and South America. In 2001, his work was the object of a retrospective at the Barcelona Museum of Contemporary Art and the Valencian Institute of Modern Art,[8] and he also received a tribute at the National Museum of Catalan Art in 2009.[9][10][11]

He began writing poetry in 1939,[12] writing in parallel to his art activities, and began publishing in 1972, when the limited-edition volume, Com una capsa, came out.[13] In 1976, the anthology Signe d'aire. Obra poètica 1968–1978 came out to great critical acclaim.[14] He continued publishing his poetry until the year 2004, when the last volume, Dimensions del present (2001–2004) (Vic: Eumo / Barcelona: Cafè Central) came out.[15]

In 1952, he married the Catalan painter Maria Girona Benet, whom he had met in 1945 at the Tàrrega Art School (Acadèmia de dibuix Tàrrega) in Barcelona, where he began studying art. In 1967, together with Girona and other Catalan intellectuals, he co-founded the art and design school EINA – in the Bauhaus tradition – in Barcelona, which he directed for 17 years.[16][17] He also taught art there and in other places.

In December 2015 the family of Albert Ràfols-Casamada and Maria Girona offered as a donation to the Library of Catalonia (BC) the personal fund of the two artists, which includes graphic materials, manuscripts and printed matter. Maria Fuchs Girona, on behalf of her sister Margarita Rosa Fuchs Girona, temporarily deposited the fund in the Library of Catalonia, while the final donation was formalized. Until now, the funds, textual and bibliographic, of the artists were located in different spaces.

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              • Alberto Rafols Casamada, l.u.sig.
                Nov. 23, 2024

                Alberto Rafols Casamada, l.u.sig.

                Est: -

                und dat. (19)84, Barcelona 1923 - 2009 daselbst, 'o.T.', Deckweiß und Bleistift auf tonigem Papier, 63,5 x 43,5 cm

                Auktionshaus Arnold
              • Alberto RAFOLS-CASAMADA - The Pond, 1992
                Nov. 17, 2024

                Alberto RAFOLS-CASAMADA - The Pond, 1992

                Est: CHF60 - CHF80

                This description has been translated automatically: Alberto RAFOLS-CASAMADA (1923-2002) The pond, 1992 Heliogravure after a colored pencil drawing Signed in the plate On vellum 34.5 x 24 cm INFORMATION: This heliogravure was published by the Fondation du Crédit Lyonnais pour les Arts in 1992, in direct collaboration with the artist. Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Alberto RAFOLS-CASAMADA (1923-2002) L'étang, 1992 Héliogravure d'après un dessin au crayon de couleur Signée dans la planche Sur vélin 34.5 x 24 cm INFORMATION : Cette héliogravure a été éditée par la Fondation du Crédit Lyonnais pour les Arts en 1992, en collaboration directe avec l'artiste. Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.

                TGP Auction
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Atanor", 1989. Acrylic on canvas. Signed, dated and titled on the back. Presents a label of the gallery Soledad Lorenzo.
                Nov. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Atanor", 1989. Acrylic on canvas. Signed, dated and titled on the back. Presents a label of the gallery Soledad Lorenzo.

                Est: €14,000 - €16,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Atanor", 1989. Acrylic on canvas. Signed, dated and titled on the back. Presents a label of the gallery Soledad Lorenzo. Measurements: 150 x 150 cm; 154 x 154 cm (frame). The term "Atanor" has clear alchemical connotations. By using it as a title, Ràfols-Casamada may be suggesting an internal and spiritual transformation, a process of creation and change that vertebrates both art and life. On a brown background with sienna strokes different conduits and small orifices describe a cryptic cartography that may evoke the system of tubes, crucibles and clay atanores used by alchemists. Ràfols Casamada's abstraction is soaked here with lyrical cadences, and awakens deep emotions with the minimum elements. The earthy, sienna and amber colors interrupted by mottled blues refer us to the idea of alchemical combustion and the fire that transmutes and purifies the materials. Painter, educator, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. The post-impressionist paternal influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Untitled"
                Oct. 28, 2024

                ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Untitled"

                Est: €225 - €300

                Lithograph Signed and justified 72/75 in pencil at the bottom. Measurements: 41 x 29.5 cm

                Ansorena
              • ALBERT RÀFOLS CASAMADA. COMPOSICIÓN.
                Oct. 08, 2024

                ALBERT RÀFOLS CASAMADA. COMPOSICIÓN.

                Est: €150 - €200

                Albert Ràfols Casamada (Barcelona, 1923-2009) Composición. Litografía firmada, fechada en 1992 y numerada 17/150 a lápiz. Pertenece a la Carpeta conmemorativa "Setze artistes amb el mil·lenari de Catalunya" por el 1000 aniversario de Cataluña, con obras de 17 artistas diferentes. 61 x 47 cm.

                Aletheia Subastas
              • ALBERT RÀFOLS CASAMADA. SIN TÍTULO.
                Oct. 08, 2024

                ALBERT RÀFOLS CASAMADA. SIN TÍTULO.

                Est: €100 - €150

                Albert Ràfols Casamada (Barcelona, 1923-2009) Sin título. Litografía firmada y numerada 63/175 a lápiz. 65,5 x 45 cm.

                Aletheia Subastas
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled. Oil on canvas. Attached payment receipt signed by the artist, May 1968.
                Sep. 10, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled. Oil on canvas. Attached payment receipt signed by the artist, May 1968.

                Est: €4,000 - €5,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled. Oil on canvas. Attached payment receipt signed by the artist, May 1968. Measurements: 43 x 34 cm. The abstract language gave Ràfols Casamada considerable creative freedom to experiment with textures, shapes, gesture and color, prioritizing at all times compositional simplicity and conceptual richness. In this composition, the space is divided into three zones: on the right side we can appreciate the faint drawing of a cup on a plate that seems to be chiseled with a gouge on wood, and on the left side a wedge imprints dynamism to the geometry. The central white band separates both realities. Ràfols gives the viewer the responsibility of deciphering the messages, based on the emotions that the plastic experimentation awakens in him. Painter, educator, writer and graphic artist, Ràfols Casamada enjoys great international prestige. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Atanor", 1989. Acrylic on canvas. Signed, dated and titled on the back. Presents a label of the gallery Soledad Lorenzo.
                Sep. 10, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Atanor", 1989. Acrylic on canvas. Signed, dated and titled on the back. Presents a label of the gallery Soledad Lorenzo.

                Est: €14,000 - €16,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Atanor", 1989. Acrylic on canvas. Signed, dated and titled on the back. Presents a label of the gallery Soledad Lorenzo. Measurements: 150 x 150 cm; 154 x 154 cm (frame). The term "Atanor" has clear alchemical connotations. By using it as a title, Ràfols-Casamada may be suggesting an internal and spiritual transformation, a process of creation and change that vertebrates both art and life. On a brown background with sienna strokes different conduits and small orifices describe a cryptic cartography that may evoke the system of tubes, crucibles and clay atanores used by alchemists. Ràfols Casamada's abstraction is soaked here with lyrical cadences, and awakens deep emotions with the minimum elements. The earthy, sienna and amber colors interrupted by mottled blues refer us to the idea of alchemical combustion and the fire that transmutes and purifies the materials. Painter, educator, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. The post-impressionist paternal influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • Albert Rafols Casamada. Untitled (1972)
                Jul. 23, 2024

                Albert Rafols Casamada. Untitled (1972)

                Est: -

                Oil on canvas. Signed and dated (72) in the lower left corner. Provenance: - Francesc Mestre Gallery, Barcelona (Label on the back).

                Duran Arte y Subastas
              • Albert Rafols Casamada. Untitled (1972)
                Jul. 23, 2024

                Albert Rafols Casamada. Untitled (1972)

                Est: -

                Oil and collage on canvas. Signed and dated (72) in the upper right corner. Provenance: - Francesc Mestre Gallery, Barcelona (Label on the back).

                Duran Arte y Subastas
              • ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Blau", 1979
                Jul. 23, 2024

                ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Blau", 1979

                Est: €4,500 - €6,000

                Mixed media on canvas Signed and dated in the lower left corner. On the back signed, titled and dated Measurements: 50 x 50 cm

                Ansorena
              • ALBERT RÀFOLS-CASAMADA (1923-2009). Set of 2 lithographs.
                Jul. 18, 2024

                ALBERT RÀFOLS-CASAMADA (1923-2009). Set of 2 lithographs.

                Est: €90 - €200

                BAT (Bon à tirer) signed by hand. 76.4 x 56.2 cm.

                Subarna Subastas
              • Lámpara de sobremesa realizada en cristal y metal.…
                Jul. 17, 2024

                Lámpara de sobremesa realizada en cristal y metal.…

                Est: -

                Lámpara de sobremesa realizada en cristal y metal.

                Arte Subastas Bilbao
              • ALBERT RÁFOLS CASAMADA - Maig
                Jul. 17, 2024

                ALBERT RÁFOLS CASAMADA - Maig

                Est: -

                ALBERT RÁFOLS CASAMADA - Maig

                Arte Subastas Bilbao
              • ALBERT RÁFOLS CASAMADA - Agost
                Jul. 17, 2024

                ALBERT RÁFOLS CASAMADA - Agost

                Est: -

                ALBERT RÁFOLS CASAMADA - Agost

                Arte Subastas Bilbao
              • ALBERT RÀFOLS-CASAMADA(1923-2009) "BLANC-MONDRIAN",COLOR ETCHING,SIGNED AND NUMBERED 38/60,CA.29X20CM,FRAMED
                Jul. 14, 2024

                ALBERT RÀFOLS-CASAMADA(1923-2009) "BLANC-MONDRIAN",COLOR ETCHING,SIGNED AND NUMBERED 38/60,CA.29X20CM,FRAMED

                Est: €150 -

                Albert Ràfols-Casamada(1923-2009) "Blanc-Mondrian",color etching,signed and numbered 38/60,ca.29x20cm,framed

                Auction Partners
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled, 1990. Ink on silkpaper. Signed and dated in the lower right corner. Provenance: Private collection.
                Jul. 09, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled, 1990. Ink on silkpaper. Signed and dated in the lower right corner. Provenance: Private collection.

                Est: €1,800 - €2,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled, 1990. Ink on silk paper. Signed and dated in the lower right corner. Provenance: Private collection. Size: 60 x 90 cm; 79 x 109 cm (frame). After a brief figurative period, the 50's gave way to a more schematic and structured conception of reality, with a clearly abstractionist bias, which he would cultivate throughout the rest of his life. During the 1990s, until the end of his career, his production is interpreted as a study of his own work. His compositions, stable and calm, show a structural purity taken to the extreme in which symmetry, order and balance configure the use of space dominated by geometry and the complementarity of colours. A painter, teacher, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He started out in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he gradually developed a poetic abstraction, amorphous in its configuration, free and intelligent, the fruit of a slow gestation and based on atmospheres, themes, objects or graphics from everyday life. Ràfols Casamada worked with these fragments of reality, of life, in a process of disfigurement, playing with connotations, plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a grant to travel to France, and settled in Paris until 1954. There he became acquainted with post-Cubist figurative painting, as well as with the work of Picasso, Matisse, Braque and Miró, among others. These influences were combined in his painting with that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona he embarked on his own artistic path, with a style characterised by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-Dada and new realism, his work has focused on purely pictorial values: fields of colour in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the CEOE Prize for the Arts in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the Museu Nacional d'Art de Catalunya. His work can be found in the most important museums around the world: the Reina Sofía in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and Tate Gallery in London, among many others.

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). Untitled. 2002. Mixed media and wax on paper. Signed and dated.
                Jul. 09, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). Untitled. 2002. Mixed media and wax on paper. Signed and dated.

                Est: €2,400 - €3,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). Untitled. 2002. Mixed media and wax on paper. Signed and dated. Measurements: 36 x 37 cm; 68,5 x 70 cm (frame). Painter, pedagogue, writer and graphic artist, Ràfols Casamada enjoys today great international prestige. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received a multitude of awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the CEOE Arts Award in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Triangle blanc", 1990
                Jun. 24, 2024

                ALBERT RAFOLS CASAMADA Barcelona (1923 / 2009) "Triangle blanc", 1990

                Est: €4,500 - €6,000

                Oil on canvas Signed and dated in the lower left corner. On the back signed, dated and titled. Measurements: 73 x 60 cm

                Ansorena
              • Albert RAFOLS-CASAMADA - Sur la table
                Jun. 16, 2024

                Albert RAFOLS-CASAMADA - Sur la table

                Est: CHF60 - CHF80

                This description has been translated automatically: Albert RAFOLS-CASAMADA (1923-2009) On the table, 1991 Heliogravure after a watercolor Signed in the plate On vellum 24 x 34.5 cm INFORMATION: This heliogravure was published by the Crédit Lyonnais Foundation for the Arts in 1991, in direct collaboration with the artist. Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Albert RAFOLS-CASAMADA (1923-2009) Sur la table, 1991 Héliogravure d'après une aquarelle  Signée dans la planche Sur vélin 24 x 34.5 cm INFORMATION : Cette héliogravure a été éditée par la Fondation du Crédit Lyonnais pour les Arts en 1991, en collaboration directe avec l'artiste. Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.

                TGP Auction
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Oval". 1989 Mixed media on cardboard. Signed and dated in the lower right corner.
                Jun. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Oval". 1989 Mixed media on cardboard. Signed and dated in the lower right corner.

                Est: €700 - €800

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Oval". 1989 Mixed media on cardboard. Signed and dated in the lower right corner. Measurements: 30.5 x 20 cm (frame).

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Number 9" from the series "Policromia o a la galeria dels miralls", 1998. Pastel and charcoal on Galgo paper. Signed and numbered in the lower right-hand corner.
                Jun. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Number 9" from the series "Policromia o a la galeria dels miralls", 1998. Pastel and charcoal on Galgo paper. Signed and numbered in the lower right-hand corner.

                Est: €800 - €1,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Number 9" from the series "Policromia o a la galeria dels miralls", 1998. Pastel and charcoal on Galgo paper. Signed and numbered in the lower right-hand corner. Provenance: Private collection. Measurements: 29,5 x 21 cm. "Policromia o la galería de los espejos", dated 1998, is a series consisting of twelve engravings, twelve poems and twelve texts dedicated to the twelve painters who have had the greatest significance in the life and work of Albert Ràfols Casamada. The first is for Velázquez, with the full perspective of Las Meninas on a grey background, and the second for Rothko, with a large lilac-coloured mass and a kind of affectionate greeting. The third, dedicated to Van Gogh, is of a yellow colour broken by undulations that remind us of the fields of flowers he painted. To Picasso he dedicates a green square with a set of signs and lines like various questions, while the engraving dedicated to Mondrian is a sober, geometric and luminous white. To Bonnard, he offers an orange surface, bright and inhabited, and to Matisse, a joyful dance in crimson. In memory of Torres García, he draws the static peace of a structure on a light blue background. In memory of Braque, an agglomeration of signs, structured behind a white square on an ochre background and, in memory of Léger, a geometric composition of elements on top of red stripes, while the engraving dedicated to Miró is very subtle blue. A painter, teacher, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he gradually developed a poetic abstraction, amorphous in its configuration, free and intelligent, the fruit of a slow gestation and based on the atmospheres, themes, objects and graphics of everyday life. Ràfols Casamada worked with these fragments of reality, of life, in a process of disfigurement, playing with connotations, plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a grant to travel to France, and settled in Paris until 1954. There he became acquainted with post-Cubist figurative painting, as well as with the work of Picasso, Matisse, Braque and Miró, among others. These influences were combined in his painting with that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona he embarked on his own artistic path, with a style characterised by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-Dada and new realism, his work has focused on purely pictorial values: fields of colour in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the CEOE Prize for the Arts in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the Museu Nacional d'Art de Catalunya. His work can be found in the most important museums all over the world.

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Worreck n.3", 2005. Pencil and pastel on paper. Signed in the lower right corner. With seal on the back of the Joan Prats Gallery. Provenance: Private collection.
                Jun. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Worreck n.3", 2005. Pencil and pastel on paper. Signed in the lower right corner. With seal on the back of the Joan Prats Gallery. Provenance: Private collection.

                Est: €1,000 - €1,200

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Worreck n.3", 2005. Pencil and pastel on paper. Signed in the lower right corner. With seal on the back of the Joan Prats Gallery. Provenance: Private collection. Measures: 46 x 32 cm; 55 x 41.5 cm (frame).

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). "Espai din? mic", 1986. Collage and charcoal on Guarro paper.
                Jun. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). "Espai din? mic", 1986. Collage and charcoal on Guarro paper.

                Est: €1,200 - €1,500

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923-2009). "Espai dinàmic", 1986. Collage and charcoal on Guarro paper. Signed and dated in the lower right corner. Titled, signed and dated on the back. Provenance: Private collection. Measurements: 70 x 50 cm; 86 x 66,5 cm (frame). After a brief figurative stage, the 50's gave way to a more schematic and structured conception of reality, with a clearly abstractionist bias, which he would cultivate throughout the rest of his life. During the decade of the 80's, and as his work progresses, it gets closer and closer to plastic poetry, filled with sensations and emotions, possible to observe in signs that refer us to everyday objects in a veiled way. Likewise, there is a clear protagonism of color, which now fills the scenes creating delicate and enveloping atmospheres. Painter, educator, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others. Provenance: Private collection.

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled, 1996. Watercolor, charcoal and pencil on cardboard. Signed and dated in the lower left corner. Provenance: Private collection.
                Jun. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled, 1996. Watercolor, charcoal and pencil on cardboard. Signed and dated in the lower left corner. Provenance: Private collection.

                Est: €1,200 - €1,500

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled, 1996. Watercolour, charcoal and pencil on card. Signed and dated in the lower left corner. Provenance: Private collection. Size: 45 x 34,5 cm. After a brief figurative period, the 50's gave way to a more schematic and structured conception of reality, with a clearly abstractionist bias, which he would cultivate throughout the rest of his life. During the 1990s until the end of his career, his production is interpreted as a study of his own work. His compositions, stable and calm, show a structural purity taken to the extreme in which symmetry, order and balance configure the use of space dominated by geometry and the complementarity of colours. A painter, teacher, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He started out in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he gradually developed a poetic abstraction, amorphous in its configuration, free and intelligent, the fruit of a slow gestation and based on atmospheres, themes, objects or graphics from everyday life. Ràfols Casamada worked with these fragments of reality, of life, in a process of disfigurement, playing with connotations, plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a grant to travel to France, and settled in Paris until 1954. There he became acquainted with post-Cubist figurative painting, as well as with the work of Picasso, Matisse, Braque and Miró, among others. These influences were combined in his painting with that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona he embarked on his own artistic path, with a style characterised by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-Dada and new realism, his work has focused on purely pictorial values: fields of colour in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the CEOE Prize for the Arts in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the Museu Nacional d'Art de Catalunya. His work can be found in the most important museums around the world: the Reina Sofía in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and Tate Gallery in London, among many others.

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Pyramids, 1994. Mixed media and collage with iridescent finish on Japan paper glued to cardboard in the upper margin. Signed and dated in the lower left corner
                Jun. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Pyramids, 1994. Mixed media and collage with iridescent finish on Japan paper glued to cardboard in the upper margin. Signed and dated in the lower left corner

                Est: €1,800 - €2,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Pyramids, 1994. Mixed media and collage with iridescent finish on Japan paper glued to cardboard in the upper margin. Signed and dated in the lower left corner. Provenance: Private collection. Measurements: 77 x 57 cm; 85 x 64 cm (frame) After a brief figurative period, the 1950s gave way to a more schematic and structured conception of reality, with a clearly abstractionist bias, which he would cultivate throughout the rest of his life. During the 1990s until the end of his career, his production is interpreted as a study of his own work. His compositions, stable and calm, show a structural purity taken to the extreme in which symmetry, order and balance configure the use of space in which geometry and the complementarity of colours. A painter and graphic artist, Ràfols Casamada trained in Barcelona and Paris. He has received many awards, such as the National Plastic Arts Award in 1980, the Creu de Sant Jordi in 1982 and the CEOE Arts Award in 1991. In 1985 he was also named Knight of the Order of Arts and Letters of France. His work can be found in the most important museums around the world: the Reina Sofía in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). ‘Night party’, 1994. Oil on canvas. Signed in the lower right corner.
                Jun. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). ‘Night party’, 1994. Oil on canvas. Signed in the lower right corner.

                Est: €3,000 - €3,500

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). ‘Night party’, 1994. Oil on canvas. Signed in the lower right corner. Measurements: 60 x 30 cm. A light blue peephole opens in the heart of a cobalt blue field. It is the nineties and Ràfols Casamada has already reached the peak of his refined researches. In ‘Fiesta nocturna’, the play of tensions unfolds between the chromatic textures that break up and at the same time recompose the space, opening some cracks and closing others. The symbolism of colour (the sky, the sea, the night) is combined with a brushstroke that does not shy away from the stain, the trace of a stroke like chalk on a blackboard. Symbolic transcendence and material immanence go hand in hand. The result is a happy encounter between conceptual richness and plastic simplicity. A painter, teacher, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He started out in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he gradually developed a poetic abstraction, amorphous in its configuration, free and intelligent, the fruit of a slow gestation and based on atmospheres, themes, objects or graphics from everyday life. Ràfols Casamada worked with these fragments of reality, of life, in a process of disfigurement, playing with connotations, plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a grant to travel to France, and settled in Paris until 1954. There he became acquainted with post-Cubist figurative painting, as well as with the work of Picasso, Matisse, Braque and Miró, among others. These influences were combined in his painting with that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona he embarked on his own artistic path, with a style characterised by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-Dada and new realism, his work has focused on purely pictorial values: fields of colour in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the CEOE Prize for the Arts in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the Museu Nacional d'Art de Catalunya. His work can be found in the most important museums around the world: the Reina Sofía in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and Tate Gallery in London, among many others.

                Setdart Auction House
              • RAFOLS CASAMADA, ALBERT (1923 - 2009)
                May. 28, 2024

                RAFOLS CASAMADA, ALBERT (1923 - 2009)

                Est: -

                Lithograph on paper. Signed and dated (85) in the lower right corner. Numbered (69/125) in the lower left corner.

                Duran Arte y Subastas
              • RAFOLS CASAMADA, ALBERT (1923 - 2009)
                May. 28, 2024

                RAFOLS CASAMADA, ALBERT (1923 - 2009)

                Est: -

                Linoleum on paper. Signed and dated (66) in the upper left corner. Edition of 150 copies. No. 50 (Label on back).

                Duran Arte y Subastas
              • RAFOLS CASAMADA, ALBERT (1923 - 2009)
                May. 28, 2024

                RAFOLS CASAMADA, ALBERT (1923 - 2009)

                Est: -

                Lithograph on paper. Signed and dated (75) in the lower right corner. Numbered (HC - Hors Commerce) in the lower left corner.

                Duran Arte y Subastas
              • RAFOLS CASAMADA, ALBERT (1923 - 2009)
                May. 28, 2024

                RAFOLS CASAMADA, ALBERT (1923 - 2009)

                Est: -

                Lithograph on paper. Signed in the lower right corner. Numbered (8/75) in the lower left corner.

                Duran Arte y Subastas
              • RAFOLS CASAMADA, ALBERT (1923 - 2009)
                May. 28, 2024

                RAFOLS CASAMADA, ALBERT (1923 - 2009)

                Est: -

                Lithograph on paper. Signed in the lower right corner. Numbered (10/75) in the lower left corner.

                Duran Arte y Subastas
              • Albert RAFOLS-CASAMADA - Sur la table
                May. 19, 2024

                Albert RAFOLS-CASAMADA - Sur la table

                Est: CHF60 - CHF80

                This description has been translated automatically: Albert RAFOLS-CASAMADA (1923-2009) On the table, 1991 Heliogravure after a watercolor Signed in the plate On vellum 24 x 34.5 cm INFORMATION: This photogravure was published by the Crédit Lyonnais Foundation for the Arts in 1991, in direct collaboration with the artist. Excellent condition We can provide shipping quote and service under demand ORIGINAL CONTENT : Albert RAFOLS-CASAMADA (1923-2009) Sur la table, 1991 Héliogravure d'après une aquarelle  Signée dans la planche Sur vélin 24 x 34.5 cm INFORMATION : Cette héliogravure a été éditée par la Fondation du Crédit Lyonnais pour les Arts en 1991, en collaboration directe avec l'artiste. Excellent état Sur simple demande, nous pouvons fournir un devis d'expédition et vous envoyer vos acquisitions de façon sécurisée.

                TGP Auction
              • ALBERT RAFOLS-CASAMADA (SPANISH, 1923-2009)
                May. 18, 2024

                ALBERT RAFOLS-CASAMADA (SPANISH, 1923-2009)

                Est: $300 - $600

                Albert Rafols-Casamada Spanish, 1923-2009 Acrylic on paper Block abstract in black/blue/brown.

                Selkirk Auctioneers & Appraisers
              • ALBERT RÁFOLS CASAMADA - Febrer
                May. 16, 2024

                ALBERT RÁFOLS CASAMADA - Febrer

                Est: €30 -

                ALBERT RÁFOLS CASAMADA - Febrer 36x19 cm

                Arte Subastas Bilbao
              • ALBERT RÁFOLS CASAMADA - Novembre
                May. 16, 2024

                ALBERT RÁFOLS CASAMADA - Novembre

                Est: €30 -

                ALBERT RÁFOLS CASAMADA - Novembre 36x19 cm

                Arte Subastas Bilbao
              • ALBERT RÀFOLS CASAMADA
                May. 14, 2024

                ALBERT RÀFOLS CASAMADA

                Est: €100 - €150

                Albert Ràfols Casamada (Barcelona, 1923-2009) Sin título. Litografía firmada y numerada 63/175 a lápiz. 65,5 x 45 cm.

                Aletheia Subastas
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Signs", 1990. Acrylic on canvas. Signed and dated in the lower right corner. Signed, dated and titled on the back.
                May. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Signs", 1990. Acrylic on canvas. Signed and dated in the lower right corner. Signed, dated and titled on the back.

                Est: €7,000 - €7,500

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Signs", 1990. Acrylic on canvas. Signed and dated in the lower right corner. Signed, dated and titled on the back. Measurements: 89 x 116 cm. Ràfols Casamada spoke of his need to "break the space and recompose it by means of spots of color, distribute them almost at random and achieve, by means of color, that they are sustained and related" (Testimony of a painter, 1985). The painting shown here is an account of this search for intellectual purification. Ràfols Casamada submits the painting to an apparently random tensional game between color field, emptiness, stain and gesture. In this canvas, the lyrical abstraction throbs with impetus despite the underlying conceptual base. It echoes a happy resolution between intellectual complexity and plastic simplicity, between transcendence and immanence. Painter, pedagogue, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. The post-impressionist paternal influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Casa solitària", 2000. Acrylic on canvas. Signed and dated in the lower right corner. Signed, dated and titled on the back.
                May. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Casa solitària", 2000. Acrylic on canvas. Signed and dated in the lower right corner. Signed, dated and titled on the back.

                Est: €7,500 - €8,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Casa solitària", 2000. Acrylic on canvas. Signed and dated in the lower right corner. Signed, dated and titled on the back. Measurements: 73 x 93 cm. Ràfols Casamada spoke of his need to "break the space and recompose it by means of spots of color, distribute them almost at random and achieve, by means of color, that they are sustained and related" (Testimony of a painter, 1985). The painting shown here is an account of this search for intellectual purification. Ràfols Casamada submits the painting to an apparently random tensional game between color field, emptiness, stain and gesture. In this canvas, the lyrical abstraction throbs with impetus despite the underlying conceptual base. It echoes a happy resolution between intellectual complexity and plastic simplicity, between transcendence and immanence. Painter, pedagogue, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. The post-impressionist paternal influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Reflex", 1974. Acrylic on canvas. Signed and dated in the lower right corner and on the back.
                May. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Reflex", 1974. Acrylic on canvas. Signed and dated in the lower right corner and on the back.

                Est: €8,000 - €9,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Reflex", 1974. Acrylic on canvas. Signed and dated in the lower right corner and on the back. Measurements: 100 x 81 cm; 102,5 x 83,5 cm (frame). Ràfols Casamada spoke of his need to "break the space and recompose it by means of spots of color, distribute them almost at random and achieve, by means of color, that they are sustained and related" (Testimony of a painter, 1985). The painting shown here is an account of this search for intellectual purification. Ràfols Casamada submits the painting to an apparently random tensional game between color field, emptiness, stain and gesture. In this canvas, the lyrical abstraction throbs with impetus despite the underlying conceptual base. It echoes a happy resolution between intellectual complexity and plastic simplicity, between transcendence and immanence. Painter, pedagogue, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. The post-impressionist paternal influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Transparency", 2004. Acrylic on canvas. Signed and dated in the lower left corner. Signed, dated and titled on the back.
                May. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Transparency", 2004. Acrylic on canvas. Signed and dated in the lower left corner. Signed, dated and titled on the back.

                Est: €7,000 - €8,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Transparency", 2004. Acrylic on canvas. Signed and dated in the lower left corner. Signed, dated and titled on the back. Measurements: 146 x 97 cm. Ràfols Casamada spoke of his need to "break the space and recompose it by means of spots of color, distribute them almost at random and achieve, by means of color, that they are sustained and related" (Testimony of a painter, 1985). The painting shown here is an account of this search for intellectual purification. Ràfols Casamada submits the painting to an apparently random tensional game between color field, emptiness, stain and gesture. In this canvas, the lyrical abstraction throbs with impetus despite the underlying conceptual base. It echoes a happy resolution between intellectual complexity and plastic simplicity, between transcendence and immanence. Painter, pedagogue, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. The post-impressionist paternal influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Climbing", 1974. Collage, acrylic and grease pencil on canvas. Signed and dated in the lower right corner. Signed, dated and titled on the back.
                May. 13, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Climbing", 1974. Collage, acrylic and grease pencil on canvas. Signed and dated in the lower right corner. Signed, dated and titled on the back.

                Est: €8,000 - €9,000

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). "Climbing", 1974. Collage, acrylic and grease pencil on canvas. Signed and dated in the lower right corner. Signed, dated and titled on the back. Measurements: 100 x 81 cm. Ràfols Casamada spoke of his need to "break the space and recompose it by means of spots of color, distribute them almost at random and achieve, by means of color, that they are sustained and related" (Testimony of a painter, 1985). The painting shown here is an account of this search for intellectual purification. Ràfols Casamada submits the painting to an apparently random tensional game between color field, emptiness, stain and gesture. In this canvas, the lyrical abstraction throbs with impetus despite the underlying conceptual base. It echoes a happy resolution between intellectual complexity and plastic simplicity, between transcendence and immanence. Painter, pedagogue, writer and graphic artist, Ràfols Casamada enjoys great international prestige today. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. The post-impressionist paternal influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received many awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the Premio de las Artes de la CEOE in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • El patio
                Apr. 25, 2024

                El patio

                Est: -

                Firmada y seriada a lápiz "Rafols Casamada" 41/75 Fechada en 2005

                Isbilya Subastas
              • Alberto Rafol's Casamada, 1923-2009 Barcelona,??watercolor
                Apr. 19, 2024

                Alberto Rafol's Casamada, 1923-2009 Barcelona,??watercolor

                Est: €280 - €500

                Alberto Rafol's Casamada, 1923-2009 Barcelona,??watercolor on Acuarela Guarro, abstract geometric composition, signed and dated 85 lower right, framed under PP and glass, 68x51 cm . German Description: Alberto Rafols Casamada, 1923-2009 Barcelona , Aquarell auf Acuarela Guarro, abstrakt geometrisierende Komposition, rechts unten signiert und datiert 85, unter PP und Glas gerahmt, 68x51 cm

                Henry's Auktionshaus
              • ALBERT RÀFOLS-CASAMADA (1923-2009). Set of 2 lithographs.
                Apr. 11, 2024

                ALBERT RÀFOLS-CASAMADA (1923-2009). Set of 2 lithographs.

                Est: €120 - €250

                BAT (Bon à tirer) signed by hand. 76.4 x 56.2 cm.

                Subarna Subastas
              • ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled. Mixed media on paper. Signed in the lower right corner.
                Apr. 11, 2024

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled. Mixed media on paper. Signed in the lower right corner.

                Est: €500 - €600

                ALBERT RÀFOLS CASAMADA (Barcelona, 1923 - 2009). Untitled. Mixed media on paper. Signed in the lower right corner. Measurements: 30 x 21 cm; 37 x 28,5 cm (frame). Painter, pedagogue, writer and graphic artist, Ràfols Casamada enjoys today great international prestige. He began in the world of drawing and painting with his father, Albert Ràfols Cullerés. In 1942 he began studying architecture, although he soon abandoned it to devote himself to the plastic arts. His father's post-impressionist influence and his particular cézannism mark the works presented in his first exhibition, held in 1946 at the Pictòria galleries in Barcelona, where he exhibited with the group Els Vuit. Subsequently, he will elaborate a poetic abstraction, amorphous in its configuration, free and intelligent, the result of a slow gestation and based on environments, themes, objects or graphics of everyday life. Ràfols Casamada works with these fragments of reality, of life, in a process of disfigurement, playing with the connotations, the plastic values and the visual richness of the possible different readings, in an attempt to fix the transience of reality. In 1950 he obtained a scholarship to travel to France, and settled in Paris until 1954. There he became acquainted with post-cubist figurative painting, as well as the work of Picasso, Matisse, Braque and Miró, among others. These influences were joined in his painting to that of American abstract expressionism, which was developing at the same time. When he finally returned to Barcelona, he embarked on his own artistic path, with a style characterized by compositional elegance, based on orthogonal structures combined with an emotive and luminous chromaticism. After showing an interesting relationship, in the sixties and seventies, with neo-dada and new realism, his work has focused on purely pictorial values: fields of color in expressive harmony on which gestural charcoal lines stand out. He has received a multitude of awards, such as the National Plastic Arts Award from the Ministry of Culture in 1980, the Creu de Sant Jordi in 1982 and the CEOE Arts Award in 1991. In 1985 he was named Knight of the Order of Arts and Letters of France, and is an honorary member of the Royal Academy of Fine Arts of San Fernando in Madrid. In 2003 the Generalitat awarded him the National Visual Arts Prize of Catalonia, and in 2009, just two months before his death, Grup 62 paid tribute to him at the National Art Museum of Catalonia. His work can be found in the most important museums around the world: the Reina Sofia in Madrid, the Guggenheim and MOMA in New York, the Museum of Modern Art in Los Angeles, the Picasso Museum in France, the Georges Pompidou in Paris and the British Museum and the Tate Gallery in London, among many others.

                Setdart Auction House
              • Albert Ràfols-Casamada(1923-2009) "Blanc-Mondrian",color etching,signed and numbered 38/60,ca.29x20cm,framed
                Mar. 31, 2024

                Albert Ràfols-Casamada(1923-2009) "Blanc-Mondrian",color etching,signed and numbered 38/60,ca.29x20cm,framed

                Est: €150 -

                Albert Ràfols-Casamada(1923-2009) "Blanc-Mondrian",color etching,signed and numbered 38/60,ca.29x20cm,framed

                Auction Partners
              • Albert Rafols Casamada. No title
                Mar. 20, 2024

                Albert Rafols Casamada. No title

                Est: -

                Screen printing on paper. Signed and dated (78) in the lower right corner. Numbered (222/250) in the lower left corner.

                Duran Arte y Subastas
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