Paul Rabut Sold at Auction Prices

Painter, b. 1914 - d. 1983

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    • PAUL RABUT (1914-1983) ABSTRACT LANDSCAPE
      Apr. 09, 2024

      PAUL RABUT (1914-1983) ABSTRACT LANDSCAPE

      Est: $50 - $10,000

      Signed by artist on front lower left. Signed and titled "The Moon and the Sea" on back. Photograph of artist on back. Dimensions: (Frame) H 13.25" x W 13.25". (Sight) H 7" x W 7". Condition: Minor soiling to work from dirt, dust. Minor soiling to mat, nicks on frame.

      Westport Auction
    • PAUL RABUT (1914-1983) ABSTRACT ON BOARD
      Apr. 09, 2024

      PAUL RABUT (1914-1983) ABSTRACT ON BOARD

      Est: $50 - $10,000

      Titled 'Motherhood' and signed on back. Signed and dated 'Rabut, '51' on front lower right. Dimensions: (Frame) H 15. 65" x W 18.75". (Sight) H 9.5" x W 11.75". Condition: Minor losses to frame, overall good presentation.

      Westport Auction
    • Paul Rabut (American, 1914-1983) Painting Illustration
      Apr. 30, 2023

      Paul Rabut (American, 1914-1983) Painting Illustration

      Est: $1,000 - $2,000

      Paul Rabut (American, 1914-1983) Painting Illustration. Title - Senn Atomic Energy Plant. Gouache and watercolor on artist board painting illustration. Signed lower right Paul Rabut. Inscribed on reverse: General Electric Calendar 1960, Senn Atomic Energy Plant, Italy. Paul Rabut 104 Easton Rd, Westport, Conn. Tel- Capital 7-6014. Included with the painting is the original 1960 calendar with original printed illustrations. Sight size of the painting measures 14 inches high, 20 inches wide. Frame measures 27.25 inches high, 32 inches wide. In good condition. From Tribalartmagazine.com: The Mysterious World of PAUL RABUT By Charles Derby. The Merritt Parkway begins twenty miles sou's of Hartford, Connecticut, and is an hour away from Paul Rabut's (1914-1983) home in Westport. This isn's a typical highway-it’s a distinctive winding road with Art Deco bridges and fully grown trees that cast their shadows as they bend towards the median strip. Whenever I drove on this road, getting closer to my destination, my anticipation and excitement grew. I felt as if I were being drawn into a tunnel that ushered me into Paul's mysterious world. Like a magician, Paul orchestrated our encounters. I never knew what fabulous objects I might see or which ones he's make available. He seldom showed me everything he had; instead he presented a few choice artifacts while he kept others hidden away to dazzle me at a later time. If that weren't enough, Paul's wife Peggy would consistently serve us delicious meals that made me feel welcome and part of the family. Often I'd stay overnight. My sleeping quarters were in a tiny unfinished room. Opposite my bed was a shelf of African sculptures, loaded three to four figures deep, backed by pegboard walls cluttered with African masks. This room reminded me of a ship's cabin, which was appropriate, since being there was the ultimate trip for a collector like me. I met this remarkable man at an auction near Boston, Massachusetts, in 1974. At that time I had been collecting Native American art for about two years. Paul invited me out to the parking lot where his rusty car was packed with piles of Plains Indian beadwork, Amazonian featherwork, and Navajo textiles. He explained that some of the items were for sale and others were to be used to trade for African and Northwest Coast sculptures. Soon I made my first visit to his home. Besides the guest room where I stayed, other rooms in the house were filled with examples of tribal art. Even though I had never collected African art, I was intrigued by what I saw. That night I dreamed about an African figure I had noticed at Paul's. When I asked him about it, he told me that it was a Bakongo fetish and that it was available to buy. That was my first purchase and was the spark that fired my passion for African art. One lesson Paul taught me was the value of trading. Until I met him, I had no idea that collectors often traded with one another to get rare and unusual pieces they normally couldn't afford to purchase. My first few trades with him were fraught with worry about whether I was doing the right thing. As I gained confidence, simple trades turned into complex deals of several items at a time. We'd often stay up late to talk about a trade; we'd test one another with preposterous suggestions.

      Myers Fine Art
    • PAUL RABUT Cabin in the Mountains Casein Illustration Painting
      Nov. 01, 2020

      PAUL RABUT Cabin in the Mountains Casein Illustration Painting

      Est: $1,000 - $1,500

      PAUL RABUT (American, 1914-1983), Man and Cabin Next to Western Mountain Stream Casein Illustration

      Jonah Fine Art
    • PAUL RABUT. "'What's under the tarpaulin?'"
      Dec. 10, 2019

      PAUL RABUT. "'What's under the tarpaulin?'"

      Est: $700 - $1,000

      PAUL RABUT. "'What's under the tarpaulin?'" Story illustration for "Just a Little Gun Smuggling," by Burnham Carter, published in The Saturday Evening Post, January 16, 1954. Casein on board. 317x546 mm; 12 1/2x21 1/2 inches (sight). Signed "Paul Rabut" in lower left image. Matted and framed. Not inspected outside of matte.

      Swann Auction Galleries
    • PAUL RABUT (American, 1914-1983)
      Apr. 13, 2019

      PAUL RABUT (American, 1914-1983)

      Est: $700 - $900

      PAUL RABUT (American, 1914-1983), family working in farmyard, gouache on board, signed lower left. Minor yellowing. Sight 17''h, 19-1/4''w. (Fine Art)

      South Bay Auctions Inc
    • PAUL RABUT. "'That police officer knows you are here' Joan said 'and he's going to arrest you.
      Dec. 06, 2018

      PAUL RABUT. "'That police officer knows you are here' Joan said 'and he's going to arrest you.

      Est: $1,200 - $1,800

      PAUL RABUT. "'That police officer knows you are here' Joan said 'and he's going to arrest you. You must leave at once.'" Story illustration for "The Trinidad Treasure" by Burnham Carter, published in The Saturday Evening Post, May 12, 1956, with their labels on verso. Mixed media on board. 260x508 mm; 10 1/4x20 inches,13 1/4x23-inch board. Signed in lower right image. Matted; framed. Accompanied by a copy of the magazine. Provenance: From the Estate of Charles Martigette to present owner in 2010.

      Swann Auction Galleries
    • PAUL RABUT, New York, 1914-1983, A woman and horses outside a farmhouse, Gouache and watercolor on board, 14" x 23". Framed 24" x 32".
      Apr. 07, 2018

      PAUL RABUT, New York, 1914-1983, A woman and horses outside a farmhouse, Gouache and watercolor on board, 14" x 23". Framed 24" x 32".

      Est: $1,200 - $1,800

      PAUL RABUT New York, 1914-1983 A woman and horses outside a farmhouse with approaching riders and storm clouds. Signed lower right "Paul Rabut". Gouache and watercolor on board, 14" x 23". Framed 24" x 32".

      Eldred's
    • PAUL L. RABUT, American, 1914-1983, Man on an early motorcycle., Gouache on paper, 13" x 11". Framed.
      Apr. 04, 2014

      PAUL L. RABUT, American, 1914-1983, Man on an early motorcycle., Gouache on paper, 13" x 11". Framed.

      Est: $700 - $1,000

      PAUL L. RABUT American, 1914-1983 Man on an early motorcycle. Signed lower left "Paul Rabut". Gouache on paper, 13" x 11". Framed.

      Eldred's
    • PAUL RABUT (American, 1914-1983) Rendezvous with Death,
      Feb. 11, 2011

      PAUL RABUT (American, 1914-1983) Rendezvous with Death,

      Est: $800 - $1,200

      PAUL RABUT (American, 1914-1983) Rendezvous with Death, Saturday Evening Post story illustration, September 27, 1952 Mixed media on board 16.75 x 13 in. Signed lower right An original copy of the magazine is included with this lot.

      Heritage Auctions
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