Francisco Preciado de la Vega Sold at Auction Prices

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  • THE PRESENTATION OF THE CHILD JESUS IN THE TEMPLE, FRANCISCO PRECIADO DE LA VEGA (SEVILLE OR ÉCIJA, 1712-ROME, 1789) ITALIAN SCHOOL OF THE 18TH CENTURY
    May. 23, 2024

    THE PRESENTATION OF THE CHILD JESUS IN THE TEMPLE, FRANCISCO PRECIADO DE LA VEGA (SEVILLE OR ÉCIJA, 1712-ROME, 1789) ITALIAN SCHOOL OF THE 18TH CENTURY

    Est: €3,000 - €4,000

    Oil on canvas measurements: 96 x 63 cm, frame measurements: 109 x 74 cm

    Templum Fine Art Auctions
  • THE ANNUNCIATION OF MARY, FRANCISCO PRECIADO DE LA VEGA (SEVILLE OR ÉCIJA, 1712-ROME, 1789) ITALIAN SCHOOL OF THE 18TH CENTURY
    May. 23, 2024

    THE ANNUNCIATION OF MARY, FRANCISCO PRECIADO DE LA VEGA (SEVILLE OR ÉCIJA, 1712-ROME, 1789) ITALIAN SCHOOL OF THE 18TH CENTURY

    Est: €3,000 - €4,000

    Oil on canvas measurements: 96 x 63 cm, frame measurements: 109 x 74 cm

    Templum Fine Art Auctions
  • PRECIADO DE LA VEGA, Francisco, 1713-1789 Arcádia pictórica en sueño, alegoria ó poema prosaico …
    May. 04, 2023

    PRECIADO DE LA VEGA, Francisco, 1713-1789 Arcádia pictórica en sueño, alegoria ó poema prosaico …

    Est: €150 -

    PRECIADO DE LA VEGA, Francisco, 1713-1789 Arcádia pictórica en sueño, alegoria ó poema prosaico sobre la teórica y práctica de la pintura, escrita por Parrasio Tebano, pastor arcade de Roma, dividiada em dos partes: La primera que trata de lo que pertence al dibuxo y la segunda del colorido. Madrid : Por Don Antonio de Sancha, 1789.- [12], 323, [1] p. : (22 cm) : enc. Bom exemplar. Encadernação oitocentista inteira de carneira. Única obra do autor. Pouco vulgar. Palau, 236122.

    Veritas Art Auctioneers
  • Francisco de la VEGA: Angel/Winged Woman - Etching
    Apr. 28, 2023

    Francisco de la VEGA: Angel/Winged Woman - Etching

    Est: $200 - $300

    Framed antique Italian etching of a Neoclassical angel / winged woman; Poseidon; marked "FR La Vega" (Francisco Preciado de la Vega, Spanish, 1713-1789); "F.M. Scoli". Provenance: Phyllis Lucas Gallery, NYC. [Art: 13.25" H x 9.25" W; Overall: 18.75" H x 14.75" W]. In good condition.

    Roland Auctions NY
  • FRANCISCO PRECIADO DE LA VEGA - Immaculate Conception
    Dec. 13, 2022

    FRANCISCO PRECIADO DE LA VEGA - Immaculate Conception

    Est: -

    FRANCISCO PRECIADO DE LA VEGA Seville 1712 - Rome 1789 Immaculate Conception. c. 1760 Oil on copper Apocryphal on the back: Maella Measurements 38 x 25 cm It is an Immaculate Conception whose signature, which reads Maella, can confuse those who contemplate it. Indeed, the atmosphere between Maella (1739-1819) and Preciado de la Vega is close, perhaps because both their training in Rome and their clientele were, in a way, very similar. However, observing the painting carefully, we see how its aesthetics reveals that we are dealing with a copper painted in the middle of the Baroque, and not late in the second half of the 19th century, when the bulk of the production of the Valencian painter is dated. . Francisco Preciado de la Vega became King Charles III's chamber painter, although much of his production took place in Rome, where he settled in 1732, being a member of the Academy of San Lucas. However, his career as a painter in the city of the Tiber was, above all, linked to the Spanish diplomatic representation and religious institutions, which confirms that both his prestige and projection were modest, partly due to having to deal with an artistic environment very competitive. In this work, the Sevillian painter demonstrates his perfect iconographic knowledge, representing the Virgin with her arms outstretched towards the Creator, in a way that is very close to the usual representations of the subject made by his teacher Sebastiano Conca and, therefore, far from the mystical feeling that Preciado provides in other of his versions, such as the case of the Immaculate Conception preserved in the Church of the Holy Trinity of the Spanish on Via Condotti in Rome, which the painter executed in 1750 and which marks the arch chronological of his best production. Comparing both works, one appreciates the stylistic diversity that the Sevillian painter is capable of facing depending on the commission. While the Immaculate of the Church of the Holy Trinity of the Spanish is a much more classicist work due to the public place where it is exhibited, this work is much more baroque, a good example of how Preciado had been trained in the Roman barocchetto and late-baroque, in that eclecticism that predominated in the Rome of the seven hundred, where he presents his best works. The putti and cherubs will end up being one of the most characteristic resources of this painter. In this case, the cherubs on the upper part of the copper are typical of the forms that Preciado develops from the sixties, which allows us not only to attribute the work to the Sevillian painter, but also to date it within that time frame. .

    Subastas Segre
  • Inmaculada Firmada y fechada en el reverso "Franciscus Preciado
    Oct. 29, 2019

    Inmaculada Firmada y fechada en el reverso "Franciscus Preciado

    Est: -

    Inmaculada Firmada y fechada en el reverso "Franciscus Preciado Fecit Roma Anno 1744". 64.5 x 50.5 cm FRANCISCO PRECIADO DE LA VEGA (Écija, 1712 - Roma, 1789)Pintura antigua y S. XIXÓleo sobre lienzo,. , FRANCISCO PRECIADO DE LA VEGA (Écija, 1712 - Rome, 1789) Inmaculada. Oil on canvas

    Isbilya Subastas
  • Inmaculada
    Feb. 05, 2019

    Inmaculada

    Est: -

    Firmada y fechada en el reverso "Franciscus Preciado Fecit Roma Anno 1744". Signed and dated on the back "Franciscus Preciado Fecit Roma Anno 1744".

    Isbilya Subastas
  • Francisco Preciado de la Vega (Siviglia 1713 - Roma 1789), da Antonio Allegri detto il Correggio
    May. 19, 2015

    Francisco Preciado de la Vega (Siviglia 1713 - Roma 1789), da Antonio Allegri detto il Correggio

    Est: €3,500 - €5,500

    La Madonna di San Girolamo (o il Giorno) olio su tela originale, cm 96 x 75 reca firma sul retro: Preziado

    Finarte Roma
  • Francisco Preciado de la Vega (Siviglia 1713 - Roma 1789), da Antonio Allegri detto il Correggio La Madonna di San Girolamo (o il Giorno)
    May. 27, 2014

    Francisco Preciado de la Vega (Siviglia 1713 - Roma 1789), da Antonio Allegri detto il Correggio La Madonna di San Girolamo (o il Giorno)

    Est: €6,000 - €8,000

    olio su tela originale, cm 96 x 75 reca firma sul retro: Preziado Francisco Preciado de la Vega (SEVILLE 1713 - RomE 1789), AFTER Antonio Allegri CALLED il Correggio, MADONNA, OIL ON UNLINED CANVAS 96 X 75 CM SIGNED ON THE BACK 'PREZIADO'

    Finarte Roma
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