Loading Spinner

James Power Sold at Auction Prices

Painter

See Artist Details

0 Lots

Sort By:

Categories

Auction Date

Seller

Seller Location

Price Range

to
  • James Power (b.1946)
    Jun. 06, 2023

    James Power (b.1946)

    Est: £500 - £700

    James Power (b.1946) ▴ James Power (b.1946) 'Aintree' signed 'James Power' l.r., inscribed with title l.l., oil on canvas 70 x 90cm Condition Report: overall: 86 x 106cm In good condition and ready to hang. The back of the canvas is not visible and has been sealed with a paper lining. Unexamined under UV light, for a full report please contact the department.

    Sworders
  • James Power (b.1946)
    Jun. 06, 2023

    James Power (b.1946)

    Est: £300 - £500

    James Power (b.1946) ▴ James Power (b.1946) 'Cottenham Point to Point'; 'Cottenham Point to Point, A Winner II' the first signed 'James Power' l.r., inscribed with title and dated '2020' l.l., the second signed 'James Power' l.r., both also signed and inscribed verso, oil on canvas 29.5 x 42cm (2) Condition Report: overall: 40.5 x 53cm In good condition. Well presented and ready to hang. Unexamined under UV light, for a full report please contact the department.

    Sworders
  • James Power (b.1946)
    Jun. 06, 2023

    James Power (b.1946)

    Est: £200 - £300

    James Power (b.1946) ▴ James Power (b.1946) 'Double Trouble' signed 'Power' l.r., inscribed with title u.l., further signed and inscribed verso, oil on canvas 30 x 30cm Condition Report: overall: 40 x 40cm In generally good order and ready to hang. Unexamined under UV light, for a full report please contact the department.

    Sworders
  • James Power, British 1944-1999 - Woman with two cats and a Braque book, 1986; oil on canvas, da
    Dec. 08, 2022

    James Power, British 1944-1999 - Woman with two cats and a Braque book, 1986; oil on canvas, da

    Est: £200 - £300

    James Power, British 1944-1999 - Woman with two cats and a Braque book, 1986; oil on canvas, dated lower left 'SEP 86', 100 x 100 cm Provenance: the Estate of the Artist Note: When James Power moved to Dreveil, France, in 1977, a commune in the southern suburbs of Paris, he followed in the footsteps of Eugene Delacroix, who lived there from 1844 to the end of his life, citing his love for the lush countryside. The lushness of the area made a strong impression on James Power, as evidenced by the colour palette of the works in this collection. Developing an interest and talent for music early in his life, his interest in music continued, along with a love of literature and film, all influencing his painting. Often using a fish eye perspective, with the brush strokes of Expressionists such as Soutine or Kokoschka, his works have a narrative quality, something that he shared with his lifelong friend Ken Kiff. He is a studied artist, as evidenced by the art history books one can spot in some of his paintings. Of his works he commented, ‘[I] should like that they be seen for what they are: narrative pictures, naturalistically rendered. I hope that they evoke a very strong atmosphere.’ Hidden away for nearly 30 years, we are pleased to offer these works from the Estate of the Artist. His works are in private collections in France, USA, Singapore and England and the Aberdeen Trust, London. His work was also included in the group exhibition curated by Norton Lynton, ‘Body and Soul’, at the Walker Art Gallery, Liverpool and he has exhibited at Connaught Brown and with Kapil Jariwala Gallery.

    Roseberys
  • James Power, British 1944-1999 - Self Portrait, 1977; oil on canvas, titled and dated on the rev
    Dec. 08, 2022

    James Power, British 1944-1999 - Self Portrait, 1977; oil on canvas, titled and dated on the rev

    Est: £200 - £300

    James Power, British 1944-1999 - Self Portrait, 1977; oil on canvas, titled and dated on the reverse 'Self-portrait May 77', 60.5 x 50.8 cm (unframed) Provenance: the Estate of the Artist Note: when James Power moved to Dreveil, France, in 1977, a commune in the southern suburbs of Paris, he followed in the footsteps of Eugene Delacroix, who lived there from 1844 to the end of his life, citing his love for the lush countryside. The lushness of the area made a strong impression on James Power, as evidenced by the colour palette of the works in this collection. Developing an interest and talent for music early in his life, his interest in music continued, along with a love of literature and film, all influencing his painting. Often using a fish eye perspective, with the brush strokes of Expressionists such as Soutine or Kokoschka, his works have a narrative quality, something that he shared with his lifelong friend Ken Kiff. He is a studied artist, as evidenced by the art history books one can spot in some of his paintings. Of his works he commented, ‘[I] should like that they be seen for what they are: narrative pictures, naturalistically rendered. I hope that they evoke a very strong atmosphere.’ Hidden away for nearly 30 years, we are pleased to offer these works from the Estate of the Artist. His works are in private collections in France, USA, Singapore and England and the Aberdeen Trust, London. His work was also included in the group exhibition curated by Norton Lynton, ‘Body and Soul’, at the Walker Art Gallery, Liverpool and he has exhibited at Connaught Brown and with Kapil Jariwala Gallery.

    Roseberys
  • James Power, British 1944-1999 - Woman with Renoir book, 1990; oil on canvas, dated lower right
    Dec. 08, 2022

    James Power, British 1944-1999 - Woman with Renoir book, 1990; oil on canvas, dated lower right

    Est: £200 - £300

    James Power, British 1944-1999 - Woman with Renoir book, 1990; oil on canvas, dated lower right 'Fev 90', 37.5 x 46.6 cm: together with an oil on canvas of a woman in blue, dated lower left '7 90', 38 x 46 cm (2) Provenance: the Estate of the Artist Note: when James Power moved to Dreveil, France, in 1977, a commune in the southern suburbs of Paris, he followed in the footsteps of Eugene Delacroix, who lived there from 1844 to the end of his life, citing his love for the lush countryside. The lushness of the area made an impression on James Power as well, as evidenced by the colour palette of the works in this collection.   Developing an interest and talent for music early in his life, his interest in music continued, along with a love of literature and film, all influencing his painting. Often using a fish eye perspective, with the brush strokes of Expressionists such as Soutine or Kokoschka, his works have a narrative quality. He is a studied artist, as evidenced by the art history books one can spot in some of his paintings. Of his works he commented, ‘[I] should like that they be seen for what they are: narrative pictures, naturalistically rendered. I hope that they evoke a very strong atmosphere.’ Hidden away for nearly 30 years, we are pleased to offer these works from the Estate of the Artist. His works are in private collections in France, USA, Singapore and England, and Aberdeen Trust, London. His work was also included in the group exhibition curated by Norton Lynton. ‘Body and Soul’, at the Walker Art Gallery, Liverpool, and has exhibited with Connaught Brown, and Jariwala Gallery.

    Roseberys
  • James Power, British 1944-1999 - Jardin II, Draveil, France, 1985; oil on canvas, signed, titled
    Dec. 08, 2022

    James Power, British 1944-1999 - Jardin II, Draveil, France, 1985; oil on canvas, signed, titled

    Est: £200 - £250

    James Power, British 1944-1999 - Jardin II, Draveil, France, 1985; oil on canvas, signed, titled and dated to the reverse of the stretcher 'Power Jardin II Summer 85', 55 x 46.5 cm: together with a framed oil on canvas landscape, 46 x 35 cm (2) Provenance: the Estate of the Artist Note: when James Power moved to Dreveil, France, in 1977, a commune in the southern suburbs of Paris, he followed in the footsteps of Eugene Delacroix, who lived there from 1844 to the end of his life, citing his love for the lush countryside. The lushness of the area made a strong impression on James Power, as evidenced by the colour palette of the works in this collection. Developing an interest and talent for music early in his life, his interest in music continued, along with a love of literature and film, all influencing his painting. Often using a fish eye perspective, with the brush strokes of Expressionists such as Soutine or Kokoschka, his works have a narrative quality, something that he shared with his lifelong friend Ken Kiff. He is a studied artist, as evidenced by the art history books one can spot in some of his paintings. Of his works he commented, ‘[I] should like that they be seen for what they are: narrative pictures, naturalistically rendered. I hope that they evoke a very strong atmosphere.’ Hidden away for nearly 30 years, we are pleased to offer these works from the Estate of the Artist. His works are in private collections in France, USA, Singapore and England and the Aberdeen Trust, London. His work was also included in the group exhibition curated by Norton Lynton, ‘Body and Soul’, at the Walker Art Gallery, Liverpool and he has exhibited at Connaught Brown and with Kapil Jariwala Gallery.

    Roseberys
  • James Power, British 1944-1999 - Embracing Couple, 1992; oil on canvas, dated lower left 'Juil
    Dec. 08, 2022

    James Power, British 1944-1999 - Embracing Couple, 1992; oil on canvas, dated lower left 'Juil

    Est: £500 - £800

    James Power, British 1944-1999 - Embracing Couple, 1992; oil on canvas, dated lower left 'Juil 92', titled to inventory on the reverse, 148 x 148 cm Provenance: the Estate of the Artist Exhibited: Kapil Jariwala Gallery, London, 'James Power: Recent Paintings', 21st September - 15th October 1994, cat.no. 6 (illus.) Note: when James Power moved to Dreveil, France, in 1977, a commune in the southern suburbs of Paris, he followed in the footsteps of Eugene Delacroix, who lived there from 1844 to the end of his life, citing his love for the lush countryside. The lushness of the area made a strong impression on James Power, as evidenced by the colour palette of the works in this collection. Developing an interest and talent for music early in his life, his interest in music continued, along with a love of literature and film, all influencing his painting. Often using a fish eye perspective, with the brush strokes of Expressionists such as Soutine or Kokoschka, his works have a narrative quality, something that he shared with his lifelong friend Ken Kiff. He is a studied artist, as evidenced by the art history books one can spot in some of his paintings. Of his works he commented, ‘[I] should like that they be seen for what they are: narrative pictures, naturalistically rendered. I hope that they evoke a very strong atmosphere.’ Hidden away for nearly 30 years, we are pleased to offer these works from the Estate of the Artist. His works are in private collections in France, USA, Singapore and England and the Aberdeen Trust, London. His work was also included in the group exhibition curated by Norton Lynton, ‘Body and Soul’, at the Walker Art Gallery, Liverpool and he has exhibited at Connaught Brown and with Kapil Jariwala Gallery.

    Roseberys
  • Lots 343-348 are from the Estate of James Power: James Power, British 1944-1999 - Women doing lau
    Dec. 08, 2022

    Lots 343-348 are from the Estate of James Power: James Power, British 1944-1999 - Women doing lau

    Est: £200 - £300

    Lots 343-348 are from the Estate of James Power: James Power, British 1944-1999 - Women doing laundry by a caravan; oil on canvas, 51 x 91.25 cm: together with an unframed oil on canvas entitled 'Gypsies cooking', 1981, 50 x 73 cm (2) Provenance: the Estate of the Artist Note: Further works from the Estate of James Power will be sold in the Modern Home Sale on the 14th December 2022 When James Power moved to Dreveil, France, in 1977, a commune in the southern suburbs of Paris, he followed in the footsteps of Eugene Delacroix, who lived there from 1844 to the end of his life, citing his love for the lush countryside. The lushness of the area made a strong impression on James Power, as evidenced by the colour palette of the works in this collection. Developing an interest and talent for music early in his life, his interest in music continued, along with a love of literature and film, all influencing his painting. Often using a fish eye perspective, with the brush strokes of Expressionists such as Soutine or Kokoschka, his works have a narrative quality, something that he shared with his lifelong friend Ken Kiff. He is a studied artist, as evidenced by the art history books one can spot in some of his paintings. Of his works he commented, ‘[I] should like that they be seen for what they are: narrative pictures, naturalistically rendered. I hope that they evoke a very strong atmosphere.’ Hidden away for nearly 30 years, we are pleased to offer these works from the Estate of the Artist. His works are in private collections in France, USA, Singapore and England and the Aberdeen Trust, London. His work was also included in the group exhibition curated by Norton Lynton, ‘Body and Soul’, at the Walker Art Gallery, Liverpool and he has exhibited at Connaught Brown and with Kapil Jariwala Gallery.

    Roseberys
  • *James Power (b.1946)
    May. 31, 2022

    *James Power (b.1946)

    Est: £500 - £800

    *James Power (b.1946) *James Power (b.1946) 'First Time Around, Chester' signed 'James Power' l.r., oil on canvas 77 x 107cm Power worked as a stud groom for Juddmonte Farms for thirty years, working with great racehorses such as the unbeaten champion, Frankel. His close observation of racehorses nurtured his ability to capture racing through painting. He has been an active member of the Society of Equestrian Artists for more than twenty years, and more recently became a member of the East Anglian Artists. In 2000, he won the Horse and Hound award for Best Racing Picture. *Artist's Resale Right may apply to this lot. Framed size: 91 x 121cm. Overall, in good condition.

    Sworders
  • James P Power (1946) Cornish School, Watercolour, Cornish port scene with b
    Feb. 02, 2018

    James P Power (1946) Cornish School, Watercolour, Cornish port scene with b

    Est: £150 - £200

    James P Power (1946) Cornish School, Watercolour, Cornish port scene with boats in a harbour, Signed lower right. 10 3/4 x 14 1/2''

    Claydon Auctioneers
  • James P Power (1946) Cornish School, Watercolour, A Cornish town, Signed lo
    Feb. 02, 2018

    James P Power (1946) Cornish School, Watercolour, A Cornish town, Signed lo

    Est: £150 - £200

    James P Power (1946) Cornish School, Watercolour, A Cornish town, Signed lower right. 11 x 14 1/2''

    Claydon Auctioneers
  • James P. Power, The Belfry, Bruges, 1946-
    Sep. 13, 2017

    James P. Power, The Belfry, Bruges, 1946-

    Est: $100 - $200

    Etching, James P. Power (British) 1946-, "The Belfry, Bruges," 17 1/4 x 12 1/2 inches, full margins; signed and titled by the artist in pencil in lower margin. Good condition, mild toning.

    Quinn's Auction Galleries
  • James P Power (1946) Cornish Watercolour Newlyn
    Jun. 08, 2012

    James P Power (1946) Cornish Watercolour Newlyn

    Est: £60 - £80

    James P Power (1946) Cornish Watercolour Newlyn harbour Signed lower right 8" x 11"

    Claydon Auctioneers
  • James P Power (1946) Cornish Watercolour Newlyn
    Feb. 03, 2012

    James P Power (1946) Cornish Watercolour Newlyn

    Est: £80 - £120

    James P Power (1946) Cornish Watercolour Newlyn harbour Signed lower right 8" x 11"

    Claydon Auctioneers
  • James P Power (1946) Cornish Watercolour Newlyn
    Jul. 02, 2010

    James P Power (1946) Cornish Watercolour Newlyn

    Est: £80 - £120

    James P Power (1946) Cornish Watercolour Newlyn harbour Signed lower right 8" x 11"

    Claydon Auctioneers
Lots Per Page: