JOHANN GEORG PLATZER (ST PAUL IN EPPAN 1704-1761 ST MICHAEL IN EPPAN). Marinus Curius Dentatus and the Samnite Ambassadors. oil on copper 22 x 29 5⁄8 in. (55.9 x 75.2 cm.).
JOHANN GEORG PLATZER (Eppan 1704 - 1761 Eppan) High-spirited party, around 1750 oil/copper 57 x 81 cm signed J. G. Platzer provenance: private collection Vienna SCHÄTZPREIS / ESTIMATE € 60000 - 120000 STARTPREIS / STARTING PRICE € 60000 Johann Georg Platzer, who came from Eppan in Tyrol, was born with his artistic destiny, so to speak. As was customary at the time, he followed in the professional footsteps of his father, the painter Johan Victor Platzer. However, he did not receive his first artistic training from him, but from his stepfather Josef Anton Kössler. He later took painting lessons from his uncle Christoph Platzer, court painter to the Prince-Bishop of Passau. Finally, the young artist perfected himself in Vienna: at the age of 24, he enrolled at the academy here and became an important protagonist of the Viennese Rococo as well as one of the most important fine painters of the 18th century. As such, he mostly painted, as in our case, on copper plates, since on these smooth surfaces the fine lines are not affected by the painting surface. When choosing his motifs and his painting technique, he was influenced on the one hand by the Dutch minor masters of the 17th century and on the other hand by the Rudolfinian chamber painters such as the mannerists Hans von Aachen and Bartholomäus Spranger. In Platzer's architectural depictions there are influences from Italian painters such as Sebastiano Ricci, Alessandro Magnasco and the Galli Bibiena. The themes of his mostly small-format works are taken from mythology, the Bible or history or describe courtly life in the 18th century. In his magnificent celebratory depictions, Platzer accommodated lovers of overt and hidden eroticism: cheerful enjoyment of life is refined and heightened to the point of intoxication. Platzer regularly populated his pictures with a large variety of figures and decorated them with a variety of decorations that never let the eye rest and constantly discover new things. Tiny details and paintings in the paintings lead to ever-increasing hints and connections. Platzer liked to create contrasting pairs and series of pictures to furnish cabinets. His patron, the Breslau patrician, councilor and art collector Albrecht von Sebisch, ordered a series of 14 paintings from him. Our picture may have been part of such a couple or ensemble, as a note attached to the verso suggests. There it is described as a "counterpart" to Platzer's painting "The Concert" - gifted to the St. Petersburg Hermitage by the sensual Catherine the Great and owned by the Germanic National Museum in Nuremberg since 1934. According to the note, our picture was reproduced in 1903 under the title “Salon du Règne de Louis “Soviet Russia” for RM 5,750. In fact, since the 1920s, the Soviet Union has been selling cultural assets abroad on a large scale to raise foreign currency. “The Concert” (around 1750, 58 x 84.4 cm) arrived in Germany for a much lower price: the GNM paid RM 2,300 for it. The content of our picture, called “The Society” by the author of the note, is described as follows: “In a garden hall there is a couple, on the right card players, where an older man is cheated by cheating, on the left people feasting and drinking, everyone present with special pomp If we follow the Russian title, we find ourselves in a salon during the reign of Louis XV, King of France from 1715 to 1774. A wild party is underway in the noble salon, which opens onto a garden terrace. While the older man on the far right is being cheekily cheated out of his money with the help of an accomplice, almost all the other characters are busy flirting. The accomplice, whose left hand holds a mirror behind the victim's cards, also seeks to be physically close to him, probably to distract him. The cheating duo uses their feminine charms offensively to get to the man's bag. In order to dispel any remaining doubts in the viewer's mind as to who is the loser and who is the winner, Platzer has positioned the emptied wallet of the man, who is looking intently, but not unfriendly, at his cards, at his feet. The former contents lie on the table in front of the playing lady and are jealously guarded by her hand. A boy makes fun of the cheated man; With a grin, he points his finger at him and makes eye contact with the guitarist. But the musician doesn't look back, but rather towards the viewer, with a serene silver look that says: “There! Look at them, the high society!” Next to him, a man leans casually on the card-player’s chair and flirts with the lady in black and red; The two notice the deception and watch the genas leader's downfall with mild interest. As usual with Platzer, the painting is full of erotic allusions. The couple in the center are quite open: the two seem to really enjoy being in public while cuddling. The man pours his lady with the generous cleavage a lot of wine to make her submissive; Judging by her strangely twisted posture, she has already had more than enough. The drape of her candy pink dress happens to resemble the vulva that the garment actually covers. Her dog looks up at the young gentleman with his tail wagging and symbolically demands loyalty from him. On the other hand, the lap dog, also called bosom dog and virgin dog as well as pleasure dog and play dog, also had a different, clearly sexual meaning, especially in the 18th century. Behind the couple, two cavaliers with Mephistophelian grins are trying to woo the same lady. One plays lustfully with her fingers, which doesn't seem to bother the other. The erotic mood of the scene is further emphasized by the overripe, opening fruits in the picture; and the equipment also speaks for itself. The garden hall is richly decorated with two- and three-dimensional figures, all of which are naked: the female fountain figure behind the group of three smiles and sprays water from her breasts - as a profane reference to the iconography of Maria lactans; A putto, eyes wide in horror, rushes to her aid to stem the flood. A tongue-in-cheek criticism of all this frivolity should not be missing: In the painting behind the gaming table, Venus chastises the cheeky Cupid boy by spanking his bare bottom with a bundle of rods. When we have finally had enough of the wild hustle and bustle, our gaze wanders into the garden in the background, where Aurora is already blushing over a clearly ambiguous little gate. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked ° at the estimate), a premium of 24% is added to the highest bid. The mandatory sales tax is added to the sum of the highest bid and the buyer's premium. This amounts to 13% for paintings, drawings, graphic works and sculptures and 20% for photographs and all other items. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
JOHANN GEORG PLATZER (ST. PAUL IN EPPAN 1704-1761 ST. MICHAEL IN EPPAN) Alexander the Great before the high priest Jaddua oil on copper 26 ¼ x 37 ¼ in. (66.76 x 94.62 cm.)
Johann Georg Platzer (Plazer), zugeschrieben 1704 St. Michael / Eppan - 1761 ebenda Cyrus and Panthea Attributed to Platzer on adhesive labels and inscribed "Sir Hugh Sefly Bart" verso. Various numbers on canvas and stretcher. Oil auf canvas. 30 x 36 cm. Relined. Restored. Minor damage to frame (42 x 48 cm). Basierend auf der Kyropädie des Xenophon erschien 1744 das Trauerspiel "Panthea" von Louisa Adelgunde Victoria Gottsched. Im ersten Aufzug nimmt Cyrus, König der Perser, Panthea, die schöne und tugendhafte Gemahlin des Abradat, Königs der Susianer, gefangen. provenance: Neumeister, Munich, auction 292, 26 June 1996, catalogue number 487. - Private collection, South Germany.
Platzer, Johann Georg (?) (Eppan/Südtirol 1704 - 1761). Haman in Ungnade. Öl auf Leinwand, 1. Hälfte des 18. Jahrhunderts. 39 x 47 cm. Gerahmt (Rahmen mit kleinen Abplatzern). Dargestellt ist eine Szene aus dem Buch Esther. Haman, der Verfolger der Juden, bittet kniend Esther um Gnade, während der König Ahasver zornig sein Urteil über ihn auspricht. Hinter ihm zeigt ein Krieger auf den Galgen, der draußen im Schlosshof errichtet ist. Durch den Vorhang im Mittelgrund blickt Mordechai herein, der Esther die Absichten Hamans gegen die Juden mitgeteilt hat.- Auf der Rahmenrückseite einige alte handschriftliche Notizen sowie die Nummer '418/165'.- Der Kunsthistoriker Prof. Dr. K. Bauch aus Freiburg schreibt das Gemälde Johann Georg Platzer zu (Kopie der Expertise von 1959 liegt bei). Das Auktionshaus Sotheby's (Experte Herr Gordon, Hamburg) schreibt das Gemälde, in Anlehnung an eine handschriftliche Notiz auf der Rahmenrückseite, dem Umkreis Johann Conrad Seekatz zu, das Auktionshaus Dorotheum aus Wien schreibt das Gemälde dem Umkreis Nikolaus Knüpfer zu.- Das Gemälde wurde 1997 umfassend restauriert, Dokumentation liegt bei.- Leinwand doubliert.
Attributed to Johann Georg Platzer St Paul 1704 - 1761 St Michael Animated Harbour scenes A pair, both oil on copper (I) 16,3 x 26,3 cm; 6⅜ by 10⅜ in.; (II) 16,8 x 27 cm; 6⅝ by 10⅝ in. (2) ______________________________________________________________ Attribué à Johann Georg Platzer Saint Paul 1704 - 1761 Saint Michel Scènes de port animées Huile sur cuivre, une paire (I) 16,3 x 26,3 cm; 6⅜ by 10⅜ in.; (II) 16,8 x 27 cm; 6⅝ by 10⅝ in. (2)
JOHANN GEORG PLATZER (ST. PAUL IN EPPAN 1704-1761 ST. MICHAEL IN EPPAN) An elegant company making merry in a palace garden oil on copper 15 x 20 1/4 in. (38.2 x 51.5 cm.) Read more
Johann Georg Platzer (1704-1761) Scène galante Huile sur panneau. Une signature. English Translation: A romantic scene Oil on panel. Bears a signature. 29 x 37 cm.
A pair of two pendant paintings. Elegant figures at an outdoor concert and elegant figures playing cards in an interior. Panel. Provenance: The Meates Collection, by whom offered Sale, Christie's, London, 14 February 1835, lots 48 and 49 (bt. Patishale) Sale, Sotheby's, London, 4 December 1997, lot 235 Sale, Dorotheum, Vienna, 29 September 2004, lot 300 Sale, Christie's, London, 3 December 2008, lot 231 With Galerie d'Art Saint-Honoré, Paris Private Collection, Southern Germany Sale, Dorotheum, Vienna, 15 October 2013, lot 573 (sold for €110,100) Private Collection, Belgium At the time of the 2013 sale, Dr. Christina Pucher confirmed the attribution to Johann Georg Platzer and proposed a date of before 1740. She also suggested that the Outdoor concert could be interpreted as An Allegory of the Five Senses. A variant of this composition, without the figure of the young servant boy on the right, was formerly in the Georg Shäfer Collection, Schweinfurt. A version of Elegant figures playing cards in an interior also appears in the Georg Shäfer Collection, Schweinfurt, and a further variant appeared on the German art market in 1992 and again in 2008. Description FR Compagnie galante au jeu. Couple de musiciens au jardin. Panneau. Une paire. Provenance: Paris, Galerie d'art Saint-Honoré; Paris, collection privée; Vienne, Dorotheum, 15.10.2013, lot 573; Belgique, collection privée; Londres, Bonhams, 5.7.2017, lot 42. Beschrijving NL Galant gezelschap aan de speeltafel. Muziekspelend koppel in de tuin. Paneel. Een paar. Herkomst: Parijs, Galerie d'art Saint-Honoré; Parijs, privéverzameling; Wenen, Dorotheum, 15.10.2013, lot 573; België, privéverzameling; Londen, Bonhams, 5.7.2017, lot 42.
Johann Georg PLATZER San Michele, 1704 - 1761 Personnages attablés dans un intérieur Huile sur zinc Figures at a table in an interior, oil on zinc, by J. G. Platzer h: 23,50 w: 30,50 cm Provenance : Collection particulière, Bruxelles Estimation 12 000 - 15 000 €
JOHANN GEORG PLATZER (CIRCLE OF) (1704 Eppan 1761) Pair of works: Elegant groups at concerts. Oil on canvas. Each 59 × 80.5 cm. Provenance: Koller Auctions, Zurich, 26.03.2013, lot 3111. --------------- JOHANN GEORG PLATZER (UMKREIS) (1704 Eppan 1761) Gegenstücke: Zwei elegante Gesellschaften beim Konzert. Öl auf Leinwand. Je 59 × 80,5 cm. Provenienz: Auktion Koller, Zürich, 26.3.2013, Los 3111.
Johann Georg Platzer (St. Paul in Eppan 1704-1761 St. Michael in Eppan) A magical company in a wood, with a sleeping hunter being robbed of his purse oil on panel 13 3/8 x 23 5/8 in. (33.8 x 60 cm.)
*JOHAN GEORG PLATZER (1704-1761) Galant gezelschap aan de speeltafel. Muziekspelend koppel in de tuin. Paneel. Een paar. Herkomst: Parijs, Galerie d'art Saint-Honoré; Parijs, privé-collectie; Wenen, Dorotheum, 15.10.2013, lot 573; België, privé-collectie; Londen, Bonhams, 5.7.2017, lot 42. 44.2 x 36.2 (x 2) French Translation *JOHAN GEORG PLATZER (1704-1761) Compagnie galante à table de jeux. Couple jouant de la musique au jardin. Panneau. Une paire. Provenance: Paris, Galerie d'art Saint-Honoré; Paris, collection privée; Vienne, Dorotheum, 15.10.2013, lot 573; Belgique, collection privée; Londres, Bonhams, 5.7.2017, lot 42. 44.2 x 36.2 (x 2) English Translation *JOHAN GEORG PLATZER (1704-1761) Elegant figures at an outdoor concert. and Elegant figures playing cards in an interior Panel. A pair. Provenance The Meates Collection, by whom offered Sale, Christie's, London, 14 February 1835, lots 48 and 49 (bt. Patishale) Sale, Sotheby's, London, 4 December 1997, lot 235 Sale, Dorotheum, Vienna, 29 September 2004, lot 300 Sale, Christie's, London, 3 December 2008, lot 231 With Galerie d'Art Saint-Honoré, Paris Private Collection, Southern Germany Sale, Dorotheum, Vienna, 15 October 2013, lot 573 (sold for €110,100) Private Collection, Belgium At the time of the 2013 sale, Dr. Christina Pucher confirmed the attribution to Johann Georg Platzer and proposed a date of before 1740. She also suggested that the Outdoor concert could be interpreted as An Allegory of the Five Senses. A variant of this composition, without the figure of the young servant boy on the right, was formerly in the Georg Shäfer Collection, Schweinfurt. A version of Elegant figures playing cards in an interior also appears in the Georg Shäfer Collection, Schweinfurt, and a further variant appeared on the German art market in 1992 and again in 2008. 44.2 x 36.2 (x 2)
*JOHAN GEORG PLATZER (1704-1761) Galant gezelschap aan de speeltafel. Muziekspelend koppel in de tuin. Paneel. Een paar. Herkomst: Parijs, Galerie d'art Saint-Honoré; Parijs, privé-collectie; Wenen, Dorotheum, 15.10.2013, lot 573; België, privé-collectie; Londen, Bonhams, 5.7.2017, lot 42. 44.2 x 36.2 (x 2) *JOHAN GEORG PLATZER (1704-1761) Compagnie galante à table de jeux. Couple jouant de la musique au jardin. Panneau. Une paire. Provenance: Paris, Galerie d'art Saint-Honoré; Paris, collection privée; Vienne, Dorotheum, 15.10.2013, lot 573; Belgique, collection privée; Londres, Bonhams, 5.7.2017, lot 42. 44.2 x 36.2 (x 2) ENGLISH *JOHAN GEORG PLATZER (1704-1761) Elegant figures at an outdoor concert. and Elegant figures playing cards in an interior Panel. A pair. Provenance The Meates Collection, by whom offered Sale, Christie's, London, 14 February 1835, lots 48 and 49 (bt. Patishale) Sale, Sotheby's, London, 4 December 1997, lot 235 Sale, Dorotheum, Vienna, 29 September 2004, lot 300 Sale, Christie's, London, 3 December 2008, lot 231 With Galerie d'Art Saint-Honoré, Paris Private Collection, Southern Germany Sale, Dorotheum, Vienna, 15 October 2013, lot 573 (sold for €110,100) Private Collection, Belgium At the time of the 2013 sale, Dr. Christina Pucher confirmed the attribution to Johann Georg Platzer and proposed a date of before 1740. She also suggested that the Outdoor concert could be interpreted as An Allegory of the Five Senses. A variant of this composition, without the figure of the young servant boy on the right, was formerly in the Georg Shäfer Collection, Schweinfurt. A version of Elegant figures playing cards in an interior also appears in the Georg Shäfer Collection, Schweinfurt, and a further variant appeared on the German art market in 1992 and again in 2008. 44.2 x 36.2 (x 2)
JOHANN GEORG PLATZER (ST. PAUL IN EPPAN 1704-1761) Elegant figures at an outdoor concert; and Elegant figures playing cards in an interior a pair, oil on panel 44.2 x 36.2cm (17 3/8 x 14 1/4in). (2)
Johann Georg Platzer (1704-1761), entourage de, Turquerie, gouache sur papier, 18x28,5 cm. Ancienne attribution à Cornelis Troots (1697-1750), signature dans le coin inférieur gauche C Troots inv. &, fec.
PLATZER, JOHANN GEORG (CIRCLE OF) (1704 St. Michael 1761) Pair of works: Abraham and Melchizedek / Old Testament scene. Oil on copper. Each 87 x 105 cm. Provenance: Swiss private collection for approx. last 50 years. The scene with Abraham and Melchizedek derives from a composition by Peter Paul Rubens, today located in the Ringling Museum in Sarasota (Inv. No. SN212, c. 1625, oil on canvas, 445 x 570 cm). Due to the stylistic characteristics of the present painting, a date of creation in the 18th century in the circle of Johann Georg Platzer is conceivable. --------------- PLATZER, JOHANN GEORG (UMKREIS) (1704 St. Michael 1761) Gegenstücke: Abraham und Melchisedek / Alttestamentarische Szene. Öl auf Kupfer. Je 87 x 105 cm. Provenienz: Schweizer Privatsammlung, seit ca. 50 Jahren. Die Szene mit Abraham und Melchisedek geht auf eine Komposition von Peter Paul Rubens zurück, die sich heute im Ringling Museum in Sarasota befindet (Inv. Nr. SN212, um 1625, Öl auf Leinwand, 445 x 570 cm). Aufgrund stilistischer Merkmale ist eine Entstehung im 18. Jahrhundert im Umkreis Johann Georg Platzers denkbar.
JOHANN GEORG PLATZER (SANT MICHAEL IN EPPAN, 1704 - 1761). LA BATAILLE DES AMAZONES. Cuivre. 42 X 60,5 CM (16 ½ X 23 9/16 IN.). Signé en bas à droite : J.G Platzer. THE BATTLE OF THE AMAZONS, COPPER, SIGNED, BY J. G. PLATZER
JOSEF ENTZIEHT SICH DER FRAU DES POTIPHAR Öl auf Kupfer. 29 x 40 cm. Illustration der Legende des Alten Testaments (Genesis 32,7-21), wonach die Gemahlin des Potiphars, eines hohen Beamten am Hof des Pharao, den jungen Josef verführen wollte. Dieser entzog sich jedoch ihrer Umarmung, sie dagegen hielt seinen Mantel fest, als Beweis gegen Josef, den sie der Verführung beschuldigte. Das Gemälde zeigt im Zentrum den fein gemalten, nackten Körper der jungen Ägypterin, betont hellhäutig, mit feinem Sfumato, ihr sehnsuchtsvoller Blick gilt dem jungen Josef, der nach links entflieht. Seine tugendhafte Absicht wird unterstützt durch die beiden kleinen Engelsfiguren, die ihn begleiten, wobei der geflügelte Putto links im Bild mit gesenkter Fackel ebenso als Amor zu sehen ist, dessen Fackel dabei ist zu erlöschen. Rechts ist der Schlafraum wiedergegeben, mit blauem Bettvorhang, einem Velum, das über die rechte Bildecke zieht sowie einem Brunnen mit Steinfigur und Delfin. Im Hintergrund Wandnische mit Blumenvase, im oberen Bildrand eine Fackel. Die Gestalt des Josef hat der Maler aus einem Kupferstich von Georg Pencz (1500 - 1550) übernommen. Insgesamt ist das Gemälde von schönem, kompositorischem Entwurf, wenngleich nicht in allen Partien von guter Erhaltung. Expertise: Dem Gemälde ist eine Expertise von Dr. Ursula Härting beigegeben, ausgestellt, Hamm, den 10.10.2013. (951061)
Johann Georg Platzer is one of the greatest representatives of the Viennese Rococo; the charm and frivolity of which is captured in his works, mostly on copper, with such joy and detail. His works, already in his lifetime, were in many court and later museum, for example, the Hermitage, Leningrad, the Metropolitan Museum and Wallace Collection, London. The works are rarely signed but due to their distinctive style are easily recognisable. Characteristic features of his works are the bright and shiny-silver colours and the precise drawing technique, for which he is often referred to as the "Austrian Goltzius".
PLATZER, JOHANN GEORG (UMKREIS) (1704 St. Michael 1761) Gegenstücke: Familiendarstellungen mit Jagdtrophäen und Musikinstrumenten. Öl auf Leinwand. Eines unten links unleserlich signiert. 59 x 81 cm. Circle of PLATZER, JOHANN GEORG (1704 St. Michael 1761) Pair of works: Family motifs with hunting trophies and musical instruments. Oil on canvas. One illegibily signed lower left. 59 x 81 cm.
PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION ST PAUL IN EPPAN NEAR MERAN 1704 - 1761 ST MICHAEL IN EPPAN AN ELEGANT COMPANY MAKING MERRY OUTSIDE A PALACE oil on copper 38 by 51.5 cm.; 15 by 20 1/4 in.
Johann Georg Platzer (Eppan 1704-1761) The Rape of the Sabine Women; and The Intervention of the Sabine Women oil on copper 15¾ x 22 in. (40 x 55.9 cm.) a pair (2)
PROPERTY FROM A EUROPEAN PRIVATE COLLECTION ST PAUL IN EPPAN NEAR MERAN 1704 - 1761 ST MICHAEL IN EPPAN CROESUS AND SOLON oil on copper 55.7 by 75 cm.; 21 7/8 by 29 1/2 in.
Johann Georg Platzer (Saint Paul in Eppan 1704-1761 Saint Michael in Eppan) Alexander the Great receiving keys of Babylon oil on copper 16 x 23½ in. (40.6 x 59.7cm)
JOHANN GEORG PLATZER A PAIR OF MERRY COMPANIES Dimensions : 18,5 x 30,5 cm each Provenance Private collection, Germany. German catalogue text: Johann Georg Platzer ist ein äußerst geschmackvoller Vertreter des Wiener Rokoko, dessen Charme und feinsinnige Frivolität er mit schmunzelndem Auge und präzisem Pinsel in seinen zumeist auf Kupfer gemalten Bilder großartig erfasst. Seine Werke gelangten schon zu seinen Lebzeiten in viele höfische Sammlungen und später in Museen, wie die Eremitage in Leningrad, dem Metropolitan Museum oder der Wallace Collection in London. Sie sind nur sehr selten signiert, aber wegen ihrer unverwechselbaren Handschrift leicht erkennbar. Charakteristisch ist dabei die präzise Zeichnung, weshalb er der "österreichische Goltzius" genannt worden ist, aber auch das strahlende, silbrig-glänzende Kolorit. margin scheme
Circle of PLATZER, JOHANN GEORG (1704 St. Michael 1761) The death of Sophonisba. Oil on canvas. Barely legible signature lower left. 64.3 x 82.5 cm. PLATZER, JOHANN GEORG (UMKREIS) (1704 St. Michael 1761) Tod der Sophonisba. Öl auf Leinwand. Unten links kaum leserlich signiert. 64,3 x 82,5 cm.
Johann Georg Platzer (Eppan 1704-1761) The Rape of the Sabine Women; and the Intervention of the Sabine Women oil on copper 15¾ x 22 in. (40 x 55.9 cm.) a pair (2)
Attributed to Johann Georg Platzer (St. Paul in Eppan, near Meran 1704-1761 St. Michael in Eppan) Elegant company making music in an interior with signature 'BLATZEK F:' (lower left) oil on panel 16½ x 15¼ in. (41.9 x 38.7 cm.)
Attributed to Johann Georg Platzer (St. Paul in Eppan, near Meran 1704-1761 St. Michael in Eppan) Elegant company at a table, in an interior oil on panel, a fragment 16½ x 10 in. (41.9 x 25.4 cm.)
Attributed to Johann Georg Platzer (St. Paul in Eppan, near Meran 1704-1761 St. Michael in Eppan) Elegant company at a table, in an interior oil on panel, a fragment 16½ x 10 in. (41.9 x 25.4 cm.)
Attributed to Johann Georg Platzer (St. Paul in Eppan, near Meran 1704-1761 St. Michael in Eppan) Elegant company making music in an interior with signature 'BLATZEK F:' (lower left) oil on panel 16½ x 15¼ in. (41.9 x 38.7 cm.)
Johann Georg Platzer (St. Michael in Eppan/Südtirol 1704 - 1761) Fröhliche Gesellschaft bei Wein und Tanz im Freien, Öl auf Kupfer, 24,5 x 31,5 cm, gerahmt
