Francesco Piranesi Sold at Auction Prices

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  • FRANCESCO PIRANESI Rome 1758 - Paris 1810 Inner U of the Tem
    Dec. 17, 2024

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 Inner U of the Tem

    Est: -

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 Inner U of the Temple of Neptune Etching on paper Signed and titled Dimensions 483 x 683 mm print; 555 x 765 mm paper Framed

    Subastas Segre
  • FRANCESCO PIRANESI Rome 1758 - Paris 1810 Auvre uve de la Fr
    Dec. 17, 2024

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 Auvre uve de la Fr

    Est: -

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 Auvre uve de la Francade du Pionaos Etching on paper Signed and titled Dimensions 490 x 716 mm print; 550 x 765 mm paper Framed

    Subastas Segre
  • FRANCESCO PIRANESI Rome 1758 - Paris 1810 See the two remain
    Dec. 17, 2024

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 See the two remain

    Est: -

    FRANCESCO PIRANESI Rome 1758 - Paris 1810 See the two remains of the Temple of Neptune Aguafuerte on paper Signed and titled Measures 495 x 680 mm footprint; 555 x 765 mm paper Plate XVI Framed

    Subastas Segre
  • Piranesi, Francesco
    Dec. 06, 2024

    Piranesi, Francesco

    Est: €60 - €90

    (1756 Rom - Paris 1810). Oreste riconosciuto dalla sorella Elettra (Ludovisi-Gruppe). Kupferstich n. Tommaso Piroli, 1783. Aus der Folge: Choix des meilleures statues antiques. Plgr. 49,2 x 22,8 cm. Mit den Namenszügen i.d.Pl. Bis auf den Plattenrand beschnitten. - Etw. fl. R

    Kiefer Buch- und Kunstauktionen
  • Piranesi, Francesco: Grand Frontispice du Premier Volume des Antiquites de Pompeia
    Nov. 27, 2024

    Piranesi, Francesco: Grand Frontispice du Premier Volume des Antiquites de Pompeia

    Est: €1,500 - €1,800

    Grand Frontispice du Premier Volume des Antiquités de Pompeia. Radierung nach Giovanni Battista Piranesi. 63,5 x 84 cm. 1804. Le Blanc aus 12, Nagler aus 14. Bei dem beeindruckenden Blatt handelt es sich um den Titel der Antiquités de Pompeia aus der Serie der Antiquités de la Grande Grèce... Das umfangreiche Werk, das schließlich drei Bände und über 100 Tafeln umfassen sollte, basierte auf Zeichnungen, die Vater und Sohn bereits 1770-78 während mehrerer Besuche der Ausgrabungen von Pompeji nach freigelegten Gebäuden und Gegenständen sowie Plänen und Freskenrekonstruktionen angefertigt hatten. Das Titelblatt zeigt eine Kombination bildhauerischer und architektonischer Elemente Pompejis, aus deren Mitte Flammen lodern, und gibt den dokumentarischen Zweck der Sammlung an: "INCENDIO CONSUMPTUM RESTITUIT". Ganz ausgezeichneter Druck mit Rand um die Plattenkante. Teils minimal berieben, vollständig aufgezogen, im linken Rand drei größere ausgebesserte Löcher, Ausriss der rechten oberen Ecke im weißen Rand, reparierter Riss im rechten Rand, weitere Randmängel und Löchlein, geringfügig angestaubt und gebrauchsspurig, sonst schön. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • Piranesi (Francesco), Follower of. Roman bronze Bisellium stool, found at Pompeii and kept in the Museo Archeologico, Naples, etching with watercolour, [c. 1800]
    Nov. 26, 2024

    Piranesi (Francesco), Follower of. Roman bronze Bisellium stool, found at Pompeii and kept in the Museo Archeologico, Naples, etching with watercolour, [c. 1800]

    Est: £200 - £300

    Piranesi (Francesco, 1758-1810), Follower of. Roman bronze Bisellium stool, found at Pompeii and kept in the Museo Archeologico, Naples, etching with full hand-colouring in watercolour and bodycolour, sheet 510 x 680 mm (20 x 26 3/4 in), under glass, some spotting and surface dirt, framed, [circa 1800 or later] Provenance: Collection of John and Eileen Harris

    Forum Auctions - UK
  • PIRANESI FRANCESCO (1758 - 1810) - After. Internal view of the ancient Temple of Bacchus
    Nov. 19, 2024

    PIRANESI FRANCESCO (1758 - 1810) - After. Internal view of the ancient Temple of Bacchus

    Est: €300 - €500

    PIRANESI FRANCESCO (1758 - 1810). After. Internal view of the ancient Temple of Bacchus. Sheet dimension: 49,5x72 cm.. 60 x 42 cm.

    Capitolium Art
  • PIRANESI FRANCESCO (1758 - 1810) - After. Another view of the temple of the Sibyl in Tivoli
    Nov. 19, 2024

    PIRANESI FRANCESCO (1758 - 1810) - After. Another view of the temple of the Sibyl in Tivoli

    Est: €300 - €500

    PIRANESI FRANCESCO (1758 - 1810). After. Another view of the temple of the Sibyl in Tivoli. Sheet dimension: 71,5x49,5 cm.. 43,50 x 61 cm.

    Capitolium Art
  • Francesco Piranesi (1758-1810) Etching
    Nov. 17, 2024

    Francesco Piranesi (1758-1810) Etching

    Est: $200 - $400

    Francesco Piranesi (1758-1810) Etching. Circa 1780, 'Gruppo Antico di Figure Do Volgarmen, il Toro Farnese'. With explanatory text at the lower margin.    Dimensions: the sheet size is 38in x 28in. 

    Locati LLC
  • Francesco Piranesi, i.d.Pl.sig.
    Nov. 16, 2024

    Francesco Piranesi, i.d.Pl.sig.

    Est: -

    Rom 1756/8 - 1810 Paris, 'Veduta del chiostro della Certosa nelle Terme Diocleziane', Radierung, 64 x 46 cm, gebräunt, Wasserschaden, knittrig */aus 6*

    Auktionshaus Arnold
  • Francesco Piranesi "Basilica di San Giovanni"
    Sep. 19, 2024

    Francesco Piranesi "Basilica di San Giovanni"

    Est: -

    Francesco Piranesi (1759-1810 Italy) "Basilica di San Giovanni in Laterano" Etching. Loose- 22.5x31". Heavy Toning and tears

    District Auction
  • Francesco Piranesi "Saint Peters" Etching
    Sep. 19, 2024

    Francesco Piranesi "Saint Peters" Etching

    Est: -

    Francesco Piranesi (1759-1810 Italy) "Saint Peters" Etching. Loose- 20.5x30". Heavy Toning

    District Auction
  • Francesco Piranesi (Italian, 1758-1810) After Louis Jean Desprez, Etching, Ca. 1790, "Fuoco Artificiale Detto La Girandola", H 30" W 20"
    Jul. 19, 2024

    Francesco Piranesi (Italian, 1758-1810) After Louis Jean Desprez, Etching, Ca. 1790, "Fuoco Artificiale Detto La Girandola", H 30" W 20"

    Est: $600 - $800

    Depicting fireworks display above the Castel Sant'Angelo, Rome. Catalogue Raisonne: Wollin 3. Sheet Size: H 36.5" W 26.5" Provenance: From a Prominent Print Collector, Clarkston, Michigan

    DuMouchelles
  • F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching

    Est: €600 - €800

    Francesco Piranesi (1758 Rom - 1810 Paris) after Tommaso Piroli (1752 Rom - 1824 ibid.): Decorated helmet of a gladiator, Pompeii Bronze ceremonial helmet with figurative decoration, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par T. Piroli / Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Casque en bronze dont on faisait usage dans les Spectacles, trouvé dans les fouilles de Pompeia". Date: 1805 Description: The print shows a carefully detailed copperplate engraving of a bronze helmet with allegorical depictions and scenes from ancient mythology. It epitomises both artistic skill and historical symbolism. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Thracian; fighting games; arena; gladiator; copper engraving; helmet; allegory; mythology; artistry; symbolism; historical; graphic; detail work; scene; antiquity; illustration, 19th century, Classicism, Military, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 92,0 cm (25,6 x 36,2 in), Plate: 53,9 cm x 65,2 cm (21,2 x 25,7 in), Depiction: 49,0 cm x 61,3 cm (19,3 x 24,1 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis and Egyptian temple in the ruins of Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par F. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Perspective du Temple d'Isis, et du petit Temple Egyptien tels qu'ils se trouvent ajourdhuy[...]". Date: 1806 Description: Depiction of the ruins of Pompeii with the remains of two temples. Classical architectural elements such as columns, arches and beams are depicted in decay. Dramatic shadow play and finely detailed drawing emphasise the transience and grandeur of the scene. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Campania; Vesuvius; ruins; architecture; antiquity; columns; arches; decay; shadow play; drama; drawing; imaginary; sublimity; transience; classicism, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 93,9 cm (25,6 x 37 in), Plate: 53,4 cm x 77,8 cm (21 x 30,6 in), Depiction: 49,8 cm x 76,6 cm (19,6 x 30,2 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Portal to the Temple of Isis in Pompeii, landscape of ruins with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue de la porte de links'enceinte du Temple d'Isis [...]". Date: 1805 Description: The meticulous etching shows a perspective interior view of a ruin with columns and frescoes. Three figures can be seen in the foreground, while architectural details and inscriptions define the space. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Vesuvius; Campania; etching; ruin; perspective; interior view; columns; frescoes; figures; historical; architectural; inscriptions; art history; depth of field; composition; linear perspective; light and shadow effects; stucco work; antiquity; archaeological depiction;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 93,2 cm x 64,9 cm (36,7 x 25,6 in), Plate: 73,2 cm x 51,0 cm (28,8 x 20,1 in), Depiction: 68,5 cm x 48,7 cm (27 x 19,2 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis, Pompeii, landscape of ruins in destroyed Pompeii with figures, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Vue de links'Aspect du Temple d'Isis [...]". Date: 1806 Description: The picture illustrates an ancient landscape of ruins, characterised by classical architecture and columns of the destroyed Temple of Isis in the middle of Pompeii. A central staircase leads to a raised platform; figures in contemporary clothing lend the scene a lively context. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Vesuvius; Ruins; Antiquity; Architecture; Classicism; Columns; Stairs; Pedestal; Figures; History; Culture; Drawing; Art; Engraving; Perspective; Trees; Sky; Shadow; Light; Materiality; Texture;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 93,7 cm (25,6 x 36,9 in), Plate: 53,6 cm x 78,0 cm (21,1 x 30,7 in), Depiction: 49,3 cm x 76,3 cm (19,4 x 30 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Tavern on a street in Pompeii, 1804, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Tavern on a street in Pompeii, 1804, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Tavern on a street in Pompeii, landscape of ruins in destroyed Pompeii with figures, 1804, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 12/1804". At the lower part inscribed in the printing plate: "Vue de la Taverne de Pompeia, qui a pour enseigne un Priape. L'on appercoit l'interieur par les deux entrées". Date: 1804 Description: The artwork shows a detailed depiction of a landscape of ruins in the centre of Pompeii. In the foreground, two figures interact with a horse; behind them, a path lined with the remains of ancient architecture opens up with a quadriga rushing towards it. The atmosphere is characterised by the play of light and shadow and the dramatic cloudy sky. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Ruins; figures; architecture; antiquity; path; light; shadow; cloudy sky; artwork; interaction; atmosphere; richness of detail; perspective; scenery; engraving; cultural history; archaeology; decadence; historicism, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 67,9 cm x 97,4 cm (26,7 x 38,3 in), Plate: 57,0 cm x 78,3 cm (22,4 x 30,8 in), Depiction: 53,7 cm x 77,3 cm (21,1 x 30,4 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Atrium der Surgeon's House, Pompeji, 1805, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Atrium der Surgeon's House, Pompeji, 1805, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Atrium of the Casa del Chirurgo, Pompeii, landscape of ruins in ruined Pompeii with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue de la Cour ou Cavedium Corinthien de la maison la plus remarquable après celle du Chirurgien indiquée [...]". Date: 1805 Description: View of the ruins of the Casa del Chirurgo in Pompeii. Two figures of shepherds with sheep are depicted in the foreground, adding to the grandeur of the site and emphasising the transience of human creativity. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Antiquity; ruins; columns; vegetation; engraving; art history; decay; archaeology; transience; perspective; sky; clouds; figures; animal; tree; light and shadow; contrast; tranquillity; history; sublimity;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 65,0 cm x 94,0 cm (25,6 x 37 in), Plate: 51,5 cm x 72,9 cm (20,3 x 28,7 in), Depiction: 47,3 cm x 71,4 cm (18,6 x 28,1 in)

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Helmet and armour of a gladiator, Pompeii, 1806, Etching
    Jul. 06, 2024

    F. PIRANESI (1758-1810), Helmet and armour of a gladiator, Pompeii, 1806, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris): Helmet and armour of a gladiator, Pompeii Bronze greaves and ceremonial helmet from the ruins of Pompeii, 1806, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Casque et Jambières en bronze pour les gladiateurs [...]". Date: 1806 Description: Collage-like depiction of a gladiator's helmet and bronze greaves on a wall. Gladiator's armour from the ruins of Pompeii. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Armour; Thracian; Fighting games; Arena; Gladiator; Engraving; Helmet; Allegory; Mythology; Artistry; Symbolism; Historical; Graphic; Detail work; Scene; Antiquity; Illustration, 19th century, Classicism, Military, Italy, Pompeii (Campanian), Size: Paper: 65,2 cm x 91,6 cm (25,7 x 36,1 in), Plate: 63,4 cm x 83,3 cm (25 x 32,8 in), Depiction: 60,5 cm x 73,3 cm (23,8 x 28,9 in)

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Figurine capital from Pompeii, 1806, Etching
    Jul. 06, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Figurine capital from Pompeii, 1806, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Figural capital from Pompeii with male and female figures from the house opposite the basilica, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par P. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Plan perspectif du Chapiteau qui ornait links'entrée de la maison située vis-à-vis de la Basilique, marqué N. 13. à la Pl. XLIV.". Date: 1806 Description: This engraving shows three busts on the capital of an architecturally designed façade of a house in Pompeii. Keywords: Pompeii; Campania; Engraving; Busts; Balustrade; Arcade; Architecture; Classicism; Decoration; Art; Attention to detail; Cultural heritage; Design; Aesthetics; Structure; Motifs; Visualisation; Historical representation; Illustration; Art history; Graphics, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian), Size: Paper: 46,7 cm x 65,0 cm (18,4 x 25,6 in), Plate: 36,5 cm x 54,2 cm (14,4 x 21,3 in), Depiction: 33,9 cm x 53,2 cm (13,3 x 20,9 in)

    Fichter Kunsthandel
  • Piranesi, Francesco: Der Untergang Pompejis
    May. 29, 2024

    Piranesi, Francesco: Der Untergang Pompejis

    Est: €1,800 - €2,400

    Der Untergang Pompejis (Représentant l'horrible moment de la seconde destruction de la Ville de Pompeïa). Radierung nach Giovanni Battista Piranesi. 63,5 x 94 cm. Le Blanc aus 12, Nagler aus 14. Francesco Piranesi schuf diese beeindruckende Darstellung der Zerstörung Pompejis nach einer Zeichnung seines Vaters Giovanni Battista und als erste Tafel des ersten Bandes der Antiquités de la Grande Grèce, der 1804 erschien. Das umfangreiche Werk, das schließlich drei Bände und über 100 Tafeln umfassen sollte, basierte auf Zeichnungen, die Vater und Sohn bereits 1770-78 während mehrerer Besuche der Ausgrabungen von Pompeji nach freigelegten Gebäuden und Gegenständen sowie Plänen und Freskenrekonstruktionen angefertigt hatten. Das in seiner Inszenierung und dramatischen Beleuchtung fast modern wirkende Blatt liegt in einem prachtvollen, tief schwarz druckenden Abzug mit dem vollen Rand vor. Nicht gebundene Exemplare befinden sich in Amsterdam (Rijksmuseum, Inv. RP-P-2010-147) und Rom (Calcografia, Istituto Centrale per la Grafica, Inv. S-CL2424_19878), letzteres in deutlich schwächerer Druckqualität. Geringfügig angestaubt und minimal gebräunt, in den Rändern vereinzelte Fleckchen, sonst in vorzüglicher, originaler Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

    Bassenge Auctions
  • FRANCESCO PIRANESI (ITALY, 1758-1810)
    May. 22, 2024

    FRANCESCO PIRANESI (ITALY, 1758-1810)

    Est: $300 - $500

    FRANCESCO PIRANESI (ITALY, 1758-1810) "Insegne Romane: Bassirilievi cavati dalla Colonna Trajana", copperplate engraving on wove paper, depicting the official standard carried in procession during the Trajan Caesari, in modern dark rippled frame, matted and glazed, OS: 32" x 25", impression: 21" x 15 1/4". Good condition.

    Thomaston Place Auction Galleries
  • Piranesi, Francesco
    May. 04, 2024

    Piranesi, Francesco

    Est: €650 - €1,000

    (1756 Rom - Paris 1810). Veduta della Basilica, e Piazza di S. Pietro in Vaticano. Radierung. (1748). 39,8:53,7 cm. Hind 3/IV (v. VII); Wilton-Ely Complete Etchings 136. - Mit den von Hind unerwähnten Schattierungen unterhalb des rechten Porticusendes zwischen der Kutsche und den beiden Geistlichen, ferner mit Adresse u. Preis. - Oben mittig bis zur Bildmitte reichender Einriß sorgfältig hinterlegt. Stellenweise leicht stockfleckig. Unter Passep. montiert. R

    Kiefer Buch- und Kunstauktionen
  • F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIROLI (*1752), Decorated helmet of a gladiator, Pompeii, 1805, Etching

    Est: €750 - €1,000

    Francesco Piranesi (1758 Rom - 1810 Paris) after Tommaso Piroli (1752 Rom - 1824 ibid.): Decorated helmet of a gladiator, Pompeii Bronze ceremonial helmet with figurative decoration, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par T. Piroli / Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Casque en bronze dont on faisait usage dans les Spectacles, trouvé dans les fouilles de Pompeia". Date: 1805 Description: The print shows a carefully detailed copperplate engraving of a bronze helmet with allegorical depictions and scenes from ancient mythology. It epitomises both artistic skill and historical symbolism. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Thracian; fighting games; arena; gladiator; copper engraving; helmet; allegory; mythology; artistry; symbolism; historical; graphic; detail work; scene; antiquity; illustration, 19th century, Classicism, Military, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis and Egyptian temple in Pompeii, 1806, Et

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis and Egyptian temple in the ruins of Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par F. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Perspective du Temple d'Isis, et du petit Temple Egyptien tels qu'ils se trouvent ajourdhuy[...]". Date: 1806 Description: Depiction of the ruins of Pompeii with the remains of two temples. Classical architectural elements such as columns, arches and beams are depicted in decay. Dramatic shadow play and finely detailed drawing emphasise the transience and grandeur of the scene. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Campania; Vesuvius; ruins; architecture; antiquity; columns; arches; decay; shadow play; drama; drawing; imaginary; sublimity; transience; classicism, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Portal to the Temple of Isis, Pompeii, 1805, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Portal to the Temple of Isis in Pompeii, landscape of ruins with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue de la porte de links'enceinte du Temple d'Isis [...]". Date: 1805 Description: The meticulous etching shows a perspective interior view of a ruin with columns and frescoes. Three figures can be seen in the foreground, while architectural details and inscriptions define the space. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Vesuvius; Campania; etching; ruin; perspective; interior view; columns; frescoes; figures; historical; architectural; inscriptions; art history; depth of field; composition; linear perspective; light and shadow effects; stucco work; antiquity; archaeological depiction;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Elevation of the Temple of Isis, Pompeii, 1806, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Elevation of the Temple of Isis, Pompeii, 1806, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Elevation of the Temple of Isis, Pompeii, photograph of the ruins and reconstruction of the ancient Temple of Isis, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Coupes en long et en travers du Temple d'Isis à Pompeia [...]". Date: 1806 Description: The graphic illustrates architectural drawings of an ancient temple in Pompeii with detailed views of columns, arches and façades. Drawn with precision, these depictions of ancient heritage suggest construction techniques and stylistic elements of period architecture. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Cross-section; longitudinal section; Vesuvius; architecture; drawing; classicism; columns; arches; façade; antiquity; culture; architecture; construction plans; sectional drawings; detailed views; structural elements; stylistics; heritage; design; proportions; design; schematics; architectural representation, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Temple of Isis, Pompeii, 1806, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Temple of Isis, Pompeii, landscape of ruins in destroyed Pompeii with figures, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Vue de links'Aspect du Temple d'Isis [...]". Date: 1806 Description: The picture illustrates an ancient landscape of ruins, characterised by classical architecture and columns of the destroyed Temple of Isis in the middle of Pompeii. A central staircase leads to a raised platform; figures in contemporary clothing lend the scene a lively context. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Vesuvius; Ruins; Antiquity; Architecture; Classicism; Columns; Stairs; Pedestal; Figures; History; Culture; Drawing; Art; Engraving; Perspective; Trees; Sky; Shadow; Light; Materiality; Texture;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), In the cella of the Temple of Isis, Pompeii, 1805, Etch
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), In the cella of the Temple of Isis, Pompeii, 1805, Etch

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): In the cella of the Temple of Isis, Pompeii, landscape of ruins in ruined Pompeii with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue interieure du Pronao, et de la cellule du Temple d'Isis". Date: 1805 Description: Depiction of a classical interior with imposing columns, ruins and masonry architectural elements inside the pronaos with a view of the cella of the Temple of Isis at Pompeii. A single figure, presumably clad in historical garments, sits reading in a corner. The play of light and shadow emphasises the spatial depth. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Classicism; Ruins; Columns; Architecture; Reading figure; Historical; Interior; Light and shadow; Spatiality; Walls; Antiquity; Contrast; Silence; Study; Scholarship; Timelessness; Education; Ambience, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Inscription and mosaic of the Temple of Isis, Pompeii,
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Inscription and mosaic of the Temple of Isis, Pompeii,

    Est: €600 - €800

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Inscription and mosaic of the Temple of Isis in destroyed Pompeii, 1806, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Pavé de Mosaique blanc, et noir qui orne la cellule du Temple d'Isis [...]". Date: 1806 Description: Precise image of the inscription in the cella of the Temple of Isis in Pompeii and the floor mosaic. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Historical; Mosaic; Inscription; Latin; French; Ornament; Representation; Border; Dedication; Graphics; Pattern; Art; Archaeology; Documentation; Antiquity; Black and white; Print; Aesthetics; Geometry; Culture;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Street at the entrance to Pompeii, 1804, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Street at the entrance to Pompeii, 1804, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Street at the entrance to Pompeii near the surgeon's house Landscape of ruins in destroyed Pompeii with figures, 1804, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 12/1804". At the lower part inscribed in the printing plate: "Vue de toutes les Boutiques de droite et de gauche [...]". Date: 1804 Description: The graphic shows an ancient street in the ruins of Pompeii, flanked by the ruins of columns and the remains of buildings and commercial premises. Individual figures move on the stones, immersed in the silence of past splendour. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: graphics; antiquity; street; column ruins; building remains; figures; stones; past; stillness; splendour; art history; architecture; ruins; historical; representation; depth perspective; attention to detail; cultural heritage, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Main gate at the Tomb of Mamia, Pompeii, 1805, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Main gate at the Tomb of Mamia, Pompeii, 1805, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Main gate at the Tomb of Mamia on the Via dei Sepolcri, Pompeii, landscape of ruins in ruined Pompeii with figures, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Vue Extérieure de la porte principale du tombeau de Mamia [...]". Date: 1805 Description: The artwork shows a massive ancient ruin under the radiant rays of the sun. A figure in the foreground rests on the ground, leaning on a long pole. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Ustrinum; Tomb; Antiquity; Ruin; Sunbeams; Exploration; Figures; Nature; History; Reconquest; Work of art; Radiance; Transience; Architecture; Light; Shadow; Tree; Wall; Sky; Perspective; Silence; Antiquity;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Tomb of Mamia, Pompeii, 1804, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Tomb of Mamia, Pompeii, 1804, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Ustrinum, burial site at the tomb of Mamia on the via dei Sepolcri, Pompeii, landscape of ruins in destroyed Pompeii, 1804, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 12/1804". At the lower part inscribed in the printing plate: "Vue intérieure de links'ustrinum, du tombeau de Mamia, [...]". Date: 1804 Description: The picture shows a detailed engraving depicting architectural reliefs on the tomb of the priestess Mamia. Stone faces and geometric patterns indicate the cultural significance of the burial site. Framed by vegetation, the work evokes an atmosphere of a sublime past. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Etching; Ruins; Façade sculptures; Trees; Exotic flora; Cultural heritage; Historical scenery; Art history; Archaeological site; Wall; Treetops; Engraving; Reverent depiction, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Tavern on a street in Pompeii, 1804, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Tavern on a street in Pompeii, 1804, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Tavern on a street in Pompeii, landscape of ruins in destroyed Pompeii with figures, 1804, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 12/1804". At the lower part inscribed in the printing plate: "Vue de la Taverne de Pompeia, qui a pour enseigne un Priape. L'on appercoit l'interieur par les deux entrées". Date: 1804 Description: The artwork shows a detailed depiction of a landscape of ruins in the centre of Pompeii. In the foreground, two figures interact with a horse; behind them, a path lined with the remains of ancient architecture opens up with a quadriga rushing towards it. The atmosphere is characterised by the play of light and shadow and the dramatic cloudy sky. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Ruins; figures; architecture; antiquity; path; light; shadow; cloudy sky; artwork; interaction; atmosphere; richness of detail; perspective; scenery; engraving; cultural history; archaeology; decadence; historicism, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Interior of a house in Pompeii, 1804, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Interior of a house in Pompeii, 1804, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Interior of a house in Pompeii Landscape of ruins in destroyed Pompeii with figures, 1804, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 12/1804". At the lower part inscribed in the printing plate: "Vue Interieure d'une Boutique dépendante de la derniere maison placée à droite en entrant dans la Ville de Pompeia". Date: 1804 Description: This etching shows an interior scene with two figures, one drawing, the other with a blank stare. The picture is dominated by darkness, emphasised by light-flooded accents and a wealth of detail in the deep black and white depiction. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Etching; Interior; Figures; Reading; View; Darkness; Light; Accents; Richness of detail; Black and white; Representation; Art; Composition; Texture; Shadow; Contrast; Drama; Scenery; Image analysis; Art history, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Simpulum, simpuvium, ladles from Pompeii, 1805, Etching
    Apr. 27, 2024

    F. PIRANESI (1758-1810), Simpulum, simpuvium, ladles from Pompeii, 1805, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Simpulum, Simpuvium, ladles from Pompeii, landscape of ruins in destroyed Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Grandes patéres à manche, et ustensiles connus sous les noms de Simpulum ou de Simpuvium, servant à puiser les liquides à Pompeia". Date: 1805 Description: Various ladles (simpulum/simpuvium) from the ruins of Pompeii are depicted on a large scale. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Kitchen utensil; antiquity; statue; fountain; shields; crockery; curtains; masonry; engraving; art history; copper engraving; symbolism; water feature; relief; architecture; ornamentation; armour; inscription; art print; antiquity; ornamentation, 19th century, Classicism, Archeology, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Decorations and fittings from Pompeii, 1806, Etching
    Apr. 27, 2024

    F. PIRANESI (1758-1810), Decorations and fittings from Pompeii, 1806, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Decorations and fittings from Pompeii, door knockers, hinges and door hinges, 1806, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Mains, heurtoirs, gonds et pentures en bronze qui ont servi aux portes des maisons à Pompeia". Date: 1806 Description: A detailed engraving shows a collection of metal fittings and decorative elements from the ruins of Pompeii in a symmetrical arrangement. In the centre are door handles in the shape of lions, flanked by geometrically shaped objects and decorative elements. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Engraving; metal fittings; architectural elements; symmetrical arrangement; door handles; lion's head; geometry; decoration; art history; craftsmanship; study; richness of detail; illustration; historical; object collection; design elements, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Mirrors and hair rods from Pompeii, 1805, Etching
    Apr. 27, 2024

    F. PIRANESI (1758-1810), Mirrors and hair rods from Pompeii, 1805, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Mirrors and hair rods from Pompeii Utility objects from the ruins of Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Miroirs métalliques de forme ronde et quadrangulaire, aiguilles de tète, épingles, et autres". Date: 1805 Description: Collage of some archaeological finds from the ruins of destroyed Pompeii. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Ladies' toilet; Mirror; Hand mirror; Antique; Monochrome; Shading; Depth of space; Architecture; Artefacts; Work of art; Engraving; Science; Museal; Representation, 19th century, Classicism, Archeology, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Farming tools from Pompeii, 1805, Etching
    Apr. 27, 2024

    F. PIRANESI (1758-1810), Farming tools from Pompeii, 1805, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Ancient farming tools from Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Outils de Macons et d'Agriculteurs trouves à Pompeia". Date: 1805 Description: The engraving shows a compilation of Roman tools from the ruins of Pompeii, skilfully arranged on a dark background. The detailed elaboration creates a vivid testimony to ancient craftsmanship. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Antiquity; tools; Roman Empire; artwork; engraving; archaeology; craftsmanship; attention to detail; illustration; historical; research; cultural history; material culture; Pompeii; agriculture; carpentry; metal tools; excavation finds; image interpretation; conservation;, 19th century, Classicism, Archeology, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Cooking utensils from Pompeii, 1805, Etching
    Apr. 27, 2024

    F. PIRANESI (1758-1810), Cooking utensils from Pompeii, 1805, Etching

    Est: €600 - €800

    Francesco Piranesi (1758 Rom - 1810 Paris): Ancient cooking and household utensils from the ruins of Pompeii, 1805, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Ustencilles de ménage, des anciens trouvés à Pompeia". Date: 1805 Description: The depiction shows four antique objects from the ruins of Pompeii, carefully arranged and captured in detail in a print. In the foreground a bowl and a jug, behind it a large plate ornament and a jug, surrounded by vegetative elements that suggest historical relics. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: printmaking; antique objects; bowl; jug; plate; ornamentation; vegetation; relics; historical; arrangement; richness of detail; artwork, 19th century, Classicism, Archeology, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Helmet and armour of a gladiator, Pompeii, 1806, Etching
    Apr. 27, 2024

    F. PIRANESI (1758-1810), Helmet and armour of a gladiator, Pompeii, 1806, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Helmet and armour of a gladiator, Pompeii Bronze greaves and ceremonial helmet from the ruins of Pompeii, 1806, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1805". At the lower part inscribed in the printing plate: "Casque et Jambières en bronze pour les gladiateurs [...]". Date: 1806 Description: Collage-like depiction of a gladiator's helmet and bronze greaves on a wall. Gladiator's armour from the ruins of Pompeii. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Armour; Thracian; Fighting games; Arena; Gladiator; Engraving; Helmet; Allegory; Mythology; Artistry; Symbolism; Historical; Graphic; Detail work; Scene; Antiquity; Illustration, 19th century, Classicism, Military, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Wall painting in the Temple of Isis, Pompeii, 1806, Etching
    Apr. 27, 2024

    F. PIRANESI (1758-1810), Wall painting in the Temple of Isis, Pompeii, 1806, Etching

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris): Wall painting in a niche of the Temple of Isis, Pompeii Landscape of ruins in destroyed Pompeii, 1806, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Dessiné et Gravé par F. Piranesi L'an 1806". At the lower part inscribed in the printing plate: "Niche dans le temple d'Isis à Poméia [...]". Date: 1806 Description: Depiction of a niche in the Temple of Isis in Pompeii with reliefs of figurations from ancient mythology. The line engraving illustrates the ornate architecture and the delicate plant motifs that adorn the room. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Engraving; Niche; Temple; Isis; Pompeii; Relief; Mythology; Architecture; Art; Filigree; Plant motifs; Antiquity; Drawing; Black and white; Arch; Columns; Artefacts; Historical depiction; Archaeological illustration, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Tripod with satyrs, find from Pompeii, Etching
    Apr. 27, 2024

    F. PIRANESI (1758-1810), Tripod with satyrs, find from Pompeii, Etching

    Est: €450 - €600

    Francesco Piranesi (1758 Rom - 1810 Paris): Tripod with satyrs, archaeological find from Pompeii, 19th century, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "F. Piranesi Del.Sc.". At the lower part inscribed in the printing plate: "Trepied de Satyres en bronze, trouvé à Pompeia". Date: 19th century Description: A detailed architectural drawing shows an antique bronze candelabra supported by three satyr figures. The symmetry and fine lines emphasise the artist's skilled craftsmanship. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Architectural drawing; Candelabra; Satyr; Bronze; Antiquity; Arts and crafts; Symmetry; Line management; Satyr figures; Support; Craftsmanship; Art history; Classicism; Drawing; Study; Sculpture; Attention to detail; Historical depiction, 19th century, Classicism, Mythology, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (1758-1810), Tripod with sphinxes, find from Herculaneum, Etching
    Apr. 27, 2024

    F. PIRANESI (1758-1810), Tripod with sphinxes, find from Herculaneum, Etching

    Est: €450 - €600

    Francesco Piranesi (1758 Rom - 1810 Paris): Tripod with sphinxes, archaeological find from Herculaneum, 19th century, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "F. Piranesi Del.Sc.". At the lower part inscribed in the printing plate: "Trépied de Sphinx en bronze, trouvé à Herculaneum". Date: 19th century Description: The picture presents a finely detailed drawing of an antique, decorative table frame with sphinxes as supporting elements. It is a classicist depiction that combines both ornamental and figurative motifs. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Antique; Table frame; Sphinxes; Decorative; Drawing; Classicism; Ornaments; Figurative; Supporting elements; Style analysis; Motif; Art history; Richness of detail; Architectural component; Representation; Perspective; Two-dimensional; Work of art; Symmetry; Stylistics, 19th century, Classicism, Mythology, Italy, Herculaneum (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Profile of the Ionic column order, 1805, Etching
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Profile of the Ionic column order, 1805, Etching

    Est: €450 - €600

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Profile of the Ionic column order with details and sections Architectural image of the tomb of Mamia, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Grave par P. Piranesi". At the lower part inscribed in the printing plate: "Profils en grand de links'ordre Ionique, qui forme la partie supérieure du tombeau de Mamia". Lower right dated: "L'an 13/1805". Date: 1805 Description: The meticulous depiction shows architectural elements, including a frieze with acanthus decoration, an Ionic capital, detailed drawings and geometric design sketches. The composition is precise and clearly structured. Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Via dei Sepolcri; Tomb of Mamia; Architectural detail; Frieze; Acanthus decoration; Ionic capital; Column; Design; Sketch; Geometry; Precision; Classicism; Drawing; Art history; Architecture; Structure; Plan; Design; Architecture; Ornamentation;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • F. PIRANESI (*1758) after PIRANESI (*1720), Fragments from the tomb of Mamia, Pompeii, 1805, Etchin
    Apr. 27, 2024

    F. PIRANESI (*1758) after PIRANESI (*1720), Fragments from the tomb of Mamia, Pompeii, 1805, Etchin

    Est: €900 - €1,200

    Francesco Piranesi (1758 Rom - 1810 Paris) after Giovanni Battista Piranesi (1720 Mogliano Veneto - 1778 Venice): Fragments from the tomb of Mamia on the Via dei Sepolcri, Pompeii, 1805, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dessiné par J. B. Piranesi / Gravé par F. Piranesi L'an 13/1805". At the lower part inscribed in the printing plate: "Dessin géometral d'un Vase, et de divers fragmens trouvés dans le tombeau de Mamia, ainsi que des Masques qui étaient dans son Ustrinum". Date: 1805 Source: Giovanni Battista Piranesi (1720 Mogliano Veneto-1778 Venice) Antiquités de Pompeïa, 1804/1835 | print suite, Mythology, Architecture Keywords: Pompeii; Campania; Vesuvius; engraving; antiquity; relics; vessels; patterns; masks; art; symmetry; detailing; warriors;, 19th century, Classicism, Architecture, Italy, Pompeii (Campanian),

    Fichter Kunsthandel
  • Piranesi, Francesco: Zwei Radierungen zu Pompeji
    Apr. 17, 2024

    Piranesi, Francesco: Zwei Radierungen zu Pompeji

    Est: €200 - €300

    Piranesi, Francesco. Zwei Radierungen zu Pompeji von F. Piranesi nach G. B. Piranesi. 53,5 x 77 cm. Paris 1805-1806. -- Eindrucksvolle Darstellungen der ausgegrabenen Stadt Pompeji mit antiken Staffagen wohl aus dem Werk "Antiquités de la Grande-Gréce". Enthält "Vue de l'Aspect du temple d'Isis, et des deux ailes de son Peristile, le tout pris de face" und "Vue intérieure d'une partie de la maison de Campagne". Oberhalb am Plattenrand nummeriert "CLII" und "LXVI". – Breiter Rand mit Mittelfalz. Papierbedingt gebräunt, braunfleckig, mit größeren und kleineren Einrissen, leicht stockfleckig und mit umgeknickten Ecken. Sehr gratiger Druck.

    Bassenge Auctions
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