Ignacio Pinazo Camarlench Paintings & Artwork for Sale | Ignacio Pinazo Camarlench Art Value Price Guide

Dec. 12, 2024
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "The gypsy transhumants", 1897. Oil on canvas. Preserves original canvas.
Est: €3,000 - €3,500
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "The gypsy transhumants", 1897. Oil on canvas. Preserves original canvas. Presents puncture on the canvas and missing in the original frame. Signed and dated in the right corner. Measurements: 43 x 61 cm; 65 x 83 cm (frame). In this scene Pinazo, shows his great virtuosity with the brush. Combining fleeting touches with longer brushstrokes, which are arranged horizontally or vertically, the author builds his composition based on this technical game, conditioned by the use of color. The scene is characterized by a group of people in front of a caravan. Born into a humble family, Pinazo was forced from a very young age to contribute with different occupations to the support of his home. He had only completed the eighth grade at school when his mother died of cholera, so he soon had to work in various trades, including silversmith, tile decorator, baker, gilder and painter of fans. After the death of his father he went to live with his grandfather, and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a disciple of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later, in Barcelona. In 1871 he entered the National Exhibition of Fine Arts for the first time. He was in Rome twice, the first time thanks to the sale of a painting, in 1873, and the second time with a scholarship, between 1876 and 1881. There he began his great productions of history, far from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began a more intimate and impressionist pictorial line. When he returned to Valencia he abandoned historical themes, and instead began to paint family subjects, nudes and scenes of everyday life. Thus, he is now considered a precursor, both in themes and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, settling in the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886, he taught at the School of Fine Arts in Valencia. During these years he received numerous commissions from the Valencian aristocracy, counting among his clients prominent figures such as the Marquise of Benicarló. Pinazo showed his works at the National Exhibitions of Fine Arts in Madrid, winning the silver medal in 1881 and 1885, and the gold medal in 1897 and 1899. In 1896 he was named academician of San Carlos, and in 1906 he will also be named academician of San Fernando, in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. For these years he received a royal medal and, in 1912, the city of Valencia dedicated a street to him. At his death, in 1916, the commemorative acts of his life and work will follow. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in several important private collections. It presents perforation in the canvas and missing in the original frame.
Setdart Auction House
Nov. 07, 2024
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - 1916). "Child". Ink on paper. Signed in the lower left corner.
Est: €180 - €200
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - 1916). "Child". Ink on paper. Signed in the lower left corner. Measurements: 12 x 16 cm; 25 x 30 cm (frame). Ignacio Pinazo enters in 1864 in the Academy of Fine Arts of San Carlos, where he was a disciple of Jose Fernandez Olmos. In 1871 he participated for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting, in 1873, and the second time with a scholarship, between 1876 and 1881. In his first period he developed an academicist style, but from 1874 he began a more intimate and impressionist pictorial line. When he returned to Valencia he abandoned historical themes, and instead began to paint family subjects, nudes and scenes of everyday life. Thus, he is now considered a precursor, both in themes and style, of Joaquín Sorolla and Francisco Domingo. From 1884 to 1886 he taught at the School of Fine Arts in Valencia, combining this activity with the numerous commissions he received from the Valencian aristocracy. He exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning the silver medal in 1881 and 1885 and the gold medal in 1897 and 1899. In 1896 he was named academician of San Carlos, and in 1906 he will also be named academician of San Fernando, in Madrid. For these years he received a royal medal and, in 1912, the city of Valencia dedicated a street to him. At his death, in 1916, the commemorative acts of his life and work will follow. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in several important private collections.
Setdart Auction House
Nov. 07, 2024
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - 1916). "Study-children". Pencil on paper. Without signature. Presents some stains.
Est: €180 - €200
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - 1916). "Study-children". Pencil on paper. Without signature. Presents some stains. Measurements: 17 x 17 cm; 33,5 x 33,5 cm (frame). Ignacio Pinazo enters in 1864 in the Academy of Fine Arts of San Carlos, where he was a disciple of Jose Fernandez Olmos. In 1871 he participated for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting, in 1873, and the second time with a scholarship, between 1876 and 1881. In his first period he developed an academicist style, but from 1874 he began a more intimate and impressionist pictorial line. When he returned to Valencia he abandoned historical themes, and instead began to paint family subjects, nudes and scenes of everyday life. Thus, he is now considered a precursor, both in themes and style, of Joaquín Sorolla and Francisco Domingo. From 1884 to 1886 he taught at the School of Fine Arts in Valencia, combining this activity with the numerous commissions he received from the Valencian aristocracy. He exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning the silver medal in 1881 and 1885 and the gold medal in 1897 and 1899. In 1896 he was named academician of San Carlos, and in 1906 he will also be named academician of San Fernando, in Madrid. For these years he received a royal medal and, in 1912, the city of Valencia dedicated a street to him. At his death, in 1916, the commemorative acts of his life and work will follow. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in several important private collections.
Setdart Auction House
Oct. 31, 2024
Ignacio Pinazo Camarlench (1849-1916) "Ciocciara", 1874
Est: €16,000 - €25,000
Oil on canvas. Signed: "Y. Pinazo/Roma/1874" in the lower right corner. Pinazo's first trip to Italy marked an evolution in his artistic conception, and he discovered new scenes during his visits. He continued to make progress in the production of portraits and genre painting, in comparison to his previous works, and from this moment onwards he began to take an interest in the landscape genre. Size: 142.50 x 82 cm; Size with frame: 162.50 x 100 cm Provenance: Private collection, Valencia. References: Pérez Rojas, Francisco Javier (2008): "Ignacio Pinazo en Italia", In: "El primer viaje a Italia", exhibition catalogue (Institut Valencià d'art Modern, Valencia, 23 September to 23 November 2008), pp. 38 - 40. This catalogue mentions that there are two sketches of the work (notebook 71, 1873) in the Casa Museo Pinazo in Godella and a study of the jug made in the same year. About the work, it is stated: "The portrait of a Ciociara" also dates from 1874. One of the largest canvases I know of from his first trip to Italy. The composition of the Roman peasant woman standing in front of a fountain with a metal jug on her head suffers from a certain rigidity, but it is part of the painter's deep interest in capturing popular types [...] there were photographs and postcards of Ciociaras that could serve as inspiration or models. Pinazo began to conceive this portrait in various drawings or sketches in which he depicts her in different poses, without a jug and with a jug, in front of the fountain or even in more intimate settings or chores, such as the drawings showing her sewing.
Subastas Darley
Sep. 24, 2024
IGNACIO PINAZO CAMARLENCH Valencia (1849) / Godella (Valencia) (1916) "Study of a man's head with a red cap", 1881
Est: €2,100 - €2,800
Oil on canvas. Signed and dated in the lower right corner. Measurements: 51 x 40 cm.
Ansorena
Sep. 24, 2024
IGNACIO PINAZO CAMARLENCH Valencia (1849) / Godella (Valencia) (1916) "Valencian"
Est: €600 - €800
Watercolor on paper. Signed. Measurements: 33 x 22 cm.
Ansorena
Jul. 11, 2024
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Portrait of Luis de Góngora. Oil on canvas. Preserves the original canvas. Presents restorations.
Est: €1,000 - €1,200
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Portrait of Luis de Góngora. Oil on canvas. Preserves the original canvas. Presents restorations. Provenance: Collection of the Viscount of Casa Aguilar Don Florestán Aguilar y Rodríguez 1872-1934, in his property the palace Fuentepizarro de Villalba (Madrid) until 2020. Signed in the lower left corner. Measurements: 42 x 34 cm; 49 x 41 cm (frame). Pinazo's renovating aesthetics finds its sources in the great Spanish geniuses as he defines in this quote: "Today painters have many pretensions because they paint in the open air, without thinking that Goya and Velázquez did everything better". Undoubtedly, the modernity of the Sevillian master played a fundamental role in the style of Pinazo as can be seen from works as early and relevant as Desembarco de Francisco I en el puerto de Valencia, 1876 (Museo Provincial de Valencia) whose clear inspiration was The Surrender of Breda. The work we present here is of fundamental importance for understanding both Pinazo's sources and the development of his painting. In the case of this canvas, he does not act as a mere copyist, faithfully reproducing the image, but goes beyond the Velázquez model, contributing his own personal stamp. In this way the model seems almost taken from nature and not from a Golden Century canvas. The painting that must have served as a model for this canvas is probably the one preserved in the Prado Museum (P001223) from the Royal collection and exhibited in a fairly accessible way until 1900. Currently this work is considered an early copy of Velázquez and the original model in the Boston Museum around 1622 during his first stay at the court. There is another example in the Lázaro Galdiano collection (also an old copy) but it is more reasonable to assume that it was the one in the Prado since José Lázaro acquired it in 1912, too late and with less ease for copying as it was a private collection. Although the model with which it is found presents us with the style of the young Velázquez still close to his father-in-law Pacheco, Pizano reinterprets the character with a more advanced technique: a loose brushstroke, impastoed and with direct and firm strokes. It is reminiscent in part of a mature Velázquez and at the same time of the modern and free stamp of painting at the end of the 19th century. Preserves the original canvas. Presents restorations.
Setdart Auction House
Jul. 11, 2024
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Young man in profile. Oil on canvas. Signed in the lower left corner.
Est: €2,000 - €2,200
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Young man in profile. Oil on canvas. Signed in the lower left corner. Measurements: 66 x 51 cm; 97 x 71 cm (frame). Born into a humble family, Pinazo was forced from a very young age to contribute with different occupations to the support of his home. He had only completed the eighth grade at school when his mother died of cholera, so he soon had to be employed in various trades, including silversmith, tile decorator, baker, gilder and painter of fans. After the death of his father he went to live with his grandfather, and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a disciple of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later, in Barcelona. In 1871 he entered the National Exhibition of Fine Arts for the first time. He was in Rome twice, the first time thanks to the sale of a painting, in 1873, and the second time with a scholarship, between 1876 and 1881. There he began his great productions of history, far from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began a more intimate and impressionist pictorial line. When he returned to Valencia he abandoned historical themes, and instead began to paint family subjects, nudes and scenes of everyday life. Thus, he is now considered a precursor, both in themes and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, settling in the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886, he taught at the School of Fine Arts in Valencia. During these years he received numerous commissions from the Valencian aristocracy, counting among his clients prominent figures such as the Marquise of Benicarló. Pinazo showed his works at the National Exhibitions of Fine Arts in Madrid, winning the silver medal in 1881 and 1885, and the gold medal in 1897 and 1899. In 1896 he was named academician of San Carlos, and in 1906 he will also be named academician of San Fernando, in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. For these years he received a royal medal and, in 1912, the city of Valencia dedicated a street to him. At his death, in 1916, the commemorative acts of his life and work will follow. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in several important private collections.
Setdart Auction House
Jun. 11, 2024
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Portrait of a girl. Oil on canvas. Signed in the upper left corner. Signature on the label on the back.
Est: €2,500 - €3,000
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Portrait of a girl. Oil on canvas. Signed in the upper left corner. Signature on the label on the back. Measurements: 42 x 31 cm; 74 x 6 cm (frame). Ignacio Pinazo enters in 1864 in the Academy of Fine Arts of San Carlos, where he was a disciple of Jose Fernandez Olmos. In 1871 he participated for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting, in 1873, and the second time with a scholarship, between 1876 and 1881. In his first period he developed an academicist style, but from 1874 he began a more intimate and impressionist pictorial line. When he returned to Valencia he abandoned historical themes, and instead began to paint family subjects, nudes and scenes of everyday life. Thus, he is now considered a precursor, both in themes and style, of Joaquín Sorolla and Francisco Domingo. From 1884 to 1886 he taught at the School of Fine Arts in Valencia, combining this activity with the numerous commissions he received from the Valencian aristocracy. He exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning the silver medal in 1881 and 1885 and the gold medal in 1897 and 1899. In 1896 he was named academician of San Carlos, and in 1906 he will also be named academician of San Fernando, in Madrid. For these years he received a royal medal and, in 1912, the city of Valencia dedicated a street to him. At his death, in 1916, the commemorative acts of his life and work will follow. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in several important private collections.
Setdart Auction House
Jun. 11, 2024
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Gentleman's Visit". Oil on panel. Signed in the lower right corner. Golden frame with some lack in the polychrome.
Est: €1,500 - €1,600
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Gentleman's Visit". Oil on panel. Signed in the lower right corner. Golden frame with some lack in the polychrome. Measurements: 12 x 16 cm; 55 x 37 cm (frame). Ignacio Pinazo entered the Academy of Fine Arts of San Carlos in 1864, where he was a disciple of José Fernández Olmos. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. In his first period he developed an academicist style, but from 1874 onwards he began to paint in a more intimate and impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. Thus, he is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. From 1884 to 1886 he taught at the School of Fine Arts in Valencia, combining this activity with the numerous commissions he received from the Valencian aristocracy. He exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning the silver medal in 1881 and 1885 and the gold medal in 1897 and 1899. In 1896 he was appointed a member of the San Carlos Academy, and in 1906 he also became a member of the San Fernando Academy in Madrid. During these years he received a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Jun. 11, 2024
Possibly IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Couple of a bride and groom leaving the church". Oil on canvas.
Est: €1,500 - €1,600
Possibly IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Couple of a bride and groom leaving the church". Oil on canvas. Measurements: 19 x 27 cm; 38 x 45 cm (frame). Born into a humble family, Pinazo was obliged from a very young age to contribute with different occupations to the support of his home. He had only completed the eighth year at school when his mother died of cholera, so he was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life, and is now considered a forerunner, both in subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marquise of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning silver medals in 1881 and 1885 and gold medals in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Jun. 11, 2024
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Lady", 1899. Oil on canvas. Signed and dated in the lower right corner. Enclosed certificate of the house museum Pinazo.
Est: €1,800 - €2,000
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Lady", 1899. Oil on canvas. Signed and dated in the lower right corner. Enclosed certificate of the house museum Pinazo. Measurements: 35 x 20.5 cm; 53 x 38 cm (frame). Born into a humble family, Pinazo was obliged from a very young age to contribute with different occupations to the support of his home. He had only completed the eighth year at school when his mother died of cholera, so he was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner and began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life, and is now considered a forerunner, both in subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marquise of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning silver medals in 1881 and 1885 and gold medals in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he received a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
May. 28, 2024
PINAZO CAMARLENCH, IGNACIO (1849 - 1916)
Est: -
Charcoal drawing on paper. Signed, titled and dated (1872) in the lower right corner.
Duran Arte y Subastas
May. 21, 2024
IGNACIO PINAZO CARMARLENCH - Tema histórico
Est: -
IGNACIO PINAZO Valencia 1849 - Godella 1910 Tema histórico. 1876 Óleo sobre lienzo Firmado y fechado Medidas 38 x 56 cm
Subastas Segre
May. 21, 2024
IGNACIO PINAZO CARMARLENCH - Conjunto de tres álbumes con 100 folios que muestran estudios del natural de diversa temática
Est: -
IGNACIO PINAZO CAMARLENCH Valencia 1849 - Godella 1910 Conjunto de tres álbumes con 100 folios que muestran estudios del natural de diversa temática Dibujos a lápiz, tinta, acuarela y clarión Firmados Medidas 120 x 170 mm apróx. cada folio Algunas páginas intercalan anotaciones del artista sobre sus estancias en Roma y Godella entre otros lugares.
Subastas Segre
May. 21, 2024
IGNACIO PINAZO CARMARLENCH - Escena de playa
Est: -
IGNACIO PINAZO Valencia 1849 - Godella 1910 Escena de playa Dibujo a sanguina Firmado Medidas 140 x 215 mm
Subastas Segre
Apr. 24, 2024
Ignacio Pinazo Camarlench. beach scene
Est: -
Oil on panel. Signed in the lower center.
Duran Arte y Subastas
Nov. 09, 2023
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 – Godella, Valencia, 1916). “Farmhouse with characters.” Oil on panel. Signed in the lower right corner.
Est: €9,000 - €10,000
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). Alquería con personajes" ("Farmhouse with Characters"). Oil on panel. Signed in the lower right corner. Measurements: 14 x 23 cm; 32 x 39.50 cm (frame). Born in the bosom of a humble family, Pinazo was forced from very young to contribute with different occupations to the support of his home. He had only completed the eighth year at school when his mother died of cholera, so he was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Nov. 09, 2023
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 – Godella, Valencia, 1916). “A street in Godella", 1890. Oil on canvas. Signed and dated in the lower right corner. With label from the Velázquez Palace Exhibition in Madrid.
Est: €9,000 - €10,000
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "A street in Godella, 1890. Oil on canvas. Signed and dated in the lower right corner. With label of the Exhibition of the Palace of Velázquez in Madrid. Measurements: 23.50 x 32 cm; 33 x 42.50 cm (frame). In this scene Pinazo shows his great virtuosity with the brush. Combining fleeting touches with longer brushstrokes, which are arranged either horizontally or vertically, the author builds his composition on the basis of this technical game, conditioned by the use of colour. Born into a humble family, Pinazo was obliged from an early age to contribute to the support of his household through various occupations. He had only completed the eighth year at school when his mother died of cholera, and was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Nov. 09, 2023
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 – Godella, Valencia, 1916). “Paseando en barca". Oil on panel. Signed in the lower right corner.
Est: €5,000 - €6,000
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Strolling in a Boat". Oil on panel. Signed in the lower right corner. Measurements: 10 x 18 cm; 27.50 x 35.50 cm (frame). Born in the bosom of a humble family, Pinazo was forced from a very young age to contribute with different occupations to the support of his home. He had only completed the eighth year at school when his mother died of cholera, so he was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Nov. 09, 2023
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 – Godella, Valencia, 1916). "Forest". Oil on table. Signed in the lower left corner.
Est: €2,400 - €2,600
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Forest". Oil on panel. Signed in the lower left corner. Measurements: 23.5 x 14.5 cm; 36.5 x 26.5 cm (frame). In this scene Pinazo shows his great virtuosity with the brush. Combining fleeting touches with longer brushstrokes, which are arranged either horizontally or vertically, the author builds his composition on the basis of this technical game, conditioned by the use of colour. Born into a humble family, Pinazo was obliged from an early age to contribute to the upkeep of his household through various occupations. He had only completed the eighth year at school when his mother died of cholera, and was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Oct. 03, 2023
IGNACIO PINAZO CAMARLENCH Valencia (1849) / Godella (Valencia) (1916) "Portrait of a child", 1889
Est: €3,000 - €4,000
Oil on canvas. Signed and dated in the upper right corner. Measurements: 36.5 x 28.5 cm.
Ansorena
Sep. 19, 2023
IGNACIO PINAZO - Altar boy
Est: -
IGNACIO PINAZO Valencia 1849 - Godella 1910 Altar boy Pencil drawing on paper Signed Size 225 x 170 mm
Subastas Segre
Jul. 26, 2023
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 – Godella, Valencia, 1916). "Forest". Oil on table. Signed in the lower left corner.
Est: €2,400 - €2,600
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Forest". Oil on panel. Signed in the lower left corner. Measurements: 23.5 x 14.5 cm; 36.5 x 26.5 cm (frame). In this scene Pinazo shows his great virtuosity with the brush. Combining fleeting touches with longer brushstrokes, which are arranged either horizontally or vertically, the author builds his composition on the basis of this technical game, conditioned by the use of colour. Born into a humble family, Pinazo was obliged from an early age to contribute to the upkeep of his household through various occupations. He had only completed the eighth year at school when his mother died of cholera, and was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Jul. 13, 2023
IGNACIO PINAZO CAMARLENCH Apunte de figuras
Est: -
IGNACIO PINAZO CAMARLENCH (Valencia, 1840- Godella, Valencia, 1916) "Apunte de figuras" Lápiz sobre papel 7 x 12 cm Firmado: I. Pinazo
Arte Subastas Bilbao
Jul. 13, 2023
IGNACIO PINAZO CAMARLENCH Franciscanos de Jerusalén
Est: -
IGNACIO PINAZO CAMARLENCH (Valencia, 1840- Godella, Valencia, 1916) "Franciscanos de Jerusalén" Lápiz sobre papel 17 x 24 cm Firmado: I. Pinazo
Arte Subastas Bilbao
May. 30, 2023
Ignacio Pinazo Camarlench. Carnival at Paris
Est: -
Oil on table. Signed in the lower left corner.
Duran Arte y Subastas
Mar. 28, 2023
IGNACIO PINAZO CAMARLENCH. Valencia (1849) / Godella (Valencia) (1916). 'Study of a man's head', 1881
Est: €1,200 - €1,600
Oil on canvas.. Signed and dated in the lower right corner "I. Pinazo/1881" .
Ansorena
Mar. 13, 2023
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 – Godella, Valencia, 1916). "Male portrait". Oil on canvas. Signed in the lower right corner.
Est: €1,600 - €1,800
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Male portrait. Oil on canvas. Signed in the lower right corner. Measurements: 50 x 43 cm, 57.5 x 51 cm (frame). Born in the bosom of a humble family, Pinazo was forced from very young to contribute with different occupations to the support of his home. He had only completed the eighth year at school when his mother died of cholera, so he was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Feb. 14, 2023
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 – Godella, Valencia, 1916). Albaes, 1887. Oil on table. Signed and dated in the upper left corner. It presents added bands on the sides. It presents crackling.
Est: €3,400 - €3,600
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Albaes", 1887. Oil on panel. Signed and dated in the upper left corner. It has bands added on the sides. It has craquelure. With original label of the Gallery of Art and Auctions, Valencia. Measurements: 20 x 31 cm; 38 x 48.5 cm (frame). Born into a humble family, Pinazo was obliged from a very young age to contribute to the support of his household with different occupations. He had only completed the eighth year at school when his mother died of cholera, so he was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Jan. 25, 2023
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 – Godella, Valencia, 1916). "Door of the Basilica of Valencia", 1874. Oil on board. Signed and dated in the upper left corner.
Est: €7,000 - €8,000
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Door of the Basilica of Valencia", 1874. Oil on panel. Signed and dated in the upper left corner. Measurements: 11 x 18 cm. Painting of the most splendid work of Pinazo, between his two trips to Rome, where he already had a very refined mastery of the brushstroke and the light. The artist's most sought-after period. Born into a humble family, Pinazo was obliged from an early age to contribute to the support of his household through various occupations. He had only completed the eighth year at school when his mother died of cholera, so he was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Dec. 28, 2022
Ignacio Pinazo Camarlench. naked
Est: -
Oil on canvas. Signed and dated (1895) in the lower left corner.
Duran Arte y Subastas
Dec. 19, 2022
Desnudo académico de joven
Est: -
Firmado y fechado en el ángulo superior izquierdo: "I. Pinazo / 1874". Presenta desperfectos.
Isbilya Subastas
Dec. 19, 2022
IGNACIO PINAZO (Valencia, 1849 - Godella, 1916) "Girl with ribbon"
Est: €1,500 - €2,000
IGNACIO PINAZO (Valencia, 1849 - Godella, 1916) "Girl with ribbon" Patinated bronze figure, Signed 23 cm figure / 39 cm 1.500 - 2.000 €
Bayeu Subastas
Nov. 02, 2022
IGNACIO PINAZO CAMARLENCH Valencia (1849) / Godella (Valencia) (1916) "Vatican Swiss Guard", 1877
Est: €1,050 - €1,400
Oil on panel. Signed, dated and located in Rome at the bottom left. Signed and dated in pencil on the back. Measurements: 16.5 x 10 cm.
Ansorena
Oct. 25, 2022
Ignacio Pinazo Camarlench. Lady with a hat
Est: -
Oil on board. Signed in the lower left corner.
Duran Arte y Subastas
Oct. 25, 2022
Ignacio Pinazo Camarlench. Young valencian lady
Est: -
Oil on board. Signed in the upper right corner.
Duran Arte y Subastas
Oct. 25, 2022
Ignacio Pinazo Camarlench. Figure sketches
Est: -
Drawing on paper. Signed and dated (1901) in the lower right corner. Provenance: work given to the art critic AM Campoy by the artist Genaro Lahuerta.
Duran Arte y Subastas
Oct. 06, 2022
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 – Godella, Valencia, 1916). "Door of the Basilica of Valencia", 1874. Oil on board. Signed and dated in the upper left corner.
Est: €7,000 - €8,000
IGNACIO PINAZO CAMARLENCH (Valencia, 1849 - Godella, Valencia, 1916). "Door of the Basilica of Valencia", 1874. Oil on panel. Signed and dated in the upper left corner. Measurements: 11 x 18 cm. Painting of the most splendid work of Pinazo, between his two trips to Rome, where he already had a very refined mastery of the brushstroke and the light. The artist's most sought-after period. Born into a humble family, Pinazo was obliged from an early age to contribute to the support of his household through various occupations. He had only completed the eighth year at school when his mother died of cholera, so he was soon employed in various trades, including silversmith, tile decorator, baker, gilder and fan painter. After his father's death he moved in with his grandfather and in 1864 he entered the San Carlos Academy of Fine Arts, where he was a pupil of José Fernández Olmos. During this period he earned his living as a milliner. He began his artistic training at the age of twenty-one, achieving his first success three years later in Barcelona. In 1871 he took part for the first time in the National Exhibition of Fine Arts. He was in Rome twice, the first time thanks to the sale of a painting in 1873, and the second time on a scholarship between 1876 and 1881. It was there that he began his major historical productions, far removed from the conventions of the genre. In his first period he developed an academicist style, but from 1874 he began to paint in a more intimate, impressionistic style. When he returned to Valencia he abandoned historical themes and instead began to paint family subjects, nudes and scenes from everyday life. He is now considered a precursor, in both subject matter and style, of Joaquín Sorolla and Francisco Domingo. In 1884 Pinazo left Valencia temporarily due to a cholera epidemic, moving into the house that the banker José Jaumandreu owned in Bétera. From his return that same year until 1886 he taught at the Valencia School of Fine Arts. During these years he received numerous commissions from the Valencian aristocracy, and his clients included prominent figures such as the Marchioness of Benicarló. Pinazo exhibited his works at the National Exhibitions of Fine Arts in Madrid, winning a silver medal in 1881 and 1885 and a gold medal in 1897 and 1899. In 1896 he was appointed a member of the Academy of San Carlos, and in 1906 he became a member of the Academy of San Fernando in Madrid. In 1900 he was involved in the decoration of the staircase of the palace of Don José Ayora, together with Antonio Fillol, Peris Brell, Ricardo Verde and Luis Beüt. During these years he was awarded a royal medal and in 1912 the city of Valencia dedicated a street to him. After his death in 1916, a series of commemorative events were held to commemorate his life and work. Pinazo is currently represented in the Prado Museum, the MACBA in Barcelona, the Museum and Circle of Fine Arts in Valencia, his House-Museum in Godella and the Valencian Provincial Council, as well as in various important private collections.
Setdart Auction House
Sep. 28, 2022
Ignacio Pinazo Camarlench. Male nude
Est: -
Drawing on paper. Signed and dated (1890) in the lower right corner.
Duran Arte y Subastas
May. 10, 2022
IGNACIO PINAZO CAMARLENCH. Valencia (1849) / Godella (Valencia) (1916). "Soldier of the Third of Flanders" c. 1876 .
Est: €1,200 - €1,600
Oil on canvas. Signed on the right side "I. Pinazo". .68 x 47,5 cm.
Ansorena
May. 10, 2022
IGNACIO PINAZO CAMARLENCH Valencia (1849) / Godella (Valencia) (1916) "Study for a Monk in a Robe".
Est: €1,200 - €1,600
Oil on canvas Signed in the lower left corner "I. Pinazo" signed in the lower left corner.46 x 35 cm
Ansorena
Apr. 27, 2022
Ignacio Pinazo Camarlench. Portrait of a girl
Est: -
Oil on board. Signed in the lower right corner.
Duran Arte y Subastas
Apr. 05, 2022
IGNACIO PINAZO CAMARLENCH. Valencia (1849) / Godella (Valencia) (1916). "Male figure", 1893. 20 x 13 cm.
Est: €4,200 - €5,600
Signed and dated in the lower right-hand corner Oil on panel. 20 x 13 cm
Ansorena
Apr. 05, 2022
IGNACIO PINAZO CAMARLENCH. Valencia (1849) / Godella (Valencia) (1916). "Children and goats", 1901. 55 x 46 cm.
Est: €12,750 - €17,000
Signed and dated in the lower right corner. On the back, label of the exhibition: "El intimismo en la pintura española, siglos XIX y XX" (Intimism in Spanish painting, 19th and 20th centuries). Quito Peru, May - June, 1980 and Santo Domingo, Dominican Republic, June - July, 1980. Oil on canvas. 55 x 46 cm
Ansorena
Mar. 09, 2022
DESNUDO ACADÉMICO DE JOVEN
Est: -
Firmado y fechado en el ángulo superior izquierdo: "I. Pinazo / 1874". Presenta desperfectos.
Isbilya Subastas
Mar. 02, 2022
IGNACIO PINAZO CAMARLENCH. Valencia (1849) / Godella (Valencia) (1916). "Coastal landscape".
Est: €2,700 - €5,400
12,8 x 19,8 cm. Oil on panel. With certificate of the Casa Museo Pinazo.
Ansorena
Feb. 08, 2022
IGNACIO PINAZO - Soldier of the Third of Flanders
Est: €1,000 - €2,000
IGNACIO PINAZO Valencia 1849 - Godella 1910 Soldier of the Third of Flanders Oil on panel Signed in Rome Size 40 x 19.5 cm
Subastas Segre