Ludovic Piette Paintings & Artwork for Sale | Ludovic Piette Art Value Price Guide

Nov. 13, 2024
Ludovic Piette (Niort 1826-1878 Montfoucault) Le Marché, Le Mans
Est: €2,000 - €3,000
Ludovic Piette (Niort 1826-1878 Montfoucault) Le Marché, Le Mans signé et daté 'L. Piette/ 1875' (en bas à gauche) gouache sur papier signed and dated 'L. Piette/1875' (lower left) gouache on paper 24 x 32.8cm (9 7/16 x 12 15/16in).
Bonhams
Nov. 13, 2024
Ludovic Piette (Niort 1826-1878 Montfoucault) La Place du marché, Pontoise
Est: €2,500 - €3,500
Ludovic Piette (Niort 1826-1878 Montfoucault) La Place du marché, Pontoise signé, inscrit et daté 'L. Piette/ Pointoise 1875' (en bas à droite) huile sur toile signed, inscribed and dated 'L. Piette/ Pointoise 1875' (lower right) oil on canvas 37.9 x 54.9cm (14 15/16 x 21 5/8in).
Bonhams
May. 14, 2024
PIETTE Ludovic (1826 - 1878) Huile sur toile marouflée sur panneau d'unalit "Scène de plage". S
Est: €300 - €400
PIETTE Ludovic (1826 - 1878) Huile sur toile marouflée sur panneau d'unalit "Scène de plage". Signé en bas à droite L. Piette. Ecole française. Dim.:+/-14x24,5cm.
Vanderkindere
Feb. 06, 2024
Ludovic PIETTE dit PIETTE-MONTFOUCAULT Niort, 1826 - Paris, 1877 La moisson et Les glaneuses Paire de gouaches
Est: €1,500 - €2,000
Ludovic PIETTE dit PIETTE-MONTFOUCAULT Niort, 1826 - Paris, 1877 La moisson et Les glaneuses Paire de gouaches Signées et datées 'J. Piette 1874' en bas à droite et 'J. Piette / 1874' en bas à gauche 15 x 33 cm (5,91 x 12,99 in.) et 13 x 30 cm (5,12 x 3,94 in.) Commentaire : Rapport de condition: Non examinés hors de leur cadre Planéité moyenne, léger gondolement Très léger empoussièrement Parfait état de conservation Estimation 1 500 - 2 000 €
Artcurial
Oct. 25, 2023
Ludovic Piette (1826-1878) Dans le jardin à l'Hermitage, Pontoise gouache s
Est: €8,000 - €12,000
Ludovic Piette (1826-1878) Dans le jardin à l'Hermitage, Pontoise gouache sur papier fort 31.8 x 50.1 cm.
Christie's
Jun. 14, 2023
LUDOVIC PIETTE (1826-1877) Le marchand de bois
Est: €120 - €240
LUDOVIC PIETTE (1826-1877) Le marchand de bois Le marchand de bois Huile sur toile signée en bas à droite. Dimensions : 27 x 35 cm
Accademia Fine Art
Mar. 18, 2023
Ludovic PIETTE (1826-1877) - Fermier et sa vache
Est: €600 - €800
Ludovic PIETTE (1826-1877) Fermier et sa vache Gouache sur papier Signé en bas à droite 29 x 48 cm Avec cadre : 55 x 73 cm Gouache on paper, signed lower right, 11.5 x 19 in, with frame : 21.5 x 28.5 in
Osenat
Nov. 21, 2021
LUDOVIC PIETTE (1826-1877) Paysans se réchauffant près d’un feu1860 Aquarel
Est: €1,000 - €1,200
LUDOVIC PIETTE (1826-1877) Paysans se réchauffant près d’un feu1860 Aquarelle Signé en bas à gauche et daté en bas à droite 21 x 11 cm
Osenat
Mar. 28, 2021
LUDOVIC PIETTE (1826-1877) PAYSANS SE RÉCHAUFFANT PRÈS D'UN FEU 1860 AQUARELLE SIGNÉ EN BAS À GAUCHE
Est: €1,000 - €1,200
LUDOVIC PIETTE (1826-1877) Paysans se réchauffant près d'un feu 1860 Aquarelle Signé en bas à gauche et daté en bas à droite 21 x 11 cm
Osenat
Nov. 21, 2020
Piette, Ludovic (1826-1870) "Children in a summery clearing", oil/canvas mounted, l.l. sign., in a fine impressionist frame, 26.7x40.5cm (w.f. 49x62cm), strong craquelée at upper left
Est: -
Piette, Ludovic (1826-1870) "Children in a summery clearing", oil/canvas mounted, l.l. sign., in a fine impressionist frame, 26.7x40.5cm (w.f. 49x62cm), strong craquelée at upper left
Kendzia
Oct. 18, 2020
LUDOVIC PIETTE (1826-1877) Paysans se rechauffant près d'un feu, 1860 Aquarelle Signé en bas à gauch
Est: €1,200 - €1,500
LUDOVIC PIETTE (1826-1877) Paysans se rechauffant près d'un feu, 1860 Aquarelle Signé en bas à gauche et daté en bas à droite 21 x 11 cm
Osenat
Dec. 22, 2019
Ludovic PIETTE 1826-1877. Paysan près du feu, 1860…
Est: €1,200 - €1,500
Ludovic PIETTE 1826-1877. Paysan près du feu, 1860. Aquarelle signée en bas à gauche et datée en bas à droite. 21 x 11 cm.
Osenat
Aug. 24, 2019
Ludovic PIETTE 1826-1877 "PAYSANS SE RÉCHAUFFANT PRÈS D'UN FEU, 1860"
Est: €1,200 - €1,500
Ludovic PIETTE 1826-1877 PAYSANS SE RÉCHAUFFANT PRÈS D'UN FEU, 1860 Aquarelle signée en bas à gauche et datée en bas à droite 21 x 11
Besch Cannes Auction
Mar. 24, 2019
Ludovic PIETTE – 1826-1877 PAYSANS SE RÉCHAUFFANT PRÈS D’UN FEU, 1860
Est: €1,200 - €1,500
Ludovic PIETTE – 1826-1877 PAYSANS SE RÉCHAUFFANT PRÈS D’UN FEU, 1860 Aquarelle signée en bas à gauche et datée en bas à droite. 21 x 11
Eric Pillon Enchères
Dec. 17, 2017
Ludovic PIETTE – 1826-1877 PAYSAGE D’HIVER, janvier 1860 Aquarelle sig
Est: €1,000 - €1,200
Ludovic PIETTE – 1826-1877 PAYSAGE D’HIVER, janvier 1860 Aquarelle signée en bas à gauche et datée en bas à droite. 21 x 11
Eric Pillon Enchères
Apr. 22, 2017
Piette-Montfoucault, Fr.,19th c. Landscape, O/C
Est: $500 - $800
Ludovic Piette-Montfoucault, French, 1826-1877 , o/c landscape w/ wall (CROT3317){PR} Measurements:Sight 6x12 Frame 11x16 Condition:Craquelure, bubbling on right side, possibly relined
Litchfield Auctions
Apr. 18, 2015
Ludovic PIETTE (1826-1877) Enfant dans un jardin.
Est: €500 - €600
Ludovic PIETTE (1826-1877) Enfant dans un jardin. Gouache et aquarelle. Signée en bas à gauche. 30 x 45 cm.
Leclere - Maison de ventes
Mar. 28, 2014
PIETTE, LUDOVIC (1826 Montfoucault 1878) Jeune
Est: CHF5,000 - CHF7,000
PIETTE, LUDOVIC (1826 Montfoucault 1878) Jeune femme (Mme Piette) à l'ombrelle. Gouache on paper. Signed lower right: L. Piette. 40.7 x 30 cm. PIETTE, LUDOVIC (1826 Montfoucault 1878) Jeune femme (Mme Piette) à l'ombrelle. Gouache auf Papier. Unten rechts signiert: L. Piette. 40,7 x 30 cm.
Koller Auctions
Nov. 15, 2013
PIETTE, LUDOVIC 1826 Niort - 1878 Paris Blick Über die Dächer von Rouen. Öl auf Leinwand. Doubliert. 53 x 72cm. Signiert unten links: Piette. Rahmen. RÜckseitig: Auf dem Keilrahmen alt beschriftet. .
Est: €2,000 - €3,000
PIETTE, LUDOVIC 1826 Niort - 1878 Paris View over the Roofs of Rouen. Oil on canvas. Relined. 53 x 72cm. Signed lower left: Piette. Framed. Verso: Former inscription on stretcher
Van Ham Kunstauktionen
Nov. 06, 2013
Ludovic Piette (French, 1826-1877) Personnages au jardin publique 13 x 24 3/8in (33 x 62cm) unframed
Est: -
Ludovic Piette (French, 1826-1877) Personnages au jardin publique 13 x 24 3/8in (33 x 62cm) unframed
Bonhams
Jun. 06, 2013
Ludovic Piette-Montfoucault (FRENCH, 1826-1877)
Est: -
Ludovic Piette-Montfoucault (FRENCH, 1826-1877) Madame Piette à l'ombrelle signed 'L Piette' (lower right) gouache on paper 16 x 11¾ in. (40.7 x 30 cm.)
Christie's
Mar. 22, 2013
PIETTE, LUDOVIC(1826 Montfoucault
Est: CHF15,000 - CHF20,000
PIETTE, LUDOVIC (1826 Montfoucault 1878) Stadtgarten, Mans. 1875. Gouache auf Papier. Unten rechts signiert und datiert: L. Piette 1875. 31 x 61 cm. Provenienz: - Auktion Piette, Hôtel Drouot, Paris, 24.3.1877, Los 1. - Auktion Christie's, London, 4.12.1979, Los 209. Ausstellungen: - Paris, Salon 1875. - Paris, 3. Impressionisten-Ausstellung, April 1877. Literatur: Art Museums of San Francisco (Ed.), The new painting. Impressionism 1874-1886. Documentation. Band II: Exhibited works, The Third Exhibition 1877, Nr. III-153, S. 79f., Abb. S. 98.
Koller Auctions
Dec. 08, 2011
Ludovic Piette (French, 1826-1878) Figures in a park, 13 x 25in.
Est: £2,500 - £3,000
Ludovic Piette (French, 1826-1878) gouache, Figures in a park, signed and dated 1875, Wildenstein certificate, 13 x 25in.
Gorringes
Jun. 26, 2011
Ludovic PIETTE - 1826-1877BARQUE EN BORD DE
Est: €700 - €800
Ludovic PIETTE - 1826-1877BARQUE EN BORD DE RIVIÈRE Gouache, signée en bas à gauche. 11 x 27
Eric Pillon Enchères
May. 13, 2011
Ludovic Piette dit Piette-Montfoucault Niort, 1826 - Paris, 1877 Barque sur une pièce d'eau Aquarelle gouachée
Est: €700 - €900
Ludovic Piette dit Piette-Montfoucault Niort, 1826 - Paris, 1877 Barque sur une pièce d'eau Aquarelle gouachée signée 'L. Piette' en bas à gauche h: 10,80 w: 26,80 cm
Artcurial
Mar. 16, 2011
LUDOVIC PIETTE
Est: $5,000 - $7,000
LUDOVIC PIETTE 1826 - 1877 LA FAUCHE DES FOINS À MONTFOUCAULT Signed L. Piette (lower right) Gouache on paperboard 12 1/16 by 14 5/16 in. 30.7 by 36.5 cm. Painted circa 1876.
Sotheby's
Jul. 12, 2007
Ludovic Piette, 1826-1877 , LE CHÂTEAU gouache on paper
Est: £1,800 - £2,500
signed and dated Janvier 1873 gouache on paper
Sotheby's
Mar. 23, 2006
LUDOVIC PIETTE, 1826-1877
Est: £2,000 - £3,000
LA MARCHÉ DANS LA FÔRET 11.7 by 28.5cm.; 4½ by 11 1/8 in. signed and dated février 1873 gouache on card Executed in February 1873.
Sotheby's
Nov. 07, 2001
Camille Pissarro (1830-1903)
Est: $400,000 - $600,000
La MŠre Jolly signed and dated 'C. Pissarro. 1874' (lower left) oil on canvas 391/2 x 313/4 in. (100.3 x 80.7 cm.) Painted in 1874 PROVENANCE Estate of the artist; sale, Galerie Georges Petit, Paris, 3 December 1928, lot 29. Gabriel Picard, Paris (1936). Acquavella Galleries, Inc., New York. Mr. and Mrs. Josef Rosensaft, New York; sale, Sotheby's, New York, 17 March 1976, lot 9. Anon. (acquired at the above sale); sale, Christie's, London, 27 June 1988, lot 79. Hammer Galleries, New York (1988). LITERATURE La Renaissance, no. 12, December 1928 (illustrated). L.R. Pissarro and L. Venturi, Camille Pissarro, son art--son oeuvre, Paris, 1939, vol. I, p. 118, no. 271; vol. II, pl. 54 (illustrated). J.B. Rosensaft, L'Oeil, February 1974, p. 55. J.B. Bailly-Herzberg, Correspondance de Camille Pissarro, Paris, 1980, vol. I, p. 95. EXHIBITION Paris, Galerie Manzi-Joyant, R‚trospective Camille Pissarro, January-February 1914, no. 6. Paris, Galerie Marcel Bernheim, Les PremiŠres Epoques de Camille Pissarro, May-June 1936, no. 16. NOTES Joachim Pissarro and Claire Durand-Ruel Snollaerts will include this painting in the forthcoming Pissarro catalogue raisonn‚ being prepared under the sponsorship of the Wildenstein Institute. Camille Pissarro and his family had been living in Pontoise since 1866, and the diverse motifs in and around this small barge-port town on the Oise River had shaped the artist's landscape painting during the early evolution of Impressionism. However, as early as 1871, Pissarro driven by strained economic circumstances, had been looking for another locale in which to live and work at least part of the year. Ludovic Piette, his closest friend, owned property around Montfoucault, a small hamlet near Mayenne, about seventy-four kilometers northwest of Le Mans. In a letter to his friend, the art critic Th‚odore Duret, dated 20 October 1874, Camille Pissarro wrote: "My dear Duret, I want to tell you that I am departing for the country with my friend Piette and I will not be back until January. I am going there to study the people and the animals of the true country" (J.B. Bailly-Herzberg, op.cit., p. 95). Pissarro used the farm at Montfoucault and its surroundings as subject in his paintings over the course of three successive autumn visits until Piette's death in 1878. Whereas Pontoise was a provincial town, situated at a busy commercial crossroads not far from Paris, Montfoucault was a full day's train ride from Paris, and relatively remote and isolated. The farms were small, with their fields enclosed by hedgerows--there were neither the broad vistas nor any of the variety that one could observe in the landscape around Pontoise. In Pontoise he had to travel to the environs of the town to observe farm folk (who were mostly transient day laborers) at work, but in Montfoucault, for the first time, he was living among the rural peasantry, with their age-old attachment to the land. These new surroundings and the close presence of his neighbors compelled Pissarro to deal with the figure in a new and direct manner. He pondered the advice of Duret, who in December 1873 told the painter: "I still believe that rustic nature, with its fields and animals, is what best suits your talent. You do not have Sisley's decorative feeling, or Monet's fantastic eye, but you have what they do not have: an intimate and deep feeling for nature as well as a powerful brushstroke, so that a beautiful picture by you is something with an absolute presence. Go your own way, towards rural nature: thus you will explore a new avenue, and will go further and higher than any master" (quoted in J. Pissarro, Camille Pissarro, New York, 1993, p. 143). In a letter dated 11 December 1874, Pissarro confided to Duret: "I have worked quite a lot here, I have started working on figures and animals. I have several projects of genre paintings. I am timidly experimenting with this branch of art, so much illustrated by first-rank artists: this is rather bold, I fear that it might be a complete flop" ( ibid., p. 146). No doubt Pissarro was thinking of Jean-Fran‡ois Millet whose iconic images of rural peasant women had previously challenged the notion of acceptable subject matter. As Richard Bretell notes: "the sheer physicality of form--its weight, mass and proximity--became Pissarro's overriding concern in the Montfoucault period and that reality was expressed by the material presence of paint itself. Pissarro layered paint on the surface to suggest mass and weight in a manner matched in the period only by C‚zanne" (R. Bretell, Pissarro and Pontoise, The Painter in a Landscape, London, 1990, p. 165). In La MŠre Jolly, the large scale and central position of the figure communicate her nobility despite her humble station in life. SALESROOM NOTICE Joachim Pissarro and Claire Durand-Ruel Snollaerts will include this painting in the forthcoming Pissarro catalogue raisonn‚ being prepared under the sponsorship of the Wildenstein Institute.
Christie's