Amédée Ozenfant Paintings & Artwork for Sale | Amédée Ozenfant Art Value Price Guide

Nov. 19, 2024
AMEDEE OZENFANT (1886-1966) - La Source: Femme au broc
Est: $600,000 - $800,000
AMEDEE OZENFANT (1886-1966) La Source: Femme au broc oil on canvas 43 ½ x 52 ¾ in. (110.5 x 132 cm.)
Christie's
Oct. 15, 2024
Composition en blanc
Est: £15,000 - £25,000
Property from a Distinguished European Private Collection Amédée Ozenfant 1886 - 1966 Composition en blanc signed ozenfant and dated 45 (lower right) oil on canvas 55.6 by 71.1 cm. 21⅞ by 28 in. Framed: 75 by 91.4 cm. 29½ by 36 in. Executed in 1945. This work has been authenticated by Pierre Guénégan, author of the Amédée Ozenfant catalogue raisonné, and will appear in his forthcoming supplement currently under production.
Sotheby's
Jul. 11, 2024
λ AMEDÉE OZENFANT (FRENCH 1886-1966), BAIGNEUSES AU CLAIR DE LUNE
Est: £10,000 - £15,000
λ AMEDÉE OZENFANT (FRENCH 1886-1966)BAIGNEUSES AU CLAIR DE LUNEOil on panel Signed and dated 29 (lower left) 60 x 40cm (23½ x 15½ in.)Provenance: Léonce Rosenberg, ParisGalerie L'Effort Moderne, Paris Sale, Sotheby's, London, July 1974Exhibited: Paris, Galerie de L'Effort Moderne Literature:Pierre Guénégan, Viveca Bosson, Margaret Guénégan, Amédée Ozenfant, 1886-1966 : Catalogue Raisonné de l'Oeuvre Peint, Saint Albans, Lanwell & Leeds, 2012, p. 430, no. 1929/022, illusProminent French artist Amédée Ozenfant studied at l'Ecole Quentin de la Tour in Saint-Quentin, the same school Henri Matisse attended, and later at Palette, Paris, alongside André Dunoyer de Segonzac and Roger de la Fresnaye. Between 1918 and 1925, alongside Le Corbusier, Ozenfant worked to form the Purism movement, which attempted to restore order and structure following the war. In his early works, Ozenfant developed an interest in stability, clarity, and harmony, reflected in his works through his use of clean line, geometric shapes, and simplification of details. But from 1925 onwards, the subjects and style of his works changed, instead experimenting with the human form in vast spaces, influenced by his trips to the Middle East, specifically the Egyptian desert. Unlike some of his contemporaries, such as the cubists, who experimented with more fragmented or distorted representations of the human form, Ozenfant approached figures with a sense of simplification and clarity that aligned with his Purist philosophy. His work is characterised by a unique blend of abstraction and a strong sense of order, with figures formed with geometric precision. His work Baigneuses Au Clair De Lune, 1929, exhibited by Léonce Rosenberg at Galerie de L'Effort Moderne, demonstrates his early interest in the lines and shapes of the human body, which he called 'Lines of Force' in his diary Journey through Life, 1939. The painting experiments with human figures in movement, relaxing, or bathing. During this time, we begin to see more texture to Ozenfant's work, such as Baigneuses au Promontoire, 1931, which uses a thick impasto application of paint to present the bodies in relief. Other figure paintings include Femme et Enfant, 1928, which sold at Sotheby's in 2015, and Le Sommeil, 1931, which sold at Christie's in 2016.Today, his works are held in multiple public collections across the globe, including the Guggenheim Museum in New York, the Louvre, Paris, The Tate Gallery in London and the National Gallery of Australia.
Dreweatts 1759 Fine Sales
Jun. 21, 2024
AMÉDÉE OZENFANT
Est: CHF20,000 - CHF30,000
AMÉDÉE OZENFANT (Saint–Quentin 1886–1966 Cannes) Le pont. 1959. Oil on canvas. Signed lower right: ozenfant. Entitled, inscribed and dated on stretcher verso: Pont 606 – 10F – 1959. 46 × 55 cm. Certificate: Pierre Guénégan, Paris, 24.10.2018 (No. 261/2018). Provenance: - Estate of Nadia Léger. - European private collection. - Sale Artcurial, Paris, 16.10.2018, Lot 196. - Private collection, Switzerland, acquired at the above auction. ------------------------------------------------- AMÉDÉE OZENFANT (Saint–Quentin 1886–1966 Cannes) Le pont. 1959. Öl auf Leinwand. Unten rechts signiert: ozenfant. Verso auf dem Keilrahmen betitelt, bezeichnet und datiert: Pont 606 – 10F – 1959. 46 × 55 cm. Gutachten: Pierre Guénégan, Paris, 24.10.2018 (Nr. 261/2018). Provenienz: - Nachlass Nadia Léger. - Europäische Privatsammlung. - Auktion Artcurial, Paris, 16.10.2018, Los 196. - Schweizer Privatbesitz, an obiger Auktion erworben.
Koller Auctions
Apr. 11, 2024
Amedee Ozenfant
Est: $10,000 - $15,000
(New York/French, 1886-1966) Ships at Port, 1947, signed lower right "Ozenfant ", inscribed verso canvas "KG/47", oil on canvas, 39-3/4 x 32-1/2 in.; black frame floated within a parcel gilt wood frame, overall 44 x 36-3/4 x 2-3/8 in. Provenance: M. Knoedler Gallery, New York; Private Collection, United Kingdom; Trinity House, London, No. 4832; Private Nashville Collection Note: Ozenfant and Le Courbusier were the main proponents of a movement they would call Purism. Between 1918 through 1925, they sought to influence art and architecture away from Cubism and the fractured interpretation of objects and to use simplified forms. Fernand Leger was another proponent of Purism. After this period Ozenfant toured and taught throughout the United States, In 1947, Ozenfant was a visiting summertime teacher at Black Mountain College, Black Mountain, North Carolina.
Brunk Auctions
Dec. 07, 2023
AMEDEE OZENFANT (1886-1966) Amour
Est: €10,000 - €15,000
AMEDEE OZENFANT (1886-1966) Amour signé et daté 'Ozenfant 31' (en bas à droite) huile sur panneau Peint en 1931 signed and dated 'Ozenfant 31' (en bas à droite) oil on panel Painted in 1931 60 x 27.2 cm. 23 5/8 x 10 11/16 in.
Bonhams
Dec. 07, 2023
AMEDEE OZENFANT (1886-1966) Whites ou Composition à la cruche et au verre
Est: €10,000 - €15,000
AMEDEE OZENFANT (1886-1966) Whites ou Composition à la cruche et au verre signé et daté 'Ozenfant 1942'(en bas à droite) huile sur panneau Peint en 1942 signed and dated 'Ozenfant 1942' (lower right) oil on panel Painted in 1942 32.2 x 42 cm. 12 11/16 x 16 9/16 in.
Bonhams
Dec. 06, 2023
Amédée OZENFANT 1886-1966 Le ciel aux yeux bleux, ou Paysage à l'arc en ciel - 1929 Huile sur panneau
Est: €5,000 - €7,000
Amédée OZENFANT 1886-1966 Le ciel aux yeux bleux, ou Paysage à l'arc en ciel - 1929 Huile sur panneau h: 65 w: 92,50 cm Provenance : Collection Léonce Rosenberg, Galerie l'Effort Moderne, Paris Collection Arthur Sambon, Paris Vente Paris, Hôtel Drouot, juin 1961 Vente Paris, Me Binoche, 18 décembre 1998, lot 167 A l'actuel propriétaire par cessions successives Expositions : Paris, Galerie Jeanne Castel, Ozenfant, mars-avril 1930 Bibliographie : P.Guénégan, Amédée Ozenfant, Catalogue raisonné de l'oeuvre peint, Paris, 2013, n°1929/038, reproduit en couleur p. 438 Commentaire : Oil on panel Estimation 5 000 - 7 000 €
Artcurial
Nov. 14, 2023
Nature morte puriste
Est: $30,000 - $40,000
Amédée Ozenfant 1886 - 1966 Nature morte puriste signed ozenfant and dated 1921-1922 (lower right) pastel and pencil on paper 11 ⅞ by 15 ⅛ in. 30 by 36 cm. Executed in 1921-22. This work will be registered in the supplement to the catalogue raisonné of works on paper and paintings, currently being prepared by Mr. Pierre Guénégan.
Sotheby's
Jun. 06, 2023
Amédée Ozenfant: "Le Futur"
Est: €7,000 - €9,000
OZENFANT, AMÉDÉE 1886 Saint-Quentin - 1966 Cannes Title: "Le Futur". Date: 1949/50. Technique: Oil on canvas. Measurement: 152 x 107cm. Notation: Signed lower left: Ozenfant. Once more dated and signed lower right: 1950/ozenfant. Additionally titled verso on stretcher and once more dated: Le futur 1949/50. Frame/Pedestal: Framed. Provenance: - Artist's estate - Gallery Katia Granoff, Paris - Collection Chantal & Guy Heytens, Belgium - Galerie David, Bielefeld (stamp) - Private collection North Rhine-Westphalia Exhibitions: - Cháteau-Musée, Cannes 1964 Literature: - Guénégan, Pierre/Guénégan, Margaret (eds.): Amédée Ozenfant: Catalogue raisonné de l'oeuvre peint, St. Alban 2012, cat. rais. no. 1950/004, ill. - Exhib-Cat. Amédée Ozenfant, Cháteau-Musée, Cannes 1964, cat. no. 22. Explanations to the Catalogue
Van Ham Kunstauktionen
May. 25, 2023
AMÉDÉE OZENFANT - MATERNITÉ
Est: $200 - $400
Lot 231 Amédée Ozenfant French (1886-1966) Maternité (c. 1929) lithograph inscribed ”Pour Ferdinand Fabre Amicalement” to lower margin signed lower right, editioned 37/115 sight: 23 1/4 x 18 1/4 inches frame dimensions: 31 1/4 x 26 1/4 x 1 1/2 inches, wood frame with glazing Provenance: From the Estate of Michael Sillerman William Weston Gallery, London, UK label affixed to verso
Capsule Gallery Auction
Dec. 01, 2022
AMEDEE OZENFANT (1886-1966) Nature morte puriste - Verrerie et Architecture 1922
Est: €30,000 - €50,000
AMEDEE OZENFANT (1886-1966) Nature morte puriste - Verrerie et Architecture 1922 signé et daté 1922 pastel et mine de graphite sur papier signed and dated 1922 pastel and graphite on paper 42.5 x 31.5 cm. 16 3/4 x 12 3/8in.
Bonhams
Nov. 19, 2022
AMÉDÉE OZENFANT (1886-1966) Guitare et architecture pastel on paper 17 x 12
Est: $120,000 - $180,000
AMÉDÉE OZENFANT (1886-1966) Guitare et architecture pastel on paper 17 x 12 1/8 in. (43.2 x 30.8 cm.)
Christie's
Oct. 21, 2021
Amédée Ozenfant (1886-1966) Nuage huile sur toile 46.5 x 61.5 cm.
Est: €5,000 - €7,000
Amédée Ozenfant (1886-1966) Nuage huile sur toile 46.5 x 61.5 cm.
Christie's
Jul. 31, 2021
Ozenfant, Amédée Maternity II. 1964. Lithographie …
Est: -
Ozenfant, Amédée Maternity II. 1964. Lithographie auf chamoisfarbenem Papier. 45 x 34,5 cm. Unter Passepartout punktuell montiert. - Wohlerhalten. Maternity II. Lithograph on buff paper. Mounted under passepartout in spots. - In good condition.
Jeschke Jádi Auctions Berlin GmbH
Jun. 28, 2021
Ozenfant, Amédée Maternity II. 1964. Lithographie auf chamoisfarb
Est: €300 - €360
RefMod22621 Ozenfant, Amédée Maternity II. 1964. Lithographie auf chamoisfarbenem Papier. 45 x 34,5 cm. Unter Passepartout punktuell montiert. - Wohlerhalten. Ozenfant, Amédée Maternity II. 1964. Lithographie auf chamoisfarbenem Papier. 45 x 34,5 cm. Unter Passepartout punktuell montiert. - Wohlerhalten. Maternity II. Lithograph on buff paper. Mounted under passepartout in spots. - In good condition. Online_Modern and Contemporary Art
Jeschke Jádi Auctions Berlin GmbH
May. 28, 2021
Amédèe J. Ozenfant (Saint-Quentin 1886 – Cannes 1966)
Est: €1,500 - €2,500
Untitled, 1942 Pencil on tissue paper applied on cardboard, 28.8 x 18.3 cm, on the back Label Exhibition "Biblioteca di segni. Drawings from a collection, Museo Morandi, Bologna 2004, slight stains Esp .: Biblioteca di segni. Drawings from a collection, Museo Morandi, Bologna 2004 Provenance: Private collection
Bozner Kunstauktionen
Mar. 30, 2021
§ AMEDEÉ OZENFANT (FRENCH 1886-1966)
Est: £800 - £1,200
Property from a London Collection AMEDEÉ OZENFANT (FRENCH 1886-1966) Etude pour 'Maternite' signed with initials OZ. (lower right) pencil 28 x 21.4 cm (11 x 8 3/8 in) Executed in 1941 PROVENANCE: The Piccadilly Gallery, London Galerie Eric Franck, Geneva LITERATURE: P. & M. Guénégan, Amédée Ozenfant, 1886-1966 : catalogue raisonné des oeuvres sur papier, St Alban, 2016, p. 293, no. 1941/OP-008, illustrated
Chiswick Auctions
Feb. 02, 2021
Amedee Ozenfant French/American, 1886-1966 Figures with Vessels, 1944
Est: $4,000 - $6,000
Amedee Ozenfant French/American, 1886-1966 Figures with Vessels, 1944 Signed Ozenfant and dated 1944 (lr) Graphite on paper 26 1/4 x 39 3/4 (66.7 x 101 cm) C
DOYLE Auctioneers & Appraisers
Sep. 16, 2020
Amedée Ozenfant (1886-1966): Esquise Puriste
Est: $1,000 - $1,500
Pencil on paper, 1922, signed 'Ozenfant' and dated lower right. 5 x 5 in. (sheet), 9 1/2 x 9 1/2 in. (frame). John Richardson: A Scholar Collects
STAIR
Sep. 16, 2020
Amedée Ozenfant (1886-1966): Daphne
Est: $800 - $1,200
Pencil on paper, signed 'Ozenfant' lower right, titled lower left. 3 1/8 x 10 3/4 in. (sheet), 5 1/2 x 13 1/4 in. (frame). John Richardson: A Scholar Collects
STAIR
Dec. 01, 2019
AMEDEE OZENFANT (1886-1966) Solo en gris, circa 1950 Huile sur toile. Signé
Est: - €20,000
AMEDEE OZENFANT (1886-1966) Solo en gris, circa 1950 Huile sur toile. Signée en bas à droite. Olieverf op doek. Gesigneerd rechtsonder. 61 x 73 cm
Cornette de Saint-Cyr-Bruxelles
Nov. 29, 2019
Amédée Ozenfant, Nature morte devant une fenêtre, 1922
Est: €40,000 - €60,000
Signed and dated 'ozenfant 1922' in opaque white lower left. With a photo-certificate (no. 253/2016) by Pierre Guénégan, Paris, dated 19 October 2016 Today, the present crayon drawing dating from 1922 from the first phase of Amédée Ozenfant's Purist output is one of the rare examples of his works from this period. Back then, he produced an experimental sequence of different new compositional variants in what was one of his preferred media. “Nature morte devant une fenêtre” is as such invaluable early testimony to Ozenfant's personal exploration of his own, changed formal artistic principles. Together with Charles-Edouard Jeanneret (Le Corbusier) he had in 1918 outlined in the treatise “Après le cubism” the development of a theory that he now put to the test in artistic images: By referring to an object the still life, a classic theme in western painting, now served in exemplary manner to demonstrate the rational concept of a geometricized, planimetric order within the pictorial surface. Ozenfant succeeds in grouping a few vessels in a flat, abstract pictorial space that seems somehow to reflect a traditional pattern of a picture detail (table, wall and window). They are only defined as objects due to their contour lines. The strictly planar composition and the reduced colours neutralize any illusion of corporeality and interconnect the individual forms. In the process, thanks to the medium of coloured chalk and by means of gently tempered transparent transitions the abstract pictorial elements meld inseparably into a new and balanced planar pictorial figure. The graduated and carefully distributed colour tones, the carefully positioned asymmetry and the ornamental appeal of the slender flat flutes such as glasses have intensify the allure and vibrancy of this otherwise hermetically self-contained composition. RefMod191119
Kunsthaus Lempertz KG
Jun. 08, 2019
Amedée Ozenfant (1886-1966): Roses
Est: $10,000 - $15,000
Watercolor and gouache on paper, 1913, signed 'Ozenfant' and dated lower right, signed 'Amedee Ozenfant', dated and inscribed '...un veillet de deux roses...' upper right, inscribed 'Un veillet de 2 roses sur une pentelle ...Espagne 1913' on the reverse.24 x 18 1/2 in. (sheet), 27 3/4 x 22 1/2 in. (frame).
STAIR
May. 15, 2019
AMÉDÉE OZENFANT | Nature morte—verres et bouteilles
Est: $70,000 - $90,000
Pastel and pencil on paper
Sotheby's
May. 15, 2019
AMÉDÉE OZENFANT | Nature morte puriste—Verrerie
Est: $35,000 - $45,000
Pastel, chalk and pencil on paper
Sotheby's
Mar. 28, 2019
AMÉDÉE OZENFANT | Jeux de mains
Est: €3,000 - €5,000
pencil and charcoal on paper
Sotheby's
Feb. 27, 2019
AMÉDÉE OZENFANT | Baigneuses au promontoire
Est: £15,000 - £20,000
oil on canvas
Sotheby's
Feb. 27, 2019
AMÉDÉE OZENFANT | Orage sur la mer
Est: £15,000 - £20,000
oil on canvas
Sotheby's
Feb. 27, 2019
AMÉDÉE OZENFANT | Nature morte aux carafes, aux pichets et à la guitare
Est: £80,000 - £120,000
gouache on paper
Sotheby's
Feb. 27, 2019
AMÉDÉE OZENFANT | Nature morte puriste
Est: £45,000 - £65,000
pastel and pencil on paper
Sotheby's
Feb. 27, 2019
AMÉDÉE OZENFANT | Composition aux personnages
Est: £20,000 - £30,000
oil on canvas
Sotheby's
Nov. 13, 2018
AMÉDÉE OZENFANT, (FRENCH, 1886-1966), "NATURE MORTE - LE PICHET BLANC"
Est: $25,000 - $40,000
AMÉDÉE OZENFANT (french, 1886-1966) "NATURE MORTE - LE PICHET BLANC" Signed bottom right, pastel and gouache on paper. Executed in 1921. overall (approx.): 13 3/8 x 12 in. (34 x 30.5cm) provenance: The Artist. Galerie Percier, Paris, France (acquired directly from the above in 1928). Private Collection Bérès, Cannes, France. Galerie Mazarine, Paris, France (acquired directly from the above in 1974). Private Collection, France. note: We wish to thank Mr. Pierre Guéneguan for confirming the authenticity of this work, which will also be included in the forthcoming supplement to the Ozenfant catalogue raisonné. A certificate of authenticity may be purchased directly from Mr. Guéneguan by the successful bidder. A contemporary of Picasso, Matisse, Léger and Lipchitz in pre-war Paris, artist, writer and theorist Amédée Ozenfant is perhaps best known as a founding father of the Purist art movement, which he created along with Swiss architect Charles-Edouard Jeanneret ("Le Corbusier"). The two artists first met in the French capital in 1917 and together developed the doctrines of Purism, which they articulated in their 1918 treatise Après le Cubisme and continued in the periodical L'Esprit Nouveau between the years 1920-1925. Perhaps in response to the chaotic social and political climate following WWI, the painter and the architect rejected the unstructured spontaneity and ornamental style of the dominant Cubist movement. Instead, they sought a purer art form, one that was rooted in the industry and technology of the current age, yet universal and timeless such that it could transcend its era. Governed by the laws of science, this "modern classicism" approached the construction of pure beauty through mathematical order and logic, rigor and coherence. Inspired by the techniques of industrial design, they called for carefully balanced compositions of controlled geometric forms and flat, juxtaposed planes of simple colors. As products of the machine age, the ideal subjects of their paintings were common utilitarian items such as glasses, bottles and instruments, which Ozenfant and Le Corbusier believed to be the perfect "object prototypes" due to their timeless and permanent nature. Composed of such timeless objects and other precisely rendered geometric forms, the present work perfectly encapsulates this Purist ethos. With its harmonious and rational arrangement, "Nature Morte - Le Pichet Blanc" is a static expression of stability, a poetic celebration of an industrial civilization.
Freeman's | Hindman
Nov. 13, 2018
AMÉDÉE OZENFANT | Pêcheuse de lune
Est: $15,000 - $20,000
Oil on panel
Sotheby's
Nov. 13, 2018
AMÉDÉE OZENFANT | Nature morte puriste
Est: $70,000 - $90,000
Pastel on paper
Sotheby's
Oct. 19, 2018
AMÉDÉE OZENFANT | Whites ou Composition à la cruche et au verre
Est: €30,000 - €50,000
oil on panel
Sotheby's
Oct. 16, 2018
Amédée OZENFANT 1886-1966 Le pont - 1959 Huile sur toile
Est: €8,000 - €10,000
Amédée OZENFANT 1886-1966 Le pont - 1959 Huile sur toile Signée en bas à droite "ozenfant" h: 46 w: 55 cm Provenance : Succession Nadia Léger Collection particulière européenne A l'actuel propriétaire par descendance Bibliographie : Cette oeuvre sera répertoriée et reproduite dans le catalogue raisonné des oeuvres d'Amédée Ozenfant actuellement en préparation par Monsieur Pierre Guénégan. Commentaire : Un certificat à la charge de l'acquéreur pourra être délivré par Monsieur Pierre Guénégan. Oil on canvas; signed lower right Estimation 8 000 - 10 000 €
Artcurial
Jun. 05, 2018
¤ Amédée OZENFANT 1886 - 1966 La tornade au coucher du soleil - Circa 1966 Huile sur toile
Est: €8,000 - €12,000
¤ Amédée OZENFANT 1886 - 1966 La tornade au coucher du soleil - Circa 1966 Huile sur toile Signée en bas à droite "ozenfant", titrée au dos sur le châssis "La tornade au coucher du soleil" h: 100 w: 80 cm Provenance : Galerie Katia Granoff, Cannes A l'actuel popriétaire par cessions successives Bibliographie : Cette oeuvre sera répertoriée et reproduite dans le catalogue raisonné des oeuvres d'Amédée Ozenfant actuellement en préparation par Monsieur Pierre Guénégan. Commentaire : Un certificat à la charge de l'acquéreur pourra être délivré par Monsieur Pierre Guénégan. Oil on canvas; signed lower right; titled on the reverse on the stretcher Estimation 8 000 - 12 000 €
Artcurial
Jun. 02, 2018
AMÉDÉE OZENFANT (1886-1966): NATURE MORTE
Est: $10,000 - $20,000
AMÉDÉE OZENFANT (1886-1966): NATURE MORTE Oil on canvas, c. 1925, signed 'Ozenfant' lower right. 31 1/2 x 25 in., 33 1/2 x 27 in. (frame). Provenance: Collection of Elisabeth Grinnel, NY; Private Collection. Literature: Amédée Ozenfant catalogue raisonné des oeuvres paint, no. 1925/007. Exhibited: San Francisco Museum of Art, 1940; M. Knoedler & Co., NY, April 5-28, 1973. Note: French artist, writer and teacher Amédée Ozenfant is best known as the co-author with Le Corbusier of the manifesto Après le Cubism written in 1918, and the founding of the art movement Purism as a reaction to Cubism. Ozenfant and Le Corbusier also collaborated on the publication of the journal L'Esprit Nouveau, the book La peinture moderne (1925), and as art advisors and agents to Raoul la Roche, the Paris-based Swiss collector of Cubist and Purist art. Ozenfant's own work pursued the tenets of the Purist philosophy. His social and creative circle was wide, including Fernand Leger, Max Jacob and Guillaume Apollinaire, with whom he founded the magazine L'Elan. Ozenfant taught extensively in Paris, London and New York, his students included Marie Laurencin, Leonora Carrington and his friend Le Corbusier.
STAIR
May. 15, 2018
AMÉDÉE OZENFANT | Nature morte puriste
Est: $80,000 - $120,000
Chalk, pastel and pencil on paper
Sotheby's
Apr. 07, 2018
Amedee Ozenfant 1947 painting Ships at Port
Est: $14,000 - $18,000
Ozenfant, Amedee (French, 1886-1966), Ships at Port, 1947, oil on canvas, 39.5 x 32 inches, signed lower right, KG47 inscribed on canvas reverse, Provenance: M. Knoedler Gallery, New York
Concept Art Gallery
Mar. 21, 2018
Amédée OZENFANT (1886-1966) - Composition aux bouteilles / Etudes
Est: €3,000 - €4,000
Amédée OZENFANT (1886-1966) Composition aux bouteilles / Etudes de nus Ensemble de cinq dessins au crayon et crayons de couleurs collés sur un feuille de papier à l’adresse de Amédée Ozenfant 53 avenue Reille à Paris 6 x 10,5 cm/4,5 x 3,5 cm/ 10,5 x 17 cm /6,5 x 4 cm/ 5,5 x 16 cm Signés ou monogrammés Ozenfant et OZ et datés 19, 30 et 36
Millon & Associes
Feb. 28, 2018
Ame´de´e Ozenfant (1886-1966) - Nature morte puriste aux deux verres
Est: £40,000 - £60,000
Ame´de´e Ozenfant (1886-1966) Nature morte puriste aux deux verres pastel, chalk and pencil on paper 15 1/2 x 12 in. (39.4 x 30.8 cm.)
Christie's
Feb. 28, 2018
Amédée Ozenfant (1886-1966) - Nature morte (aux bouteilles, verres et guitare)
Est: £40,000 - £60,000
Amédée Ozenfant (1886-1966) Nature morte (aux bouteilles, verres et guitare) coloured chalk and pastel on paper 14 x 10 1/4 in. (35.5 x 25.9 cm.)
Christie's
Nov. 15, 2017
AMÉDÉE OZENFANT | Fugue, guitare et architecture
Est: $100,000 - $150,000
Pastel and pencil on paper
Sotheby's
Nov. 14, 2017
Amédée Ozenfant (1886-1966) - Nature morte géométrique à la bouteille
Est: $60,000 - $80,000
Amédée Ozenfant (1886-1966) Nature morte géométrique à la bouteille gouache and watercolor on paper 15 ¾ x 12 5/8 in. (40.3 x 32 cm.)
Christie's
Oct. 31, 2017
¤ Amédée OZENFANT 1886 - 1966 La tornade au coucher du soleil, circa 1966 Huile sur toile
Est: €12,000 - €18,000
¤ Amédée OZENFANT 1886 - 1966 La tornade au coucher du soleil, circa 1966 Huile sur toile Signée en bas à droite "ozenfant", titrée au dos sur le châssis "La tornade au coucher du soleil" h: 100 w: 80 cm Provenance : Galerie Katia Granoff, Cannes Bibliographie : Cette oeuvre sera répertoriée et reproduite dans le catalogue raisonné des oeuvres sur papier d'Amédée Ozenfant actuellement en préparation par Monsieur Pierre Guénégan. Commentaire : Un certificat à la charge de l'acquéreur pourra être délivré par Monsieur Pierre Guénégan. Oil on canvas; signed lower right; titled on the reverse on the stretcher Estimation 12 000 - 18 000 €
Artcurial
Oct. 21, 2017
AMÉDÉE OZENFANT | Nature morte, tabagie
Est: €20,000 - €30,000
oil on canvas
Sotheby's