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Josef Osser Art for Sale and Sold Prices

b. 1908 - d. 1988

Josef (Joe) Osser was born in Alpen am Niederrhein, Germany. He studied art at the Düsseldorf Academy, and emigrated to South Africa in 1936. He became a member of the South African Association of Arts, held several solo exhibitions and participated in numerous group exhibitions from 1952 onwards. Osser was co-founder and chairman of the Studio Club, which later formed the nucleus of the Cape Town Art Centre in Green Point, where he lectured from 1963 to 1983.

In ‘Still life with jug and fruit’, Osser has carefully selected and mixed tones of fresh green to create a calm atmosphere, balanced by dabs of complimentary reddish browns. The linear abstracted forms of the fruit and jug create a composition of angular planes in the interior setting, while two vertical lines divide the elongated painting into a triptych of ‘windows’, collapsing the perspective in true cubist fashion. By applying different techniques, alternating his mark-making between brush and palette knife, Osser has created a work that is texturally rich and visually interesting. The artist has scratched into the layered paint to outline the objects and reveal the negative spaces, in some instances exposing the original board. These incised marks and cross-hatched areas bring a shimmering vitality to the otherwise dull and limited palette, adding life and movement to the composition.

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About Josef Osser

b. 1908 - d. 1988

Biography

Josef (Joe) Osser was born in Alpen am Niederrhein, Germany. He studied art at the Düsseldorf Academy, and emigrated to South Africa in 1936. He became a member of the South African Association of Arts, held several solo exhibitions and participated in numerous group exhibitions from 1952 onwards. Osser was co-founder and chairman of the Studio Club, which later formed the nucleus of the Cape Town Art Centre in Green Point, where he lectured from 1963 to 1983.

In ‘Still life with jug and fruit’, Osser has carefully selected and mixed tones of fresh green to create a calm atmosphere, balanced by dabs of complimentary reddish browns. The linear abstracted forms of the fruit and jug create a composition of angular planes in the interior setting, while two vertical lines divide the elongated painting into a triptych of ‘windows’, collapsing the perspective in true cubist fashion. By applying different techniques, alternating his mark-making between brush and palette knife, Osser has created a work that is texturally rich and visually interesting. The artist has scratched into the layered paint to outline the objects and reveal the negative spaces, in some instances exposing the original board. These incised marks and cross-hatched areas bring a shimmering vitality to the otherwise dull and limited palette, adding life and movement to the composition.