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Lyndal Osborne Art for Sale and Sold Prices

Lyndal Osborne was born in Newcastle, Australia. She studied at the National Art School in Sydney and received her MFA from the University of Wisconsin, Madison, USA. Since 1971, Osborne has been based in Edmonton, and is a Professor Emeritus in Department of Art and Design, University of Alberta. Osborne has been exhibiting in Canada and internationally since the early 1970s and has shown in over 350 exhibitions. Her installation work speaks of the forces of transformation within nature, as well as commenting upon pressing issues relating to the environment. In her recent work Osborne has focused on an examination of the issues of genetically modified organisms for subject matter. Her work is represented in numerous Canadian collections, including the National Gallery of Canada and the Art Gallery of Alberta. Recent exhibitions include Dunlop Gallery, Regina, 2010, Penticton Art Gallery, 2009, Robert McLaughlin Gallery, Oshawa, 2008 and Canadian Clay and Glass Museum, Kitchener, 2008.


I feel like an archeologist seeking and retrieving discarded fragments of the urban environment and the dried out remains of natures' seasons. All have gone through their prime of life and now remain as relics of past glories. The objects are then recreated by me as a direct response to my encounters in nature in the role of observer and participant. I am expressing in my work images which are about timelessness and regeneration. In one sense it is a form of purification, but it is also a way to understand death and to celebrate life through our need to define and humanise our existence on this planet.

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About Lyndal Osborne

Biography

Lyndal Osborne was born in Newcastle, Australia. She studied at the National Art School in Sydney and received her MFA from the University of Wisconsin, Madison, USA. Since 1971, Osborne has been based in Edmonton, and is a Professor Emeritus in Department of Art and Design, University of Alberta. Osborne has been exhibiting in Canada and internationally since the early 1970s and has shown in over 350 exhibitions. Her installation work speaks of the forces of transformation within nature, as well as commenting upon pressing issues relating to the environment. In her recent work Osborne has focused on an examination of the issues of genetically modified organisms for subject matter. Her work is represented in numerous Canadian collections, including the National Gallery of Canada and the Art Gallery of Alberta. Recent exhibitions include Dunlop Gallery, Regina, 2010, Penticton Art Gallery, 2009, Robert McLaughlin Gallery, Oshawa, 2008 and Canadian Clay and Glass Museum, Kitchener, 2008.


I feel like an archeologist seeking and retrieving discarded fragments of the urban environment and the dried out remains of natures' seasons. All have gone through their prime of life and now remain as relics of past glories. The objects are then recreated by me as a direct response to my encounters in nature in the role of observer and participant. I am expressing in my work images which are about timelessness and regeneration. In one sense it is a form of purification, but it is also a way to understand death and to celebrate life through our need to define and humanise our existence on this planet.