Emily Mary Osborn Sold at Auction Prices

Portrait painter, Genre Painter, b. 1834 - d. 1893

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    • Emily Mary Osborne (British, b. 1834, fl. 1851-1908)
      Sep. 13, 2015

      Emily Mary Osborne (British, b. 1834, fl. 1851-1908)

      Est: $300 - $500

      Emily Mary Osborne (British, b. 1834, fl. 1851-1908), "Country Lovers", 1887, oil on canvas, signed and dated lower left, 17 1/4 in. x 13 3/4 in., framed. Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR

      Neal Auction Company
    • Emily Mary Osborn
      Dec. 10, 2014

      Emily Mary Osborn

      Est: £10,000 - £15,000

      Emily Mary Osborn

      Sotheby's
    • Emily Mary Osborn
      Mar. 23, 2013

      Emily Mary Osborn

      Est: $2,000 - $4,000

      Emily Mary Osborn (British, 1834-1893) THE STORY oil on canvas, framed, signed lower right H20" W16" Provenance: Old Masters Gallery, United Kingdom

      Charlton Hall
    • ATTRIB TO EMILY MARY OSBORN (1834- ?), Mother and
      Dec. 08, 2010

      ATTRIB TO EMILY MARY OSBORN (1834- ?), Mother and

      Est: £400 - £600

      ATTRIB TO EMILY MARY OSBORN (1834- ?), Mother and Child Reading, oil on canvas, signed, 20" x 16", gilt frame

      Hartleys Auctioneers and Valuers
    • Emily Mary Osborn , 1828-1925 nameless and friendless, the rich man's wealth is his strong city oil on canvas
      Nov. 19, 2008

      Emily Mary Osborn , 1828-1925 nameless and friendless, the rich man's wealth is his strong city oil on canvas

      Est: £300,000 - £500,000

      oil on canvas

      Sotheby's
    • Emily Mary Osborn , 1828-1925 home thoughts oil on canvas, arched top
      Nov. 19, 2008

      Emily Mary Osborn , 1828-1925 home thoughts oil on canvas, arched top

      Est: £50,000 - £70,000

      signed l.r.: E. Osborn ; inscribed and signed on an old label attached to the stretcher: Home Thoughts-/ One heart heavy, one heart light; half in day and half in night/ This globe forever goes/ One wave dark, another bright/ So life's river flows./ and who among us knows/ Why in this stream, that cannot stop,/ The sun is on one waterdrop/ The shadow on another?/ E. Osborn/ 30 Upper Gower Street oil on canvas, arched top

      Sotheby's
    • EMILY MARY OSBORN B. 1834
      Dec. 14, 2006

      EMILY MARY OSBORN B. 1834

      Est: £4,000 - £6,000

      VIEW OF AN ESTUARY AT DUSK 36 by 86.5cm.; 14 by 34in. signed l.l.: EM Osborn oil on canvas

      Sotheby's
    • Emily Mary Osborn (British, 1834-1908)
      Apr. 19, 2006

      Emily Mary Osborn (British, 1834-1908)

      Est: $10,000 - $15,000

      When the Weary are at Rest signed with monogram (lower right) oil on canvas 12 x 10 in. (30.5 x 25.4 cm.)

      Christie's
    • Emily Mary Osborn (BRITISH, 1834- Ca. 1908)
      Apr. 04, 2006

      Emily Mary Osborn (BRITISH, 1834- Ca. 1908)

      Est: $6,000 - $8,000

      Sailing barges in an estuary signed 'E M Osborn' (lower right) oil on canvas 10 x 18 in. (25.4 x 45.7 cm.)

      Christie's
    • Emily Mary Osborn (BRITISH, 1834- Ca. 1908)
      Apr. 04, 2006

      Emily Mary Osborn (BRITISH, 1834- Ca. 1908)

      Est: $2,500 - $3,500

      Head of a boy, turned to the left and looking up signed 'EM Osborn' (lower left) red chalk on paper 11 x 9 in. (27.9 x 22.9 cm.)

      Christie's
    • [LAMB, Charles (1775-1834)]. The New Year's Feast on His Coming of Age. London: J. Harris
      Mar. 03, 2004

      [LAMB, Charles (1775-1834)]. The New Year's Feast on His Coming of Age. London: J. Harris

      Est: £1,000 - £1,500

      [LAMB, Charles (1775-1834)]. The New Year's Feast on His Coming of Age. London: J. Harris and Son, 1824. 8° (176 x 101mm). 6 hand-coloured engraved plates. One-leaf advertisement for Harris's Cabinet of Amusement at end. (Some marginal spotting.) Late 19th-century red morocco gilt, original printed boards bound in. Provenance: John Gribble, sold Parke-Bernet, New York, 8 May 1945, lot 307 for $130 (£32 10s). The New Year's Feast is a 'versification' of Charles Lamb's 'Rejoicings upon the New Year's Coming of Age' which had first appeared in the London Magazine in January, 1823. According to the short preface, 'The writer thought it might be rendered both amusing and instructive to the young, if cast in a poetic form... the illustrative Notes are taken chiefly from "Clavis Calendaria" by Brady, and are designed to assist the juvenile capacity in understanding the allusions in the poem.' The Osborne copy lacks the original covers which are preserved here. Osborne II, p. 653; not in Thomson.

      Christie's
    • Emily Mary Osborn (1834 - after 1913)
      Feb. 19, 2003

      Emily Mary Osborn (1834 - after 1913)

      Est: $6,360 - $9,540

      Going Home, a study for 'Home Thoughts' (recto); and two studies (verso) oil on board 11 x 15 in. (28 x 38.1 cm.) PROVENANCE with The Maas Gallery, London, from whom acquired by the present owner in 1984. EXHIBITION The Painter was a Lady, 1986-7, no. 23. Ladies of the Brush, 1994-5, no. 25. The Heatherley School of Fine Art: 150th Anniversary Exhibition, 1996, no. 57. NOTES This is a study for Osborn's picture Home Thoughts, exhibited at the Royal Academy in 1856, no. 519, with the accompanying verses: One heart heavy, one heart light Half in day and half in night This globe forever goes One wave dark, another bright So life's river flows And who among us knows. Why in this stream, which cannot stop, The sun is on one waterdrop, The shadow on another. The setting is the parlour of a girl's boarding school at the beginning of the Christmas holidays. The fortunate child, whose mother has come to collect her is contrasted with an orphan wearing black, contemplative in the window seat, for whom there will be no family to return to over the holidays. In the finished version, she is left to the mercy of the schoolmistress to the right whose features hint that she is neither loving nor loveable. Readers of Jane Eyre, Charlotte Bront‰'s novel, would have sympathised with her plight. The finished version, and Osborn's most famous picture, Nameless and Friendless, currently on loan to the National Gallery, London, are in the collection of the late Sir David Scott, and were exhibited at the National Galleries of Scotland, Edinburgh, 1991, nos. 12 and 13. Osborn was one of the most distinguished women artists of the Victorian era, and two of her works were purchased by Queen Victoria. She exhibited at both the Royal Academy and the Grosvenor Gallery, and later at the New Gallery. The sketches on the reverse have yet to be identified.

      Christie's
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