Orlan Paintings & Artwork for Sale | Orlan Art Value Price Guide

Nov. 08, 2024
Orlan, Self-hybridation, Cibachrome-Abzug, signiert
Est: €150 - €200
Orlan, Self-hybridation, Cibachrome-Abzug, signiert Orlan, *1947 Saint-Étienne, französische Künstlerin und eine wichtige Vertreterin von Body-Art und Performance-Kunst und Begründerin der sogenannten Carnal Art. Sie lebt und arbeitet in Los Angeles, New York und Paris. Hier: Self-hybdridation, Cibachrome auf Hochglanz-Fotopapier, 61 x 51 cm, verso signiert, datiert 55/100, unter P.p., o. Rahmen Zur Künstlerin: Mireille Porte, bekannt als Orlan, ein Pseudonym, das sie in Großbuchstaben „ORLAN“ schreibt, ist eine französische transmediale bildende Künstlerin und Feministin, sie arbeitet in den Medien Malerei, Bildhauerei, Fotografie und Video und kreiert Installationen und Performances. Sie nutzt auch digitale Medien, Robotik, künstliche Intelligenz und Biotechnologie. Sie ist Begründerin der sogenannten Carnal-Art (Fleisch-Kunst). Sie selbst beschreibt ihre Methode als neue Form der Selbstporträts, umgesetzt mit Technologien der Gegenwart. Orlan, Self-hybridation, Cibachrome print, signed Orlan, *1947 Saint-Étienne, French artist and an important representative of body art and performance art and founder of so-called Carnal Art. She lives and works in Los Angeles, New York and Paris. Here: Self-hybdridation, Cibachrome on glossy photographic paper, 61 x 51 cm, signed on verso, dated 55/100, under P.p., without frame About the artist: Mireille Porte, known as Orlan, a pseudonym she writes in capital letters "ORLAN", is a French transmedia visual artist and feminist, she works in the media of painting, sculpture, photography and video and creates installations and performances. She also uses digital media, robotics, artificial intelligence and biotechnology. She is the founder of so-called Carnal Art (meat art). She herself describes her method as a new form of self-portraiture, realised with contemporary technologies.
K&K – Auktionen in Heidelberg
Jul. 29, 2024
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photograph. Specimen 2/7. Dampness and damage to the frame. Signed, justified, and titled on the back.
Est: €1,800 - €2,000
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photograph. Specimen 2/7. Dampness and damage to the frame. Signed, justified, and titled on the back. Measurements: 100 x 100 cm; 104 x 104 cm (frame). In this photograph, Orlan continues to question the social and cultural pressures exerted on the body and its representation in the media. Orlan has created a new image in this work, literally combining pre-Columbian and African icons with his own image; the resulting hybridizations create a complex narrative that blurs distinctions between time and place, real and unreal. He has created a new image to produce new images: Self-Hybridizations. The work contains evidence of past tribal rites and rituals associated with beautification that, along with her own modifications through plastic surgery, argue over salient issues in recent history such as collective identity, tragedy and exclusivity. The self-hybridizations also act as portraits of a potential future humanity, in which interbreeding between humans of diverse backgrounds gives rise to new bodies, with nomadic and mutant identities. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow-motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of Baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation Baroque costumes and drew inspiration from Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself with black corrugated vinyl and white faux leather. Color photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictional hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor to the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Georges Pompidou Center in Paris and the Sandra Gehring Gallery in New York. ORLAN's goal in these surgeries is to acquire the ideal of feminine beauty as depicted by male artists. When it is compl It presents humidity and damages in the frame.
Setdart Auction House
Jul. 12, 2024
Orlan, "Refugation - Selfhybridation", 6 signierte Cibachrome von 1997
Est: €900 - €1,000
Orlan, "Refugation - Selfhybridation", 6 signierte Cibachrome von 1997 Orlan, *1947 Saint-Étienne, französische Künstlerin und eine wichtige Vertreterin von Body-Art und Performance-Kunst und Begründerin der sogenannten Carnal Art. Sie lebt und arbeitet in Los Angeles, New York und Paris. Hier: "Refugation - Selfhybridation", 6 Cibachrome-Abzüge, No 1, 3, 4, 9, 17, 28, je 40 x 26,2 cm, je verso signiert, o. Rahmen Zur Künstlerin: Mireille Porte, bekannt als Orlan, ein Pseudonym, das sie in Großbuchstaben „ORLAN“ schreibt, ist eine französische transmediale bildende Künstlerin und Feministin, sie arbeitet in den Medien Malerei, Bildhauerei, Fotografie und Video und kreiert Installationen und Performances. Sie nutzt auch digitale Medien, Robotik, künstliche Intelligenz und Biotechnologie.
K&K – Auktionen in Heidelberg
Jun. 27, 2024
Orlan (1947) - Untitled
Est: €60 - €80
cardboard multiple published for the exhibition "Orlan" , curated by Francesca Alfano Miglietti and held at Galleria Tomaso Renoldi Bracco, Milan, May,05 - June, 20 2005 cm 30 x 30 Edition not numbered From a series of 100
Finarte
Aug. 29, 2023
ORLAN (*1947), CONTEMPORARY FRENCH A
Est: -
Orlan (*1947), contemporary French artist, representative of body art and performance art. Complete set of 6 Cibachrome prints ''Self-hybridations précolombiennes''. Each signed on verso and typographically inscribed, 40 x 26.5 cm.
Historia Auctionata
Apr. 21, 2023
Orlan, born 1947, is a French artist and important
Est: €200 - €400
Orlan, born 1947, is a French artist and important representative of body art and performance art. She herself describes her method as a new form of self-portrait, implemented with today's technologies, Here: Photography: Cibachrome on glossy photo paper,signed on the reverse, num. 55/100, sheet approx. 61x50.5 cm, frame approx. 83x63cm . German Description: Orlan, geb. 1947, ist eine französische Künstlerin und wichtige Vertreterin des Body-art und Perfomance-Kunst. Sie selbst beschreibt ihre Methode als neue Form des Selbstporträts, umgesetzt mit Technologien der Gegenwart, Hier: Fotografie: Cibachrome auf Hochglanz-Fotopapier, verso handsign., num. 55/100, Blatt ca. 61x50,5 cm, R. ca. 83x63cm
Henry's Auktionshaus
Mar. 17, 2023
Orlan, born 1947 6 photographs, Cibachrome print on
Est: €400 - €800
Orlan, born 1947 6 photographs, Cibachrome print on thick PE paper, each signed by hand on the reverse, title: Refiguration, from 1997, sheet size. each 40 x 26.2 cm, Orlan is a French artist and representative of body artand performance art, she describes her art as a new form of self-portraits, she lives and works in New York and Paris . German Description: Orlan, geb. 1947 6 Fotografien, Cibachrome-Abzug auf dickem PE-Papier, rückseitig jeweils handsigniert, Titel: Refiguration, aus 1997, Blattgr. je 40 x 26.2 cm, Orlan ist eine französische Künstlerin und Vertreterin der Body-Art und Perfomance-Kunst, sie selbst beschreibt ihre Kunst als neue Form der Selbstporträts, sie lebt und arbeitet in New York und Paris
Henry's Auktionshaus
Jan. 24, 2023
Orlan (b. 1947), contemporary Frenc
Est: -
Orlan (b. 1947), contemporary French artist, representative of body art and performance art. Complete set of 6 Cibachrome prints ''Self-hybridations précolombiennes''. Each verso handsigned u. typogr. inscribed, 40 x 26.5 cm.
Historia Auctionata
Nov. 19, 2022
Orlan (*1947) "Refiguration - Selfhybridation no 4" 1997/1999, Fotografie (Cibachrome), Griffelkunst, verso sign./bez., 40x26,2cm
Est: -
Orlan (*1947) "Refiguration - Selfhybridation no 4" 1997/1999, Fotografie (Cibachrome), Griffelkunst, verso sign./bez., 40x26,2cm Orlan (*1947) "Refiguration - Selfhybridation no 4" 1997/1999, photograph (Cibachrome), Griffelkunst, verso sign./inscr., 40x26,2cm
Kendzia
Nov. 15, 2022
ORLAN (Saint-Étienne, France, 1947). Disfiguration-Refiguration, Precolumbian Self-Hybridization No. 12", 1999. Photography. Issue 2/7. Presents moisture and damage to the frame. Signed and titled on the back.
Est: €2,000 - €2,500
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photograph. Copy 2/7. Dampness and damage to the frame. Signed, justified and titled on the back. Size: 100 x 100 cm; 104 x 104 cm (frame). In this photograph, Orlan continues to question the social and cultural pressures exerted on the body and its representation in the media. Orlan has created a new image in this work, literally combining pre-Columbian and African icons with his own image; the resulting hybridisations create a complex narrative that blurs distinctions between time and place, real and unreal. He has created a new image to produce new images: Self-Hybridizations. The work contains evidence of past tribal rites and rituals associated with beautification which, together with the artist's own modifications through plastic surgery, argue over salient issues in recent history such as collective identity, tragedy and exclusivity. The self-hybridations also act as portraits of a potential future humanity, in which interbreeding between humans of diverse origins gives rise to new bodies, with nomadic and mutant identities. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow-motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation baroque costumes and was inspired by Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself in black corrugated vinyl and white faux leather. Colour photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictitious hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor of the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Centre Georges Pompidou in Paris and the Sandra Gehring Gallery in New York. ORLAN's aim in these surgeries is to acquire the ideal of feminine beauty as depicted by male artists. When it is completed
Setdart Auction House
Nov. 07, 2022
Orlan (*1947), contemporary F
Est: -
Orlan (*1947), contemporary French artist, representative of body art and performance art. Complete set of 6 Cibachrome prints ''Self-hybridations précolombiennes''. Each signed and typographically inscribed on verso, 40 x 26.5 cm.
Historia Auctionata
Apr. 28, 2022
Orlan (1947) - Self-Hybridation prècolombienne n. 6, 1998
Est: €250 - €350
Cibachrome vintage print on aluminium Studio Lattuada didactic label and credit stamp on the verso of the frame Framed This lot is subject to Artists Resale Rights
Finarte
Apr. 22, 2022
Orlan born 1947 St. Etienne France, photography:
Est: €400 - €800
Orlan born 1947 St. Etienne France, photography: Cibachrome (C-Print) on high gloss, photo paper, signed on the back and numbered 44/100, 61 x 50.5 cm, under glass, frame . German Description: Orlan geb. 1947 St. Etienne Frankreich, Fotografie: Cibachrome ( C-Print) auf Hochglanz, Fotopapier, rückseitig handsigniert und nummeriert 44/100, 61 x 50.5 cm, unter Glas, Rahmen
Henry's Auktionshaus
Apr. 22, 2022
Orlan born 1947 St. Etienne France, photography:
Est: €400 - €800
Orlan born 1947 St. Etienne France, photography: Cibachrome (C-Print) on high gloss, photographic paper, signed on the back and numbered 44/100, 61 x 50.5 cm, under glass, frame approx. 83 x 63 cm . German Description: Orlan geb. 1947 St. Etienne Frankreich, Fotografie: Cibachrome ( C-Print) auf Hochglanz, Fotopapier, rückseitig handsigniert und nummeriert 44/100, 61 x 50.5 cm, unter Glas, Rahmen ca. 83 x 63 cm
Henry's Auktionshaus
Mar. 17, 2022
Orlan (1947) - Parodie make-up aux miroir, 1997
Est: €4,000 - €6,000
Light box Edition 1 of 8 Lattuada Studio label signed in black marker and Lattuada Studio stamp on the verso This lot is subject to Artists Resale Rights
Finarte
Feb. 15, 2022
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Pre-Columbian Self-hybridizations, No. 21", 1999. Photography. Issue 3/7. Work reproduced on the artist's website. Signed, dated, justified and titled on the back.
Est: €2,000 - €2,500
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Pre-Columbian Self-hybridizations, No. 21, 1999. Photograph. Copy 3/7. Work reproduced on the artist's website. With a bump on the frame. Signed, dated, justified and titled on the back. Size: 90 x 57 cm; 125 x 94 cm (frame). Orlan is known for intervening her own body, carrying out different aesthetic operations on herself. In this particular case, the piece preserves this idea of body modification and manipulation, however, in this work, the artist goes a step further. She not only questions her own identity, but also appropriates another culture. To do so, she makes use of an iconography associated with different pre-Columbian vestiges, such as the necklace, the shape of the hairstyle, the facial tattoos, and even the physiognomy of the nose, which is reminiscent of some profiles found in Aztec reliefs. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation baroque costumes and was inspired by Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself in black corrugated vinyl and white faux leather. Colour photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictitious hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor of the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Centre Georges Pompidou in Paris and the Sandra Gehring Gallery in New York. ORLAN's goal in these surgeries is to acquire the ideal of female beauty as depicted by male artists. When the surgeries are completed, she will have the chin of Botticelli's Venus, the nose of Jean-Léon Gérôme's Psyche, the lips of François Boucher's Europe, the eyes of Diana (and the forehead of Leonardo da Vinci's Mona Lisa. ORLAN chose these characters, "not because of the canons of beauty they represent... but because of the stories associated with them".
Setdart Auction House
Oct. 19, 2021
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photograph. Specimen 2/7.
Est: €2,000 - €2,500
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photograph. Specimen 2/7. Dampness and damage to the frame. Signed, justified, and titled on the back. Measurements: 100 x 100 cm; 104 x 104 cm (frame). In this photograph, Orlan continues to question the social and cultural pressures exerted on the body and its representation in the media. Orlan has created a new image in this work, literally combining pre-Columbian and African icons with his own image; the resulting hybridizations create a complex narrative that blurs distinctions between time and place, real and unreal. He has created a new image to produce new images: Self-Hybridizations. The work contains evidence of past tribal rites and rituals associated with beautification that, along with her own modifications through plastic surgery, argue over salient issues in recent history such as collective identity, tragedy and exclusivity. The self-hybridizations also act as portraits of a potential future humanity, in which interbreeding between humans of diverse origins gives rise to new bodies, with nomadic and mutant identities. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow-motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of Baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation Baroque costumes and drew inspiration from Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself in black corrugated vinyl and white faux leather. Color photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictional hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor to the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Georges Pompidou Center in Paris and the Sandra Gehring Gallery in New York. ORLAN's goal in these surgeries is to acquire the ideal of feminine beauty as depicted by male artists.
Setdart Auction House
Oct. 15, 2021
Orlan (1947) - Viso Orlan, 1997
Est: €2,000 - €3,000
Light box Edition 4 of 8 Signed in black ink on the verso This lot is subject to Artists Resale Rights
Finarte
Jun. 19, 2021
Orlan (geb. 1947 in Saint-Étienne), eigentlich Mireille Suzanne Francette Porte
Est: €120 - €140
Portrait aus einer Sechser-Serie. Cibachrome-Abzug (min. Druckstelle), verso sign. und Stempel, Edition hors commerce, Griffelkunst 295. Wahl, III. Quartal 1999. Blattmaß ca. 40x 26,8 cm.
Dannenberg
Jun. 17, 2021
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photography. Issue 2/7. Presents moisture and damage to the frame. Signed and titled on the back.
Est: €2,000 - €2,500
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Precolumbian Self-Hybridization" No. 12, 1999. Photography. Issue 2/7. Presents moisture and damage to the frame. Signed and titled on the back. Measures: 100 x 100 cm; 104 x 104 cm (frame). In this photograph, Orlan continues to question the social and cultural pressures exerted on the body and its representation in the media. Orlan has created a new image in this work, literally combining pre-Columbian and African icons with his own image; the resulting hybridizations create a complex narrative that blurs distinctions between time and place, real and unreal. He has created a new image to produce new images: Self-Hybridizations. The work contains evidence of past tribal rites and rituals associated with beautification that, along with her own modifications through plastic surgery, argue over salient issues in recent history such as collective identity, tragedy and exclusivity. The self-hybridizations also act as portraits of a potential future humanity, in which interbreeding between humans of diverse origins gives rise to new bodies, with nomadic and mutant identities. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow-motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of Baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation Baroque costumes and drew inspiration from Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself in black corrugated vinyl and white faux leather. Color photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictional hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor to the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Georges Pompidou Center in Paris and the Sandra Gehring Gallery in New York. ORLAN's goal in these surgeries is to acquire the ideal of feminine beauty as depicted by male artists. When it is compl
Setdart Auction House
Jun. 17, 2021
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Pre-Columbian Self-hybridizations, No. 21", 1999. Photography. Issue 3/7. Work reproduced on the artist's website. Signed, dated, justified and titled on the back.
Est: €2,000 - €2,500
ORLAN (Saint-Étienne, France, 1947). "Disfiguration-Refiguration, Pre-Columbian Self-hybridizations, No. 21", 1999. Photography. Issue 3/7. Work reproduced on the artist's website. Signed, dated, justified and titled on the back. Measures: 90 x 57 cm; 125 x 94 cm (frame). Orlan is known for intervening her own body, performing different aesthetic operations on herself. In this particular case, the piece preserves the idea of body modification and manipulation, however, in this work, the artist goes a step further. She not only questions her identity, but also appropriates another culture. To do so, she makes use of an iconography associated with different pre-Columbian vestiges, such as the necklace, the shape of the hairstyle, the facial tattoos, and even the physiognomy of the nose, which is reminiscent of some profiles found in Aztec reliefs. ORLAN's career as a performance artist began in 1964, when he performed Marches au ralenti (slow motion walks) in his hometown of Saint-Étienne. During these performances, he walked as slowly as possible between two central parts of the city. In 1965, ORLAN produced MesuRages, in which he used his own body as a measuring instrument. With his "ORLAN-body" as a unit of measurement, he assessed how many people could fit into a given architectural space. This was the first time he used his body in a performance piece. ORLAN reused this concept in several subsequent projects. Between 1964 and 1966, ORLAN produced Vintages, a series of black and white photographic works. She destroyed the original negatives of these pieces and today only one copy of each photograph remains. In this series, she posed nude in various yoga-like positions. One of the most famous images from this series is ORLAN accouche d'elle m'aime.Between 1967 and 1975, ORLAN produced a body of work entitled Tableaux Vivants. He based them on the works of Baroque artists such as El Greco and Gericault. He used inmates as models, wore exaggerated imitation Baroque costumes and drew inspiration from Caravaggesque stereotypes. In 1971, ORLAN "christened itself" Sainte-ORLAN, adorning itself in black corrugated vinyl and white faux leather. Color photographs of Sainte-ORLAN were subsequently incorporated into photo-collages, videos and films tracing a fictional hagiography. During the 1977 FIAC International Contemporary Art Fair in Paris, ORLAN performed the controversial performance piece The Artist's Kiss (Le baiser de l'artiste). Outside the Grand Palais in Paris, a life-size photo of his torso was turned into a slot machine. Spectators could watch the coin inserted into the torso descend into a groin before receiving a kiss from the artist.ORLAN founded the International Performance Symposium in Lyon. In 1982, he collaborated with artist Frédéric Develay to create the first online contemporary art magazine, Art-Accès-Revue, on the French precursor to the Internet, the Minitel. In 1990, ORLAN initiated the Reincarnation of Sainte-ORLAN. This is a series of plastic surgeries through which the artist transformed herself into elements of famous paintings and sculptures of women. As part of her manifesto "Carnal Art", these works were filmed and shown in institutions around the world, such as the Georges Pompidou Center in Paris and the Sandra Gehring Gallery in New York. ORLAN's goal in these surgeries is to acquire the ideal of feminine beauty as depicted by male artists. When the surgeries are completed, she will have the chin of Botticelli's Venus, the nose of Jean-Léon Gérôme's Psyche, the lips of François Boucher's Europe, the eyes of Diana, and the forehead of Leonardo da Vinci's Mona Lisa. ORLAN chose these characters, "not because of the canons of beauty they represent... but because of the stories associated with them".
Setdart Auction House
Apr. 14, 2021
DIGITAL PHOTOGRAPH BY ORLAN 2000
Est: €400 - €600
ORLAN (Saint-Étienne 1947) Self Hybridation, 2000 Stampa digitale a colori, ex. H.C. Misure cm. 39 x 26 In cornice
Casa d'Aste Babuino
Feb. 04, 2021
ORLAN (Née en 1947) - SANS TITRE
Est: €200 - €300
ORLAN (Née en 1947) SANS TITRE De la série Refiguration, Self-hybridization, circa 1998 Tirage chromogénique Signé et numéroté 86/100 au dos 61,2 x 50,7 cm
Cornette de Saint-Cyr
Oct. 16, 2020
Orlan (1947) - Viso Orlan, 1997
Est: €3,000 - €4,000
Light box Edition 4 of 8 Signed in black ink on the verso This lot is subject to Artists Resale Rights
Finarte
Jul. 07, 2020
ORLAN (NEE EN 1947) - L'ORIGINE DE LA GUERRE, 2011
Est: €200 - €300
ORLAN (NEE EN 1947) L'ORIGINE DE LA GUERRE, 2011 Impression pigmentaire sur papier Signée, datée et numérotée 100/120 27 x 38 cm
Cornette de Saint-Cyr
Jul. 06, 2020
Pour Orlan : enlever «(Paulette du Brouet dit) - > SANS TITRE
Est: €300 - €500
Pour Orlan : enlever «(Paulette du Brouet dit) SANS TITRE De la série Refiguration, Self-hybridization, circa 1998 Tirage photographique Signé et numéroté 86/100 au dos 61,2 x 50,7 cm
Cornette de Saint-Cyr
May. 16, 2020
Refiguration - Selfhybridation no 1 (1977)
Est: €170 -
Verso signiert und typographische Bezeichnung. Gedruckt 1999. Griffelkunst 295 B1. Literatur: Orlan, Refiguration, Self-hybridations, Série Précolombienne, Al Dante, Paris 2001. -- Cibachrome-Abzug. Printed 1999. Verso signed. Griffelkunst 295 B1. Literature: Orlan, Refiguration, Self-hybridations, Série Précolombienne, Al Dante, Paris 2001..
Doebele Kunstauktionen
Apr. 05, 2019
ORLAN (FRA/1947) Joconde, 1994 Tirage cibachrome 40 x 60 cm
Est: €800 - €1,200
ORLAN (FRA/1947) Joconde, 1994 Tirage cibachrome 40 x 60 cm Signé et numéroté en bas à droite Cibachrome print 15 3/4 x 23 5/8 in Signed and numbered lower right
Leclere - Maison de ventes
Apr. 05, 2019
ORLAN (FRA/1947) Sourire de plaisir: il est maintenant possible de ne pas souffrir pendant la Septième operation chirurgicale, 1993 Tirage cibachrome 40 x 60 cm
Est: €800 - €1,200
ORLAN (FRA/1947) Sourire de plaisir: il est maintenant possible de ne pas souffrir pendant la Septième operation chirurgicale, 1993 Tirage cibachrome 40 x 60 cm Signé et numéroté en bas à droite Cibachrome print 15 3/4 x 23 5/8 in Signed and numbered lower right
Leclere - Maison de ventes
Dec. 14, 2018
ORLAN (FRA/1947)
Est: €800 - €1,200
ORLAN (FRA/1947) Sourire de plaisir : il est maintenant possible de ne pas souffrir pendant la Septième operation chirurgicale, 1993 Tirage cibachrome 40 x 60 cm Signé et numéroté en bas à droite
Leclere - Maison de ventes
Dec. 14, 2018
ORLAN (FRA/1947)
Est: €800 - €1,200
ORLAN (FRA/1947) Joconde, 1994 Tirage cibachrome 40 x 60 cm Signé et numéroté en bas à droite
Leclere - Maison de ventes
Oct. 23, 2018
ORLAN, Diane Orlan from the series Self-Hybridization
Est: €3,500 - €4,500
ORLAN (1947) Diane Orlan from the series Self-Hybridization 1997 Cibachrome print in a lightbox, exemplar 7/8, Edizioni Lattuada Studio, Milan 48 x 46 cm PROVENANCE: Studio Lattuada, Milan (label on the reverse) Private collection, Rome
Art-Rite
Jun. 20, 2018
ORLAN (NE EN 1947) - LES PARFUMs DU BAISER DE L'ARTISTE, 2007
Est: €120 - €150
ORLAN (NE EN 1947) LES PARFUMs DU BAISER DE L'ARTISTE, 2007 Coffret contenant 3 flacons enchâssés de parfums crées par l'artiste 30 x 21 x 7 cm (l'emboîtage)
Cornette de Saint-Cyr
Apr. 10, 2018
* ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION
Est: €2,000 - €3,000
* ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZATION PRE-COLUMBIAN N°23, 1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 1/3 Cette oeuvre est répertoriée dans les archives de l’artiste sous le numéro OR-017 149 x 96 cm 58.66 x 37.79 in. Cibachrome Signed at the back of the mount Countersigned on a Stefan Stux Gallery’s label at the back of the mount
Cornette de Saint-Cyr
Apr. 10, 2018
* ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION
Est: €2,000 - €3,000
* ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZATION PRE-COLUMBIAN N°13, 1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 3/3 Cette oeuvre est répertoriée dans les archives de l’artiste sous le numéro OR-013 149 x 96 cm 58.66 x 37.79 in. Cibachrome Signed at the back of the mount Countersigned on a Stefan Stux Gallery’s label at the back of the mount
Cornette de Saint-Cyr
Apr. 10, 2018
* ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION
Est: €1,000 - €2,000
* ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZATION PRE-COLUMBIAN N°4, 1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 4/7 Cette oeuvre est répertoriée dans les archives de l’artiste sous le numéro OR-010 89 x 59 cm 35.03 x 23.22 in. Cibachrome Signed at the back of the mount Countersigned on a Stefan Stux Gallery’s label at the back of the mount
Cornette de Saint-Cyr
Dec. 14, 2017
ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION / SELF-HYBRIDIZA
Est: €2,000 - €3,000
ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION / SELF-HYBRIDIZATION PRECOLUMBIAN N°38, 1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 2/3 Cette œuvre est répertoriée dans les archives de l’artiste sous le numéro OR-22 149 x 96 cm 58.66 x 37.79 in. Cibachrome, signed at the back of the mount, countersigned on a Stefan Stux Gallery's label at the back of the mount
Cornette de Saint-Cyr
Dec. 14, 2017
ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZAT
Est: €2,000 - €3,000
ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZATION PRE-COLUMBIAN N°18, 1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 2/3 Cette œuvre est répertoriée dans les archives de l’artiste sous le numéro OR-016 161 x 108,5 cm 63.4 x 42.7 in. Cibachrome, signed at the back of the mount, countersigned on a Stefan Stux Gallery's label at the back of the mount
Cornette de Saint-Cyr
Dec. 14, 2017
ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZAT
Est: €2,000 - €3,000
ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) REFIGURATION, SELF-HYBRIDIZATION PRE-COLUMBIAN°34,1998 Cibachrome Signé au dos du montage Contresigné sur le cartel de la Stefan Stux Gallery au dos du montage Exemplaire 2/3 Cette œuvre est répertoriée dans les archives de l’artiste sous le numéro OR-021 161 x 108,5 cm 63.4 x 42.7 in. Cibachrome, signed at the back of the mount, countersigned on a Stefan Stux Gallery's label at the back of the mount
Cornette de Saint-Cyr
Apr. 20, 2017
Orlan (1947)
Est: €1,600 - €2,000
Selfportrait, 1997/'98 Stampa vintage cibachrome. Firmata a penna nera al versocm 40 x 26,2 Vintage cibachrome print. Signed in black ink on the verso
Finarte Roma
Jun. 10, 2016
ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT)
Est: €3,000 - €5,000
ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°34,1998 Tirage Cibachrome sur papier Signé au dos du montage Contresigné sur un cartel au dos du montage Exemplaire numéro 2 / 3 161 x 108,5 cm - 63.4 x 42.7 in. Provenance : - Stefan Stux Gallery, New York - Collection particulière, New York Exposition : - Orlan, Digital Photographs and Sculptures, Refiguration / Self Hybridization: The PreColumbian and African Series, Stefan Stux Gallery, New York, 2005
Cornette de Saint-Cyr
Jun. 10, 2016
ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) DEFIGURATION-REFIGURATION, SELF-HYBRIDATION
Est: €3,000 - €5,000
ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°18, 1998 Tirage Cibachrome sur papier Signé au dos du montage Contresigné sur un cartel au dos du montage Exemplaire numéro 2 / 3 161 x 108,5 cm - 63.4 x 42.7 in. Provenance : - Stefan Stux Gallery, New York - Collection particulière, New York Exposition : - ORLAN, Digital Photographs and Sculptures, Refiguration / Self Hybridization: The PreColumbian and African Series, Stefan Stux Gallery, New York, 2005
Cornette de Saint-Cyr
Apr. 06, 2016
*ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°28,
Est: €3,000 - €5,000
*ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°28, 1998 Tirage Cibachrome sur papier Signé au dos du montage Contresigné sur un...
Cornette de Saint-Cyr
Apr. 06, 2016
*ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°8,
Est: €3,000 - €5,000
*ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°8, 1998 Tirage Cibachrome sur papier Signé au dos du montage Contresigné sur un...
Cornette de Saint-Cyr
Apr. 06, 2016
*ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°5,
Est: €3,000 - €5,000
*ORLAN (NEE EN 1947) (PAULETTE DU BROUET DIT) *DEFIGURATION-REFIGURATION, SELF-HYBRIDATION PRECOLOMBIENNE N°5, 1998 Tirage Cibachrome sur papier Signé au dos du montage Contresigné sur un...
Cornette de Saint-Cyr
Nov. 27, 2014
ORLAN . 1947 St. -Etienne, France - lives and works in Los Angeles
Est: €3,000 - €5,000
ORLAN 1947 St. -Etienne, France - lives and works in Los Angeles, New York and Paris Untitled. C-Print. Plexiglas. 155 x 121,5 cm. Presumably one of 7 prints. - Corners softly bumped. Minor handling traces. Otherwise in good condition. Orlan 1947 St.-Etienne, Frankreich - lebt und arbeitet in Los Angeles, New York und Paris Ohne Titel C-Print. Plexiglas. 155 x 121,5cm Wohl eines von 7 Exemplaren. - Ecken minimal bestoßen. Leichte Gebrauchsspuren. Ansonsten in gutem Zustand.
Van Ham Kunstauktionen
Oct. 20, 2014
¤ ORLAN (Née en 1947) DEFIGURATION-REFIGURATION/SELF-HYBRIDATION PRE-COLOMBIENNE N°18 - 1998 Cibachrome collé sur aluminium
Est: €4,000 - €5,000
ORLAN (Née en 1947) DEFIGURATION-REFIGURATION/SELF-HYBRIDATION PRE-COLOMBIENNE N°18 - 1998 Cibachrome collé sur aluminium Signé et numéroté au dos "Orlan, n°2/3" h: 149 w: 98 cm Provenance : Stefan Stux Gallery, New York Collection particulière, USA Bibliographie : "Orlan", Editions Flammarion, Paris, 2004, reproduit en couleur p.170 (un exemplaire similaire) Commentaire : CIBACHROME PRINT MOUNTED ON ALUMINIUM; SIGNED AND NUMBERED ON THE REVERSE
Artcurial
Oct. 20, 2014
¤ ORLAN (Née en 1947) DEFIGURATION-REFIGURATION/SELF-HYBRIDATION PRE-COLOMBIENNE N°5 - 1998 Cibachrome collé sur aluminium
Est: €4,000 - €5,000
ORLAN (Née en 1947) DEFIGURATION-REFIGURATION/SELF-HYBRIDATION PRE-COLOMBIENNE N°5 - 1998 Cibachrome collé sur aluminium Signé et numéroté au dos "Orlan, n°3/3" h: 149 w: 98 cm Provenance : Stefan Stux Gallery, New York Collection particulière, USA Commentaire : CIBACHROME PRINT MOUNTED ON ALUMINIUM; SIGNED AND NUMBERED ON THE REVERSE
Artcurial