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Ken Nwadiogbu Sold at Auction Prices

b. 1994 -

Ken Nwadiogbu (b. 1994, Lagos, Nigeria) creates innovative conceptual drawings on various surfaces, as he challenges and investigates Black socio-political structures and issues, while engaging in multidisciplinary modes of storytelling. Gender equality, African cultures, and Black power are a few aspects of his current research and artistic practice.

Nwadiogbu earned a B.Sc. in Civil and Environmental Engineering from the University of Lagos, Nigeria. His interest in art, as well as his career began while he earned his degree despite no formal training. Inspired by issues relating to those around him, he began creating works that reflect the everyday struggles of people like him, with the hopes of making a change in his community.

Popularly known as KenArt, Nwadiogbu is credited for beginning the ‘Contemporealism’ movement, a fusion that is primarily centred around Hyper-Realism and Contemporary art. He recently held his debut solo show Contemporealism (2019), in Brick Lane Gallery, London. He has also participated in local and international group exhibitions and fairs around the world, including Insanity (2016, Lagos); Finding your Identity (2017, Abuja); Artyrama Art Exhibition (2017, Lagos); Generation Y (2018, Abuja); Afriuture (2018, Canada); Art X (2018 & 2019, Lagos); Moniker Art Fair (2018, Brooklyn & 2019, London); Empowerment Exhibition (2018, London); Anti-Trump Art Show (2019, London); Thinkspace’s LAX-SFO (2019, California); In the Making (2019, Abuja); Thinkspace’s LAX-MSY (2019, Lousiana); Thinkspace’s LAX LHR (2019, London); Miami Art Week (2019, Miami) and so on.

A core focus for Nwadiogbu is to inspire and encourage young creatives. He does this through public speaking and mentorship, as well as through his creative companies; Artland Contemporary Limited and KINGS Management. He is also the co-founder of Artists Connect NG, the largest artist gathering in Nigeria, created to foster creativity, collaboration and community.

Ken Nwadiogbu is constantly revitalising his practice by challenging modes of Black representation. His oeuvres encompasses various forms of drawing using charcoal, collage, acrylic, and most recently photography. For him, art is a safe haven, devoid of restrictions, boxes and boundaries.

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    • Ken Nwadiogbu, For When They Speak About Legends
      Sep. 12, 2024

      Ken Nwadiogbu, For When They Speak About Legends

      Est: $1,000 - $2,000

      Ken Nwadiogbu For When They Speak About Legends 2021 charcoal and acrylic on canvas 20 h x 16 w in (51 x 41 cm) Signed and dated to lower right 'Ken Nwadiogbu '21'. Provenance: Thinkspace Projects, Los Angeles | Collection of Shawn and Andrew Hosner of Thinkspace Projects, Los Angeles Exhibited: Ken Nwadiogbu: Ubuntu, 6 March - 27 March 2021, Thinkspace Projects, Los Angeles This work will ship from Los Angeles, California.

      Los Angeles Modern Auctions
    • Ken Nwadiogbu (Nigerian 1994-), 'A Mothers Cry', 2019
      Mar. 20, 2024

      Ken Nwadiogbu (Nigerian 1994-), 'A Mothers Cry', 2019

      Est: £800 - £1,200

      Ken Nwadiogbu (Nigerian 1994-), 'A Mothers Cry', 2019, canvas print with gold leaf and UV pen, signed and dated front, inscribed AP 1 of 1 to the canvas overlap, the work includes the names of those who fell victim to knife crime in 2019 written in UV ink; canvas: 67 x 51cm

      Tate Ward Auctions
    • Ken Nwadiogbu (Nigerian 1994-), 'It's Confidential IV', 2019
      Mar. 30, 2022

      Ken Nwadiogbu (Nigerian 1994-), 'It's Confidential IV', 2019

      Est: £1,000 - £2,000

      Ken Nwadiogbu (Nigerian 1994-), 'It's Confidential IV', 2019, mixed media and charcoal on canvas panel, signed and dated front; 43 x 43cm inc frame

      Tate Ward Auctions
    • Ken Nwadiogbu (Nigerian 1994-), 'A Mothers Cry', 2019
      Dec. 07, 2021

      Ken Nwadiogbu (Nigerian 1994-), 'A Mothers Cry', 2019

      Est: £800 - £1,200

      Ken Nwadiogbu (Nigerian 1994-), 'A Mothers Cry', 2019, canvas print with gold leaf an UV pen, signed and dated front, inscribed AP 1 of 1 to the canvas overlap, the work includes the names of those whom fell victim to knife crime in 2019 written in UV ink; canvas: 67 x 51cm

      Tate Ward Auctions
    • Ken Nwadiogbu (Nigerian 1994-), 'The Value Of Nothing III', 2019
      Dec. 07, 2021

      Ken Nwadiogbu (Nigerian 1994-), 'The Value Of Nothing III', 2019

      Est: £300 - £500

      Ken Nwadiogbu (Nigerian 1994-), 'The Value Of Nothing III', 2019, embossed screenprint in colours on 410gsm Somerset Tub Sized Satin paper, signed and numbered from an edition of 100 in pencil, published by Coriander Studio; sheet: 80 x 66cm (Framed)

      Tate Ward Auctions
    • KEN NWADIOGBU (B. 1994) - A Bit more Coin
      Oct. 19, 2021

      KEN NWADIOGBU (B. 1994) - A Bit more Coin

      Est: £2,000 - £3,000

      KEN NWADIOGBU (B. 1994) A Bit more Coin acrylic, charcoal and felt-tip pen on canvas 26 5/8 x 26 ½in. (67.6 x 67.2cm.)

      Christie's
    • Ken Nwadiogbu (Nigerian 1994-), 'The Value Of Nothing III', 2019
      Sep. 29, 2021

      Ken Nwadiogbu (Nigerian 1994-), 'The Value Of Nothing III', 2019

      Est: £300 - £500

      Ken Nwadiogbu (Nigerian 1994-), 'The Value Of Nothing III', 2019, embossed screenprint in colours on 410gsm Somerset Tub Sized Satin paper, signed and numbered from an edition of 100 in pencil, published by Coriander Studio; sheet: 80 x 66cm

      Tate Ward Auctions
    • Ken Nwadiogbu (Nigerian 1994-), 'The Value Of Nothing III', 2019
      Mar. 24, 2021

      Ken Nwadiogbu (Nigerian 1994-), 'The Value Of Nothing III', 2019

      Est: £300 - £500

      Ken Nwadiogbu (Nigerian 1994-), 'The Value Of Nothing III', 2019, embossed screenprint in colours on 410gsm Somerset Tub Sized Satin paper, signed and numbered from an edition of 100 in pencil, published by Coriander Studio; sheet: 80 x 66cm

      Tate Ward Auctions
    • Ken Nwadiogbu (Nigerian 1994-), 'A Mothers Cry', 2019
      Mar. 25, 2020

      Ken Nwadiogbu (Nigerian 1994-), 'A Mothers Cry', 2019

      Est: £300 - £500

      Ken Nwadiogbu (Nigerian 1994-), 'A Mothers Cry', 2019, canvas print with gold leaf an UV pen, signed and dated front, inscribed AP 1 of 1 to the canvas overlap, the work includes the names of those whom fell victim to knife crime in 2019 written in UV ink; canvas: 67 x 51cm

      Tate Ward Auctions
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