Franz Nölken Paintings & Artwork for Sale | Franz Nölken Art Value Price Guide

Sep. 28, 2024
Franz Nölken (Hamburg 1884 - La Capelle 1918). Seated Nude.
Est: -
Around 1914. Oil/canvas. 100 x 81 cm. Some small retouchings. In Nölken's beautiful nude from his late work, the impressions of his repeated visits to France are fruitfully incorporated. He has his model adopt a pose with foreshortenings that are sometimes difficult to depict in painting. The lighting situation is also a challenge for the depiction of light and dark areas and different local colors. N. succeeds in combining Cézanne's brushstrokes and Matisse's color harmonies into a harmonious and independent synthesis. The outlines that playfully follow the contours are also characteristic and were to become typical of artists of the Hamburg Secession. - Expertise: Friederike Weimar, Hamburg 2018, confirms the authenticity - N. is one the most important artist's of early modernism in Hamburg and of international importance. He was pupil of A. Siebelist since 1900. In 1904 he joined the Hamburgische Künstlerclub, in 1907 he became member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann and W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism and later received influences of French neoimpressionism and of Matisse. Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.
Auktionshaus Stahl
Apr. 27, 2024
Franz Nölken, Max Reger, schreibend (VI).
Est: €35,000 -
Franz Nölken (Hamburg 1884 - 1918 La Capelle) Max Reger, schreibend (VI). Öl auf Leinwand. 1916. 61,5 x 50,5 cm. Gerahmt. Signiert u. datiert. Meyer-Tönnesmann 234 - Provenienz: Sammlung Prof. Dr. Hermann-Josef Bunte, Bielefeld. - Abgebildet in: Friedrich Ahlers-Hestermann, Franz Nölken (1884-1918), in: Kunst und Künstler, Heft 10, Berlin 1919, S. 408-16, Abb. S. 415 sowie ausgestellt und abgebildet in: Das Glück in der Kunst. Expressionismus und Abstraktion um 1914. Sammlung Bunte. Bielefeld, Kunsthalle, 2014, S. 236. - Franz Nölken, der 1918 kurz vor dem Ende des Ersten Weltkriegs an der Westfront fiel, nachdem er bis 1917 wegen Krankheit vom Militärdienst zurückgestellt worden war, begann ab 1913 eine tiefe Freundschaft mit dem Komponisten Max Reger. Es gibt insgesamt sechs Ölbilder und zahlreiche Radierungen mit Porträts des Komponisten, der selbst im Mai 1916 im Alter von 43 Jahren an Herzversagen starb. Das vorliegende Porträt ist wohl nach dem Tod Max Regers auf der Grundlage vieler Fotos und Zeichnungen, die Nölken angefertigt hatte, entstanden. Nach Auskunft des Max-Reger-Instituts komponiert Max Reger auf dem bekannten Ölbild die Ballettsuite op. 130, wobei Nölken ihn beobachtete. - Retuschen.
Dr. Irene Lehr Kunstauktionen GmbH
Feb. 24, 2024
Franz Nölken (Hamburg 1884 - La Capelle 1918). Seated Nude.
Est: -
Around 1914. Oil/canvas. 100 x 81 cm. Scattered retouchings. In Nölken's beautiful nude from his late work, the impressions of his repeated visits to France are fruitfully incorporated. He has his model adopt a pose with foreshortenings that are sometimes difficult to depict in painting. The lighting situation is also a challenge for the depiction of light and dark areas and different local colors. N. succeeds in combining Cézanne's brushstrokes and Matisse's color harmonies into a harmonious and independent synthesis. The outlines that playfully follow the contours are also characteristic and were to become typical of artists of the Hamburg Secession. - Expertise: Friederike Weimar, Hamburg 2018, confirms the authenticity - N. is one the most important artist's of early modernism in Hamburg and of international importance. He was pupil of A. Siebelist since 1900. In 1904 he joined the Hamburgische Künstlerclub, in 1907 he became member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann and W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism and later received influences of French neoimpressionism and of Matisse. Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.
Auktionshaus Stahl
Dec. 01, 2023
”Pappelallee in Borgeln”
Est: €60,000 - €80,000
Lower left signed (faintly legible) and indistinctly dated: Nölken [...]
Grisebach
Dec. 04, 2022
FRANZ NÖLKEN (1884 Hamburg - 1918 La Capelle/Frankreich)
Est: -
Öl auf Leinwand, ¨Weiblicher Akt auf dem Rücken in Wasser treibend¨ (um 1907), unten rechts signiert ¨Nölken¨ und undeutlich datiert, ca. 25,5x33cm, gerahmt (37,5x45,5cm), Firnis, retuschiert
Auktionshaus Rotherbaum OHG
Nov. 12, 2022
Franz Nölken Seated Nude Painting
Est: $35,000 - $45,000
Franz Nölken (1884-1918) Seated Nude 1907 Oil on cardboard 26.25 x 22.25 in / 67 x 57 cm Framed in a period Montpanasse frame Literature: Catalogue raisonnaie, Galerie Herold WV 115, page 39 (published 1984) "The Hamburghian Artist's Union of 1897", Catalogue Raisonée by C. Meyer-Tönnesmann (1984) Nölken was one of the most important representatives of the Hamburghian modernist movement of international renown. From 1900 on Nölken was a student of Arthur Sibelist. He joined the Hamburghian Artist's League in 1904. In 1907 he became a member of the influential "Die Brücke" movement upon recommendation of Karl Schmitt-Rottluf. After a successful exhibition by the artist of "Die Brücke" in 1909, Nölken was invited to travel to Paris in order to study with Henri Matisse. The two noteworthy collectors Ernst Rump and Oskar Troplowitz (the owner of Beiersdorf, maker of Nivea) both recognized Nölken's talent and supported Nölken in his artistic endeavors. Nölken's oeuvre is deeply rooted in naturalism and the early influence French neo-impressionism of Matisse. Works by Nölken are in the collections of the following museums: Hamburger Kunsthalle, Hamburg, Germany; Brücke Museum, Berlin, Germany; Schleswig-Holsteinisches Landesmuseum, Gottorf Castle, Schleswig, Germany. This is an online only sale. Items may be viewed upon appointment in New York City. This lot is being sold FOB Germany. Shipping cost will be provided by Seller, exclusive of any applicable taxes, VAT, duties or customs charges. Notice to bidders: More detailed condition reports and additional photographs are available by request. The absence of a condition report does not imply that the lot is in excellent condition. Please message us through the online bidding platform or call Guernsey's at 212-794-2280 to request a more thorough condition report. Notwithstanding any condition report or discussion concerning a lot, all lots are offered and sold “as is” in accordance with the condition of sale.
Guernsey's
Oct. 23, 2022
FRANZ NÖLKEN (1884-1918) Paysage, 1906. Huile sur toile. Signée et datée en bas à dro
Est: €8,000 - €10,000
FRANZ NÖLKEN (1884-1918) Paysage, 1906. Huile sur toile. Signée et datée en bas à droite. Encadrée. Olieverf op doek. Gesigneerd en gedateerd rechtsonder. Ingekaderd. 60 x 66 cm Provenance / Herkomst : Collection belge, Bruxelles.
Cornette de Saint-Cyr-Bruxelles
Sep. 17, 2022
Franz Nölken (Hamburg 1884 - La Capelle 1918). Friends.
Est: -
1903. Watercolour, pastel and pencil. 31,5 x 31 cm. Up. ri. monogr. N, framed under glass, uninspected out of frame. - Literature: The watercolour is listed in the catalogue of Nölkens works in the collection of Ernst Rump: Franz Nölken, Briefe 1906 - 1918, Hamburg 1996, Abb. 50 - Provenance: Collection Ernst Rump, thence by descent; lastyl private collection Lower Saxony. - N. is one the most important artist's of early modernism in Hamburg and of international importance. He was pupil of A. Siebelist since 1900. In 1904 he joined the Hamburgische Künstlerclub, in 1907 he became member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann and W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism and later received influences of French neoimpressionism and of Matisse. Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.
Auktionshaus Stahl
May. 07, 2022
Franz Nölken (Hamburg 1884 - La Capelle 1918). Bather, seated.
Est: -
Etching and dry point, 15,5 x 19,5 cm, lo. ri. autographed Nölken, lo. le. in the plate sign. and dat. Nölken 1915, matted and framed under glass, uninspected out of frame. - Literature: Cat. rais.: Robinow 38. - N. is one the most important artist's of early modernism in Hamburg and of international importance. He was pupil of A. Siebelist since 1900. In 1904 he joined the Hamburgische Künstlerclub, in 1907 he became member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann and W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism and later received influences of French neoimpressionism and of Matisse. Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.
Auktionshaus Stahl
Apr. 02, 2022
Nölken, Franz. 1884 Hamburg -
Est: -
Nölken, Franz. 1884 Hamburg - 1918 La Capelle. Female nude in the water. Oil/canvas signed lower right Nölken a. indistinctly dated 1904(?), 26 x 33 cm, unframed. - Early work of the Hamburg expressionist, who was temporarily a member of the Dresden artists' association ''Brücke''. Nölken attended from 1900 the painting school of Arthur Siebelist, representative of the impressionistem outdoor painting, and exhibited in 1904 together with Siebelist students such as Friedrich Ahlers-Hestermann in the Hamburg gallery Commeter.
Historia Auctionata
Jul. 15, 2021
Nölken, Franz
Est: €200 - €400
Nölken, Franz Hamburg, 1884 - La Capelle, 1918 Blattgröße: 39,5 x 28,5 cm; 29,5 x 23,5 cm, o. R. Portrait Max Reger, 1916. Etching on wove paper. Signed. Private collection, Baden-Württemberg.
Nagel Auction
Jun. 11, 2021
Nölken, Franz: Wallstraße II
Est: €260 - €350
Wallstraße II Radierung mit Kaltnadel auf Similijapan. 1915. 25,1 x 19,9 cm (39,8 x 30 cm). Signiert "Nölken" und datiert. Robinow 42 III b. Mit dem Glitzablattstempel. Ganz ausgezeichneter, gratiger und zarttoniger Druck mit breitem, wohl vollem Rand. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.
Bassenge Auctions
May. 09, 2020
Nölken, Franz (1884-1918) "Kauernder Knabe" (squatting boy), signed on the right, 30x21cm (w.f. 32x23,5cm), slightly spotted
Est: -
Nölken, Franz (1884-1918) "Kauernder Knabe" (squatting boy), signed on the right, 30x21cm (w.f. 32x23,5cm), slightly spotted
Kendzia
Nov. 23, 2019
Nölken, Franz (1884-1918) " Beach with jetty and navigation mark " 1906, oil/canvas mounted on wood, at the back side with handwritten ownership note, u.l. sign./dat.
Est: -
Nölken, Franz (1884-1918) " Beach with jetty and navigation mark " 1906, oil/canvas mounted on wood, at the back side with handwritten ownership note, u.l. sign./dat.
Kendzia
Sep. 24, 2016
Landscape with Locomotive
Est: -
Franz Nölken Hamburg 1884 - La Capelle 1918 Landscape with Locomotive Ca. 1912/13, oil/canvas/cardboard, 56 x 44 cm, lo. le. monogr. N.
Auktionshaus Stahl
Nov. 28, 2015
By the Alster
Est: €300 - €360
Franz Nölken Hamburg 1884 - La Capelle 1918 , By the Alster, Etching, 15 x 19 cm, lo. ri. autographed Nölken, lo. le. in the plate sign. a. dat. Nölken 1915, framed under glass, uninspected out of frame. - Cat. rais.: Robinow 40., N. is one the most important artist's of early modernism in Hamburg a. of international importance. He was pupil of A. Siebelist since 1900. Ini 1904 he joined the Hamburgische Künstlerschaft, in 1907 he becamer member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann a. W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse.
Auktionshaus Stahl
Nov. 28, 2015
Edmund Siemers
Est: €300 - €360
Franz Nölken Hamburg 1884 - La Capelle 1918 , Edmund Siemers, Etching, 29,5 x 25 cm, lo. ri. autographed Nölken, in the plate lo. le. sign. a. dat. Nölken 1915. - Cat. rais.: Robinow 46., N. is one the most important artist's of early modernism in Hamburg a. of international importance. He was pupil of A. Siebelist since 1900. Ini 1904 he joined the Hamburgische Künstlerschaft, in 1907 he becamer member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann a. W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse.
Auktionshaus Stahl
Nov. 28, 2015
Edmund Siemers
Est: €900 - €1,080
Franz Nölken Hamburg 1884 - La Capelle 1918 , Edmund Siemers, Pencil a. coloured pencil, 22 x 23 cm, lo. ri. sign. a. dat. Nölken 1915, unframed., N. is one the most important artist's of early modernism in Hamburg a. of international importance. He was pupil of A. Siebelist since 1900. Ini 1904 he joined the Hamburgische Künstlerschaft, in 1907 he becamer member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann a. W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse.
Auktionshaus Stahl
Oct. 24, 2015
Drei weibliche Akte.
Est: €40,000 - €48,000
Signiert und datiert. 175,5 x 110 cm. Mit kleinen Farbabsplitterungen. Nölken zeigte schon früh eine malerische und zeichnerische Begabung. Als 16-Jähriger besuchte er auf Anraten von Alfred Lichtwark die Malschule von A. Sibelist und stellte bereits 1904 zusammen mit anderen Schülern - darunter F. Ahlers-Hestermann - aus. 1908 wurde er auf Vorschlag von K. Schmidt-Rottluff Mitglied der Künstlergemeinschaft "Brücke". Eine Parisreise nutzte er 1909 zur Weiterbildung an der "Académie Matisse" bevor er sich in Hamburg niederließ. Signifikant für das Oeuvre Nölkens ist das Streben nach Vereinfachung im Sinne P. Cezannes. Er schuf neben Porträts bevorzugt Aktbilder, die Einflüsse des französischen Neoimpressionismus sowie seines Lehrers Matisse aufnehmen. Gerahmt. [bg]
Winterberg-Kunst
Jun. 20, 2015
Standing Nude
Est: €8,000 - €9,600
Franz Nölken, Hamburg 1884 - La Capelle 1918 Standing Nude 1907, oil/canvas, 61,5 x 38,5 cm. - Exh.: the painting was exhibited: Die Große Inspiration. Deutsche Künstler in der Académie Matisse. Friedrich Ahlers-Hestermann, Franz Nölken, Walter Alfred Rosam, Gretchen Wohlwill. Clemens-Sels-Museum, Neuss, 2000. - N. is one the most important artist's of early modernism in Hamburg a. of international importance. He was pupil of A. Siebelist since 1900. Ini 1904 he joined the Hamburgische Künstlerschaft, in 1907 he becamer member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann a. W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.
Auktionshaus Stahl
Jun. 20, 2015
Self Portrait
Est: €4,000 - €4,800
Franz Nölken, Hamburg 1884 - La Capelle 1918 Self Portrait 1912, oil/cardboard/wood, 34 x 24 cm. - N. is one the most important artist's of early modernism in Hamburg a. of international importance. He was pupil of A. Siebelist since 1900. Ini 1904 he joined the Hamburgische Künstlerschaft, in 1907 he becamer member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann a. W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.
Auktionshaus Stahl
Jun. 20, 2015
Portrait of Dora Bellmann
Est: €4,000 - €4,800
Franz Nölken, Hamburg 1884 - La Capelle 1918 Portrait of Dora Bellmann Oil/canvas, 29 x 26 cm, lo. le. monogr. a. dat. FN 1903, on the stretcher inscribed 'Dora Bellmann Eddelsen bei Hittfeld 1903'. - Cat. rais.: Meyer-Tönnesmann 24. - N. is one the most important artist's of early modernism in Hamburg a. of international importance. He was pupil of A. Siebelist since 1900. Ini 1904 he joined the Hamburgische Künstlerschaft, in 1907 he becamer member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann a. W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.
Auktionshaus Stahl
Jun. 20, 2015
Portrait of the Composer Max Reger
Est: €500 - €600
Franz Nölken, Hamburg 1884 - La Capelle 1918 Portrait of the Composer Max Reger Handcoloured etching, 14 x 12,5 cm, lo. ri. inscribed 'Nölken 1913', on the reverse collector's stamp 'OP', framed under glass, uninspected out of frame. - WVZ: Robinow 1913/19 IV. - N. is one the most important artist's of early modernism in Hamburg a. of international importance. He was pupil of A. Siebelist since 1900. Ini 1904 he joined the Hamburgische Künstlerschaft, in 1907 he becamer member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann a. W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.
Auktionshaus Stahl
Jun. 20, 2015
Portrait of a Girl
Est: €1,800 - €2,160
Franz Nölken, Hamburg 1884 - La Capelle 1918 Portrait of a Girl Charcoal a. pastel, 42 x 28,5 cm, verso sign. a. dat. Nölken 1906, min. dam. Uninspected out of frame. - N. is one the most important artist's of early modernism in Hamburg a. of international importance. He was pupil of A. Siebelist since 1900. Ini 1904 he joined the Hamburgische Künstlerschaft, in 1907 he becamer member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann a. W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.
Auktionshaus Stahl
Jun. 20, 2015
Aenni and Wilhelm Rump
Est: €500 - €600
Franz Nölken, Hamburg 1884 - La Capelle 1918 Aenni and Wilhelm Rump Handcoloured dry point, 12 x 15 cm, lo. le. sign. a. dat. Nölken 1914, on the reverse collector's stamp 'OP', framed under glass, uninspected out of frame. - WVZ: Robinow 1914/30. - N. is one the most important artist's of early modernism in Hamburg a. of international importance. He was pupil of A. Siebelist since 1900. Ini 1904 he joined the Hamburgische Künstlerschaft, in 1907 he becamer member of the 'Brücke' on recommendation of K. Schmidt-Rottluff. After exhibiting with the Brücke artists in Dresden in 1909 he went to Paris accompanied by F. Ahlers-Hestermann a. W. Rosam to study in the studio of H. Matisse. The collectors E. Rump as well as the owner of Beierdsorf, O. Troplowitz were among his promoters. N.s many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, C. Meyer-Tönnesmann: Der Hamburgische Künstlerclub von 1897, Kat. Galerie Herold with cat. rais. by Meyer-Tönnesmann 1984 a. others.
Auktionshaus Stahl
Apr. 25, 2015
Franz Nolken, German 1884-1918- ''Portrait of Max
Est: £150 - £200
Franz Nolken, German 1884-1918- ''Portrait of Max Reger''; drypoint etching, signed and dated 1916 within the plate, signed in pencil, 15.2x11.8cm Note: Max Reger (1873-1916) was a progressive early modernist composer who expanded upon the styles of Johann Sebastian Bach and Johannes Brahms to bring German music into the twentieth century. He was extremely prolific and wrote more than 1000 works in his lifetime in all forms except opera
Roseberys
May. 31, 2013
Nölken, Franz 1884 - 1918 „Sitzender Akt"
Est: €25,000 - €35,000
Nölken, Franz 1884 - 1918 „Sitzender Akt" Oil on cardboard, laid down on cardboard 1907 Stamp of the 1984/5 Hamburg exhibition (see below) on the reverse, lower right 26 1/4 x 22 1/4 in. Franz Nölken 1884-1918. Gedenkausstellung zum 100. Geburtstag des Künstlers. Hamburg, Galerie Herold, 1984/85, cat. no. 115, full-page colour ill. p. 39
Grisebach
Dec. 29, 2012
Nölken, Franz, 1884 Hamburg-1918,
Est: €750 - €900
Nölken, Franz, 1884 Hamburg-1918, Voralpenlandschaft mit See, Öl/Lwd, li. u. sign. und bez. Mchn, ca. 90x120cm, R.
Henry's Auktionshaus
Sep. 22, 2012
Nölken, Franz Hamburg 1884 - La Capelle 1918 Seated Nude
Est: - €29,000
Nölken, Franz Hamburg 1884 - La Capelle 1918 Seated Nude Ca. 1907, oil/cardboard, 67 x 57 cm, on the reverse stamp of the Nölken-Gedächtnisausstellung 1984/85, min. rest. - WVZ: Meyer-Tönnesmann 115, colour illustration p. 39. - Exh.: Nölken-Ausstellung, Ernst Barlach-Haus Hamburg, 1990/91, cat no. 8.
Auktionshaus Stahl
Sep. 22, 2012
Nölken, Franz Hamburg 1884 - La Capelle 1918 Portrait of Nathanael Jünger
Est: - €6,000
Nölken, Franz Hamburg 1884 - La Capelle 1918 Portrait of Nathanael Jünger Oil/canvas, 60,5 x 50,5 cm, on the stretcher inscribed 'Ernst Rump'. - Cat. rais.: Meyer-Tönnesmann 204. We are grateful to Dr. Meyer-Tönnesmann for his kind assistance.
Auktionshaus Stahl
Jun. 16, 2012
Portrait of a Girl
Est: €1,200 - €1,440
Nölken Franz Hamburg 1884 - La Capelle 1918 Portrait of a Girl Ca. 1903/04, charcoal drawing heightened with white, 43 x 33,5 cm, lo. middle monogr. N, mounted on cardboard, unframed. - Cf. the charcoal drawing in: Franz Nölken 1884-1918, Soest 1984, p. 68. - One the most important artist's of early modernism in Hamburg a. of international importance, member of the Hamburgischer Künstlerclub a. the Dresden Brücke, accompanied F. Ahlers-Hestermann to Paris, where he became pupil of Matisse in 1909, his many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, Meyer-Tönnesmann 'Der Hamburgische Künstlerclub von 1897', Kat. Galerie Herold m. WVZ. d. Gemälde u. Graphik von Meyer-Tönnesmann (Hamburg 1984) a. others.
Auktionshaus Stahl
Jun. 16, 2012
Resting Boys
Est: €1,500 - €1,800
Nölken Franz Hamburg 1884 - La Capelle 1918 Resting Boys Charcoal drawing heightened with white, 30 x 35,5 cm, lo. ri. monogr. N, mounted on cardboard, unframed. - One the most important artist's of early modernism in Hamburg a. of international importance, member of the Hamburgischer Künstlerclub a. the Dresden Brücke, accompanied F. Ahlers-Hestermann to Paris, where he became pupil of Matisse in 1909, his many-sided pictorial oeuvre was rooted in naturalism a. later received influences of French neoimpressionism a. of Matisse. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, Meyer-Tönnesmann 'Der Hamburgische Künstlerclub von 1897', Kat. Galerie Herold m. WVZ. d. Gemälde u. Graphik von Meyer-Tönnesmann (Hamburg 1984) a. others.
Auktionshaus Stahl
Apr. 16, 2011
Nölken, Franz Hamburg 1884 - La Capelle 1918 Cyclamen
Est: €4,800 - €5,760
Nölken, Franz Hamburg 1884 - La Capelle 1918 Cyclamen Oil/canvas/masonite, 60 x 39,5 cm, sign. a. dat. up. ri. Nölken 1908, min. craquelure, min. rest. - The artwork will be included in the supplement of the cat. rais. of Franz Nölken (1984) by Dr. Meyer-Tönnesmann.
Auktionshaus Stahl
Feb. 19, 2011
Nölken, Franz Place of Birth: Hamburg 1884 Place of Death: La Capelle 1918
Est: €2,000 - €2,400
Nölken, Franz Place of Birth: Hamburg 1884 Place of Death: La Capelle 1918 Still Life with white Child's Bust Oil/artist's board/wood, 39,5 x 31,5 cm. - Cat. rais.: Meyer-Tönnesmann 41. - We are grateful to Dr. Meyer-Tönnesmann for confirmation of authenticity. - Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) a. others. - Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, Meyer-Tönnesmann 'Der Hamburgische Künstlerclub von 1897', Kat. Galerie Herold m. WVZ. d. Gemälde u. Graphik von Meyer-Tönnesmann (Hamburg 1984) a. others.
Auktionshaus Stahl
Sep. 12, 2009
Nölken Franz (Hamburg 1884 - La Capelle 1918 ) Boy
Est: - €18,000
Nölken Franz (Hamburg 1884 - La Capelle 1918 ) Boy with a goat 1902. Oil/canvas, 74 x 42 cm, relined. Study for the Painting 'Three children with a goat'. See catalogue raisonné Galerie Herold, p.106, no.7, ill.p.27. Mus.: Hamburg (Kunsthalle), Berlin (Brücke Museum), Schleswig (SHLM) et.al., Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, Meyer-Tönnesmann 'Der Hamburgische Künstlerclub von 1897', Cat. Gallery Herold m. WVZ. d. Gemälde u. Graphik by Meyer-Tönnesmann (Hamburg 1984) et.al..
Auktionshaus Stahl
Jun. 20, 2009
Nölken Franz Hamburg 1884 La Capelle 1918 Portrait
Est: - €2,200
Nölken Franz Hamburg 1884 La Capelle 1918 Portrait of a woman Chalk/brown paper, 43 x 34 cm, personally dat. 15. II.06 - Hamburg, very small tear, not opened. Mus.: Hamburg, Berlin, Schleswig et.al., Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, Meyer-Tönnesmann 'Der Hamburgische Künstlerclub von 1897', Cat. Gallery Herold with catalogue of paintings and graphics by Meyer-Tönnesmann (Hamburg 1984) et.al.
Auktionshaus Stahl
Apr. 25, 2009
Franz Nölken Hamburg 1884-La Capelle 1918 Portrait
Est: - €150
Franz Nölken Hamburg 1884-La Capelle 1918 Portrait of Magdalene Schmahl Etching, 16,5 x 12 cm, sign. in pencil lo. ri. Nölken, monogr. and dat. within the composition N 16. WVZ 67 (portrait I). Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, Meyer-Tönnesmann 'Der Hamburgische Künstlerclub von 1897', Exh.cat. Galerie Herold with cat. raisonné of the paintings and graphic by Meyer-Tönnesmann (Hamburg 1984) et.al.
Auktionshaus Stahl
Feb. 14, 2009
Nölken Franz Hamburg 1884 La Capelle 1918 Young
Est: - €1,500
Nölken Franz Hamburg 1884 La Capelle 1918 Young boy on a canapé Ink, washed, 22,5 x 27 cm, on the reverse authographic annotation of the owner: ''Friedrich Hofmann V/1, 662, Knabenakt', not opened. Lit.: Thieme-Becker, Vollmer, Rump, Der Neue Rump, Meyer-Tönnesmann, exh. cat. Gallery Herold (with cat. rais. of the paintings and pastels) et.al.
Auktionshaus Stahl
Nov. 22, 2008
Nölken Franz 1884 - 1918 Female Nude C. 1907/08.
Est: - €35,000
Nölken Franz 1884 - 1918 Female Nude C. 1907/08. Oil/canv., 67,5 x 80 cm, some craquelé. Catalogue raisonné no. 130. Prov.: auction Hauswedell 1984.
Auktionshaus Stahl